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* BigTownBoredom: A frequent theme in ''The Sticks''. Many of the songs are about escapism or wishing for isolation from people. In the title track the protagonist wants to get "away from all the la-di-da". The song is also referenced in "Bit by Bit" where the plan seems to be put into action.

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sorted example by alphabetical order


* {{Crossdresser}}: The first verse in "Verbatim" describes a man who likes wearing women's underwear.


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* {{Crossdresser}}: The first verse in "Verbatim" describes a man who likes wearing women's underwear.
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* CarefulWithThatAxe: The second verse of "Verbatim" is preceded with a harsh scream, and a distant, piercing ''shriek'' cuts through the fade leading up to the final verse on "Hayloft II".


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* PepTalkSong: "Get Up" urges the listener to stop being overwhelmed by their desires and start the process of fulfilling them by putting themselves out there and living.

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* LyricalDissonance: Certainly not unheard of from the band. A number of their songs have laid-back or fun instrumentals, but are as apt as the rest of their catalogue to delve into some rather nihilistic and less-than-cheerful lyrical content.

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* LyricalDissonance: Certainly not Far from unheard of from when it comes to the band. A number of their songs have laid-back or fun instrumentals, but are as apt as the rest of their catalogue to delve into some rather nihilistic and less-than-cheerful lyrical content.



* UnusualEuphemism: "Arms Tonite", in which the singer describes dying in their lover's arms in a way that sounds rather, ah, ''Shakespearean'', especially given that while they're distressed afterward to be "dead" while said lover is still "alive", they get the impression their partner finds the situation ''cute.''

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* UnusualEuphemism: UnusualEuphemism:
**
"Arms Tonite", in which the singer describes dying in their lover's arms in a way that sounds rather, ah, ''Shakespearean'', especially given that while they're distressed afterward to be "dead" while said lover is still "alive", they get the impression see fit to ask if their partner finds the situation ''cute.''''
** The male singer in "The Stand" starts talking about women when asked about his weaknesses. When the female singer calls him a handful for it and he responds that "I forgot about handfuls...", Ryan Guldemond has confirmed that he's thinking of boobs.

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* AntiLoveSong: "Let's Fall In Love" doesn't have an especially high opinion of the titular emotion, describing it as a commonplace yet unlucky and thoughtless thing that just kind of ''happens to'' people and animals, whoever they are, and that leaves them with regrets.

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* AntiLoveSong: AntiLoveSong:
** "Oleander", wherein the singer describes [[AllTakeAndNoGive everything they've come to expect their partner to do for them when they act destructively]] and states that they'd die without them, with ''no'' in-character indication of awareness that there is nothing sweet or romantic about their words until they liken themselves to the titular poisonous plant.
**
"Let's Fall In Love" doesn't have an especially high opinion of the titular emotion, describing it as a commonplace yet unlucky and thoughtless thing that just kind of ''happens to'' people and animals, whoever they are, and that leaves them with regrets.


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** The acoustic instrumental of "Neighbor" is so chill and unassuming that it'd fit a song about going for a morning stroll or picking up lunch, and it's about a voyeur and their parasocial relationship with their victim next door.
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* BrotherSisterTeam: The Guldemonds are siblings, and are the two members of the band who've remained consistent since founding it with friend and former member Debra-Jean Creelman in 2005.

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* TakeThat: "Aspiring Fires" is a sardonic admonishment of those with romanticized, commodified, "quirky" views of mental illness.
-->''Maybe you're watching too much TV\\

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* TakeThat: TakeThat:
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"Aspiring Fires" is a sardonic admonishment of those with romanticized, commodified, "quirky" views of mental illness.
-->''Maybe --->''Maybe you're watching too much TV\\


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** "No Culture" is a rather blunt and aggressive song about cultural appropriation in the negative sense, i.e. when people co-opt elements of cultures that they do not especially try to understand into their own personae until their meanings and origins become obscured.
--->''So can we let sleeping dogs lie?\\
[[ItsAllAboutMe 'Cause everyone believes me when I say it's mine]]''
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* DestructiveRomance: "Oleander" describes a relationship between a person prone to destructive/self-destructive behavior and the LivingEmotionalCrutch they rely on to coddle them and clean up their messes; and "Very Good Bad Thing" is a BreakUpSong for a wild romance in which both participants enjoyed deriving a sense of power from their antics, but were putting each other and themselves in danger by enabling each other.

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* AbusiveParents: The dad in "Hayloft", assuming the last verse isn't hyperbole, judging by how he responds to finding out his child and their sweetheart are shagging in the eponymous location by grabbing his gun to ''go kill both of them.''

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* AbusiveParents: The dad in "Hayloft", assuming "Hayloft" - particularly if one assumes the last verse isn't hyperbole, judging by how he responds to finding out his child and their sweetheart are shagging in the eponymous location by grabbing his gun to ''go kill both of them.''


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* TheAllConcealingI: While it's not at all ''rare'' for songs in the band's catalogue to use gendered language for their perspectives and characters, more often than not, their lyrics are simply written in first-person to a "you". The gender-neutrality of most of their music and frequency with which relationships portrayed can be interpreted as any kind a listener connects with certainly doesn't hurt their having a sizable LGBTQIA+ fanbase.


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* IAmAMonster: The protagonist of "It's Alright" needs to be reminded that this is ''not'' the case.

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Mother Mother is a Canadian IndieRock band from British Columbia. The band was originally named "Mother", but they later changed their name to "Mother Mother".

In early 2020, Mother Mother blew up in popularity due to their songs - particularly "Hayloft" - gaining traction for use in [=TikToks=]. Their music often carries a spooky feel, and tends to deal with niche and emotionally dark subject matter.

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Mother Mother is a Canadian IndieRock band from British Columbia. The band was originally named "Mother", "Mother" upon their formation in 2005, but they later changed their name to "Mother Mother".

In early 2020, Mother Mother blew up in popularity due
Mother" prior to the release of their songs - particularly "Hayloft" - gaining traction for use in [=TikToks=]. second album.

Their music often carries a spooky feel, feel and tends to deal with showcases an eclectic range of influences, and frequently covers niche and emotionally dark subject matter.
matter.

They've enjoyed success in their native Canada as well as an international cult following since they first started receiving radio play in the early 2010's - but in the early 2020's, they blew up further in popularity due to their songs, particularly "Hayloft", gaining traction for use in [=TikToks=].
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* BreakUpSong: "Ghosting" is about the process of really, truly letting go of a lover on an emotional level and accepting your separation after having clung to them past the point of it being healthy, [[IWantMyBelovedToBeHappy especially for them]]; "Very Good Bad Thing" is about breaking off a DestructiveRomance despite the thrill and sense of power both parties derived from it; and "Love Stuck" is about working to get over a bad breakup and learn to make oneself happy.

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* BreakUpSong: "Ghosting" is about the process of really, truly letting go of a lover on an emotional level and accepting your separation after having clung to them past the point of it being healthy, [[IWantMyBelovedToBeHappy especially for them]]; "Very Good Bad Thing" is about breaking off a DestructiveRomance despite the thrill and sense of power both parties derived from it; and "Love Stuck" is about working to get over reconnect with one's emotions after a bad breakup and learn to make oneself happy.

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* AntiLoveSong: "Let's Fall In Love" doesn't have an especially high opinion of the titular emotion, describing it as a commonplace yet unlucky and thoughtless thing that just kind of ''happens to'' people and animals, whoever they are, and that leaves them with regrets.



* BrokenBird: "Hayloft II" describes the ultimate fates of the characters from "Hayloft", revealing that [[spoiler:the surviving member of the couple, after killing her father, "got lost" in a dangerous street punk life, still traumatized and heartbroken after the death of her lover.]]



** "Let's Fall In Love" is an energetic, confident-sounding rock tune... that makes its titular declaration ''very'' cynically.

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** "Let's Fall In Love" is an energetic, charged-up, confident-sounding rock tune... that makes its titular declaration ''very'' cynically.


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** "Bottom is a Rock" straight-up sounds like a rousing glam rock anthem... and it's about the fact that mental illness often works in cycles, and that a person living with it is liable to come to expect their good days and best efforts at managing it to end with them back at square one.
* MurderBallad: "Hayloft II". It clarifies that after the original "Hayloft", [[spoiler:one half of the couple in the barn is, indeed, shot and killed by the father of the other, who is (understandably) traumatized... and driven to revenge.]]
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* BreakUpSong: "Ghosting" is about the process of really, truly letting go of a lover on an emotional level and accepting your separation after having clung to them past the point of it being healthy, [[IWantMyBelovedToBeHappy especially for them.]]

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* BreakUpSong: "Ghosting" is about the process of really, truly letting go of a lover on an emotional level and accepting your separation after having clung to them past the point of it being healthy, [[IWantMyBelovedToBeHappy especially for them.]]them]]; "Very Good Bad Thing" is about breaking off a DestructiveRomance despite the thrill and sense of power both parties derived from it; and "Love Stuck" is about working to get over a bad breakup and learn to make oneself happy.
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** "Oleander" has an intensely dependent narrator who counts on their partner to support them and clean things up the fallout for them as they engage in destructive behavior, stating that they'd die without them.

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** "Oleander" has an intensely dependent narrator who counts on their partner to support them and clean things up the fallout for them as they engage in destructive behavior, stating that they'd die without them.
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[...]

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[...]]\\
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* VocalTagTeam: While the majority of their vocals are provided by Ryan Guldemond, you're just about sure to hear Molly Guldemond and Jasmin Parkin on any given track as well, whether simultaneously, on backing vocals, or with all three vocalists taking turns on a song.

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* VocalTagTeam: While the majority of their vocals are provided by Ryan Guldemond, Guldemond takes center stage vocally on most of the band's output, you're just about sure to hear Molly Guldemond and Jasmin Parkin prominently on any given track as well, whether simultaneously, on backing vocals, backup, or with all three vocalists taking turns on a song.

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* TagTeamVocals: While the majority of their vocals are provided by Ryan Guldemond, you're just about sure to hear Molly Guldemond and Jasmin Parkin on any given track as well, whether simultaneously, on backing vocals, or with all three vocalists taking turns on a song.


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* VocalTagTeam: While the majority of their vocals are provided by Ryan Guldemond, you're just about sure to hear Molly Guldemond and Jasmin Parkin on any given track as well, whether simultaneously, on backing vocals, or with all three vocalists taking turns on a song.

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Crosswicking a few entries for the band on trope pages.


* AGodAmI: The narrator of "O Ana" opens the song by swearing they'll be god... in reference to the tremendous feat they feel it'll be to rid themselves of the titular "Ana", likely a struggle with anorexia. As their efforts continue, their declaration turns into one of ''playing'' god, then of merely ''faking'' being a god, reflecting their fading hopes in their ability to keep "Ana" at bay.
* AllTakeAndNoGive: "Oleander" is sung from the perspective of a taker in such a relationship.
-->''I make a mess, and you'll be there to help me undress\\
I'll be unclean, I'll be obscene, you'll be the rest''



* FromNewYorkToNowhere: "Dirty Town" is about someone moving from their town to live on a farm in the country, and "Bit By Bit" is about a person setting out to leave a life surrounded by other people behind and make a minimalistic new home for themselves (and maybe a "mistress") in the mountains.

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* FlowerMotifs: The singer of "Oleander" likens themselves to the titular flower - which represents danger, as, like them, it's ''toxic.''
* FromNewYorkToNowhere: "Dirty Town" is about someone moving from their town to live on a farm in the country, and "Bit By by Bit" is about a person setting out to leave a life surrounded by other people behind and make a minimalistic new home for themselves (and maybe a "mistress") in the mountains.



* LivingEmotionalCrutch: Relationships involving at least one party serving as this to another feature in multiple songs.
** "Oleander" has an intensely dependent narrator who counts on their partner to support them and clean things up the fallout for them as they engage in destructive behavior, stating that they'd die without them.
** The singer of "Calm Me Down" desperately describes affection and intimacy with his partner as having a purifying and soothing effect on his turbulent mental states, mentioning having had a history of SelfHarm before them and spending the final verse [[MoralityPet wishing to be a better and happier person under their influence.]]
** The narrator of "Mouth of the Devil" recounts a hollowly hedonistic past with a partner in crime with whom "we would steal each other's grief", who they beg to come back lest they "slip into the past".



* QuirkyHousehold: The subject of "Family", an ode of loyalty, love, and support to a clan of wild outsiders.

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** "Let's Fall In Love" is an energetic, confident-sounding rock tune... that makes its titular declaration ''very'' cynically.
--->''Stupid does it, ugly do it,\\
Only the unlucky of us get to do it\\
[...]
Mommy did it, Daddy did it,\\
Even though I bet they wish they really didn't''
* QuirkyHousehold: The subject of "Family", an ode of loyalty, love, and support to a clan of who others view as wild and uncouth outsiders.


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* RollInTheHay: "Hayloft", which states its scenario started with a "creaking" in the titular location, giving way to a young couple falling asleep there... soon to be discovered by one half's [[KnightTemplarParent shotgun-bearing father.]]


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* SpurnedIntoSuicide: The singer of "Oleander" threatens their object of affection with this, stating that "if you leave me, rest assured it would kill me".


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* TagTeamVocals: While the majority of their vocals are provided by Ryan Guldemond, you're just about sure to hear Molly Guldemond and Jasmin Parkin on any given track as well, whether simultaneously, on backing vocals, or with all three vocalists taking turns on a song.
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* ''Inside (Deluxe)'' (2022; a rerelease of Inside with the addition of "Hayloft 2")

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* ''Inside (Deluxe)'' (2022; a rerelease of Inside ''Inside'' with the addition of "Hayloft 2")

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Overprotective Dad is now a disambig.


* ''Inside (Deluxe)'' (2022; a rerelease of Inside with the addition of ''Hayloft 2'')

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* ''Inside (Deluxe)'' (2022; a rerelease of Inside with the addition of ''Hayloft 2'')"Hayloft 2")



* AbusiveParents: The dad in "Hayloft", assuming the last verse isn't hyperbole, judging by how he responds to finding out his child and their sweetheart are shagging in the eponymous location by grabbing his gun to ''go kill both of them.''
* TheAntiNihilist: How the narrator of "Infinitesimal" ultimately comes across. They start out by comparing the vastness of the universe to how they fuss about their personal demons as an [[TitleDrop infinitesimal]] being - but move on from there to pointing out that even the Big Bang is said to have originated from one tiny point, and speak with fascination about how even individual grains of sand are large and complex on a subatomic scale, painting a picture of belief in one's life and experiences being as meaningful as one chooses to make them.
-->''My soul\\
You think it's so infinitesimal''



* BreakUpSong: "Ghosting" is about the process of really, truly letting go of a lover on an emotional level and accepting your separation after having clung to them past the point where you should've gone your separate ways.

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* BreakUpSong: "Ghosting" is about the process of really, truly letting go of a lover on an emotional level and accepting your separation after having clung to them past the point where you should've gone your separate ways.of it being healthy, [[IWantMyBelovedToBeHappy especially for them.]]



* IntercourseWithYou: "Arms Tonite" [[DoesThisRemindYouOfAnything (probably, maybe)]] and "Calm Me Down", although in turn they're more specifically about finishing too early and about the mental state of a narrator who turns to sex with their partner to relieve emotional turmoil.



* KnightTemplarParent: The dad in "Hayloft" seems to be this.
-->''Young lovers with their legs tied up in knots\\
With his long, tall gun, Pop went a-creeping,\\
To blow their hayloft dead-heads straight off''



* LyricalDissonance: Certainly not unheard of from this band. A number of their songs have laid-back or fun instrumentals, but are as apt as the rest of their catalogue to delve into some rather nihilistic and less-than-cheerful lyrical content.

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* LyricalDissonance: Certainly not unheard of from this the band. A number of their songs have laid-back or fun instrumentals, but are as apt as the rest of their catalogue to delve into some rather nihilistic and less-than-cheerful lyrical content.



* OverProtectiveDad: The dad in "Hayloft" seems to be this.
-->''Young lovers with their legs tied up in knots\\
With his long, tall gun, Pop went a-creeping,\\
To blow their hayloft dead-heads straight off''

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* OverProtectiveDad: QuirkyHousehold: The dad in "Hayloft" seems subject of "Family", an ode of loyalty, love, and support to be this.
-->''Young lovers with their legs tied up in knots\\
With his long, tall gun, Pop went a-creeping,\\
To blow their hayloft dead-heads straight off''
a clan of wild outsiders.
-->''A motley crew, a rodeo\\
A goddamn zoo, a circus show\\
But oh, don't you know how it goes?\\
We are all walking each other home''
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Mother Mother is a Canadian indie rock band from British Columbia. The band was originally named "Mother", but they later changed their name to "Mother Mother".

In early 2020, Mother Mother blew up in popularity due to their songs - particularly "Hayloft" - gaining traction for use in [=TikToks=]. Their music often carries a spooky feel, deals with niche and emotionally dark subject matter, and is classified as IndieRock.

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Mother Mother is a Canadian indie rock IndieRock band from British Columbia. The band was originally named "Mother", but they later changed their name to "Mother Mother".

In early 2020, Mother Mother blew up in popularity due to their songs - particularly "Hayloft" - gaining traction for use in [=TikToks=]. Their music often carries a spooky feel, deals and tends to deal with niche and emotionally dark subject matter, and is classified as IndieRock.
matter.
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* LoveNostalgiaSong: "Mouth of the Devil" is a little of an unusual example. The protagonist reminisces about wild, troubled, substance-fueled days spent with a past flame with whom they acted as mutual {{Living Emotional Crutch}}es, and ironically fears they'll relapse into their old ways without what they had.

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* LoveNostalgiaSong: "Mouth of the Devil" is a little of an unusual example. The protagonist reminisces about wild, troubled, substance-fueled days spent with a past flame with whom they acted as mutual {{Living Emotional Crutch}}es, and ironically fears they'll relapse into their old ways without what they the two of them had.

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