Is there an issue? Send a MessageReason:
None
Added DiffLines:
* PowerBallad: "The Show Must Go On," which had quite a serious subject - Freddie Mercury continuing to perform despite the fact that he was dying - compared to other hard rock ballads of the late 1980s/early 1990s.
Is there an issue? Send a MessageReason:
None
Changed line(s) 8,9 (click to see context) from:
Sound-wise, ''Innuendo'' furthers the RevisitingTheRoots approach of ''Music/TheMiracle'' immediately before, this time exploring a modernization of the ProgressiveRock sound of ''Music/QueenII'', ''Music/ANightAtTheOpera'', and ''Music/ADayAtTheRaces''. The band had already ceased live performances following Mercury's AIDS diagnosis, and consequently had unprecedented amounts of room for highly sophisticated production styles and song structures. Thus, ''Innuendo'' sees Queen producing and performing with levels of musical ambition not seen in 15 years, most heavily signified by the suitelike structure of its opening TitleTrack.
to:
Sound-wise, ''Innuendo'' furthers the RevisitingTheRoots approach of ''Music/TheMiracle'' immediately before, this time exploring a modernization of the ProgressiveRock sound of ''Music/QueenII'', ''Music/ANightAtTheOpera'', and ''Music/ADayAtTheRaces''.''Music/{{A Day at the Races|Album}}''. The band had already ceased live performances following Mercury's AIDS diagnosis, and consequently had unprecedented amounts of room for highly sophisticated production styles and song structures. Thus, ''Innuendo'' sees Queen producing and performing with levels of musical ambition not seen in 15 years, most heavily signified by the suitelike structure of its opening TitleTrack.
