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After a hiatus from his solo career due to commitments with the Music/{{Pulp}} reunion and his radio show, in 2017 he first released a collaboration with classical pianist Chilly Gonzales, ''Room 29'', then formed a new band under the name "Jarv Is". Primarily a touring outfit performing Music/{{Pulp}} material alongside Jarvis' solo work, they also performed several new songs, and in 2020 these songs were released on an album called ''Beyond The Pale''.
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Changed line(s) 24 (click to see context) from:
to:
* ''Beyond The Pale'' as Jarv Is (2020)
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Changed line(s) 56 (click to see context) from:
** Collaborations: "Set the Controls for the Heart of the Pelvis" (with [[Music/Magazine Barry Adamson]]) and "I Picked a Flower" (with The Pastels)
to:
** Collaborations: "Set the Controls for the Heart of the Pelvis" (with [[Music/Magazine [[Music/{{Magazine}} Barry Adamson]]) and "I Picked a Flower" (with The Pastels)
Changed line(s) 81 (click to see context) from:
* SeductionLyric: "Set the Controls for the Heart of the Pelvis" (technically by [[Music/Magazine Barry Adamson]], but with Jarvis on vocals) involves a peculiar approach to seduction.
to:
* SeductionLyric: "Set the Controls for the Heart of the Pelvis" (technically by [[Music/Magazine [[Music/{{Magazine}} Barry Adamson]], but with Jarvis on vocals) involves a peculiar approach to seduction.
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Changed line(s) 56 (click to see context) from:
** Collaborations: "Set the Controls for the Heart of the Pelvis" (with Barry Adamson) and "I Picked a Flower" (with The Pastels)
to:
** Collaborations: "Set the Controls for the Heart of the Pelvis" (with [[Music/Magazine Barry Adamson) Adamson]]) and "I Picked a Flower" (with The Pastels)
Changed line(s) 81 (click to see context) from:
* SeductionLyric: "Set the Controls for the Heart of the Pelvis" (technically by Barry Adamson, but with Jarvis on vocals) involves a peculiar approach to seduction.
to:
* SeductionLyric: "Set the Controls for the Heart of the Pelvis" (technically by [[Music/Magazine Barry Adamson, Adamson]], but with Jarvis on vocals) involves a peculiar approach to seduction.
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Changed line(s) 56 (click to see context) from:
** Several collaborations: "Set the Controls for the Heart of the Pelvis" (Barry Adamson) and "I Picked a Flower" (The Pastels)
to:
** Several collaborations: Collaborations: "Set the Controls for the Heart of the Pelvis" (Barry (with Barry Adamson) and "I Picked a Flower" (The (with The Pastels)
Changed line(s) 76,77 (click to see context) from:
-->"I met her in the museum of palaeontology, and I make no bones about it"
-->"He says he loves you like a sister – Well, I guess that's relative"
-->"He says he loves you like a sister – Well, I guess that's relative"
to:
-->"I met her in the museum of palaeontology, and I make no bones about it"
-->"Heit"\\
"He says he loves you like a sister – Well, I guess that's relative"
-->"He
"He says he loves you like a sister – Well, I guess that's relative"
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* SeductionLyric: "Set the Controls for the Heart of the Pelvis" (technically by Barry Adamson, but with Jarvis on vocals) involves a peculiar approach to seduction.
-->''Oooohhh, set the controls for the heart of the pelvis\\
Haven't you heard my name rhymes with Elvis\\
And one thing I know is this\\
That your mouth is telling me to give you\\
A big kiss''
-->''Oooohhh, set the controls for the heart of the pelvis\\
Haven't you heard my name rhymes with Elvis\\
And one thing I know is this\\
That your mouth is telling me to give you\\
A big kiss''
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In 2010, Jarvis was given his own Sunday afternoon radio show on BBC 6Music – "Jarvis Cocker's Sunday Service". This sedate and low-key two hour show blends music, spoken-word recordings, and interviews with guests as well as promising to "put the boringness back into Sunday".
to:
In 2010, Jarvis was given his own Sunday afternoon radio show on BBC 6Music – "Jarvis Cocker's Sunday Service". This sedate and low-key two hour show blends music, spoken-word recordings, and interviews with guests as well as promising to "put the boringness back into Sunday".
Sunday". He aired its final show on December 31, 2017.
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Changed line(s) 62 (click to see context) from:
* NerdGlasses: Part of his image from the late '90s on. He wore contacts during the early '90s until he had a situation with [[EyeScream chile containers]].
to:
* NerdGlasses: Part of his image throughout the '80s and again from the late '90s on. onwards. He wore contacts during the early to mid '90s until he had a situation with [[EyeScream chile containers]].
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Changed line(s) 42 (click to see context) from:
* DeadpanSnarker
to:
* DeadpanSnarkerDeadpanSnarker: Wielder of dry British wit both lyrically and in-person.
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Changed line(s) 81 (click to see context) from:
* SelfTitledAlbum: ''Jarvis''.
to:
* SelfTitledAlbum: ''Jarvis''.''Jarvis'', sometimes also titled ''The Jarvis Cocker Album''.
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Changed line(s) 7,8 (click to see context) from:
Jarvis Branson Cocker originates from Sheffield, South Yorkshire, though he now divides his time between London and Paris, and can best be described as a dryly witty, spindly-legged, tweed-jacketed dabbler in everything related to his passion for the arts. His most well-known and memorable foray has been into the world of music with Music/{{Pulp}} and his solo career, where his catchy tunes and witty, observational style of lyric writing have garnered praise from critics and fans.
to:
Jarvis Branson Cocker (born 19 September 1963) originates from Sheffield, South Yorkshire, though he now divides his time between London and Paris, and can best be described as a dryly witty, spindly-legged, tweed-jacketed dabbler in everything related to his passion for the arts. His most well-known and memorable foray has been into the world of music with Music/{{Pulp}} and his solo career, where his catchy tunes and witty, observational style of lyric writing have garnered praise from critics and fans.
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!!Solo Discography:
* ''Jarvis'' (2006)
* ''"Further Complications"'' (2009)
* ''Music from '[[Creator/NeilGaiman Likely Stories]]''' (EP, 2016)
* ''Room 29'' with Chilly Gonzales (2017)
* ''Jarvis'' (2006)
* ''"Further Complications"'' (2009)
* ''Music from '[[Creator/NeilGaiman Likely Stories]]''' (EP, 2016)
* ''Room 29'' with Chilly Gonzales (2017)
Deleted line(s) 24 (click to see context) :
%%* AllLoveIsUnrequited: "Slush", "Leftovers".
Changed line(s) 27,31 (click to see context) from:
-->''Well, I try my best to keep my feelings hid.''
-->''And I'm getting good 'cos I've been practising ever since I was a kid.''
-->''I'll hold your hand - but at arms length, you'll see.''
-->''I've got it covered.''
-->''Apparently, I am in love with you''
-->''And I'm getting good 'cos I've been practising ever since I was a kid.''
-->''I'll hold your hand - but at arms length, you'll see.''
-->''I've got it covered.''
-->''Apparently, I am in love with you''
to:
-->''Well, I try my best to keep my feelings hid.''
-->''And''\\
''And I'm getting good 'cos I've been practising ever since I was a kid.''
-->''I'll''\\
''I'll hold your hand - but at arms length, you'll see.''
-->''I've''\\
''I've got it covered.''
-->''Apparently,''\\
''Apparently, I am in love with you''
-->''And
''And I'm getting good 'cos I've been practising ever since I was a kid.
-->''I'll
''I'll hold your hand - but at arms length, you'll see.
-->''I've
''I've got it covered.
-->''Apparently,
''Apparently, I am in love with you''
* ClassicalMusic: ''Room 29'' is a Classical crossover album, based musically around piano and Jarvis' vocals with occasional orchestration.
* ConceptAlbum: ''Room 29'', billed as "A song-cycle about a piano in a hotel room," centers around events from the Chateau Marmont in West Hollywood, written from the point of view of the baby grand piano in Room 29.
* ConceptAlbum: ''Room 29'', billed as "A song-cycle about a piano in a hotel room," centers around events from the Chateau Marmont in West Hollywood, written from the point of view of the baby grand piano in Room 29.
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* {{Instrumentals}}: The two excerpts of "Loss Adjuster" in ''Jarvis'' are brief piano pieces.
to:
* {{Instrumentals}}: {{Instrumentals}}:
** The two excerpts of "Loss Adjuster" in ''Jarvis'' are brief pianopieces.pieces.
** "Marmont Overture", "Interlude 1 - 'Hotel Stationary'", "Interlude 2 – '5 Hours a Day'", and "The Tearjerker Returns" from ''Room 29''.
** The two excerpts of "Loss Adjuster" in ''Jarvis'' are brief piano
** "Marmont Overture", "Interlude 1 - 'Hotel Stationary'", "Interlude 2 – '5 Hours a Day'", and "The Tearjerker Returns" from ''Room 29''.
* {{Leitmotif}}: ''Room 29'' has recurring title and "Tearjerker" leitmotifs.
* {{Minimalism}}: ''Room 29'' is primarily Jarvis on vocals and Chilly Gonzales on piano. Occasionally they are joined by additional classical orchestration, but the compositions remain sparse.
* NiceToTheWaiter: "Belle Boy" is about the crap hotel belle boys put up with from patrons.
-->''Life could be a bed of roses''\\
''If it wasn’t filled with so many pricks,''\\
''Who wanna take it out on the bell boy''
-->''Life could be a bed of roses''\\
''If it wasn’t filled with so many pricks,''\\
''Who wanna take it out on the bell boy''
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* OneWomanSong: "Angela".
to:
* OneWomanSong: "Angela".OneWomanSong:
** "Angela" from ''Further Complications''.
** "Clara" from ''Room 29'', written about Creator/MarkTwain's daughter Clara and her family's troubles.
** "Angela" from ''Further Complications''.
** "Clara" from ''Room 29'', written about Creator/MarkTwain's daughter Clara and her family's troubles.
* PopStarComposer: Recorded four pieces for Neil Gaiman's ''Likely Stories'' miniseries, released together as an EP.
Changed line(s) 67 (click to see context) from:
* SpokenWordInMusic: The intro to "Big Julie" features a clip of Carson [=McCullers=] reading from her book ''The Member of the Wedding''.
to:
* SpokenWordInMusic: SpokenWordInMusic:
** The intro to "Big Julie" features a clip of Carson [=McCullers=] reading from her book ''The Member of theWedding''.Wedding''.
** Several tracks from ''Room 29'' include clips from film historian David Thomson, taken from a conversation he had with Jarvis in 2014.
** The intro to "Big Julie" features a clip of Carson [=McCullers=] reading from her book ''The Member of the
** Several tracks from ''Room 29'' include clips from film historian David Thomson, taken from a conversation he had with Jarvis in 2014.
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Needs context for both songs
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* AllLoveIsUnrequited: "Slush", "Leftovers".
to:
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** "Fat Children"
** Implied with "Quantum Theory".
** Implied with "Quantum Theory".
to:
** The narrator of "Fat Children"
Children" is murdered by young muggers.
** Implied with "QuantumTheory". Theory".
-->''Last night I slipped through time''\\
''To a parallel dimension''\\
''You were alive and happy''
** Implied with "Quantum
-->''Last night I slipped through time''\\
''To a parallel dimension''\\
''You were alive and happy''
Changed line(s) 41 (click to see context) from:
* {{Instrumentals}}: The two excerpts of "Loss Adjuster" in ''Jarvis''.
to:
* {{Instrumentals}}: The two excerpts of "Loss Adjuster" in ''Jarvis''.''Jarvis'' are brief piano pieces.
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* NonAppearingTitle: "Quantum Theory"
to:
* NonAppearingTitle: "Quantum Theory"Theory".
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* OverlyLongGag: Jarvis's website features videos of him standing around, sitting around, running around, and tuning/playing a guitar, all of which go on for minutes on end. And they're not loops.
* PrecisionFStrike: "Fuckingsong" does not say the title until the last second of the song, where it is used as both the [[IntercourseWithYou euphemism]] and expletive.
* PrecisionFStrike: "Fuckingsong" does not say the title until the last second of the song, where it is used as both the [[IntercourseWithYou euphemism]] and expletive.
to:
* OverlyLongGag: Jarvis's website features around the time of ''Further Complications''' release featured videos of him standing around, sitting around, running around, and tuning/playing a guitar, all of which go went on for minutes on end. And they're not they weren't loops.
* PrecisionFStrike: "Fuckingsong" does not say the title until the last second of the song, where it is used as both the [[IntercourseWithYou euphemism]] and the expletive.
* PrecisionFStrike: "Fuckingsong" does not say the title until the last second of the song, where it is used as both the [[IntercourseWithYou euphemism]] and the expletive.
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* SelfTitledAlbum: ''Jarvis''
to:
* SelfTitledAlbum: ''Jarvis''''Jarvis''.
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* SpokenWordInMusic: The intro to "Big Julie" features a clip of Carson [=McCullers=] reading from her book ''The Member of the Wedding''
to:
* SpokenWordInMusic: The intro to "Big Julie" features a clip of Carson [=McCullers=] reading from her book ''The Member of the Wedding''Wedding''.
Changed line(s) 67 (click to see context) from:
** "Fuckingsong"
to:
** "Fuckingsong""Fuckingsong":
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* TitleTrack: "Further Complications"
to:
* TitleTrack: "Further Complications"Complications".
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* SesameStreetCred: He played the lead singer of The Weird Sisters in ''Film/HarryPotterAndTheGobletOfFire''.
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Changed line(s) 22 (click to see context) from:
* AlbumTitleDrop: The title of Relaxed Muscle's only album ''A heavy Nite With...'' comes from "The Heavy", which contains the line "it's gonna be a heavy nite".
to:
* AdultFear: "Hold Still" was inspired by Jarvis briefly losing his son at the train station and having several nightmare scenarios go through his mind.
* AlbumTitleDrop: The title of Relaxed Muscle's only album ''Aheavy Heavy Nite With...'' comes from "The Heavy", which contains the line "it's gonna be a heavy nite".
* AlbumTitleDrop: The title of Relaxed Muscle's only album ''A
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Changed line(s) 17,18 (click to see context) from:
In 2010, Jarvis was given his own Sunday afternoon radio show on BBC 6Music – "Jarvis Cocker's Sunday Service". This sedate and low-key two hour show blends music, spoken-word recordings, and interviews with guests as well as promising to "put the boringness back into Sunday". The show is currently on hiatus, with Music/IggyPop filling the timeslot.
to:
In 2010, Jarvis was given his own Sunday afternoon radio show on BBC 6Music – "Jarvis Cocker's Sunday Service". This sedate and low-key two hour show blends music, spoken-word recordings, and interviews with guests as well as promising to "put the boringness back into Sunday". The show is currently on hiatus, with Music/IggyPop filling the timeslot.
Sunday".
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Changed line(s) 7,10 (click to see context) from:
Describe Jarvis Cocker here.
Well, alright. Jarvis Branson Cocker originates from Sheffield, South Yorkshire, though he now divides his time between London and Paris, and can best be described as a dryly witty, spindly-legged, tweed-jacketed dabbler in everything related to his passion for the arts. His most well-known and memorable foray has been into the world of music, where his catchy tunes and witty, observational style of lyric writing have garnered praise from critics and fans.
Well, alright. Jarvis Branson Cocker originates from Sheffield, South Yorkshire, though he now divides his time between London and Paris, and can best be described as a dryly witty, spindly-legged, tweed-jacketed dabbler in everything related to his passion for the arts. His most well-known and memorable foray has been into the world of music, where his catchy tunes and witty, observational style of lyric writing have garnered praise from critics and fans.
to:
Well, alright.
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Changed line(s) 42 (click to see context) from:
* {{Instrumental}}: The two excerpts of "Loss Adjuster" in ''Jarvis''.
to:
* {{Instrumental}}: {{Instrumentals}}: The two excerpts of "Loss Adjuster" in ''Jarvis''.
Is there an issue? Send a MessageReason:
\"Pilchard\" has lyrics, just an incredibly small amount
Changed line(s) 42 (click to see context) from:
* Instrumental: "Pilchard"
to:
* Instrumental: "Pilchard"{{Instrumental}}: The two excerpts of "Loss Adjuster" in ''Jarvis''.
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Changed line(s) 35 (click to see context) from:
* CreatorProvincialism – to a lesser extent in his solo endeavours than his work with Pulp, but it is difficult not to notice that quite a few of the people he's collaborated with or played on the radio are from Sheffield.
to:
* CreatorProvincialism – to CreatorProvincialism: To a lesser extent in his solo endeavours than his work with Pulp, but it is difficult not to notice that quite a few of the people he's collaborated with or played on the radio are from Sheffield.
Changed line(s) 58 (click to see context) from:
* {{Sampling}}: "Black Magic" features a sample from "Crimson and Clover" by Tommy James and the Shondells. "You're in My Eyes (Discosong)" is built around a loop from "Rolling Down the Hills" by Glass Candy.
to:
* {{Sampling}}: {{Sampling}}:
** "Black Magic" features a sample from "Crimson and Clover" by Tommy James and theShondells. Shondells.
** "You're in My Eyes (Discosong)" is built around a loop from "Rolling Down the Hills" by Glass Candy.
** "Black Magic" features a sample from "Crimson and Clover" by Tommy James and the
** "You're in My Eyes (Discosong)" is built around a loop from "Rolling Down the Hills" by Glass Candy.
Changed line(s) 68 (click to see context) from:
* TitleTrack: "Further Complications."
to:
* TitleTrack: "Further Complications."Complications"
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Changed line(s) 24,27 (click to see context) from:
* AlbumTitleDrop – The title of Relaxed Muscle's only album ''A heavy Nite With...'' comes from "The Heavy", which contains the line "it's gonna be a heavy nite".
* AllLoveIsUnrequited – "Slush", "Leftovers".
* AlterEgoActing – Darren Spooner is a type 3. Jarvis, who was getting married and having a child at the time, thought that if he had a persona he could use as an outlet for negative things it would make it easier for him to settle down and become a nicer person.
* AntiLoveSong – "Apparently":
* AllLoveIsUnrequited – "Slush", "Leftovers".
* AlterEgoActing – Darren Spooner is a type 3. Jarvis, who was getting married and having a child at the time, thought that if he had a persona he could use as an outlet for negative things it would make it easier for him to settle down and become a nicer person.
* AntiLoveSong – "Apparently":
to:
* AlbumTitleDrop – AlbumTitleDrop: The title of Relaxed Muscle's only album ''A heavy Nite With...'' comes from "The Heavy", which contains the line "it's gonna be a heavy nite".
*AllLoveIsUnrequited – AllLoveIsUnrequited: "Slush", "Leftovers".
*AlterEgoActing – AlterEgoActing: Darren Spooner is a type 3. Jarvis, who was getting married and having a child at the time, thought that if he had a persona he could use as an outlet for negative things it would make it easier for him to settle down and become a nicer person.
*AntiLoveSong – AntiLoveSong: "Apparently":
*
*
*
* BlackIsBiggerInBed: Implied in "Caucasian Blues"
-->''I've heard it said that you are hung like a white man''
-->''I've heard it said that you are hung like a white man''
Changed line(s) 34,40 (click to see context) from:
* DeadpanSnarker – oh yes.
* DeathSong - "Fat Children", and possibly also "Quantum Theory".
* EpicRocking – "The Loss Adjuster" and "You're in My Eyes (Discosong)" both top 8 minutes.
* IncrediblyLamePun – "Leftovers" has got "I met her in the museum of palaeontology and I make no bones about it", as well as "[...]he loves you like a sister – well, I guess that's relative".
* InkSuitActor – his character in WesternAnimation/FantasticMrFox looks a lot like him.
* Instrumental - "Pilchard"
* IntercourseWithYou – A large part of the ethos of Relaxed Muscle. Several collaborations: "Set the Controls for the Heart of the Pelvis" (Barry Adamson) and "I Picked a Flower" (The Pastels), as well as "Fuckingsong", which is slightly unusual in that, as Jarvis has explained:
* DeathSong - "Fat Children", and possibly also "Quantum Theory".
* EpicRocking – "The Loss Adjuster" and "You're in My Eyes (Discosong)" both top 8 minutes.
* IncrediblyLamePun – "Leftovers" has got "I met her in the museum of palaeontology and I make no bones about it", as well as "[...]he loves you like a sister – well, I guess that's relative".
* InkSuitActor – his character in WesternAnimation/FantasticMrFox looks a lot like him.
* Instrumental - "Pilchard"
* IntercourseWithYou – A large part of the ethos of Relaxed Muscle. Several collaborations: "Set the Controls for the Heart of the Pelvis" (Barry Adamson) and "I Picked a Flower" (The Pastels), as well as "Fuckingsong", which is slightly unusual in that, as Jarvis has explained:
to:
* DeadpanSnarker – oh yes.
DeadpanSnarker
*DeathSong - DeathSong:
** "FatChildren", and possibly also Children"
** Implied with "Quantum Theory".
*EpicRocking – EpicRocking: "The Loss Adjuster" and "You're in My Eyes (Discosong)" both top 8 minutes.
*IncrediblyLamePun – "Leftovers" has got "I met her in the museum of palaeontology and I make no bones about it", as well as "[...]he loves you like a sister – well, I guess that's relative".
* InkSuitActor –InkSuitActor: Petey, his character in WesternAnimation/FantasticMrFox ''WesternAnimation/FantasticMrFox'' looks and dances a lot like him.
*Instrumental - Instrumental: "Pilchard"
*IntercourseWithYou – IntercourseWithYou:
** A large part of the ethos of RelaxedMuscle. Muscle.
** Several collaborations: "Set the Controls for the Heart of the Pelvis" (Barry Adamson) and "I Picked a Flower" (ThePastels), as well as Pastels)
** "Fuckingsong", which isslightly unusual in that, as Jarvis has explained:
*
** "Fat
** Implied with "Quantum Theory".
*
*
* InkSuitActor –
*
*
** A large part of the ethos of Relaxed
** Several collaborations: "Set the Controls for the Heart of the Pelvis" (Barry Adamson) and "I Picked a Flower" (The
** "Fuckingsong", which is
Changed line(s) 42,57 (click to see context) from:
* LoveWillLeadYouBack – "You're in My Eyes (Discosong)", in which the narrator is at a discotheque, spots his old lover, and starts dancing with her. Although he knows it's a hallucination, he doesn't want it to end and is willing to dance with her all night in hopes that it'll become real.
* NerdGlasses – very much part of his image from the late '90s on.
* NonAppearingTitle – "Quantum Theory"
* OneWomanSong – "Angela".
* OverlyLongGag: [[http://jarviscocker.net Jarvis's official website]] features videos of him standing around, sitting around, running around, and tuning/playing a guitar, all of which go on for minutes on end. And they're not loops.
* ProtestSong – "Running the World", the full title of which is "[[CountryMatters Cunts]] are Still Running the World".
* {{Sampling}} – "Black Magic" features a sample from "Crimson and Clover" by Tommy James and the Shondells. "You're in My Eyes (Discosong)" is built around a loop from "Rolling Down the Hills" by Glass Candy.
* SelfTitledAlbum – ''Jarvis''
* SomethingBlues – "Caucasian Blues", a tongue-in-cheek number about the pains of being a well-off middle-aged white man.
* TheSomethingSong – [[WesternAnimation/FantasticMrFox "Petey's Song"]], "You're in My Eyes (Discosong)", "Fuckingsong".
* SpokenWordInMusic – The intro to "Big Julie" features a clip of Carson McCullers reading from her book ''The Member of the Wedding''
* ThisIsaSong – "You're in My Eyes (Discosong)" refers to being "caught in a loop that repeats endlessly". "Fuckingsong" has the lyric "I know it's just a song".
* ThisIsYourSong – "Fuckingsong", which is one for the fans.
* TitleTrack – "Further complications."
* TranslatedCoverVersion – "I Just Came to Tell You That I'm Going", originally a French-language song by {{Serge Gainsbourg}}
* NerdGlasses – very much part of his image from the late '90s on.
* NonAppearingTitle – "Quantum Theory"
* OneWomanSong – "Angela".
* OverlyLongGag: [[http://jarviscocker.net Jarvis's official website]] features videos of him standing around, sitting around, running around, and tuning/playing a guitar, all of which go on for minutes on end. And they're not loops.
* ProtestSong – "Running the World", the full title of which is "[[CountryMatters Cunts]] are Still Running the World".
* {{Sampling}} – "Black Magic" features a sample from "Crimson and Clover" by Tommy James and the Shondells. "You're in My Eyes (Discosong)" is built around a loop from "Rolling Down the Hills" by Glass Candy.
* SelfTitledAlbum – ''Jarvis''
* SomethingBlues – "Caucasian Blues", a tongue-in-cheek number about the pains of being a well-off middle-aged white man.
* TheSomethingSong – [[WesternAnimation/FantasticMrFox "Petey's Song"]], "You're in My Eyes (Discosong)", "Fuckingsong".
* SpokenWordInMusic – The intro to "Big Julie" features a clip of Carson McCullers reading from her book ''The Member of the Wedding''
* ThisIsaSong – "You're in My Eyes (Discosong)" refers to being "caught in a loop that repeats endlessly". "Fuckingsong" has the lyric "I know it's just a song".
* ThisIsYourSong – "Fuckingsong", which is one for the fans.
* TitleTrack – "Further complications."
* TranslatedCoverVersion – "I Just Came to Tell You That I'm Going", originally a French-language song by {{Serge Gainsbourg}}
to:
* LoveWillLeadYouBack – LoveWillLeadYouBack: "You're in My Eyes (Discosong)", in which the narrator is at a discotheque, spots his old lover, and starts dancing with her. Although he knows it's a hallucination, he doesn't want it to end and is willing to dance with her all night in hopes that it'll become real.
*NerdGlasses – very much part NerdGlasses: Part of his image from the late '90s on.
on. He wore contacts during the early '90s until he had a situation with [[EyeScream chile containers]].
*NonAppearingTitle – NonAppearingTitle: "Quantum Theory"
*OneWomanSong – OneWomanSong: "Angela".
* OverlyLongGag:[[http://jarviscocker.net Jarvis's official website]] website features videos of him standing around, sitting around, running around, and tuning/playing a guitar, all of which go on for minutes on end. And they're not loops.
*ProtestSong – PrecisionFStrike: "Fuckingsong" does not say the title until the last second of the song, where it is used as both the [[IntercourseWithYou euphemism]] and expletive.
* ProtestSong: "Running the World", the full title of which is "[[CountryMatters Cunts]] are Still Running the World".
*{{Sampling}} {{Pun}}: "Leftovers" has several:
-->"I met her in the museum of palaeontology, and I make no bones about it"
-->"He says he loves you like a sister – Well, I guess that's relative"
* {{Sampling}}: "Black Magic" features a sample from "Crimson and Clover" by Tommy James and the Shondells. "You're in My Eyes (Discosong)" is built around a loop from "Rolling Down the Hills" by Glass Candy.
*SelfTitledAlbum – SelfTitledAlbum: ''Jarvis''
*SomethingBlues – SomethingBlues: "Caucasian Blues", a tongue-in-cheek number about the pains of being a well-off middle-aged white man.
*TheSomethingSong – TheSomethingSong: [[WesternAnimation/FantasticMrFox "Petey's Song"]], "You're in My Eyes (Discosong)", "Fuckingsong".
*SpokenWordInMusic – SpokenWordInMusic: The intro to "Big Julie" features a clip of Carson McCullers [=McCullers=] reading from her book ''The Member of the Wedding''
*ThisIsaSong – ThisIsASong:
** "You're in My Eyes (Discosong)" refers to being "caught in a loop that repeatsendlessly". "Fuckingsong" has the lyric "I endlessly".
** "Fuckingsong"
-->"I know it's just asong".
song"
*ThisIsYourSong – ThisIsYourSong: "Fuckingsong", which is one for the fans.
*TitleTrack – TitleTrack: "Further complications.Complications."
*TranslatedCoverVersion – TranslatedCoverVersion: "I Just Came to Tell You That I'm Going", originally a French-language song by {{Serge Gainsbourg}}
Music/SergeGainsbourg.
*
*
*
* OverlyLongGag:
*
* ProtestSong: "Running the World", the full title of which is "[[CountryMatters Cunts]] are Still Running the World".
*
-->"I met her in the museum of palaeontology, and I make no bones about it"
-->"He says he loves you like a sister – Well, I guess that's relative"
* {{Sampling}}: "Black Magic" features a sample from "Crimson and Clover" by Tommy James and the Shondells. "You're in My Eyes (Discosong)" is built around a loop from "Rolling Down the Hills" by Glass Candy.
*
*
*
*
*
** "You're in My Eyes (Discosong)" refers to being "caught in a loop that repeats
** "Fuckingsong"
-->"I know it's just a
*
*
*
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Changed line(s) 19,20 (click to see context) from:
In 2010, Jarvis was given his own Sunday afternoon radio show on BBC 6Music – "Jarvis Cocker's Sunday Service". This sedate and low-key two hour show blends music, spoken-word recordings, and interviews with guests as well as promising to "put the boringness back into Sunday".
to:
In 2010, Jarvis was given his own Sunday afternoon radio show on BBC 6Music – "Jarvis Cocker's Sunday Service". This sedate and low-key two hour show blends music, spoken-word recordings, and interviews with guests as well as promising to "put the boringness back into Sunday".
Sunday". The show is currently on hiatus, with Music/IggyPop filling the timeslot.
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Changed line(s) 38 (click to see context) from:
* InkSuitActor – his character in FantasticMrFox looks a lot like him.
to:
* InkSuitActor – his character in FantasticMrFox WesternAnimation/FantasticMrFox looks a lot like him.
Changed line(s) 51 (click to see context) from:
* TheSomethingSong – [[FantasticMrFox "Petey's Song"]], "You're in My Eyes (Discosong)", "Fuckingsong".
to:
* TheSomethingSong – [[FantasticMrFox [[WesternAnimation/FantasticMrFox "Petey's Song"]], "You're in My Eyes (Discosong)", "Fuckingsong".
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Changed line(s) 5,6 (click to see context) from:
-->-- ''I Never Said I Was Deep''
to:
-->-- ''I "I Never Said I Was Deep''
Deep"
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Changed line(s) 5,6 (click to see context) from:
-->-- '''Jarvis Cocker''', ''I Never Said I Was Deep''
to:
-->-- '''Jarvis Cocker''', ''I Never Said I Was Deep''
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Changed line(s) 13,14 (click to see context) from:
From a young age, he had dreamed of becoming a pop star, though his unconventional charms and slow progress in learning to play the guitar seemed to indicate that the fame he craved would remain forever in his dreams. Then punk rock came along, catalysing his ambitions in earnest. In 1978, when he was 15, Jarvis started a band called Arabicus Pulp. After the excision of the first word of their name, years of struggling in obscurity, a hiatus (during which Jarvis got a degree in film-making at St Martins art college in London), and innumerable membership and stylistic changes, Pulp finally came into their own and became famous in the mid-90s. Fame was not kind to Jarvis and by the turn of the 21st century, he was recovering from drug addiction and dealing with the aftermath of nervous breakdown and general disillusionment with the nature of the music business
to:
From a young age, he had dreamed of becoming a pop star, though his unconventional charms and slow progress in learning to play the guitar seemed to indicate that the fame he craved would remain forever in his dreams. Then punk rock came along, catalysing his ambitions in earnest. In 1978, when he was 15, Jarvis started a band called Arabicus Pulp. After the excision of the first word of their name, years of struggling in obscurity, a hiatus (during which Jarvis got a degree in film-making at St Martins art college in London), and innumerable membership and stylistic changes, Pulp Music/{{Pulp}} finally came into their own and became famous in the mid-90s. Fame was not kind to Jarvis and by the turn of the 21st century, he was recovering from drug addiction and dealing with the aftermath of nervous breakdown and general disillusionment with the nature of the music business
Is there an issue? Send a MessageReason:
None
Changed line(s) 13,14 (click to see context) from:
From a young age, he had dreamed of becoming a pop star, though his unconventional charms and slow progress in learning to play the guitar seemed to indicate that the fame he craved would remain forever in his dreams. Then punk rock came along, catalysing his ambitions in earnest. In 1978, when he was 15, Jarvis started a band called Arabicus Pulp. After the excision of the first word of their name, years of struggling in obscurity, a hiatus, and innumerable membership and stylistic changes, Pulp finally came into their own and became famous in the mid-90s. Fame was not kind to Jarvis and by the turn of the 21st century, he was recovering from drug addiction and dealing with the aftermath of nervous breakdown and general disillusionment with the nature of the music business
to:
From a young age, he had dreamed of becoming a pop star, though his unconventional charms and slow progress in learning to play the guitar seemed to indicate that the fame he craved would remain forever in his dreams. Then punk rock came along, catalysing his ambitions in earnest. In 1978, when he was 15, Jarvis started a band called Arabicus Pulp. After the excision of the first word of their name, years of struggling in obscurity, a hiatus, hiatus (during which Jarvis got a degree in film-making at St Martins art college in London), and innumerable membership and stylistic changes, Pulp finally came into their own and became famous in the mid-90s. Fame was not kind to Jarvis and by the turn of the 21st century, he was recovering from drug addiction and dealing with the aftermath of nervous breakdown and general disillusionment with the nature of the music business
Deleted line(s) 19,20 (click to see context) :
During Pulp's late 80s hiatus, Jarvis got a degree in film-making at St Martins art college in London. Put off by what he perceived as a disconnect between art and reality, the subject of his thesis had been outsider art – art made by the untrained, often manifesting as highly ornate homes or monuments. In 1998 he returned to this fascination, travelling through France, Belgium, Switzerland, Germany, and North America viewing outsider art and interviewing its creators about their works. This was filmed and became the 1999 television documentary "Journeys into the Outside with Jarvis Cocker".
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Changed line(s) 30,34 (click to see context) from:
-->''Well, I try my best to keep my feelings hid.''\
''And I'm getting good 'cos I've been practising ever since I was a kid.''\\
''I'll hold your hand - but at arms length, you'll see.''\\
''I've got it covered.''\\
''Apparently, I am in love with you''
''And I'm getting good 'cos I've been practising ever since I was a kid.''\\
''I'll hold your hand - but at arms length, you'll see.''\\
''I've got it covered.''\\
''Apparently, I am in love with you''
to:
-->''Well, I try my best to keep my feelings hid.''\
''And''
-->''And I'm getting good 'cos I've been practising ever since I was a kid.''\\
''I'll''
-->''I'll hold your hand - but at arms length, you'll see.''\\
''I've''
-->''I've got it covered.''\\
''Apparently,''
-->''Apparently, I am in love with you''
''And
-->''And I'm getting good 'cos I've been practising ever since I was a kid.
''I'll
-->''I'll hold your hand - but at arms length, you'll see.
''I've
-->''I've got it covered.
''Apparently,
-->''Apparently, I am in love with you''
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Changed line(s) 1 (click to see context) from:
->''"I never said I was deep, but I am profoundly shallow.''\
to:
[[quoteright:250:http://static.tvtropes.org/pmwiki/pub/images/jarv-pageimage_6986.jpg]]
->''"I never said I was deep, but I am profoundly shallow.''\ ''
->''"I never said I was deep, but I am profoundly shallow.
Changed line(s) 29,31 (click to see context) from:
-->''And I'm getting good 'cos I've been practising ever since I was a kid.''\
''I'll hold your hand - but at arms length, you'll see.''\
''I've got it covered.''\
''I'll hold your hand - but at arms length, you'll see.''\
''I've got it covered.''\
to:
''I'll hold your hand - but at arms length, you'll see.
''I've got it covered.
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Added DiffLines:
->''"I never said I was deep, but I am profoundly shallow.''\
->''My lack of knowledge is vast and my horizons are narrow."''
-->-- '''Jarvis Cocker''', ''I Never Said I Was Deep''
Describe Jarvis Cocker here.
Well, alright. Jarvis Branson Cocker originates from Sheffield, South Yorkshire, though he now divides his time between London and Paris, and can best be described as a dryly witty, spindly-legged, tweed-jacketed dabbler in everything related to his passion for the arts. His most well-known and memorable foray has been into the world of music, where his catchy tunes and witty, observational style of lyric writing have garnered praise from critics and fans.
Jarvis was something of a misfit even in childhood. Raised by a bohemian mother who had been an art student before she became pregnant, his odd appearance and name often caused him to be teased by his peers. At the age of five, he contracted meningitis. Though he came through mostly unscathed, the disease damaged his eyesight – necessitating the wearing of thick glasses. He was never popular, but his sense of humour caused him to be generally well-liked.
From a young age, he had dreamed of becoming a pop star, though his unconventional charms and slow progress in learning to play the guitar seemed to indicate that the fame he craved would remain forever in his dreams. Then punk rock came along, catalysing his ambitions in earnest. In 1978, when he was 15, Jarvis started a band called Arabicus Pulp. After the excision of the first word of their name, years of struggling in obscurity, a hiatus, and innumerable membership and stylistic changes, Pulp finally came into their own and became famous in the mid-90s. Fame was not kind to Jarvis and by the turn of the 21st century, he was recovering from drug addiction and dealing with the aftermath of nervous breakdown and general disillusionment with the nature of the music business
After the band went on hiatus in 2001 Jarvis, feeling that he was too old to be a pop star, decided to retire from performing. However, not long after this an electro duo called Relaxed Muscle emerged – and the singer and lyricist Darren Spooner looked and sounded suspiciously like our own Mr Cocker, despite his penchant for swearing, breaking bottles, and wearing elaborate makeup and costumes.
After finding that his dabblings in writing songs for film soundtracks and for other people (including Nancy Sinatra and Charlotte Gainsbourg) did not satisfy him, he returned to music in earnest, recording and releasing his first solo album, ''Jarvis'', in 2006. The download-only single "Running the World", which was ostensibly about the negative impact of capitalism on morality among world leaders and people in power, was a slightly out of character moment for the mild-mannered Jarvis. This album was followed by 2009's ''"Further complications."'', its louder and more rock-oriented brother, as well as continued collaboration with other bands and artists.
During Pulp's late 80s hiatus, Jarvis got a degree in film-making at St Martins art college in London. Put off by what he perceived as a disconnect between art and reality, the subject of his thesis had been outsider art – art made by the untrained, often manifesting as highly ornate homes or monuments. In 1998 he returned to this fascination, travelling through France, Belgium, Switzerland, Germany, and North America viewing outsider art and interviewing its creators about their works. This was filmed and became the 1999 television documentary "Journeys into the Outside with Jarvis Cocker".
In 2010, Jarvis was given his own Sunday afternoon radio show on BBC 6Music – "Jarvis Cocker's Sunday Service". This sedate and low-key two hour show blends music, spoken-word recordings, and interviews with guests as well as promising to "put the boringness back into Sunday".
----
!!Jarvis and his various works provide examples of:
* AlbumTitleDrop – The title of Relaxed Muscle's only album ''A heavy Nite With...'' comes from "The Heavy", which contains the line "it's gonna be a heavy nite".
* AllLoveIsUnrequited – "Slush", "Leftovers".
* AlterEgoActing – Darren Spooner is a type 3. Jarvis, who was getting married and having a child at the time, thought that if he had a persona he could use as an outlet for negative things it would make it easier for him to settle down and become a nicer person.
* AntiLoveSong – "Apparently":
-->''Well, I try my best to keep my feelings hid.''\
-->''And I'm getting good 'cos I've been practising ever since I was a kid.''\
''I'll hold your hand - but at arms length, you'll see.''\
''I've got it covered.''\
''Apparently, I am in love with you''
* CreatorProvincialism – to a lesser extent in his solo endeavours than his work with Pulp, but it is difficult not to notice that quite a few of the people he's collaborated with or played on the radio are from Sheffield.
* DeadpanSnarker – oh yes.
* DeathSong - "Fat Children", and possibly also "Quantum Theory".
* EpicRocking – "The Loss Adjuster" and "You're in My Eyes (Discosong)" both top 8 minutes.
* IncrediblyLamePun – "Leftovers" has got "I met her in the museum of palaeontology and I make no bones about it", as well as "[...]he loves you like a sister – well, I guess that's relative".
* InkSuitActor – his character in FantasticMrFox looks a lot like him.
* Instrumental - "Pilchard"
* IntercourseWithYou – A large part of the ethos of Relaxed Muscle. Several collaborations: "Set the Controls for the Heart of the Pelvis" (Barry Adamson) and "I Picked a Flower" (The Pastels), as well as "Fuckingsong", which is slightly unusual in that, as Jarvis has explained:
-->"By writing songs you can metaphorically fuck a lot of people at the same time. This song is about how that's probably the best way to have a relationship. A song always performs its best each time whereas with a real person, sometimes they get drunk and can't perform at all."
* LoveWillLeadYouBack – "You're in My Eyes (Discosong)", in which the narrator is at a discotheque, spots his old lover, and starts dancing with her. Although he knows it's a hallucination, he doesn't want it to end and is willing to dance with her all night in hopes that it'll become real.
* NerdGlasses – very much part of his image from the late '90s on.
* NonAppearingTitle – "Quantum Theory"
* OneWomanSong – "Angela".
* OverlyLongGag: [[http://jarviscocker.net Jarvis's official website]] features videos of him standing around, sitting around, running around, and tuning/playing a guitar, all of which go on for minutes on end. And they're not loops.
* ProtestSong – "Running the World", the full title of which is "[[CountryMatters Cunts]] are Still Running the World".
* {{Sampling}} – "Black Magic" features a sample from "Crimson and Clover" by Tommy James and the Shondells. "You're in My Eyes (Discosong)" is built around a loop from "Rolling Down the Hills" by Glass Candy.
* SelfTitledAlbum – ''Jarvis''
* SomethingBlues – "Caucasian Blues", a tongue-in-cheek number about the pains of being a well-off middle-aged white man.
* TheSomethingSong – [[FantasticMrFox "Petey's Song"]], "You're in My Eyes (Discosong)", "Fuckingsong".
* SpokenWordInMusic – The intro to "Big Julie" features a clip of Carson McCullers reading from her book ''The Member of the Wedding''
* ThisIsaSong – "You're in My Eyes (Discosong)" refers to being "caught in a loop that repeats endlessly". "Fuckingsong" has the lyric "I know it's just a song".
* ThisIsYourSong – "Fuckingsong", which is one for the fans.
* TitleTrack – "Further complications."
* TranslatedCoverVersion – "I Just Came to Tell You That I'm Going", originally a French-language song by {{Serge Gainsbourg}}
----
->''My lack of knowledge is vast and my horizons are narrow."''
-->-- '''Jarvis Cocker''', ''I Never Said I Was Deep''
Describe Jarvis Cocker here.
Well, alright. Jarvis Branson Cocker originates from Sheffield, South Yorkshire, though he now divides his time between London and Paris, and can best be described as a dryly witty, spindly-legged, tweed-jacketed dabbler in everything related to his passion for the arts. His most well-known and memorable foray has been into the world of music, where his catchy tunes and witty, observational style of lyric writing have garnered praise from critics and fans.
Jarvis was something of a misfit even in childhood. Raised by a bohemian mother who had been an art student before she became pregnant, his odd appearance and name often caused him to be teased by his peers. At the age of five, he contracted meningitis. Though he came through mostly unscathed, the disease damaged his eyesight – necessitating the wearing of thick glasses. He was never popular, but his sense of humour caused him to be generally well-liked.
From a young age, he had dreamed of becoming a pop star, though his unconventional charms and slow progress in learning to play the guitar seemed to indicate that the fame he craved would remain forever in his dreams. Then punk rock came along, catalysing his ambitions in earnest. In 1978, when he was 15, Jarvis started a band called Arabicus Pulp. After the excision of the first word of their name, years of struggling in obscurity, a hiatus, and innumerable membership and stylistic changes, Pulp finally came into their own and became famous in the mid-90s. Fame was not kind to Jarvis and by the turn of the 21st century, he was recovering from drug addiction and dealing with the aftermath of nervous breakdown and general disillusionment with the nature of the music business
After the band went on hiatus in 2001 Jarvis, feeling that he was too old to be a pop star, decided to retire from performing. However, not long after this an electro duo called Relaxed Muscle emerged – and the singer and lyricist Darren Spooner looked and sounded suspiciously like our own Mr Cocker, despite his penchant for swearing, breaking bottles, and wearing elaborate makeup and costumes.
After finding that his dabblings in writing songs for film soundtracks and for other people (including Nancy Sinatra and Charlotte Gainsbourg) did not satisfy him, he returned to music in earnest, recording and releasing his first solo album, ''Jarvis'', in 2006. The download-only single "Running the World", which was ostensibly about the negative impact of capitalism on morality among world leaders and people in power, was a slightly out of character moment for the mild-mannered Jarvis. This album was followed by 2009's ''"Further complications."'', its louder and more rock-oriented brother, as well as continued collaboration with other bands and artists.
During Pulp's late 80s hiatus, Jarvis got a degree in film-making at St Martins art college in London. Put off by what he perceived as a disconnect between art and reality, the subject of his thesis had been outsider art – art made by the untrained, often manifesting as highly ornate homes or monuments. In 1998 he returned to this fascination, travelling through France, Belgium, Switzerland, Germany, and North America viewing outsider art and interviewing its creators about their works. This was filmed and became the 1999 television documentary "Journeys into the Outside with Jarvis Cocker".
In 2010, Jarvis was given his own Sunday afternoon radio show on BBC 6Music – "Jarvis Cocker's Sunday Service". This sedate and low-key two hour show blends music, spoken-word recordings, and interviews with guests as well as promising to "put the boringness back into Sunday".
----
!!Jarvis and his various works provide examples of:
* AlbumTitleDrop – The title of Relaxed Muscle's only album ''A heavy Nite With...'' comes from "The Heavy", which contains the line "it's gonna be a heavy nite".
* AllLoveIsUnrequited – "Slush", "Leftovers".
* AlterEgoActing – Darren Spooner is a type 3. Jarvis, who was getting married and having a child at the time, thought that if he had a persona he could use as an outlet for negative things it would make it easier for him to settle down and become a nicer person.
* AntiLoveSong – "Apparently":
-->''Well, I try my best to keep my feelings hid.''\
-->''And I'm getting good 'cos I've been practising ever since I was a kid.''\
''I'll hold your hand - but at arms length, you'll see.''\
''I've got it covered.''\
''Apparently, I am in love with you''
* CreatorProvincialism – to a lesser extent in his solo endeavours than his work with Pulp, but it is difficult not to notice that quite a few of the people he's collaborated with or played on the radio are from Sheffield.
* DeadpanSnarker – oh yes.
* DeathSong - "Fat Children", and possibly also "Quantum Theory".
* EpicRocking – "The Loss Adjuster" and "You're in My Eyes (Discosong)" both top 8 minutes.
* IncrediblyLamePun – "Leftovers" has got "I met her in the museum of palaeontology and I make no bones about it", as well as "[...]he loves you like a sister – well, I guess that's relative".
* InkSuitActor – his character in FantasticMrFox looks a lot like him.
* Instrumental - "Pilchard"
* IntercourseWithYou – A large part of the ethos of Relaxed Muscle. Several collaborations: "Set the Controls for the Heart of the Pelvis" (Barry Adamson) and "I Picked a Flower" (The Pastels), as well as "Fuckingsong", which is slightly unusual in that, as Jarvis has explained:
-->"By writing songs you can metaphorically fuck a lot of people at the same time. This song is about how that's probably the best way to have a relationship. A song always performs its best each time whereas with a real person, sometimes they get drunk and can't perform at all."
* LoveWillLeadYouBack – "You're in My Eyes (Discosong)", in which the narrator is at a discotheque, spots his old lover, and starts dancing with her. Although he knows it's a hallucination, he doesn't want it to end and is willing to dance with her all night in hopes that it'll become real.
* NerdGlasses – very much part of his image from the late '90s on.
* NonAppearingTitle – "Quantum Theory"
* OneWomanSong – "Angela".
* OverlyLongGag: [[http://jarviscocker.net Jarvis's official website]] features videos of him standing around, sitting around, running around, and tuning/playing a guitar, all of which go on for minutes on end. And they're not loops.
* ProtestSong – "Running the World", the full title of which is "[[CountryMatters Cunts]] are Still Running the World".
* {{Sampling}} – "Black Magic" features a sample from "Crimson and Clover" by Tommy James and the Shondells. "You're in My Eyes (Discosong)" is built around a loop from "Rolling Down the Hills" by Glass Candy.
* SelfTitledAlbum – ''Jarvis''
* SomethingBlues – "Caucasian Blues", a tongue-in-cheek number about the pains of being a well-off middle-aged white man.
* TheSomethingSong – [[FantasticMrFox "Petey's Song"]], "You're in My Eyes (Discosong)", "Fuckingsong".
* SpokenWordInMusic – The intro to "Big Julie" features a clip of Carson McCullers reading from her book ''The Member of the Wedding''
* ThisIsaSong – "You're in My Eyes (Discosong)" refers to being "caught in a loop that repeats endlessly". "Fuckingsong" has the lyric "I know it's just a song".
* ThisIsYourSong – "Fuckingsong", which is one for the fans.
* TitleTrack – "Further complications."
* TranslatedCoverVersion – "I Just Came to Tell You That I'm Going", originally a French-language song by {{Serge Gainsbourg}}
----