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David Ian "Joe" Jackson (born August 11, 1954) is an English singer and composer originally from Staffordshire in UsefulNotes/TheWestMidlands but spent his childhood in Portsmouth, working in UsefulNotes/{{London}} for most of his professional life. He first came to notice in the {{New Wave| Music}} era, although like his rough contemporaries Music/GrahamParker and Music/ElvisCostello he came from more of a pub rock than PunkRock background. Since then he’s committed quite a bit of a CreatorsOddball, working in SynthPop, {{Jazz}}, and ClassicalMusic, among other things.
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David Ian "Joe" Jackson (born August 11, 1954) is an English singer and composer originally from Staffordshire in UsefulNotes/TheWestMidlands but spent his childhood in Portsmouth, working in UsefulNotes/{{London}} for most of his professional life. He first came to notice in the {{New Wave| Music}} era, although like his rough contemporaries Music/GrahamParker and Music/ElvisCostello he came from more of a pub rock than PunkRock background. Since then he’s committed made quite a bit of a CreatorsOddball, working in SynthPop, {{Jazz}}, and ClassicalMusic, among other things.
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Changed line(s) 10,11 (click to see context) from:
David Ian "Joe" Jackson (born August 11, 1954) is an English singer and composer originally from Staffordshire in UsefulNotes/TheWestMidlands but spent his childhood in Portsmouth, working in UsefulNotes/{{London}} for most of his professional life. He first came to notice in the {{New Wave| Music}} era, although like his rough contemporaries Music/GrahamParker and Music/ElvisCostello he came from more of a pub rock than PunkRock background. Since then he’s committed quite a bit of CreatorsOddball, working in SynthPop, {{Jazz}}, and ClassicalMusic, among other things.
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David Ian "Joe" Jackson (born August 11, 1954) is an English singer and composer originally from Staffordshire in UsefulNotes/TheWestMidlands but spent his childhood in Portsmouth, working in UsefulNotes/{{London}} for most of his professional life. He first came to notice in the {{New Wave| Music}} era, although like his rough contemporaries Music/GrahamParker and Music/ElvisCostello he came from more of a pub rock than PunkRock background. Since then he’s committed quite a bit of a CreatorsOddball, working in SynthPop, {{Jazz}}, and ClassicalMusic, among other things.
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Changed line(s) 10,11 (click to see context) from:
David Ian "Joe" Jackson (born August 11, 1954) is an English singer and composer originally from Staffordshire in UsefulNotes/TheWestMidlands but spent his childhood in Portsmouth, working in UsefulNotes/{{London}} for most of his professional life. He first came to notice in the {{New Wave| Music}} era, although like his rough contemporaries Music/GrahamParker and Music/ElvisCostello he came from more of a pub rock than PunkRock background. Since then he’s committed quite a bit of GenreAdultery, working in SynthPop, {{Jazz}}, and ClassicalMusic, among other things.
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David Ian "Joe" Jackson (born August 11, 1954) is an English singer and composer originally from Staffordshire in UsefulNotes/TheWestMidlands but spent his childhood in Portsmouth, working in UsefulNotes/{{London}} for most of his professional life. He first came to notice in the {{New Wave| Music}} era, although like his rough contemporaries Music/GrahamParker and Music/ElvisCostello he came from more of a pub rock than PunkRock background. Since then he’s committed quite a bit of GenreAdultery, CreatorsOddball, working in SynthPop, {{Jazz}}, and ClassicalMusic, among other things.
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* NWordPrivelages: Jackson, a bisexual man, openly uses the word "faggot" in the anti-biphobia song "Real Men". In the same line, he discusses this trope's applicability to himself, asking that the listener not refer to him with the slur if they're not already a friend of his.
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* NWordPrivelages: NWordPrivileges: Jackson, a bisexual man, openly uses the word "faggot" in the anti-biphobia song "Real Men". In the same line, he discusses this trope's applicability to himself, asking that the listener not refer to him with the slur if they're not already a friend of his.
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* LoveHurts: “Breaking Us In Two” is about two people who can never make it work. Also counts as a BreakupSong.
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* LoveHurts: “Breaking "Breaking Us In Two” in Two" is about two people who can never make it work. Also counts as a BreakupSong.
* NewSoundAlbum: ''Night and Day'' marked a shift from energetic NewWaveMusic and PowerPop to swing-tinged SophistiPop, a change that would define the rest of Jackson's output.
* NWordPrivelages: Jackson, a bisexual man, openly uses the word "faggot" in the anti-biphobia song "Real Men". In the same line, he discusses this trope's applicability to himself, asking that the listener not refer to him with the slur if they're not already a friend of his.
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* ProtestSong: “Right and Wrong” is a protest song about [[UsefulNotes/RonaldReagan Reagan-era]] foreign policy.
* ARealManIsAKiller: The last verse of “Real Men” examines this attitude.
* ARealManIsAKiller: The last verse of “Real Men” examines this attitude.
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* ProtestSong: “Right "Right and Wrong” Wrong" is a protest song about [[UsefulNotes/RonaldReagan Reagan-era]] foreign policy.
* ARealManIsAKiller: The last verse of“Real Men” "Real Men" examines this attitude.
* ARealManIsAKiller: The last verse of
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Hypocrisy is a disambig.
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* NoBisexuals: The main theme of "Real Men". Joe Jackson was frustrated with having to choose between being straight or gay, and hated labels and gay stereotypes, and the {{Hypocrisy}} behind it. Jackson himself would only come out as bisexual in 2001.
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* NoBisexuals: The main theme of "Real Men". Joe Jackson was frustrated with having to choose between being straight or gay, and hated labels and gay stereotypes, and the {{Hypocrisy}} hypocrisy behind it. Jackson himself would only come out as bisexual in 2001.
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* StrawmanNewsMedia: “Sunday Papers”.
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* StrawmanNewsMedia: “Sunday Papers”."Sunday Papers".
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* BaitAndSwitch: "Steppin' Out" [[spoiler:has Joe Jackson as a pianist performing and singing the song on a piano while a maid pretends to be a debutante. Turns out Jackson is not a pianist -- he, too, was pretending to be someone he was not.]]
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* BaitAndSwitch: The music video for "Steppin' Out" [[spoiler:has Joe Jackson as a pianist performing and singing the song on a piano while a maid pretends to be a debutante. Turns out Jackson is not a pianist -- he, too, was pretending to be someone he was not.]]
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* LyricDissonance: "Cancer" is a lively song with a Latin jazz beat about how [[EverythingTryingToKillYou everything gives you cancer]].
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Cleaning out wicks to dissambiguated trope
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NB: [[NamesTheSame This]] Joe Jackson is not the father of Music/MichaelJackson, nor did he play for the UsefulNotes/{{Chicago}} [[UsefulNotes/MLBTeams Black Sox]]. His debut album wasn't [[Music/LookSharp recorded by]] Music/{{Roxette}}.
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NB: [[NamesTheSame [[AlmostFamous This]] Joe Jackson is not the father of Music/MichaelJackson, nor did he play for the UsefulNotes/{{Chicago}} [[UsefulNotes/MLBTeams Black Sox]]. His debut album wasn't [[Music/LookSharp recorded by]] Music/{{Roxette}}.
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!!Don't you wonder what we'll find troping out tonight?
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!!Don't you wonder what we'll find troping tropin' out tonight?
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!!Tropes associated with Joe Jackson include:
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NB: [[NamesTheSame This]] Joe Jackson is not the father of Music/MichaelJackson, nor did he play for the UsefulNotes/{{Chicago}} [[UsefulNotes/MLBTeams Black Sox]].
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NB: [[NamesTheSame This]] Joe Jackson is not the father of Music/MichaelJackson, nor did he play for the UsefulNotes/{{Chicago}} [[UsefulNotes/MLBTeams Black Sox]]. His debut album wasn't [[Music/LookSharp recorded by]] Music/{{Roxette}}.
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Bi The Way has been disambiguated. Do not pothole or wick to Bi The Way.
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* BiTheWay: Joe is bi, and "Real Men" revolved around his struggle to resolve his bisexuality when he was younger.
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* BiTheWay: Joe was bi, and "Real Men" revolved around his struggle to resolve his bisexuality when he was younger.
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* BiTheWay: Joe was is bi, and "Real Men" revolved around his struggle to resolve his bisexuality when he was younger.
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* BiTheWay: Joe was bi, and "Real Men" revolved around his struggle to resolve his bisexuality when he was younger.
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* FantasyKeepsake: At the end of "Steppin' Out", Joe finds the rose dropped by the maid's fantasy persona.
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* IdiosyncraticEpisodeNaming: ''Night and Day'' is divided into a "Night Side" and a "Day Side".
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* BaitAndSwitch: "Steppin' Out" has Joe Jackson as a pianist performing and singing the song on a piano while a maid pretends to be a debutante. Turns out Jackson is not a pianist -- he, too, was pretending to be someone he was not.
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* BaitAndSwitch: "Steppin' Out" has [[spoiler:has Joe Jackson as a pianist performing and singing the song on a piano while a maid pretends to be a debutante. Turns out Jackson is not a pianist -- he, too, was pretending to be someone he was not.]]
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* BaitAndSwitch: "Steppin' Out" has Joe Jackson as a pianist performing and singing the song on a piano while a maid pretends to be a debutante. Turns out Jackson is not a pianist -- he, too, was pretending to be someone he was not.
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No longer a trope.
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* YourCheatingHeart: [[https://youtu.be/wmMSoigohhs "Biology"]]
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* BiTheWay: Joe was married for two years to a woman, and has had relationships with men. He's stated himself to be bisexual.
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* CampGay[=/=]ManlyGay: "Real Men" attacks the stereotypes.
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* CampGay[=/=]ManlyGay: "Real Men" attacks the stereotypes. He himself is bisexual.
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* BiTheWay: Joe was married for two years to a woman, and has had relationships with men. He's stated himself to be bisexual.
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* BigApplesauce: "Steppin' Out" was Joe's love letter to New York City, where he had just begun living at the time. He'd live there for nearly 25 years, but left in 2006 because of the smoking bans.
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* YourCheating Heart: [[https://youtu.be/wmMSoigohhs "Biology"]]
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* YourCheating Heart: YourCheatingHeart: [[https://youtu.be/wmMSoigohhs "Biology"]]
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* ImAManICantHelpIt: This argument is used in [[https://youtu.be/wmMSoigohhs "Biology"]] by the narrator to justify cheating on his girlfriend. [[SubvertedTrope Subverted]] that his girlfriend is also cheating and throws the same arguments in his face.
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* YourCheating Heart: [[https://youtu.be/wmMSoigohhs "Biology"]]
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* NoBisexuals: The main theme of "Real Men". Joe Jackson was frustrated with having to choose between being straight or gay, and hated labels and gay stereotypes, and the {{Hypocrisy}} behind it.
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* NoBisexuals: The main theme of "Real Men". Joe Jackson was frustrated with having to choose between being straight or gay, and hated labels and gay stereotypes, and the {{Hypocrisy}} behind it. Jackson himself would only come out as bisexual in 2001.
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!!Studio discography:
* ''Look Sharp!'' (1979)
* ''I'm the Man'' (1979)
* ''Beat Crazy'' (1980)
* ''Joe Jackson's Jumpin' Jive'' (1981)
* ''Night and Day'' (1982)
* ''Body and Soul'' (1984)
* ''Big World'' (1986)
* ''Will Power'' (1987)
* ''Blaze of Glory'' (1989)
* ''Laughter & Lust'' (1991)
* ''Night Music'' (1994)
* ''Heaven & Hell'' (1997)
* ''Symphony No. 1'' (1999)
* ''Night and Day II'' (2000)
* ''Volume 4'' (2003)
* ''Rain'' (2008)
* ''The Duke'' (2012)
* ''Fast Forward'' (2015)
* ''Fool'' (2019)
* ''Look Sharp!'' (1979)
* ''I'm the Man'' (1979)
* ''Beat Crazy'' (1980)
* ''Joe Jackson's Jumpin' Jive'' (1981)
* ''Night and Day'' (1982)
* ''Body and Soul'' (1984)
* ''Big World'' (1986)
* ''Will Power'' (1987)
* ''Blaze of Glory'' (1989)
* ''Laughter & Lust'' (1991)
* ''Night Music'' (1994)
* ''Heaven & Hell'' (1997)
* ''Symphony No. 1'' (1999)
* ''Night and Day II'' (2000)
* ''Volume 4'' (2003)
* ''Rain'' (2008)
* ''The Duke'' (2012)
* ''Fast Forward'' (2015)
* ''Fool'' (2019)
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* CampGay[=/=]ManlyGay: "Real Men" attacks the stereotypes.
-->All the gays are macho\\
Can't you see their leather shine?
-->All the gays are macho\\
Can't you see their leather shine?
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* NoBisexuals: The main theme of "Real Men". Joe Jackson was frustrated with having to choose between being straight or gay, and hated labels and gay stereotypes, and the {{Hypocrisy}} behind it.
-->You don't want to sound dumb, don't want to offend\\
So don't call me a faggot not unless you are a friend\\
Then if you're tall and handsome and strong\\
You can wear the uniform and I could play along
-->You don't want to sound dumb, don't want to offend\\
So don't call me a faggot not unless you are a friend\\
Then if you're tall and handsome and strong\\
You can wear the uniform and I could play along
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* StopBeingStereotypical: The main themes of "Real Men" and "A Slow Song".