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** ''Porous Resonance Abyss'', without abandoning their SignatureStyle, is heavily influenced by Music/{{Rush}} circa ''Music/{{Signals}}'', ''Music/GraceUnderPressure'', or ''Music/PowerWindows'', plus by Music/{{Vangelis}}' ''Film/BladeRunner'' soundtrack (which had already clearly influenced the title track of ''Crystalline Exhaustion'' and "Arrokoth Trireme" from ''Psychagogue'').

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** ''Porous Resonance Abyss'', without abandoning their SignatureStyle, is heavily influenced by Music/{{Rush}} Music/{{Rush|Band}} circa ''Music/{{Signals}}'', ''Music/GraceUnderPressure'', or ''Music/PowerWindows'', plus by Music/{{Vangelis}}' ''Film/BladeRunner'' soundtrack (which had already clearly influenced the title track of ''Crystalline Exhaustion'' and "Arrokoth Trireme" from ''Psychagogue'').
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* ''Mass Cathexis II - The Kinetic Infinite'' (2023)

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** Finally, "This Forest for Which We Have Killed" on ''Go Be Forgotten'' is a cover of the TitleTrack of obscure U.S. black metal band Beastlor's [[https://beastlor.bandcamp.com/album/this-forest-for-which-we-have-killed demo]]. Beastlor is actually an old Mick Barr solo project and it was his suggestion to re-record the song with Krallice.

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** Finally, "This Forest for Which We Have Killed" on ''Go Be Forgotten'' is a cover of the TitleTrack of obscure U.S. black metal band Beastlor's [[https://beastlor.bandcamp.com/album/this-forest-for-which-we-have-killed demo]]. Beastlor is actually an old Mick Barr solo project and it was his suggestion to re-record the song with Krallice.Krallice.
** Finally, "Far from Earth", a bonus track on some editions of ''Porous Resonance Abyss'', is actually a cover of Music/{{Darkthrone}}'s "Earth's Last Picture" (from ''Total Death'').
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* LongRunnerLineup: They've been together for twelve years now and have had the same lineup for eleven of them. (Barr and Marston formed the band in 2007; [=McMaster=] and Weinstein joined in 2008.) ZigZagged in that while they've stayed the only permanent band members, Dave Edwardson of Music/{{Neurosis}} has joined them on both ''Loüm'' and ''Mass Cathexis'', and Barr, Marston, and [=McMaster=] have swapped roles on recent records.

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* LongRunnerLineup: They've As of 2023, they've been together for twelve sixteen years now and have had the same lineup for eleven fifteen of them. (Barr and Marston formed the band in 2007; [=McMaster=] and Weinstein joined in 2008.) ZigZagged in that while they've stayed the only permanent band members, Dave Edwardson of Music/{{Neurosis}} has joined them on both ''Loüm'' and ''Mass Cathexis'', and Barr, Marston, and [=McMaster=] have swapped roles on recent records.
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A [[ProgressiveMetal Progressive]] BlackMetal {{supergroup}} from Brooklyn, NY, consisting of Colin Marston (Music/{{Gorguts}}, Behold the Arctopus, Dysrhythmia, etc.), Mick Barr (Orthrelm, Octis, etc.), Nicholas [=McMaster=] (Bloody Panda, Geryon, etc.), and Lev Weinstein (Bloody Panda, Geryon, etc.). Krallice has gained a substantial amount of critical acclaim for its blend of BlackMetal, ProgressiveMetal, and MathRock. Krallice's songs tend to be [[EpicRocking long]] and unusually technical by black metal standards, with around half of them exceeding ten minutes and featuring particularly clean production for the genre. The band has been likened to "Steve Reich playing very dense ProgressiveRock". They have also earned comparisons to Music/{{Weakling}}, although Krallice focuses more on ProgressiveRock song structures and less on DroneOfDread than Weakling does. As of June 2022, the band has released twelve full-length studio albums, one full-length live album, three [=EPs=], and three singles.

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A [[ProgressiveMetal Progressive]] BlackMetal {{supergroup}} from Brooklyn, NY, consisting of Colin Marston (Music/{{Gorguts}}, Behold the Arctopus, Dysrhythmia, etc.), Mick Barr (Orthrelm, Octis, etc.), Nicholas [=McMaster=] (Bloody Panda, Geryon, etc.), and Lev Weinstein (Bloody Panda, Geryon, etc.). Krallice has gained a substantial amount of critical acclaim for its blend of BlackMetal, ProgressiveMetal, and MathRock. Krallice's songs tend to be [[EpicRocking long]] and unusually technical by black metal standards, with around half of them exceeding ten minutes and featuring particularly clean production for the genre. The band has been likened to "Steve Reich playing very dense ProgressiveRock". They have also earned comparisons to Music/{{Weakling}}, although Krallice focuses more on ProgressiveRock song structures and less on DroneOfDread than Weakling does. As of June 2022, May 2023, the band has released twelve thirteen full-length studio albums, one full-length live album, three [=EPs=], and three singles.

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** ''Porous Resonance Abyss'': "I" (10:09), "II" (6:58), and "IIII" (21:18) - so, yet again, the entire album except "III".

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** ''Porous Resonance Abyss'': "I" (10:09), "II" (6:58), and "IIII" (21:18) - so, yet again, the entire album except "III". And, as far as symmetry goes, the first and last songs are the ones that pass the ten-minute mark. (Note that the Bandcamp download appends the bonus track "Far from Earth", which runs for a modest 5:23.)


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** "IIII" (21:19) closes off ''Porous Resonance Abyss'' (though the Bandcamp download does add the bonus track "Far from Earth", which runs for a modest 5:23).


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** ''Porous Resonance Abyss'': [=DR8=]


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** ''Porous Resonance Abyss'', without abandoning their SignatureStyle, is heavily influenced by Music/{{Rush}} circa ''Music/{{Signals}}'', ''Music/GraceUnderPressure'', or ''Music/PowerWindows'', plus by Music/{{Vangelis}}' ''Film/BladeRunner'' soundtrack (which had already clearly influenced the title track of ''Crystalline Exhaustion'' and "Arrokoth Trireme" from ''Psychagogue'').

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* EpicRocking: Nearly all of their songs. Particularly prime examples are "Forgiveness in Rot" (15:21), "Monolith of Possession" (18:43), and "IIIIIIIIIIII" (16:41). They dialled this back a bit on ''Ygg huur'', but the songs on ''Hyperion'' and ''Prelapsarian'', apart from "Hate Power", are back to being close to a typical length for them (note, however, that ''Hyperion'' was recorded before ''Ygg huur'', despite its later release date). Excluding intro tracks, interludes, and covers, the number of tracks they'd released through 2016 that ''don't'' top the six-minute mark can be counted on one hand ("The Mountain", "Idols", "Engram", "Hate Power"). 2017 gave us a few more ("Rank Mankind", "Retrogenesis", "Failed Visionary Cults", "Chaos of the Living"), but both albums they released that year still have more songs that fall into this trope than not. (It should be noted that their average song length has decreased slightly since their first few albums, though.) For the record, a complete list of songs above six minutes:

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* EpicRocking: Nearly all of their songs. Particularly prime examples are "Forgiveness in Rot" (15:21), "Monolith of Possession" (18:43), and "IIIIIIIIIIII" (16:41).(16:41), and "Porous Resonance Abyss IIII" (21:18). They dialled this back a bit on ''Ygg huur'', but the songs on ''Hyperion'' and ''Prelapsarian'', apart from "Hate Power", are back to being close to a typical length for them (note, however, that ''Hyperion'' was recorded before ''Ygg huur'', despite its later release date). Excluding intro tracks, interludes, and covers, the number of tracks they'd released through 2016 that ''don't'' top the six-minute mark can be counted on one hand ("The Mountain", "Idols", "Engram", "Hate Power"). 2017 gave us a few more ("Rank Mankind", "Retrogenesis", "Failed Visionary Cults", "Chaos of the Living"), but both albums they released that year still have more songs that fall into this trope than not. (It should be noted that their average song length has decreased slightly since their first few albums, though.) For the record, a complete list of songs above six minutes:


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** ''Porous Resonance Abyss'': "I" (10:09), "II" (6:58), and "IIII" (21:18) - so, yet again, the entire album except "III".
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* ''Porous Resonance Abyss'' (2023)
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** ''Psychagogue'': [=DR8=]
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** Both "Psychagogue" and "Reprisals of Destiny" mention Ukrainian-French philosopher Rachel Bespaloff as an inspiration for their lyrics. The quote "there are no covenants between men and lions" in the latter is also taken almost verbatim from ''Literature/TheIliad'' (in 22:262, Achilles says, "Ὡς οὐκ ἔστι λέουσι καὶ ἀνδράσιν ὅρκια πιστά,"[[labelnote:Romanization]]Os ouk ésti léousi kaí andrásin órkia pistá[[/labelnote]] meaning "There can be no covenants between men and lions").

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** Both "Psychagogue" and "Reprisals of Destiny" mention Ukrainian-French philosopher Rachel Bespaloff as an inspiration for their lyrics. The quote "there are no covenants between men and lions" in the latter is also taken almost verbatim from ''Literature/TheIliad'' (in 22:262, Achilles says, "Ὡς οὐκ ἔστι λέουσι καὶ ἀνδράσιν ὅρκια πιστά,"[[labelnote:Romanization]]Os πιστά,"[[labelnote:Romanization]]Hōs ouk ésti léousi kaí andrásin órkia hórkia pistá[[/labelnote]] meaning "There can be no covenants between men and lions").
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** Both "Psychagogue" and "Reprisals of Destiny" mention Ukrainian-French philosopher Rachel Bespaloff as an inspiration for their lyrics. The quote "there are no covenants between men and lions" in the latter is also taken almost verbatim from ''Literature/TheIliad'' (in 22:262, Achilles says, "Ὡς οὐκ ἔστι λέουσι καὶ ἀνδράσιν ὅρκια πιστά," meaning "There can be no covenants between men and lions").

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** Both "Psychagogue" and "Reprisals of Destiny" mention Ukrainian-French philosopher Rachel Bespaloff as an inspiration for their lyrics. The quote "there are no covenants between men and lions" in the latter is also taken almost verbatim from ''Literature/TheIliad'' (in 22:262, Achilles says, "Ὡς οὐκ ἔστι λέουσι καὶ ἀνδράσιν ὅρκια πιστά," πιστά,"[[labelnote:Romanization]]Os ouk ésti léousi kaí andrásin órkia pistá[[/labelnote]] meaning "There can be no covenants between men and lions").
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* NoEnding: "Reprisals of Destiny", and by extension ''Psychagogue'', ends quite suddenly to an extent bordering on this.

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