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Bush has since passed the torch on to people like Music/ToriAmos, Music/{{Bjork}}, Music/LadyGaga, and Music/FlorenceAndTheMachine, ensuring that the world will always have creative, eccentric musicians. In 2002, her songwriting ability was recognised with an Ivor Novello Award for Outstanding Contribution to British Music. She was also one of the first musicians to develop a following on the internet through the rec.music.gaffa newsgroup on UsefulNotes/{{Usenet}}.
to:
Bush has since passed the torch on to people like Music/ToriAmos, Music/{{Bjork}}, Music/LadyGaga, and Music/FlorenceAndTheMachine, ensuring that the world will always have creative, eccentric musicians. In 2002, her songwriting ability was recognised with an Ivor Novello Award for Outstanding Contribution to British Music. She was also one of the first musicians to develop a following on the internet through the rec.music.gaffa newsgroup on UsefulNotes/{{Usenet}}.
Platform/{{Usenet}}.
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* VanillaEdition: The EMI Manhattan and EMI USA [=CDs=] of Bush's first five albums in the US and Canada are fairly barebones compared to other editions on the format (including Creator/EMIAmericaRecords' earlier CD releases), removing most of the liner notes in favor of just the tracklists and a standard blurb about the UsefulNotes/CompactDisc format.
to:
* VanillaEdition: The EMI Manhattan and EMI USA [=CDs=] of Bush's first five albums in the US and Canada are fairly barebones compared to other editions on the format (including Creator/EMIAmericaRecords' earlier CD releases), removing most of the liner notes in favor of just the tracklists and a standard blurb about the UsefulNotes/CompactDisc Platform/CompactDisc format.
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+ Music/AllieX, Music/ToriAmos, Music/FionaApple, Music/{{Aurora|Singer}}, Music/{{Bjork}}, Music/CharliXCX, Music/ChristineAndTheQueens, Music/{{Coldplay}}, Music/MarinaDiamandis, Music/TheDivineComedy, Music/FKATwigs, Music/{{Foxes}}, Music/OrlaGartland, Music/OutKast, Music/OwenPallett, Music/WildBeasts, Music/StevenWilson, Music/PatrickWolf, Music/{{Yelle}}
to:
+ Music/AllieX, Music/ToriAmos, Music/FionaApple, Music/{{Aurora|Singer}}, Music/{{Bjork}}, Music/CharliXCX, Music/ChristineAndTheQueens, Music/{{Coldplay}}, Music/MarinaDiamandis, Music/TheDivineComedy, Music/FKATwigs, Music/{{Foxes}}, Music/OrlaGartland, Music/OutKast, Music/OwenPallett, Music/ChappellRoan, Music/WildBeasts, Music/StevenWilson, Music/PatrickWolf, Music/{{Yelle}}
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+ Music/AllieX, Music/FionaApple, Music/{{Aurora|Singer}}, Music/{{Bjork}}, Music/CharliXCX, Music/ChristineAndTheQueens, Music/{{Coldplay}}, Music/MarinaDiamandis, Music/TheDivineComedy, Music/FKATwigs, Music/{{Foxes}}, Music/OrlaGartland, Music/OutKast, Music/OwenPallett, Music/WildBeasts, Music/StevenWilson, Music/PatrickWolf, Music/{{Yelle}}
to:
+ Music/AllieX, Music/ToriAmos, Music/FionaApple, Music/{{Aurora|Singer}}, Music/{{Bjork}}, Music/CharliXCX, Music/ChristineAndTheQueens, Music/{{Coldplay}}, Music/MarinaDiamandis, Music/TheDivineComedy, Music/FKATwigs, Music/{{Foxes}}, Music/OrlaGartland, Music/OutKast, Music/OwenPallett, Music/WildBeasts, Music/StevenWilson, Music/PatrickWolf, Music/{{Yelle}}
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+ Music/FionaApple, Music/{{Aurora|Singer}}, Music/{{Bjork}}, Music/CharliXCX, Music/ChristineAndTheQueens, Music/{{Coldplay}}, Music/MarinaDiamandis, Music/TheDivineComedy, Music/FKATwigs, Music/{{Foxes}}, Music/OrlaGartland, Music/OutKast, Music/OwenPallett, Music/WildBeasts, Music/StevenWilson, Music/PatrickWolf, Music/{{Yelle}}
to:
+ Music/AllieX, Music/FionaApple, Music/{{Aurora|Singer}}, Music/{{Bjork}}, Music/CharliXCX, Music/ChristineAndTheQueens, Music/{{Coldplay}}, Music/MarinaDiamandis, Music/TheDivineComedy, Music/FKATwigs, Music/{{Foxes}}, Music/OrlaGartland, Music/OutKast, Music/OwenPallett, Music/WildBeasts, Music/StevenWilson, Music/PatrickWolf, Music/{{Yelle}}
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[floatboxright:
Influenced by:
+ Music/DavidBowie, Music/{{Devo}}, Music/EltonJohn, Music/TalkingHeads, Music/FrankZappa
Influenced:
+ Music/FionaApple, Music/{{Aurora|Singer}}, Music/{{Bjork}}, Music/CharliXCX, Music/ChristineAndTheQueens, Music/{{Coldplay}}, Music/MarinaDiamandis, Music/TheDivineComedy, Music/FKATwigs, Music/{{Foxes}}, Music/OrlaGartland, Music/OutKast, Music/OwenPallett, Music/WildBeasts, Music/StevenWilson, Music/PatrickWolf, Music/{{Yelle}}
]
Influenced by:
+ Music/DavidBowie, Music/{{Devo}}, Music/EltonJohn, Music/TalkingHeads, Music/FrankZappa
Influenced:
+ Music/FionaApple, Music/{{Aurora|Singer}}, Music/{{Bjork}}, Music/CharliXCX, Music/ChristineAndTheQueens, Music/{{Coldplay}}, Music/MarinaDiamandis, Music/TheDivineComedy, Music/FKATwigs, Music/{{Foxes}}, Music/OrlaGartland, Music/OutKast, Music/OwenPallett, Music/WildBeasts, Music/StevenWilson, Music/PatrickWolf, Music/{{Yelle}}
]
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Changed line(s) 78 (click to see context) from:
* BrotherSisterIncest: "The Kick Inside"
to:
* BrotherSisterIncest: "The Kick Inside"Inside". [[DrivenToSuicide It doesn't]] [[DownerEnding end well.]]
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Removal of malformed wicks to GCPTR per TRS thread.
Deleted line(s) 137 (click to see context) :
%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.
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Changed line(s) 231 (click to see context) from:
* TruerToTheText: ''The Line, The Cross and The Curve'', though ostensibly based on the film ''Film/TheRedShoes'', is actually closer to the original Creator/HansChristianAndersen short story.
to:
* TruerToTheText: ''The Line, The Cross and The Curve'', though ostensibly based on the film ''Film/TheRedShoes'', ''Film/TheRedShoes1948'', is actually closer to the original Creator/HansChristianAndersen short story.
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trope is renamed Prefers Going Barefoot. Dewicking old name
Deleted line(s) 114 (click to see context) :
* DoesNotLikeShoes: She's often barefoot in photos and on stage.
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* PrefersGoingBarefoot: She's often barefoot in photos and on stage.
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[[index]]
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to:
[[/index]]
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* ''The Red Shoes'' (1993)
to:
* ''The ''Music/{{The Red Shoes'' Shoes|Album}}'' (1993)
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* SopranoAndGravel - Kate Bush used it in 1985 with "Waking The Witch". In this case she provided both voices: one track is her natural voice, the other is a drastically slowed down demonic growl.
** Also to some extent in "Don't Give Up", her duet with Music/PeterGabriel.
* SpokenWordInMusic
** Also to some extent in "Don't Give Up", her duet with Music/PeterGabriel.
* SpokenWordInMusic
to:
* SopranoAndGravel - SopranoAndGravel:
** Kate Bush used it in 1985 with "Waking The Witch". In this case she provided both voices: one track is her natural voice, the other is a drastically slowed down demonic growl.
**Also to some extent in [[Music/{{So}} "Don't Give Up", Up"]], her duet with Music/PeterGabriel.
Music/PeterGabriel, contrasts her ethereal, reassuring vocals with Gabriel's rugged anguish, heightening the song's theme of hope in the face of seemingly insurmountable adversity.
*SpokenWordInMusicSpecialGuest: Music/{{Prince}} features prominently on "Why Should I Love You?" Bush returned the favor by appearing on Prince's "My Computer" three years later.
* SpokenWordInMusic:
** Kate Bush used it in 1985 with "Waking The Witch". In this case she provided both voices: one track is her natural voice, the other is a drastically slowed down demonic growl.
**
*
* SpokenWordInMusic:
Changed line(s) 206 (click to see context) from:
** There's a long, eerie instrumental break near the end of "Breathing" with a recording of a man describing the effects of a nuclear bomb.
to:
** There's a long, eerie instrumental break near the end of "Breathing" with a recording of a man Roy Harper describing the effects of a nuclear bomb.
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Changed line(s) 231 (click to see context) from:
* VocalEvolution: Kate Bush had a tendency to use the upper range of her voice in her early work, but shifted to a more natural singing style later on. Compare the version of "Wuthering Heights" on her debut to the one on her GreatestHitsAlbum ''The Whole Story''. Her voice is quite low in her more recent recordings, and come the 21st century she would also pick up a slight lisp (both being most noticeable when comparing her ''Director's Cut'' remakes with those from the original albums). Noticably, most likely because of this trope, a majority of the songs she chose for her live show ''Before The Dawn'' were songs that she had made, remade or re-recorded vocals for in the 21st century, leaving Wuthering Heights (and in fact anything before ''Hounds of Love'') out entirely.
to:
* VocalEvolution: Kate Bush had a tendency to use the upper range of her voice in her early work, but shifted to a more natural singing style later on. Compare [[https://www.youtube.com/watch?v=-1pMMIe4hb4 the version of "Wuthering Heights" Heights"]] on her debut to [[https://www.youtube.com/watch?v=m9O9DyJnyMU the one one]] on her GreatestHitsAlbum ''The Whole Story''. Her voice is quite low in her more recent recordings, and come the 21st century she would also pick up a slight lisp (both being most noticeable when comparing her ''Director's Cut'' remakes with those from the original albums). Noticably, most likely because of this trope, a majority of the songs she chose for her live show ''Before The Dawn'' were songs that she had made, remade or re-recorded vocals for in the 21st century, leaving Wuthering Heights (and in fact anything before ''Hounds of Love'') out entirely.
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* VanillaEdition: The EMI Manhattan and EMI USA [=CDs=] of Bush's first five albums in the US and Canada are fairly barebones compared to other editions on the format, removing most of the liner notes in favor of just the tracklists and a standard blurb about the UsefulNotes/CompactDisc format.
to:
* VanillaEdition: The EMI Manhattan and EMI USA [=CDs=] of Bush's first five albums in the US and Canada are fairly barebones compared to other editions on the format, format (including Creator/EMIAmericaRecords' earlier CD releases), removing most of the liner notes in favor of just the tracklists and a standard blurb about the UsefulNotes/CompactDisc format.
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* ShoutOut: "Blow Away (For Bill)" name-checks some dead musicians: Music/MinnieRiperton, [[Music/TheWho Keith Moon]], Music/SidVicious, Music/BuddyHolly and [[Music/FairportConvention Sandy Denny]].
to:
* ShoutOut: ShoutOut:
** "In Search of Peter Pan", itself an extended homage to, well, ''Franchise/PeterPan'', quotes the opening lines of "When You Wish Upon a Star" from ''WesternAnimation/{{Pinocchio}}'' at the end.
** "Blow Away (For Bill)" name-checks some dead musicians: Music/MinnieRiperton, [[Music/TheWho Keith Moon]], Music/SidVicious, Music/BuddyHolly and [[Music/FairportConvention Sandy Denny]].
** "In Search of Peter Pan", itself an extended homage to, well, ''Franchise/PeterPan'', quotes the opening lines of "When You Wish Upon a Star" from ''WesternAnimation/{{Pinocchio}}'' at the end.
** "Blow Away (For Bill)" name-checks some dead musicians: Music/MinnieRiperton, [[Music/TheWho Keith Moon]], Music/SidVicious, Music/BuddyHolly and [[Music/FairportConvention Sandy Denny]].
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Atomic Hate is an index, not a trope.
Deleted line(s) 66,67 (click to see context) :
* AtomicHate: "Breathing" is about the moment that follows a nuclear strike. "After the blast, chips of plutonium are twinkling in every lung..."
-->''"After the flash a fireball can be seen to rise, sucking up under it the debris, dust and living things around the area of the explosion, and as this ascends, it soon becomes recognisable as the familiar mushroom cloud."''
-->''"After the flash a fireball can be seen to rise, sucking up under it the debris, dust and living things around the area of the explosion, and as this ascends, it soon becomes recognisable as the familiar mushroom cloud."''
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* RevengeBallad: "The Wedding List" where [[VengefulWidow a pregnant bride]] tracks down and kills the murderers of her husband before committing suicide.
to:
* RevengeBallad: "The Wedding List" where [[VengefulWidow [[CrusadingWidow a pregnant bride]] tracks down and kills the murderers of her husband before committing suicide.
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Uncanny Valley is IUEO now and the subjective version has been split; cleaning up misuse and ZCE in the process
Changed line(s) 223 (click to see context) from:
* SurrealMusicVideo: "Running Up That Hill" is mostly a interpretive dance routine, but has an element of surrealism to it, like when Kate and her partner get separated from each other in a sea of people [[UncannyValley wearing masks of their faces.]]
to:
* SurrealMusicVideo: "Running Up That Hill" is mostly a interpretive dance routine, but has an element of surrealism to it, like when Kate and her partner get separated from each other in a sea of people [[UncannyValley wearing masks of their faces.]] ]
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Wiki/ namespace cleaning.
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** The second disc of 2005's Aerial "consists of a single piece of music reveling in the experience of outdoor adventures on a single summer day, beginning in the morning and ending twenty-four hours later with the next sunrise." According to Wiki/ThatOtherWiki.
to:
** The second disc of 2005's Aerial "consists of a single piece of music reveling in the experience of outdoor adventures on a single summer day, beginning in the morning and ending twenty-four hours later with the next sunrise." According to Wiki/ThatOtherWiki.Website/ThatOtherWiki.
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Changed line(s) 20,21 (click to see context) from:
Bush has since passed the torch on to people like Music/ToriAmos, Music/{{Bjork}}, Music/LadyGaga, and Music/FlorenceAndTheMachine, ensuring that the world will always have creative, eccentric musicians. In 2002, her songwriting ability was recognised with an Ivor Novello Award for Outstanding Contribution to British Music. She was also one of the first musicians to develop a following on the internet through the rec.music.gaffa newsgroup on Website/{{Usenet}}.
to:
Bush has since passed the torch on to people like Music/ToriAmos, Music/{{Bjork}}, Music/LadyGaga, and Music/FlorenceAndTheMachine, ensuring that the world will always have creative, eccentric musicians. In 2002, her songwriting ability was recognised with an Ivor Novello Award for Outstanding Contribution to British Music. She was also one of the first musicians to develop a following on the internet through the rec.music.gaffa newsgroup on Website/{{Usenet}}.
UsefulNotes/{{Usenet}}.
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removed per quotes thread
Deleted line(s) 4,6 (click to see context) :
->''"'Running Up That Hill' has been called the greatest pop song ever. Now, the rational part of my brain says ''"Clearly that's rubbish, how can you quantify something like that?"'' Thing is... 'Running Up That Hill' clearly is the greatest pop song ever created. I mean, it just ''is''."''
-->-- '''[[http://www.eruditorumpress.com/blog/waking-the-witch/ Jack Graham]]'''
-->-- '''[[http://www.eruditorumpress.com/blog/waking-the-witch/ Jack Graham]]'''
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* BargainWithHeaven: ''Running Up That Hill'' essentially involves the singer to make a deal with God to swap places between women and men (according to an interview its because a deal with God is more powerful than one wth the devil). The song title was actually originally going to be "Deal with God" until the executives caught wind of that... and it's still listed as ''Running Up That Hill (Deal With God)'' in the album.
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Changed line(s) 43,44 (click to see context) from:
* ''50 Words for Snow'' (2011)
to:
* ''50 Words for Snow'' ''Music/FiftyWordsForSnow'' (2011)
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Changed line(s) 232 (click to see context) from:
* VanillaEdition: The EMI Manhattan America and EMI USA [=CDs=] of Bush's first five albums in the US and Canada are fairly barebones compared to other editions on the format, removing most of the liner notes in favor of just the tracklists and a standard blurb about the UsefulNotes/CompactDisc format.
to:
* VanillaEdition: The EMI Manhattan America and EMI USA [=CDs=] of Bush's first five albums in the US and Canada are fairly barebones compared to other editions on the format, removing most of the liner notes in favor of just the tracklists and a standard blurb about the UsefulNotes/CompactDisc format.
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Changed line(s) 232 (click to see context) from:
* VanillaEdition: The EMI Manhattan America and EMI USA [=CDs=] of Bush's first five albums in the US and Canada are fairly barebones compared to other editions on the format, removing most of the liner notes in favor of just the tracklists and a standard blurb about the UsefulNotes/CompactDiscFormat.
to:
* VanillaEdition: The EMI Manhattan America and EMI USA [=CDs=] of Bush's first five albums in the US and Canada are fairly barebones compared to other editions on the format, removing most of the liner notes in favor of just the tracklists and a standard blurb about the UsefulNotes/CompactDiscFormat.UsefulNotes/CompactDisc format.
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Changed line(s) 36 (click to see context) from:
* ''Never for Ever'' (1980)
to:
* ''Never for Ever'' ''Music/NeverForEver'' (1980)
Changed line(s) 230 (click to see context) from:
* TwoPersonLoveTriangle - "Babooshka" is this gone very, very wrong.
to:
* TwoPersonLoveTriangle - TwoPersonLoveTriangle: "Babooshka" is this gone very, very wrong.
Changed line(s) 232 (click to see context) from:
* VocalEvolution - Kate Bush had a tendency to use the upper range of her voice in her early work, but shifted to a more natural singing style later on. Compare the version of "Wuthering Heights" on her debut to the one on her GreatestHitsAlbum ''The Whole Story''. Her voice is quite low in her more recent recordings, and come the 21st century she would also pick up a slight lisp (both being most noticeable when comparing her ''Director's Cut'' remakes with those from the original albums). Noticably, most likely because of this trope, a majority of the songs she chose for her live show ''Before The Dawn'' were songs that she had made, remade or re-recorded vocals for in the 21st century, leaving Wuthering Heights (and in fact anything before ''Hounds of Love'') out entirely.
to:
* VocalEvolution - VanillaEdition: The EMI Manhattan America and EMI USA [=CDs=] of Bush's first five albums in the US and Canada are fairly barebones compared to other editions on the format, removing most of the liner notes in favor of just the tracklists and a standard blurb about the UsefulNotes/CompactDiscFormat.
* VocalEvolution: Kate Bush had a tendency to use the upper range of her voice in her early work, but shifted to a more natural singing style later on. Compare the version of "Wuthering Heights" on her debut to the one on her GreatestHitsAlbum ''The Whole Story''. Her voice is quite low in her more recent recordings, and come the 21st century she would also pick up a slight lisp (both being most noticeable when comparing her ''Director's Cut'' remakes with those from the original albums). Noticably, most likely because of this trope, a majority of the songs she chose for her live show ''Before The Dawn'' were songs that she had made, remade or re-recorded vocals for in the 21st century, leaving Wuthering Heights (and in fact anything before ''Hounds of Love'') out entirely.
* VocalEvolution: Kate Bush had a tendency to use the upper range of her voice in her early work, but shifted to a more natural singing style later on. Compare the version of "Wuthering Heights" on her debut to the one on her GreatestHitsAlbum ''The Whole Story''. Her voice is quite low in her more recent recordings, and come the 21st century she would also pick up a slight lisp (both being most noticeable when comparing her ''Director's Cut'' remakes with those from the original albums). Noticably, most likely because of this trope, a majority of the songs she chose for her live show ''Before The Dawn'' were songs that she had made, remade or re-recorded vocals for in the 21st century, leaving Wuthering Heights (and in fact anything before ''Hounds of Love'') out entirely.
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cut trope
* GenreBusting: Her music sounds so "out there" to most of the general public that the only genre most people can agree on is the very broad genre of "alternative rock", or "art rock". It becomes especially obvious on her album ''The Red Shoes'' with songs like "And So Is Love" "The Song of Solomon" and "Lily" practically sounding like their own genre.
Deleted line(s) 182,183 (click to see context) :
* NeoclassicalPunkZydecoRockabilly: Her music sounds so "out there" to most of the general public that only genre that most people can agree that she is the very broad genre of "alternative rock", or "art rock".
** It becomes especially obvious on her album ''The Red Shoes'' with songs like "And So Is Love" "The Song of Solomon" and "Lily" practically sounding like their own genre.
** It becomes especially obvious on her album ''The Red Shoes'' with songs like "And So Is Love" "The Song of Solomon" and "Lily" practically sounding like their own genre.