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* MohsScaleOfRockAndMetalHardness: A solid 10 for their entire career.
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* TechnicalDeathMetal: At the core.
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* TechnicalDeathMetal: At the core.core.
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Badass Beard and Badass Mustache are being merged into Manly Facial Hair. Examples that don't fit or are zero-context are removed.
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* BadassBeard: Max Zigman had quite the impressive one.
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* EpicRocking: "Bioluminescent Photophores" (6:34), "The Catacomb of Mirrors" (6:30), "Staring Through Fire" (6:53), "Out of Body Experience" (9:21), and "Pulse of the Mountain's Heart" (6:32).
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* EpicRocking: "Bioluminescent Photophores" (6:34), "The Catacomb of Mirrors" (6:30), "Staring Through Fire" (6:53), "Out of Body Experience" (9:21), and "Pulse of the Mountain's Heart" (6:32).(6:32), and "Liberation" (6:44).
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More regional tours followed, and Wientjes was eventually announced as a full member in the summer of 2015. A third full-length is on the way and will be out in September of 2016, and as of late 2016, they are already working on their fourth full-length for a 2017 release and experimenting with going independent (as their contract with Unique Leader has expired); additionally, Joel Guernsey has opted to leave, citing a need to focus on his career and a desire to strike off on his own musically. A replacement has not been selected, though he has invited interested parties to contact him. Taylor Wientjes also quietly left at some point between the end of 2016 and the beginning of 2017, leaving them a three-piece; another new full-length is on the way.
to:
More regional tours followed, and Wientjes was eventually announced as a full member in the summer of 2015. A third full-length is on the way and will be out in September of 2016, and as of late 2016, they are already working on their fourth full-length for a 2017 release and experimenting with going independent (as their contract with Unique Leader has expired); additionally, Joel Guernsey has opted to leave, citing a need to focus on his career and a desire to strike off on his own musically. A replacement has not been selected, though he has invited interested parties to contact him. Taylor Wientjes also quietly left at some point between the end of 2016 and the beginning of 2017, leaving them a three-piece; another new full-length is on the way. Guernsey's departure was short-lived, however, as he returned in the summer of 2017.
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* RockTrio: For the time being, as they have not bothered to find replacements for Guernsey or Wientjes.
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* RockTrio: For the time being, as they have not bothered to find replacements for a short while after Guernsey or Wientjes.and Wientjes left that went through the writing and recording process of ''Underneath a Melting Sky''. Guernsey later wound up returning right before the album's release.
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* ConceptAlbum: ''A Never-Ending Cycle of Atonement''.
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* ConceptAlbum: ''A Never-Ending Cycle of Atonement''.Atonement'' and ''Calling from a Dream''.
* LeadBassist: Scott Bradley is a Type B.
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* RockTrio: At this point in time until they find a replacement for Joel and possibly Taylor as well.
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* RockTrio: At this point in For the time until being, as they have not bothered to find a replacement replacements for Joel and possibly Taylor as well.Guernsey or Wientjes.
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* StepUpToTheMicrophone: Scott Bradley started contributing vocals of his own after Taylor Wientjes left.
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More regional tours followed, and Wientjes was eventually announced as a full member in the summer of 2015. A third full-length is on the way and will be out in September of 2016, and as of late 2016, they are already working on their fourth full-length for a 2017 release and experimenting with going independent (as their contract with Unique Leader has expired); additionally, Joel Guernsey has opted to leave, citing a need to focus on his career and a desire to strike off on his own musically. A replacement has not been selected, though he has invited interested parties to contact him.
to:
More regional tours followed, and Wientjes was eventually announced as a full member in the summer of 2015. A third full-length is on the way and will be out in September of 2016, and as of late 2016, they are already working on their fourth full-length for a 2017 release and experimenting with going independent (as their contract with Unique Leader has expired); additionally, Joel Guernsey has opted to leave, citing a need to focus on his career and a desire to strike off on his own musically. A replacement has not been selected, though he has invited interested parties to contact him. Taylor Wientjes also quietly left at some point between the end of 2016 and the beginning of 2017, leaving them a three-piece; another new full-length is on the way.
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* LargeAndInCharge: Cameron Porras and Joel Guernsey.
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* LargeAndInCharge: Cameron Porras and Joel Guernsey.Porras.
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* RockTrio: At this point in time until they find a replacement for Joel and possibly Taylor as well.
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* ArcWords: "Close your eyes and listen to my call/Our bond will bring us together again"
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More regional tours followed, and Wientjes was eventually announced as a full member in the summer of 2015. A third full-length is on the way and will be out in September of 2016, and the band is hoping to finally make it their breakthrough release.
to:
More regional tours followed, and Wientjes was eventually announced as a full member in the summer of 2015. A third full-length is on the way and will be out in September of 2016, and the band is hoping to finally make it as of late 2016, they are already working on their breakthrough release.fourth full-length for a 2017 release and experimenting with going independent (as their contract with Unique Leader has expired); additionally, Joel Guernsey has opted to leave, citing a need to focus on his career and a desire to strike off on his own musically. A replacement has not been selected, though he has invited interested parties to contact him.
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Changed line(s) 16 (click to see context) from:
* EpicRocking: "Bioluminescent Photophores" (6:34), "The Catacomb of Mirrors" (6:30), "Staring Through Fire" (6:53), and "Out of Body Experience" (9:21).
to:
* EpicRocking: "Bioluminescent Photophores" (6:34), "The Catacomb of Mirrors" (6:30), "Staring Through Fire" (6:53), and "Out of Body Experience" (9:21).(9:21), and "Pulse of the Mountain's Heart" (6:32).
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* SopranoAndGravel: Riley [=McShane=] was quite capable of clean vocals but only opted to do it on one track ("Out of Body Experience"), and Kaitlyn Kehl's vocal spot on "The Rune of Destruction'' accomplished the same. This dynamic is expanded on ''Calling from a Dream'', with Adrianna Tentori handling the clean vocals on the entire album.
to:
* SopranoAndGravel: Riley [=McShane=] was quite capable of clean vocals but only opted to do it on one track ("Out of Body Experience"), and Kaitlyn Kehl's vocal spot on "The Rune of Destruction'' Destruction" accomplished the same. This dynamic is expanded on ''Calling from a Dream'', with Adrianna Tentori handling the clean vocals on the entire album.
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* SopranoAndGravel: Riley [=McShane=] was quite capable of clean vocals but only opted to do it on one track ("Out of Body Experience"), and Kaitlyn Kehl's vocal spot on "The Rune of Destruction'' accomplished the same.
* SpecialGuest: [[Music/DecrepitBirth Matt Sotelo]] did a guest solo on "Morphic Fields", while Kaitlyn Kehl contributed guest vocals to "The Rune of Destruction" and Steve Marshall contributed clarinet and bass flute to multiple tracks on ''A Never-Ending Cycle of Atonement''.
* SpecialGuest: [[Music/DecrepitBirth Matt Sotelo]] did a guest solo on "Morphic Fields", while Kaitlyn Kehl contributed guest vocals to "The Rune of Destruction" and Steve Marshall contributed clarinet and bass flute to multiple tracks on ''A Never-Ending Cycle of Atonement''.
to:
* SopranoAndGravel: Riley [=McShane=] was quite capable of clean vocals but only opted to do it on one track ("Out of Body Experience"), and Kaitlyn Kehl's vocal spot on "The Rune of Destruction'' accomplished the same.
same. This dynamic is expanded on ''Calling from a Dream'', with Adrianna Tentori handling the clean vocals on the entire album.
* SpecialGuest: [[Music/DecrepitBirth Matt Sotelo]] did a guest solo on "Morphic Fields", while Kaitlyn Kehl contributed guest vocals to "The Rune of Destruction" and Steve Marshall contributed clarinet and bass flute to multiple tracks on ''A Never-Ending Cycle ofAtonement''.Atonement'' and ''Calling from a Dream''; lastly, Adrianna Tentori fills the same role as Kaitlyn on ''Calling from a Dream'', in addition to playing live shows with the band when she can.
* SpecialGuest: [[Music/DecrepitBirth Matt Sotelo]] did a guest solo on "Morphic Fields", while Kaitlyn Kehl contributed guest vocals to "The Rune of Destruction" and Steve Marshall contributed clarinet and bass flute to multiple tracks on ''A Never-Ending Cycle of
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* PintsizedPowerhouse: Taylor Wientjes.
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Changed line(s) 5 (click to see context) from:
More regional tours followed, and Wientjes was eventually announced as a full member in the summer of 2015. A third full-length is on the way and should be out at some point in 2016, and the band is hoping to finally make it their breakthrough release.
to:
More regional tours followed, and Wientjes was eventually announced as a full member in the summer of 2015. A third full-length is on the way and should will be out at some point in September of 2016, and the band is hoping to finally make it their breakthrough release.
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* ''Calling from a Dream'' (TBA)
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* ''Calling from a Dream'' (TBA)(2016)
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* LargeAndInCharge: Joel Guernsey
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* LargeAndInCharge: Cameron Porras and Joel GuernseyGuernsey.
* ThePeteBest: Taylor Holt and Nick Willbrand were also original members after they all left Flesh Consumed along with Porras and Casey, but they never actually wrote or recorded anything and mostly just jammed, and it's not known if they were even founders or if they left before Inanimate Existence had properly formed.
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* TechnicalDeathMetal: At the core.
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* TechnicalDeathMetal: At the core.
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* {{Instrumentals}}: Exactly half of ''Liberation Through Hearing'', as well as ''Dueling Shadows'' on ''A Never-Ending Cycle of Atonement''.
to:
* {{Instrumentals}}: Exactly half of ''Liberation Through Hearing'', as well as ''Dueling Shadows'' "Dueling Shadows" on ''A Never-Ending Cycle of Atonement''.
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Inanimate Existence is an American technical/progressive death metal band. Characterized by their expansive compositions and Eastern folk influences, they started out as just another side project before gaining a name as an up-and-comer to watch for.
Formed in 2010 by Cameron Porras (vocals), Joel Guernsey and Ian Rittmaster (guitars), Mitch Yoesle (bass), and Ron Casey (drums), the band started off uneventfully; two years came and went with no releases and a scattering of shows, though they managed to sign a deal with Unique Leader Records during this time and started recording a debut album. Shortly after Casey left Rings of Saturn, ''Liberation Through Hearing'' was released in 2012 and was praised as a promising (if flawed) debut by a band who clearly had the talent to release something truly great. Various shows followed, and Mitch Yoesle wound up leaving around the beginning of 2013; Max Zigman of Son of Aurelius took his spot. A US tour with Gorod, Kamikabe, and Vale of Pnath wound up being their first real bit of exposure, and many who saw the tour praised them for their live show. The end of this tour brought several more lineup changes; Porras moved to guitar (his primary instrument), which necessitated Rittmaster's departure, and his vocal spot was taken by Riley [=McShane=], also of Son of Aurelius. Several songs from their upcoming second album were played as well, and after going back to the studio to record it, a preproduction track of one of those new songs was released that was very well-received and built no small amount of anticipation for the next album. ''A Never-Ending Cycle of Atonement'' was released in June of 2014 to rave reviews, and a series of small tours culminated in a full US tour with Cannabis Corpse and Mammoth Grinder around the end of the year. Zigman and [=McShane=] also left at different points in the year; the former was replaced by Scott Bradley, while the latter was replaced by Taylor Wientjes of The Kennedy Veil on a temporary live basis.
More regional tours followed, and Wientjes was eventually announced as a full member in the summer of 2015. A third full-length is on the way and should be out at some point in 2016, and the band is hoping to finally make it their breakthrough release.
----
!!Discography:
* ''Liberation Through Hearing'' (2012)
* ''A Never-Ending Cycle of Atonement'' (2014)
----
!!This band contains examples of the following tropes:
* BadassBeard: Max Zigman had quite the impressive one.
* ConceptAlbum: ''A Never-Ending Cycle of Atonement''.
* EarlyInstallmentWeirdness: ''Liberation Through Hearing'' was far more heavily brutal death-influenced and had the Eastern folk elements relegated to a bunch of instrumental tracks.
* EpicRocking: "Bioluminescent Photophores" (6:34), "The Catacomb of Mirrors" (6:30), "Staring Through Fire" (6:53), and "Out of Body Experience" (9:21).
* {{Instrumentals}}: Exactly half of ''Liberation Through Hearing'', as well as ''Dueling Shadows'' on ''A Never-Ending Cycle of Atonement''.
* LargeAndInCharge: Joel Guernsey
* LoudnessWar: Both albums are exceptionally loud and flat, which is rather jarring given the amount of folk-influenced parts and dynamic nature of their compositions.
* MohsScaleOfRockAndMetalHardness: A solid 10 for their entire career.
* ProgressiveMetal: ''A Never-Ending Cycle of Atonement'' had a significant undercurrent of this.
* SopranoAndGravel: Riley [=McShane=] was quite capable of clean vocals but only opted to do it on one track ("Out of Body Experience"), and Kaitlyn Kehl's vocal spot on "The Rune of Destruction'' accomplished the same.
* SpecialGuest: [[Music/DecrepitBirth Matt Sotelo]] did a guest solo on "Morphic Fields", while Kaitlyn Kehl contributed guest vocals to "The Rune of Destruction" and Steve Marshall contributed clarinet and bass flute to multiple tracks on ''A Never-Ending Cycle of Atonement''.
* TheStoner: The entire band.
* TechnicalDeathMetal: At the core.
Formed in 2010 by Cameron Porras (vocals), Joel Guernsey and Ian Rittmaster (guitars), Mitch Yoesle (bass), and Ron Casey (drums), the band started off uneventfully; two years came and went with no releases and a scattering of shows, though they managed to sign a deal with Unique Leader Records during this time and started recording a debut album. Shortly after Casey left Rings of Saturn, ''Liberation Through Hearing'' was released in 2012 and was praised as a promising (if flawed) debut by a band who clearly had the talent to release something truly great. Various shows followed, and Mitch Yoesle wound up leaving around the beginning of 2013; Max Zigman of Son of Aurelius took his spot. A US tour with Gorod, Kamikabe, and Vale of Pnath wound up being their first real bit of exposure, and many who saw the tour praised them for their live show. The end of this tour brought several more lineup changes; Porras moved to guitar (his primary instrument), which necessitated Rittmaster's departure, and his vocal spot was taken by Riley [=McShane=], also of Son of Aurelius. Several songs from their upcoming second album were played as well, and after going back to the studio to record it, a preproduction track of one of those new songs was released that was very well-received and built no small amount of anticipation for the next album. ''A Never-Ending Cycle of Atonement'' was released in June of 2014 to rave reviews, and a series of small tours culminated in a full US tour with Cannabis Corpse and Mammoth Grinder around the end of the year. Zigman and [=McShane=] also left at different points in the year; the former was replaced by Scott Bradley, while the latter was replaced by Taylor Wientjes of The Kennedy Veil on a temporary live basis.
More regional tours followed, and Wientjes was eventually announced as a full member in the summer of 2015. A third full-length is on the way and should be out at some point in 2016, and the band is hoping to finally make it their breakthrough release.
----
!!Discography:
* ''Liberation Through Hearing'' (2012)
* ''A Never-Ending Cycle of Atonement'' (2014)
----
!!This band contains examples of the following tropes:
* BadassBeard: Max Zigman had quite the impressive one.
* ConceptAlbum: ''A Never-Ending Cycle of Atonement''.
* EarlyInstallmentWeirdness: ''Liberation Through Hearing'' was far more heavily brutal death-influenced and had the Eastern folk elements relegated to a bunch of instrumental tracks.
* EpicRocking: "Bioluminescent Photophores" (6:34), "The Catacomb of Mirrors" (6:30), "Staring Through Fire" (6:53), and "Out of Body Experience" (9:21).
* {{Instrumentals}}: Exactly half of ''Liberation Through Hearing'', as well as ''Dueling Shadows'' on ''A Never-Ending Cycle of Atonement''.
* LargeAndInCharge: Joel Guernsey
* LoudnessWar: Both albums are exceptionally loud and flat, which is rather jarring given the amount of folk-influenced parts and dynamic nature of their compositions.
* MohsScaleOfRockAndMetalHardness: A solid 10 for their entire career.
* ProgressiveMetal: ''A Never-Ending Cycle of Atonement'' had a significant undercurrent of this.
* SopranoAndGravel: Riley [=McShane=] was quite capable of clean vocals but only opted to do it on one track ("Out of Body Experience"), and Kaitlyn Kehl's vocal spot on "The Rune of Destruction'' accomplished the same.
* SpecialGuest: [[Music/DecrepitBirth Matt Sotelo]] did a guest solo on "Morphic Fields", while Kaitlyn Kehl contributed guest vocals to "The Rune of Destruction" and Steve Marshall contributed clarinet and bass flute to multiple tracks on ''A Never-Ending Cycle of Atonement''.
* TheStoner: The entire band.
* TechnicalDeathMetal: At the core.
