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** ''Unextinct'': An examination of encounters with the inscrutable, uncontrollable, and apathetic order of nature unbound by human order inspired by ''Film/{{Nosferatu}}''.
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* EpicRocking: "In My Land I Was a Snake'' (7:56), "Passages" (7:28), "Ages Die" (6:46), "Enclosured" (6:09), "Anamorphia Atto III" (6:08), and "Acheron, Stream of Woe" (6:47). Their covers of "Embodiment of Chaos" (Sinister) and [[Music/MachineHead "Blood of the Zodiac"]] are also both over six minutes but do not count, as they are not original compositions.
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* EpicRocking: "Atto Quarto: The Horror Paradox" (8:40), "Leben ohne Feuer" (8:26), "In My Land I Was a Snake'' Snake" (7:56), "Passages" (7:28), "The Numinous One" (7:02), "Ages Die" (6:46), "More Than Many, Never One" (6:15) "Enclosured" (6:09), "Anamorphia Atto III" (6:08), and "Acheron, Stream of Woe" (6:47). Their covers of "Embodiment of Chaos" (Sinister) and [[Music/MachineHead "Blood of the Zodiac"]] are also both over six minutes but do not count, as they are not original compositions.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/hideousdivinity.jpg]]
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* FilkSong: Their sole lyrical theme on the first two albums. Downplayed from ''Adveniens'' onward, but film still plays a major role in establishing the overall theme and narrative of their album concepts.
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Bald Of Awesome has been renamed and redefined per a TRS decision
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* BaldOfAwesome: Enrico Di Lorenzo and Giulio Galati.
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* MohsScaleOfRockAndMetalHardness: Solid 10/soft 11 for their entire career.
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* StartMyOwn: Schettino started Hideous Divinity after he left Hour of Penance the first time, while Poletti started Deceptionist in 2013 and later quit Hideous Divinity to make it his main gig.
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* StartMyOwn: Schettino started Hideous Divinity after he left Hour of Penance the first time, while Poletti started Deceptionist in 2013 and later quit Hideous Divinity to make it his main gig.gig.
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** ''LV-426'': ''Franchise/{{Alien}}''.
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* EpicRocking: "In My Land I Was a Snake'' (7:56), "Passages" (7:28), "Ages Die" (6:46), "Enclosured" (6:09), and "Anamorphia Atto III" (6:08). Their covers of "Embodiment of Chaos" (Sinister) and [[Music/MachineHead "Blood of the Zodiac"]] are also both over six minutes but do not count, as they are not original compositions.
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* EpicRocking: "In My Land I Was a Snake'' (7:56), "Passages" (7:28), "Ages Die" (6:46), "Enclosured" (6:09), and "Anamorphia Atto III" (6:08).(6:08), and "Acheron, Stream of Woe" (6:47). Their covers of "Embodiment of Chaos" (Sinister) and [[Music/MachineHead "Blood of the Zodiac"]] are also both over six minutes but do not count, as they are not original compositions.
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* CoverVersion: They have covered "Last and Only Son" (Ripping Corpse), "Embodiment of Chaos" (Sinister), [[Music/MachineHead "Blood of the Zodiac"]], and [[Music/{{Mayhem}} "Cursed in Eternity"]] on album and have also covered [[Music/MorbidAngel "Ageless, Still I Am"]] live.
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* CoverVersion: They have covered "Last and Only Son" (Ripping Corpse), "Embodiment of Chaos" (Sinister), [[Music/MachineHead "Blood of the Zodiac"]], and [[Music/{{Mayhem}} "Cursed in Eternity"]] Eternity"]], and [[Music/CoheedAndCambria "Delirium Trigger"]] on album and have also covered [[Music/MorbidAngel "Ageless, Still I Am"]] live.
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* EpicRocking: "In My Land I Was a Snake'' (7:56), "Passages" (7:28), "Ages Die" (6:46), and "Enclosured" (6:09). Their cover of "Embodiment of Chaos" (Sinister) also clocks in at 6:10 but does not count, as it is not an original composition.
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* EpicRocking: "In My Land I Was a Snake'' (7:56), "Passages" (7:28), "Ages Die" (6:46), and "Enclosured" (6:09). (6:09), and "Anamorphia Atto III" (6:08). Their cover covers of "Embodiment of Chaos" (Sinister) and [[Music/MachineHead "Blood of the Zodiac"]] are also clocks in at 6:10 both over six minutes but does do not count, as it is they are not an original composition.compositions.
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** ''Simulacrum'': An examination of inter-story perception and ProtagonistCenteredMorality heavily influenced by ''Film/LostHighway''.
* {{Deconstruction}}: They have taken this approach to their FilkSong lyrical themes from ''Adveniens'' onward. ''Adveniens'' deconstructs the idea of art serving as an expression of mounting social unrest, and, by extent, a catalyst and rallying cry for violent change, while ''Simulacrum'' deconstructs ProtagonistCenteredMorality and the nature of a fictional character's own perceptions within a work.
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* FilkSong: Their sole lyrical theme until ''Adveniens'', which is still heavily influenced by several films.
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* FilkSong: Their sole lyrical theme until ''Adveniens'', which is on the first two albums. Downplayed from ''Adveniens'' onward, but film still heavily influenced by several films.plays a major role in establishing the overall theme and narrative of their album concepts.
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* ''Simulacrum'' (2019)
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* AscendedExtra: Giovanni Tomassucci.
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* AscendedExtra: Giovanni Tomassucci.Tomassucci, and, in turn, Riccardo Benedini after the former had to step down due to an inflexible day job.
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* CoverVersion: They have covered "Last and Only Son" (Ripping Corpse) and "Embodiment of Chaos" (Sinister) on album and have also covered [[Music/MorbidAngel "Ageless, Still I Am"]] live.
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* CoverVersion: They have covered "Last and Only Son" (Ripping Corpse) and Corpse), "Embodiment of Chaos" (Sinister) (Sinister), [[Music/MachineHead "Blood of the Zodiac"]], and [[Music/{{Mayhem}} "Cursed in Eternity"]] on album and have also covered [[Music/MorbidAngel "Ageless, Still I Am"]] live.
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* LeadBassist: Stefano Franceschini is a Type A and a Type C due to his YouTube channel and his current membership in Music/{{Aborted}}.
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* LeadBassist: Stefano Franceschini is a Type A and a Type C due to his YouTube Website/YouTube channel and his current membership in Music/{{Aborted}}.
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* TheSixthRanger: Tito Vespasiani, their longtime manager, who is generally considered something of an unofficial member and was responsible for a lot of their early buzz; while he is currently focusing most of his energy on Everlasting Spew Records (his label), he is still an integral presence within the band.
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* BlackMetal: ''Adveniens'' has significant elements of this.
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* BlackMetal: ''Adveniens'' has significant elements of this.dissonant and technical black metal, and Enrico Schettino cited Deathspell Omega, Aosoth, Abyssal, and Akhlys (among others) as major influences during the writing process.
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* LeadBassist: Stefano Franceschini is a Type A and a Type C due to his YouTube channel.
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* LeadBassist: Stefano Franceschini is a Type A and a Type C due to his YouTube channel.channel and his current membership in Music/{{Aborted}}.
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** ''Adveniens'': An examination of death and the afterlife heavily influenced by ''Film/{{Videodrome}}'' and ''Film/TheBeyond''.
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** ''Adveniens'': An examination of death art and the afterlife its relation to violent change heavily influenced by ''Film/{{Videodrome}}'' and ''Film/TheBeyond''.
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* PunctuatedForEmphasis: "STEAL! FROM! ME!"
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** ''ObeisanceRising'': ''Film/TheyLive''
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** ''ObeisanceRising'': ''Obeisance Rising'': ''Film/TheyLive''
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Hideous Divinity is an Italian death metal band. While still an up-and-coming act, their blend of American and European styles has gained them a dedicated fanbase around the world, and they have become a legitimate name after years of obscurity.
Formed in 2007 by Carlos Mastantuono (vocals) and Enrico Schettino (guitar) while the latter was living in Oslo, Norway, the band quickly welcomed in Mauro Mercurio (drums) and recorded the ''Sinful Star Necrolatry'' demo that same year before falling off the radar. Schettino wound up moving back to Italy in 2009 and rejoined Music/HourOfPenance before leaving that same year. Over the course of the next few years, Schettino started rebuilding the lineup, and at some point between 2010 and 2012, he assembled all the necessary figures: Enrico Di Lorenzo (vocals), Fabio Bartoletti (guitar) Flavio Cardozo (bass), and Maurizio Montagna (drums). In early 2012, the band released ''Obeisance Rising'' on Unique Leader Records and picked up quite a bit of attention on various blogs that only started to grow over the following two years. As the band grew, Bartoletti, Cardozo, and Montagna all left and were replaced by Antonio Poletti, Stefano Franceschini, and Giulio Galati, respectively. After a few small European tours, the band went back into the studio, and ''Cobra Verde'', their second full-length, was released in October of 2014. 2015 brought more tours and another lineup change, as Poletti left to focus on Deceptionist, which he had started as a side project back in 2013. Giovanni Tomassucci wound up joining on a live basis before being made full-time, and aside from various shows, 2015 was relatively quiet. 2016, however, was anything but, as the band wound up going on tour with Cannibal Corpse and Krisiun that spring, which increased their profile even more. Franceschini also wound up joining Aborted that summer but did not leave Hideous Divinity, and by the end of the year, they had started work on a third full-length. ''Adveniens'' was released in April of 2017, and while there is nothing else planned save for a few fests, demand is high for a trek out of Europe and around the world.
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!!Discography
* ''Sinful Star Necrolatry'' (2007) (demo)
* ''Obeisance Rising'' (2012)
* ''Cobra Verde'' (2014)
* ''Adveniens'' (2017)
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!!The band contains examples of the following tropes:
* AlbumTitleDrop: "Ages Die":
-->"I am the adveniens, future of the past!"
* AscendedExtra: Giovanni Tomassucci.
* BadassBookworm: Enrico Di Lorenzo is a phoniatrician who specializes in examining the physiological aspects of metal vocals, particularly harsh vocals.
* BaldOfAwesome: Enrico Di Lorenzo and Giulio Galati.
* BlackMetal: ''Adveniens'' has significant elements of this.
* [[DeathMetal Brutal Death Metal]]: A mix of the established Italian brutal death style and American brutal tech.
* ConceptAlbum: All of their full-lengths:
** ''ObeisanceRising'': ''Film/TheyLive''
** ''Cobra Verde'': Creator/WernerHerzog's film of the same name.
** ''Adveniens'': An examination of death and the afterlife heavily influenced by ''Film/{{Videodrome}}'' and ''Film/TheBeyond''.
* CoverVersion: They have covered "Last and Only Son" (Ripping Corpse) and "Embodiment of Chaos" (Sinister) on album and have also covered [[Music/MorbidAngel "Ageless, Still I Am"]] live.
* EpicRocking: "In My Land I Was a Snake'' (7:56), "Passages" (7:28), "Ages Die" (6:46), and "Enclosured" (6:09). Their cover of "Embodiment of Chaos" (Sinister) also clocks in at 6:10 but does not count, as it is not an original composition.
* FilkSong: Their sole lyrical theme until ''Adveniens'', which is still heavily influenced by several films.
* LeadBassist: Stefano Franceschini is a Type A and a Type C due to his YouTube channel.
* MadnessMantra: "Future in Red": "I'LL SHOW YOU HOW!"
* MetalScream: Enrico Di Lorenzo can pull off Types 1, 2, and 3, but generally settles on Type 1.
* MohsScaleOfRockAndMetalHardness: Solid 10/soft 11 for their entire career.
* OneSteveLimit: Averted with the two Enricos (Di Lorenzo and Schettino).
* RevolvingDoorBand: Known for steady turnover.
* SpecialGuest: [[Music/{{Nile}} Dallas Toler-Wade]] contributed guest vocals on "Alonest of the Alone".
* StartMyOwn: Schettino started Hideous Divinity after he left Hour of Penance the first time, while Poletti started Deceptionist in 2013 and later quit Hideous Divinity to make it his main gig.
Formed in 2007 by Carlos Mastantuono (vocals) and Enrico Schettino (guitar) while the latter was living in Oslo, Norway, the band quickly welcomed in Mauro Mercurio (drums) and recorded the ''Sinful Star Necrolatry'' demo that same year before falling off the radar. Schettino wound up moving back to Italy in 2009 and rejoined Music/HourOfPenance before leaving that same year. Over the course of the next few years, Schettino started rebuilding the lineup, and at some point between 2010 and 2012, he assembled all the necessary figures: Enrico Di Lorenzo (vocals), Fabio Bartoletti (guitar) Flavio Cardozo (bass), and Maurizio Montagna (drums). In early 2012, the band released ''Obeisance Rising'' on Unique Leader Records and picked up quite a bit of attention on various blogs that only started to grow over the following two years. As the band grew, Bartoletti, Cardozo, and Montagna all left and were replaced by Antonio Poletti, Stefano Franceschini, and Giulio Galati, respectively. After a few small European tours, the band went back into the studio, and ''Cobra Verde'', their second full-length, was released in October of 2014. 2015 brought more tours and another lineup change, as Poletti left to focus on Deceptionist, which he had started as a side project back in 2013. Giovanni Tomassucci wound up joining on a live basis before being made full-time, and aside from various shows, 2015 was relatively quiet. 2016, however, was anything but, as the band wound up going on tour with Cannibal Corpse and Krisiun that spring, which increased their profile even more. Franceschini also wound up joining Aborted that summer but did not leave Hideous Divinity, and by the end of the year, they had started work on a third full-length. ''Adveniens'' was released in April of 2017, and while there is nothing else planned save for a few fests, demand is high for a trek out of Europe and around the world.
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!!Discography
* ''Sinful Star Necrolatry'' (2007) (demo)
* ''Obeisance Rising'' (2012)
* ''Cobra Verde'' (2014)
* ''Adveniens'' (2017)
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!!The band contains examples of the following tropes:
* AlbumTitleDrop: "Ages Die":
-->"I am the adveniens, future of the past!"
* AscendedExtra: Giovanni Tomassucci.
* BadassBookworm: Enrico Di Lorenzo is a phoniatrician who specializes in examining the physiological aspects of metal vocals, particularly harsh vocals.
* BaldOfAwesome: Enrico Di Lorenzo and Giulio Galati.
* BlackMetal: ''Adveniens'' has significant elements of this.
* [[DeathMetal Brutal Death Metal]]: A mix of the established Italian brutal death style and American brutal tech.
* ConceptAlbum: All of their full-lengths:
** ''ObeisanceRising'': ''Film/TheyLive''
** ''Cobra Verde'': Creator/WernerHerzog's film of the same name.
** ''Adveniens'': An examination of death and the afterlife heavily influenced by ''Film/{{Videodrome}}'' and ''Film/TheBeyond''.
* CoverVersion: They have covered "Last and Only Son" (Ripping Corpse) and "Embodiment of Chaos" (Sinister) on album and have also covered [[Music/MorbidAngel "Ageless, Still I Am"]] live.
* EpicRocking: "In My Land I Was a Snake'' (7:56), "Passages" (7:28), "Ages Die" (6:46), and "Enclosured" (6:09). Their cover of "Embodiment of Chaos" (Sinister) also clocks in at 6:10 but does not count, as it is not an original composition.
* FilkSong: Their sole lyrical theme until ''Adveniens'', which is still heavily influenced by several films.
* LeadBassist: Stefano Franceschini is a Type A and a Type C due to his YouTube channel.
* MadnessMantra: "Future in Red": "I'LL SHOW YOU HOW!"
* MetalScream: Enrico Di Lorenzo can pull off Types 1, 2, and 3, but generally settles on Type 1.
* MohsScaleOfRockAndMetalHardness: Solid 10/soft 11 for their entire career.
* OneSteveLimit: Averted with the two Enricos (Di Lorenzo and Schettino).
* RevolvingDoorBand: Known for steady turnover.
* SpecialGuest: [[Music/{{Nile}} Dallas Toler-Wade]] contributed guest vocals on "Alonest of the Alone".
* StartMyOwn: Schettino started Hideous Divinity after he left Hour of Penance the first time, while Poletti started Deceptionist in 2013 and later quit Hideous Divinity to make it his main gig.
