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[[spoiler:[-'''''[[TheEndOrIsIt THE PROBLEM IS,]] [[ParanoiaFuel OF COURSE, THE HUMANS.]]'''''-] ]]
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* IncendiaryExponent: The animatronic fighting machine sports a fully-functional flamethrower (the most notable use of which is [[spoiler: coming back to life during the epilogue and blowing up the NASA control station]]), and various bits of the stage "catch fire" during the performance.

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* IncendiaryExponent: The animatronic fighting machine in the "New Generation" stage show sports a fully-functional flamethrower (the most notable use of which is [[spoiler: coming back to life during the epilogue and blowing up the NASA control station]]), and various bits of the stage "catch fire" during the performance.



* ThePowerOfRock: One of the transitions on the tour's DVD menu involves a fighting machine firing its heat ray, with the sound of a guitar screech, as per the {{leitmotif}} of the album.

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* ThePowerOfRock: One of the transitions on the 2006 tour's DVD menu involves a fighting machine firing its heat ray, with the sound of a guitar screech, as per the {{leitmotif}} of the album.



* UpToEleven: Parson Nethaniel and the Artilleryman are even ''more'' hamtastic on stage.

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* UpToEleven: Parson Nethaniel Nathaniel and the Artilleryman are even ''more'' hamtastic on stage.
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** [[spoiler: The "New Generation" tour ends the same way, with the added bonus of a NASA scientist on stage losing contact. The martian fighting machine on stage suddenly starts up again, an ominous voice says, "[[MythologyGag The only problem is the humans...]]", and the scientist disappears behind the heat ray.]]

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** [[spoiler: The "New Generation" tour ends the same way, with the added bonus of a NASA scientist on stage losing contact. The martian fighting machine on stage suddenly starts up again, an ominous voice says, "[[MythologyGag "[[AdaptationExpansion The only problem is the humans...]]", and the scientist disappears behind the heat ray.]]
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** [[spoiler: The "New Generation" tour ends the same way, with the added bonus of a NASA scientist on stage losing contact. The martian fighting machine on stage suddenly starts up again, an ominous voice says, "[[MythologyGag The only problem is the humans...]]", and the scientist disappears behind the heat ray.]]
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* ThePowerOfRock: One of the transitions on the tour's DVD menu involves a fighting machine firing its heat ray, with the sound of a guitar screech, as per the {{leitmotif}} of the album.

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Ah, forgot there was a separate section.


* GunTwirling: The heat ray in the stage show, [[{{Narm}} to comical effect]].


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* GunTwirling: The heat ray, [[{{Narm}} to comical effect]].
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Dead link.


** "[[http://www.youtube.com/watch?v=NsXN16YtqNc The Fighting Machine]]" for when the Tripods attack.

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** "[[http://www.youtube.com/watch?v=NsXN16YtqNc The com/watch?v=T7Z6Sf_CMR4The Fighting Machine]]" for when the Tripods attack.
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* GunTwirling: The heat ray in the stage show, [[{{Narm}} to comical effect]].
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* MythologyGag: Naturally, during ''Thunderchild'' there is a shot in the background film that almost perfectly emulates the album cover.
* NoRangeLikePointBlankRange: Both the soldiers in ''The Fighting Machine'' and the Thunderchild in its titular song wait for the Martians to get ''ridiculously'' close before opening fire (although, to be fair, the Thunderchild deliberately held its fire in the book as well).
* StiffUpperLip: The artillery officer in ''The Fighting Machine'', who reacts to all his men getting blown away by calmly pulling out a pistol and firing up at the nearest tripod until he too is vaporised.

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spoiler - this is original, and does not appear in the source material


** There's also a very brief moment where it seems like the shock of his wife's death has managed to snap Parson Nathaniel out of his madness -- unfortunately, he ends up spiralling further into derangement as a result of it.

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** There's also a very brief moment where it seems like the [[spoiler:the shock of his wife's death death]] has managed to snap Parson Nathaniel out of his madness -- unfortunately, he ends up spiralling further into derangement as a result of it.
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** There's also a very brief moment where it seems like the shock of his wife's death has managed to snap Parson Nathaniel out of his madness -- unfortunately, he ends up spiralling further into derangement as a result of it.
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''Jeff Wayne's Musical Version of The War of the Worlds'' is a 1978 concept album by JeffWayne, retelling the story of ''TheWarOfTheWorlds'' by HGWells. It was IMMENSELY popular around the world, selling millions of records (and still doing so today) and spawned multiple versions of the album, [[JeffWaynesWarOfTheWorlds a computer game]], a DVD, and a 30th anniversary live tour including Alexis James, Rhydian from ''TheXFactor'', Jason Donovan, and Jennifer Ellison in the cast. There's also a large amount of merchandise available at [[http://www.TheWarOfTheWorlds.com the website]].

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''Jeff Wayne's Musical Version of The War of the Worlds'' is a 1978 concept album by JeffWayne, retelling the story of ''TheWarOfTheWorlds'' ''Literature/TheWarOfTheWorlds'' by HGWells. It was IMMENSELY popular around the world, selling millions of records (and still doing so today) and spawned multiple versions of the album, [[JeffWaynesWarOfTheWorlds [[VideoGame/JeffWaynesWarOfTheWorlds a computer game]], a DVD, and a 30th anniversary live tour including Alexis James, Rhydian from ''TheXFactor'', Jason Donovan, and Jennifer Ellison in the cast. There's also a large amount of merchandise available at [[http://www.TheWarOfTheWorlds.com the website]].



* ExactlyWhatItSaysOnTheTin. It's a musical interpretation of ''TheWarOfTheWorlds''. By Jeff Wayne.

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* ExactlyWhatItSaysOnTheTin. It's a musical interpretation of ''TheWarOfTheWorlds''.''Literature/TheWarOfTheWorlds''. By Jeff Wayne.



* CanonImmigrant: The Martian campaign intro from [[JeffWayne'sTheWarOfTheWorlds the game]] is integrated into the prologue (verbatim in the original, re-recorded with new lines in ''The New Generation''), and the game's model of the Flying Machine appears at several points.

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* CanonImmigrant: The Martian campaign intro from [[JeffWayne'sTheWarOfTheWorlds [[VideoGame/JeffWaynesWarOfTheWorlds the game]] is integrated into the prologue (verbatim in the original, re-recorded with new lines in ''The New Generation''), and the game's model of the Flying Machine appears at several points.

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* MonumentalDamage: The Martians demolish several famous London bridges on their way upriver.



* MonumentalDamage: The Journalist ominously notes that a tripod has appeared above Big Ben at one point, making it very likely that this happened.

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* MonumentalDamage: The Martians demolish several famous London bridges on their way upriver. The Journalist ominously notes that a tripod has appeared above Big Ben at one point, making it very likely that this happened.point.

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** Justin Hayward of Moody Blues fame sings two songs as "The Sung Thoughts of the Journalist", and David Essex (who had previously recorded with Wayne) plays the Artilleryman. In ''The New Generation'', you might recognise [[Music/TakeThat Gary Barlow]], Joss Stone and [[KaiserChiefs Ricky Wilson]]

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** Justin Hayward of Moody Blues fame sings two songs as "The Sung Thoughts of the Journalist", Phil Lynott of Thin Lizzy is unmistakable as the Parson, and David Essex (who had previously recorded with Wayne) plays the Artilleryman. In ''The New Generation'', you might recognise [[Music/TakeThat Gary Barlow]], Joss Stone and [[KaiserChiefs Ricky Wilson]]

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The role that delivers that line is \"The Sung Thoughts of the Journalist\"


* DeadlyDistantFinale: After the end of Dead London, the musical skips forward to a future NASA Mars landing, as a NASA technician (played by Wayne himself) watches another round of cylinders (this time presumably immune to Earth disease) fly towards Earth and one by one loses radio contact with the various NASA stations around the world.

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* DeadlyDistantFinale: After the end of Dead London, the musical skips forward to a future NASA Mars landing, as a NASA technician (played by Wayne himself) watches another round of cylinders (this time presumably immune to Earth disease) fly towards Earth and one by one loses radio contact with the various NASA stations around the world.The Epilogue. See TheEndOrIsIt below.



** Justin Hayward of Moody Blues fame sings two songs, and David Essex (who had previously recorded with Wayne) plays the Artilleryman. In ''The New Generation'', you might recognise [[TakeThat Gary Barlow]], Joss Stone and [[KaiserChiefs Ricky Wilson]]

to:

** Justin Hayward of Moody Blues fame sings two songs, songs as "The Sung Thoughts of the Journalist", and David Essex (who had previously recorded with Wayne) plays the Artilleryman. In ''The New Generation'', you might recognise [[TakeThat [[Music/TakeThat Gary Barlow]], Joss Stone and [[KaiserChiefs Ricky Wilson]]



* MillionToOneChance: Ogilvy the astronomer says this in ''The Eve Of The War''. Probably the best-known song on the album.

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* MillionToOneChance: The Journalist quotes Ogilvy the astronomer says as saying exactly this in ''The Eve Of The War''. Probably War'', both in the narration and the sung thoughts. The latter is probably the best-known song line on the album.



** {{Narrator}}: The Journalist, played by RichardBurton no less.

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** * {{Narrator}}: The Journalist, in two parts. The spoken half played by RichardBurton no less.



* DeathFromAbove: On cue, a 40 ft tall fighting machine descends onto the stage.

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* DeathFromAbove: On cue, a 40 ft tall fighting machine descends onto the stage.stage, remaining there for the rest of the first act. [[spoiler:It returns for the end of the second act, before slowly collapsing.]]

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''Jeff Wayne's Musical Version of The War of the Worlds'' is a 1978 concept album by JeffWayne, retelling the story of ''TheWarOfTheWorlds'' by HGWells. It was IMMENSELY popular around the world, selling millions of records (and still doing so today) and spawned multiple versions of the album, [[JeffWaynesWarOfTheWorlds a computer game]], a DVD, and a 30th anniversary live tour. Including Alexis James, Rhydian from ''TheXFactor'', Jason Donovan, and Jennifer Ellison in the cast. There's also a large amount of merchandise available at [[http://www.TheWarOfTheWorlds.com the website]].

to:

''Jeff Wayne's Musical Version of The War of the Worlds'' is a 1978 concept album by JeffWayne, retelling the story of ''TheWarOfTheWorlds'' by HGWells. It was IMMENSELY popular around the world, selling millions of records (and still doing so today) and spawned multiple versions of the album, [[JeffWaynesWarOfTheWorlds a computer game]], a DVD, and a 30th anniversary live tour. Including tour including Alexis James, Rhydian from ''TheXFactor'', Jason Donovan, and Jennifer Ellison in the cast. There's also a large amount of merchandise available at [[http://www.TheWarOfTheWorlds.com the website]].website]].

The latest addition is the 2012 UpdatedRerelease subtitled "The New Generation", with new versions of the songs, some new dialogue, and a new AllStarCast. This too was accompanied by a live tour.



!''Jeff Wayne's Musical Version Of The War Of The Worlds'' provides examples of:

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!''Jeff Wayne's Musical Version Of The War Of The Worlds'' !The album provides examples of:



* AdaptationInducedPlotHole - The poisonous Black Smoke is mentioned once or twice, but the part where its nature and threat is explained was cut for time. This probably created some confusion for any listener unfamiliar with the original novel.



* AutobotsRockOut: Martian attacks are usually accompanied by ''The Fighting Machine'', which includes the best guitar solo on the album.

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* AutobotsRockOut: Martian attacks are usually accompanied by ''The Fighting Machine'', which includes the best guitar solo on the album. ''The Heat Ray'', in which the Martians first show that they mean business, is also an example.
** ''The New Generation'' takes this even further, adding a rather cool distortion riff to the ''Fighting Machine'' chorus.



** Justin Hayward of Moody Blues fame sings two songs, and David Essex (who had previously recorded with Wayne) plays the Artilleryman.
** RichardBurton narrates the piece as the Journalist.

to:

** Justin Hayward of Moody Blues fame sings two songs, and David Essex (who had previously recorded with Wayne) plays the Artilleryman.
Artilleryman. In ''The New Generation'', you might recognise [[TakeThat Gary Barlow]], Joss Stone and [[KaiserChiefs Ricky Wilson]]
** RichardBurton narrates the piece as the Journalist. Journalist, with LiamNeeson pulling the same duty in the re-release.



* MonumentalDamage: The Martians demolish several famous London bridges on their way upriver.



* PokemonSpeak: The Martians use exactly one word, in various intonations, throughout the musical.
** Averted in the stage show, however, where the intro features a short section where the Martians outline their plan.



* SirNotAppearingInThisFilm: The Black Smoke was set to appear, but was cut for time.
** It was mentioned: "We took shelter in a cottage and Black Smoke spread, hemming us in. Then a Fighting Machine came across the fields, spraying jets of steam that turned the smoke into thick, black dust."


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!The stage show also provides examples of:

* AliensAreBastards: Made more ambiguous by the CGI Martian prologue (which, incidentally, also brings back some of Wells' [[TheRightOfASuperiorSpecies colonial allegory]] that gets lost in most other adaptations). It is made clear that the invasion is a tactic of last resort in the face of imminent extinction.
* AnimationBump: Parts of the CGI film that runs on the background screen were refined for ''The New Generation''. Most notably, they managed to make the Martians look even ''creepier''.
* CanonForeigner: Two additional ones in ''The New Generation'' - the stargazers [[AgentScully Vera]] and [[AgentMulder Will]], who discuss the likelihood of life on Mars in a brief prologue. Vera makes some [[CassandraTruth fairly accurate]] predictions about the impending extinction that leads to the invasion in the first place, which Will dismisses as "feminine fancy" [[spoiler: right before the first cylinder lands]].
* CanonImmigrant: The Martian campaign intro from [[JeffWayne'sTheWarOfTheWorlds the game]] is integrated into the prologue (verbatim in the original, re-recorded with new lines in ''The New Generation''), and the game's model of the Flying Machine appears at several points.
* DeathFromAbove: On cue, a 40 ft tall fighting machine descends onto the stage.
* FiveRoundsRapid: During ''The Fighting Machine'', some of the soldiers in the background film try shooting at the Martians with their rifles. Most get vapourised, and one suffers VerticalKidnapping.
* HeyItsThatGuy: Quite a few over the course of the show's run, including Marti Pellow, Jason Donovan, [[TheXFactor Rhydian Roberts]], [[AtomicKitten Liz McClamon]] and Kerry Ellis.
* IncendiaryExponent: The animatronic fighting machine sports a fully-functional flamethrower (the most notable use of which is [[spoiler: coming back to life during the epilogue and blowing up the NASA control station]]), and various bits of the stage "catch fire" during the performance.
* MonumentalDamage: When the Journalist describes a fighting machine appearing above Big Ben, the tripod in the accompanying film knocks a chunk out of the clocktower.
* UpToEleven: Parson Nethaniel and the Artilleryman are even ''more'' hamtastic on stage.
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** Justified because of the medium - "[[ShowDontTell show, don't tell]]" is impossible here.

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* TheEndOrIsIt: The Epilogue. [[spoiler: A NASA observer watching a probe to Mars notices some odd flares and dust clouds coming from the planet, shortly before contact with the probe is lost. And then, one by one, much to his confusion and frustration he loses contact with the other observers around the globe...]]



* OrIsIt: The Epilogue. [[spoiler: A NASA observer watching a probe to Mars notices some odd flares and dust clouds coming from the planet, shortly before contact with the probe is lost. And then, one by one, much to his confusion and frustration he loses contact with the other observers around the globe...]]

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* {{Narrator}}: The Journalist, played by RichardBurton no less.


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* MonumentalDamage: The Journalist ominously notes that a tripod has appeared above Big Ben at one point, making it very likely that this happened.


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** {{Narrator}}: The Journalist, played by RichardBurton no less.
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* OrIsIt: The Epilogue. [[spoiler: A NASA observer watching a probe to Mars notices some odd flares and dust clouds coming from the planet, shortly before contact with the probe is lost. And then, one by one, much to his confusion and frustration he loses contact with the other observers around the globe...]]

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* HeyItsThatVoice: Justin Hayward of Moody Blues fame sings two songs, and David Essex (who had previously recorded with Wayne) plays the Artilleryman.

to:

* HeyItsThatVoice: HeyItsThatVoice:
**
Justin Hayward of Moody Blues fame sings two songs, and David Essex (who had previously recorded with Wayne) plays the Artilleryman.Artilleryman.
** RichardBurton narrates the piece as the Journalist.
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* CulturalTranslation: The Parson is definitely based on more recent American evangelical variants of Christianity, rather than the kind of stern Evangelical Christianity you'd expect to find in Victorian England, though [[TropesAreNotBad it's hard to see his fire-and-brimstone proclamations working as hammishly well with an English character]].

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* CulturalTranslation: The Parson is definitely based on more recent American evangelical variants of Christianity, rather than the kind of stern Evangelical Christianity you'd expect to find in Victorian England, though [[TropesAreNotBad it's hard to see his fire-and-brimstone proclamations working as hammishly well with an English character]]. Further justified in the fact that he's, well, been driven completely insane by the Martian invasion, and his fire-and-brimstone ravings are intended as a symptom of his madness; his wife notes with despair at one point that he was once a kindly, well-loved man more in keeping with the typically Victorian stern-but-fair image of the clergyman.
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** It was mentioned: "We took shelter in a cottage and Black Smoke spread, hemming us in. Then a Fighting Machine came across the fields, spraying jets of steam that turned the smoke into thick, black dust."
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* TakeOurWordForIt: How the Martians suck the blood of their victims is kept intentionally vague, [[NightmareFuel probably with good reason.]]
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* SirNotAppearingInThisFilm: The Black Smoke was set to appear, but was cut for time.
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''Jeff Wayne's Musical Version of The War of the Worlds'' is a 1978 concept album by JeffWayne, retelling the story of ''TheWarOfTheWorlds'' by HGWells. It was IMMENSELY popular around the world, selling millions of records (and still doing so today) and spawned multiple versions of the album, [[JeffWaynesWarOfTheWorlds a computer game]], a DVD, and a 30th anniversary live tour. Including Alexis James, Rhydian from ''TheXFactor'', Jason Donovan, and Jennifer Ellison in the cast. There's also a large amount of merchandise available at the website via http://www.TheWarOfTheWorlds.com.

to:

''Jeff Wayne's Musical Version of The War of the Worlds'' is a 1978 concept album by JeffWayne, retelling the story of ''TheWarOfTheWorlds'' by HGWells. It was IMMENSELY popular around the world, selling millions of records (and still doing so today) and spawned multiple versions of the album, [[JeffWaynesWarOfTheWorlds a computer game]], a DVD, and a 30th anniversary live tour. Including Alexis James, Rhydian from ''TheXFactor'', Jason Donovan, and Jennifer Ellison in the cast. There's also a large amount of merchandise available at the website via http://www.[[http://www.TheWarOfTheWorlds.com.com the website]].

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->''Are a million to one...''
->''But still, they come!''

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->''Are ->''[[MillionToOneChance Are a million to one...''
->''But
]]''
->''[[NeverTellMeTheOdds But
still, they come!''
come!]]''


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* WarWasBeginning: Eve of The War.

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** Justified because of the medium - "show, don't tell" is impossible here.

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** Justified because of the medium - "show, "[[ShowDontTell show, don't tell" tell]]" is impossible here.



* ExactlyWhatItSaysOnTheTin. It's a musical interpretation of TheWarOfTheWorlds. By Jeff Wayne.

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* EvilAlwaysTriumphsInTheMiddle: The first [[WhatAreRecords disc]] is "The Coming Of The Martians", the second is "The Earth Under The Martians". The break comes when the Martian domination is complete.
-->'''The Journalist:''' But the Thunder Child had vanished forever, taking with her man's last hope of victory. The leaden sky was lit with flashes, cylinder following cylinder, and no-one and nothing was left to stop them. The Earth belonged to the Martians. \\
'''Martians:''' ''ULLA!''
* ExactlyWhatItSaysOnTheTin. It's a musical interpretation of TheWarOfTheWorlds.''TheWarOfTheWorlds''. By Jeff Wayne.



--> ''Sensing victory was near them''\\
''Thinking fortune must have smiled''\\
''People started cheering'' \\
''"Come on Thunder Child!"''



* MillionToOneChance: Ogilvy the astronomer says this in ''The Eve Of The War''. Probably the best=known song on the album.

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* MillionToOneChance: Ogilvy the astronomer says this in ''The Eve Of The War''. Probably the best=known best-known song on the album.album.
--> The chances of anything coming from Mars are a million to one - but still they come!

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** Justified because of the medium - "show, don't tell" is impossible here.



* MillionToOneChance: Ogilvy the astronomer says this in ''The Eve Of The War''.

to:

* MillionToOneChance: Ogilvy the astronomer says this in ''The Eve Of The War''. Probably the best=known song on the album.

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* EpicRiff: ''Eve of the War''
** And the [[EarWorm spine-tingling]] riff from ''Horsell Common'' immediately after the above track.
** ''Wee-oo, wee-oo, wee-oo...''


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* MythologyGag: According to the official website's making-of book, the sound of the cylinder opening was created in exactly the same way as it was in the Orson Welles radio version: a saucepan being scraped along the rim of a toilet bowl.

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