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Deleted line(s) 227 (click to see context) :
* LicensedGame: ''[[ExactlyWhatItSaysOnTheTin Green Day]]: VideoGame/RockBand''.
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* AlternativeRock: Originally a no-frills pop punk band, they become more musically varied by ''Nimrod'', where they cross into alternative rock (or one of its sub-genres) on many of the songs. ''American Idiot'' is arguably a more alternative rock album than it is pop punk. The same goes for ''21st Century Breakdown''.
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Changed line(s) 337 (click to see context) from:
** "Babs Uvula Who?" gets its NonAppearingTitle from a season one ''Series/SaturdayNightLive'' sketch - the context is a spoof public service announcement from the National Uvula Association, in which a doctor played by Creator/ChevyChase delivers a uvula-themed AntiHumor knock knock joke.
to:
** "Babs Uvula Who?" gets its NonAppearingTitle from a season one ''Series/SaturdayNightLive'' sketch - the context is a spoof public service announcement from the National Uvula Association, in which a Babs' doctor played by Creator/ChevyChase delivers tells her a uvula-themed AntiHumor [[AntiHumor deliberately underwhelming knock knock joke. joke]] about her uvula.
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Changed line(s) 337 (click to see context) from:
** "Babs Uvula Who?" gets its NonAppearingTitle from a season one ''Series/SaturdayNightLive'' - the context is spoof public service announcement from the National Uvula Association, in which a doctor played by Creator/ChevyChase delivers a uvula-themed AntiHumor knock knock joke.
to:
** "Babs Uvula Who?" gets its NonAppearingTitle from a season one ''Series/SaturdayNightLive'' sketch - the context is a spoof public service announcement from the National Uvula Association, in which a doctor played by Creator/ChevyChase delivers a uvula-themed AntiHumor knock knock joke. joke.
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** "Babs Uvula Who?" gets its NonAppearingTitle from a season one ''Series/SaturdayNightLive'' - the context is spoof public service announcement from the National Uvula Association, in which a doctor played by Creator/ChevyChase delivers a uvula-themed AntiHumor knock knock joke.
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Trope was cut/disambiguated due to cleanup
Deleted line(s) 181 (click to see context) :
* GutturalGrowler: Billie Joe occasionally delves into this when he's screaming at concerts or really reaching the higher levels of his CarefulWithThatAxe abilities.
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* ZombieApocalypse: Their music video for "The American Dream is Killing Me" is set during one.
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Changed line(s) 114 (click to see context) from:
* CanonDiscontinuity: The band's debut album ''39/Smooth'' has been replaced as part of the band's canon discography by the compilation ''1,039/Smoothed Out Slappy Hours'', an expanded version that combines the original 10 tracks with the band's early EPs ''1,000 Hours'' and ''Slappy''. The original release has been seldom reissued.
to:
* CanonDiscontinuity: The band's debut album ''39/Smooth'' has been replaced as part of the band's canon discography by the compilation ''1,039/Smoothed Out Slappy Hours'', an expanded version that combines the original 10 tracks with the band's early EPs [=EPs=] ''1,000 Hours'' and ''Slappy''. The original release has been seldom reissued.
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None
Added DiffLines:
* CanonDiscontinuity: The band's debut album ''39/Smooth'' has been replaced as part of the band's canon discography by the compilation ''1,039/Smoothed Out Slappy Hours'', an expanded version that combines the original 10 tracks with the band's early EPs ''1,000 Hours'' and ''Slappy''. The original release has been seldom reissued.
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Changed line(s) 16 (click to see context) from:
+ Music/AllTimeLow, Music/FallOutBoy, Music/GoodCharlotte, Music/LadyGaga, Music/AvrilLavigne, Music/PinkPantheress, Music/TwentyOnePilots, Music/{{Waterparks}}, Music/{{Weezer}}
to:
+ Music/FiveSecondsOfSummer, Music/AllTimeLow, Music/FallOutBoy, Music/GoodCharlotte, Music/LadyGaga, Music/AvrilLavigne, Music/OneDirection (Music/LouisTomlinson), Music/PinkPantheress, Music/TwentyOnePilots, Music/{{Waterparks}}, Music/{{Weezer}}
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Changed line(s) 106 (click to see context) from:
* BreadEggsMilkSquick: Billie Joe recognizing Jason Freese [[https://www.youtube.com/watch?v=K7S4LoWy1Zk after they play "Brain Stew"]] on ''BIAB''.
to:
* BreadEggsMilkSquick: Billie Joe recognizing Jason Freese [[https://www.youtube.com/watch?v=K7S4LoWy1Zk after they play "Brain Stew"]] on ''BIAB''.''Bullet in a Bible''.
Changed line(s) 186,187 (click to see context) from:
* TheImmodestOrgasm: Heard throughout [[IntercourseWithYou "Fuck Time"]].
** In the ''BIAB'' performance of "Hitchin' a Ride", Billie Joe conducts the audience to say various sounds, which escalates to an orgasm. Then he slips his hand into his pants...
** In the ''BIAB'' performance of "Hitchin' a Ride", Billie Joe conducts the audience to say various sounds, which escalates to an orgasm. Then he slips his hand into his pants...
to:
* TheImmodestOrgasm: TheImmodestOrgasm:
** Heard throughout [[IntercourseWithYou "Fuck Time"]].
** In the''BIAB'' ''Bullet in a Bible'' performance of "Hitchin' a Ride", Billie Joe conducts the audience to say various sounds, which escalates to an orgasm. Then he slips his hand into his pants...
** Heard throughout [[IntercourseWithYou "Fuck Time"]].
** In the
Changed line(s) 198 (click to see context) from:
** In the [[https://www.youtube.com/watch?v=QGJ_jd7V2cY BIAB performance]] of "Minority", while conducting some "hey-oh" AudienceParticipation, Billie Joe sings a "hey" that gets stretched out for ''16 seconds'' without very noticeable strain on his voice.
to:
** In the ''Bullet in a Bible'' [[https://www.youtube.com/watch?v=QGJ_jd7V2cY BIAB performance]] of "Minority", while conducting some "hey-oh" AudienceParticipation, Billie Joe sings a "hey" that gets stretched out for ''16 seconds'' without very noticeable strain on his voice.
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Trying to fix some example indentation
Changed line(s) 84,85 (click to see context) from:
** "Holiday". The repeated "HEY!" chants as well as the "Can I get another amen? (AMEN!)" line.
*** The chord progression is simple, so Armstrong often calls a young guitarist onstage to play the main riff.
*** The chord progression is simple, so Armstrong often calls a young guitarist onstage to play the main riff.
to:
** "Holiday". The repeated "HEY!" chants as well as the "Can I get another amen? (AMEN!)" line.
***line. The chord progression is also simple, so Armstrong often calls a young guitarist onstage to play the main riff.
***
Changed line(s) 124 (click to see context) from:
-->"Platypus (I Hate You)": "DICKHEAD, FUCKFACE, COCKSMOKING, MOTHERFUCKING ASSHOLE, DIRTY TWAT, WASTE OF SEMEN, I HOPE YOU DIE-- HEY!"
to:
Changed line(s) 143,144 (click to see context) from:
** Most notably, ''Insomniac''[='=]s "Brain Stew/Jaded" and ''American Idiot''[='=]s "Holiday/Boulevard of Broken Dreams". The latter two songs in particular are paired into one track for the album's Spotify release.[[note]]Although several other song pairs in the album are merged as well despite not having a clear transition between them, and "Boulevard of Broken Dreams" can still be listened alone through its correspondent single.[[/note]]
*** The latter example takes the trope over to the songs' music videos. The video for "Holiday" has the band rocking out to the song in a car, ending with the car breaking down. The "Boulevard of Broken Dreams" video then shows the band exiting the car and walking the rest of their way, which also cleverly ties into the "walking alone" theme in the lyrics.
*** The latter example takes the trope over to the songs' music videos. The video for "Holiday" has the band rocking out to the song in a car, ending with the car breaking down. The "Boulevard of Broken Dreams" video then shows the band exiting the car and walking the rest of their way, which also cleverly ties into the "walking alone" theme in the lyrics.
to:
** Most notably, ''Insomniac''[='=]s "Brain Stew/Jaded" and ''American Idiot''[='=]s "Holiday/Boulevard of Broken Dreams". The latter two songs in particular are paired into one track for the album's Spotify release.[[note]]Although several other song pairs in the album are merged as well despite not having a clear transition between them, and "Boulevard of Broken Dreams" can still be listened alone through its correspondent single.[[/note]]
***[[/note]] The latter example takes pair examples also take the trope over to the songs' music videos. The video for "Holiday" has the band rocking out to the song in a car, ending with the car breaking down. The "Boulevard of Broken Dreams" video then shows the band exiting the car and walking the rest of their way, which also cleverly ties into the "walking alone" theme in the lyrics.
***
Changed line(s) 162 (click to see context) from:
* GenreRoulette: ''Nimrod'', ''Nimrod'', ''Nimrod''. Considering the album was purposely written to be experimental (they were tired of their ThreeChordsAndTheTruth structure) and to be a set of standalone songs instead of a cohesive album, the band combined many different genres from hardcore punk to ska to soft rock to regular alternative. For more specification, see ''Nimrod'' under NewSoundAlbum below.
to:
* GenreRoulette: GenreRoulette:
** ''Nimrod'', ''Nimrod'', ''Nimrod''. Considering the album was purposely written to be experimental (they were tired of their ThreeChordsAndTheTruth structure) and to be a set of standalone songs instead of a cohesive album, the band combined many different genres from hardcore punk to ska to soft rock to regular alternative. For more specification, see ''Nimrod'' under NewSoundAlbum below.
** ''Nimrod'', ''Nimrod'', ''Nimrod''. Considering the album was purposely written to be experimental (they were tired of their ThreeChordsAndTheTruth structure) and to be a set of standalone songs instead of a cohesive album, the band combined many different genres from hardcore punk to ska to soft rock to regular alternative. For more specification, see ''Nimrod'' under NewSoundAlbum below.
Changed line(s) 174,175 (click to see context) from:
* GreatestHitsAlbum: 2001's ''International Superhits!'', consisting of all the singles from ''Dookie'' to ''Warning'' - including the previously soundtrack exclusive "JAR" - as well as a brand new song ("Poprocks & Coke"), and a re-recorded B-side ("Maria").
** 2017 brought us ''God’s Favorite Band'', with content from ''Kerplunk'' all the way to ''Revolution Radio''(10 of the songs were in the previous compilation), as well as a new song (“Back In The USA”).
** 2017 brought us ''God’s Favorite Band'', with content from ''Kerplunk'' all the way to ''Revolution Radio''(10 of the songs were in the previous compilation), as well as a new song (“Back In The USA”).
to:
* GreatestHitsAlbum: GreatestHitsAlbum:
** 2001's ''International Superhits!'', consisting of all the singles from ''Dookie'' to ''Warning'' - including the previously soundtrack exclusive "JAR" - as well as a brand new song ("Poprocks & Coke"), and a re-recorded B-side ("Maria").
** 2017 brought us''God’s ''God's Favorite Band'', with content from ''Kerplunk'' all the way to ''Revolution Radio''(10 Radio'' (10 of the songs were in the previous compilation), as well as a new song (“Back ("Back In The USA”).USA").
** 2001's ''International Superhits!'', consisting of all the singles from ''Dookie'' to ''Warning'' - including the previously soundtrack exclusive "JAR" - as well as a brand new song ("Poprocks & Coke"), and a re-recorded B-side ("Maria").
** 2017 brought us
Changed line(s) 209,212 (click to see context) from:
-->"Well, I ain't got much time so I'll get to the point
-->"Do you wanna share a ride and get the fuck out of this joint?"
-->"I've got an impulse so repulsive that it burns"
-->"I wanna break your heart until it makes your stomach turn"
-->"Do you wanna share a ride and get the fuck out of this joint?"
-->"I've got an impulse so repulsive that it burns"
-->"I wanna break your heart until it makes your stomach turn"
to:
Changed line(s) 236,253 (click to see context) from:
** Scattered
-->''Open up the past and present now and we are there''
-->''Story to tell and I am listening''
-->''Open the past and present and the future too''
-->''It's all I've got and I'm giving it to you''
** Whatsername
-->''Remember, whatever''
-->''It seems like forever ago''
-->''The regrets are useless in my mind''
-->''She's in my head, I must confess''
-->''The regrets are useless in my mind''
-->''She's in my head from so long ago''
** Sweet 16
-->''Old days are fine, but left so far behind''
-->''From California to Jane street''
-->''The kids are alright, alright as they'll ever be''
-->''Cause you will always be my''
-->''You will always be my sweet 16''
-->''Open up the past and present now and we are there''
-->''Story to tell and I am listening''
-->''Open the past and present and the future too''
-->''It's all I've got and I'm giving it to you''
** Whatsername
-->''Remember, whatever''
-->''It seems like forever ago''
-->''The regrets are useless in my mind''
-->''She's in my head, I must confess''
-->''The regrets are useless in my mind''
-->''She's in my head from so long ago''
** Sweet 16
-->''Old days are fine, but left so far behind''
-->''From California to Jane street''
-->''The kids are alright, alright as they'll ever be''
-->''Cause you will always be my''
-->''You will always be my sweet 16''
to:
** Scattered
-->''Open"Scattered"
--->''Open up the past and present now and we are there''
-->''Story --->''Story to tell and I am listening''
-->''Open --->''Open the past and present and the future too''
-->''It's --->''It's all I've got and I'm giving it to you''
**Whatsername
-->''Remember,"Whatsername"
--->''Remember, whatever''
-->''It --->''It seems like forever ago''
-->''The --->''The regrets are useless in my mind''
-->''She's --->''She's in my head, I must confess''
-->''The --->''The regrets are useless in my mind''
-->''She's --->''She's in my head from so long ago''
**Sweet 16
-->''Old"Sweet 16"
--->''Old days are fine, but left so far behind''
-->''From --->''From California to Jane street''
-->''The --->''The kids are alright, alright as they'll ever be''
-->''Cause --->''Cause you will always be my''
-->''You --->''You will always be my sweet 16''
-->''Open
--->''Open up the past and present now and we are there''
**
-->''Remember,
--->''Remember, whatever''
**
-->''Old
--->''Old days are fine, but left so far behind''
Changed line(s) 255 (click to see context) from:
** "Basket Case" is a up-tempo and fun SanitySlippageSong. "Good Riddance", which many people think of as a ballad, is actually a BreakupSong, wishing your lover to leave forever and never come back. and "21 Guns," is a song about peace and the evils of war. And "Revolution Radio" is a surprisingly upbeat rallying call inspired by the Black Lives Matter movement.
to:
** "Basket Case" is a up-tempo and fun SanitySlippageSong. SanitySlippageSong.
** "Good Riddance", which many people think of as a ballad, is actually a BreakupSong, wishing your lover to leave forever and never comeback. and back.
** "21Guns," Guns" is a song about peace and the evils of war. And war.
** "Revolution Radio" is a surprisingly upbeat rallying call inspired by the Black Lives Matter movement.
** "Good Riddance", which many people think of as a ballad, is actually a BreakupSong, wishing your lover to leave forever and never come
** "21
** "Revolution Radio" is a surprisingly upbeat rallying call inspired by the Black Lives Matter movement.
Changed line(s) 340 (click to see context) from:
* StealthPun: ''¡Tré!'' concludes the ''¡Uno!''-''¡Dos!''-''¡Tré!'' trilogy, but also acts as a nod to Tré Cool, who actually turned 40 a few days after the album was released.
to:
* StealthPun: StealthPun:
** ''¡Tré!'' concludes the ''¡Uno!''-''¡Dos!''-''¡Tré!'' trilogy, but also acts as a nod to Tré Cool, who actually turned 40 a few days after the album was released.
** ''¡Tré!'' concludes the ''¡Uno!''-''¡Dos!''-''¡Tré!'' trilogy, but also acts as a nod to Tré Cool, who actually turned 40 a few days after the album was released.
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!!Full discography:
to:
[[AC:Studio Albums]]
Deleted line(s) 39,41 (click to see context) :
* 1989 - ''1,000 Hours EP''
* 1990 - ''Slappy EP''
* 1990 - ''Sweet Children EP''
* 1990 - ''Slappy EP''
* 1990 - ''Sweet Children EP''
Deleted line(s) 43 (click to see context) :
* 1991 - ''1,039/Smoothed Out Slappy Hours'' (compilation)
Deleted line(s) 45 (click to see context) :
* 1992 - ''On The Radio'' (live)
Deleted line(s) 50,52 (click to see context) :
* 2001 - ''Tune In, Tokyo...'' (live from ''Warning'' tour)
* 2001 - ''International Superhits!'' (GreatestHitsAlbum)
* 2002 - ''Shenanigans'' ([[BSide B-sides compilation]])
* 2001 - ''International Superhits!'' (GreatestHitsAlbum)
* 2002 - ''Shenanigans'' ([[BSide B-sides compilation]])
Deleted line(s) 54 (click to see context) :
* 2005 - ''Bullet in a Bible'' (live from ''American Idiot'' tour)
Deleted line(s) 56,57 (click to see context) :
* 2009 - ''Last Night on Earth: Live in Tokyo'' (live)
* 2011 - ''Awesome as Fuck'' (live from ''21st Century Breakdown'' tour)
* 2011 - ''Awesome as Fuck'' (live from ''21st Century Breakdown'' tour)
Deleted line(s) 61 (click to see context) :
* 2014 - ''Demolicious'' (compilation)
Deleted line(s) 63,64 (click to see context) :
* 2017 - ''Greatest Hits: God's Favorite Band'' (GreatestHitsAlbum)
* 2019 - ''Live! Woodstock '94'' (live from Woodstock 1994 performance)
* 2019 - ''Live! Woodstock '94'' (live from Woodstock 1994 performance)
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[[AC:Other Releases]]
* 1989 - ''1,000 Hours EP''
* 1990 - ''Slappy EP''
* 1990 - ''Sweet Children EP''
* 1991 - ''1,039/Smoothed Out Slappy Hours'' (compilation)
* 1992 - ''On The Radio'' (live)
* 2001 - ''Tune In, Tokyo...'' (live from ''Warning'' tour)
* 2001 - ''International Superhits!'' (GreatestHitsAlbum)
* 2002 - ''Shenanigans'' ([[BSide B-sides compilation]])
* 2005 - ''Bullet in a Bible'' (live from ''American Idiot'' tour)
* 2009 - ''Last Night on Earth: Live in Tokyo'' (live)
* 2011 - ''Awesome as Fuck'' (live from ''21st Century Breakdown'' tour)
* 2014 - ''Demolicious'' (compilation)
* 2017 - ''Greatest Hits: God's Favorite Band'' (GreatestHitsAlbum)
* 2019 - ''Live! Woodstock '94'' (live from Woodstock 1994 performance)
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Changed line(s) 68,69 (click to see context) from:
!! "Am I just paranoid, or am I just troped?":
to:
!! "Am I just paranoid, or am I just troped?":
troped?"
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Changed line(s) 51,52 (click to see context) from:
* 2001 - ''International Superhits!'' (compilation)
* 2002 - ''Shenanigans'' (compilation)
* 2002 - ''Shenanigans'' (compilation)
to:
* 2001 - ''International Superhits!'' (compilation)
(GreatestHitsAlbum)
* 2002 - ''Shenanigans''(compilation)([[BSide B-sides compilation]])
* 2002 - ''Shenanigans''
Changed line(s) 63 (click to see context) from:
* 2017 - ''Greatest Hits: God's Favorite Band'' (compilation)
to:
* 2017 - ''Greatest Hits: God's Favorite Band'' (compilation)(GreatestHitsAlbum)
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Changed line(s) 16 (click to see context) from:
+ Music/GoodCharlotte, Music/AvrilLavigne, Music/PinkPantheress, Music/TwentyOnePilots, Music/{{Waterparks}}, Music/{{Weezer}}
to:
+ Music/AllTimeLow, Music/FallOutBoy, Music/GoodCharlotte, Music/LadyGaga, Music/AvrilLavigne, Music/PinkPantheress, Music/TwentyOnePilots, Music/{{Waterparks}}, Music/{{Weezer}}
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Changed line(s) 12,14 (click to see context) from:
[floatboxright:Influences:
+ Music/{{Buzzcocks}}, Music/CheapTrick, Music/TheClash, Music/DeadKennedys, Music/{{Descendents}}, Music/HuskerDu, Music/TheKinks, Operation Ivy, Music/TheRamones, Music/TheReplacements, Music/SexPistols, Music/TheWho]
+ Music/{{Buzzcocks}}, Music/CheapTrick, Music/TheClash, Music/DeadKennedys, Music/{{Descendents}}, Music/HuskerDu, Music/TheKinks, Operation Ivy, Music/TheRamones, Music/TheReplacements, Music/SexPistols, Music/TheWho]
to:
Influences:
+ Music/{{Buzzcocks}}, Music/CheapTrick, Music/TheClash, Music/DeadKennedys, Music/{{Descendents}}, Music/HuskerDu, Music/TheKinks, Operation Ivy, Music/TheRamones, Music/TheReplacements, Music/SexPistols,
Influenced:
+ Music/GoodCharlotte, Music/AvrilLavigne, Music/PinkPantheress, Music/TwentyOnePilots, Music/{{Waterparks}}, Music/{{Weezer}}
]
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Rename
Deleted line(s) 294 (click to see context) :
* PowerWalk: The band is seen doing a slow-motion, unbothered-expression walk through a rowdy party crowd in the video for "Kill the DJ".
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* TeamPowerWalk: The band is seen doing a slow-motion, unbothered-expression walk through a rowdy party crowd in the video for "Kill the DJ".
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Changed line(s) 215 (click to see context) from:
* LeadSingerPlaysLeadGuitar: For much of the band's lifetime, frontman Billie was the band's sole full-term guitarist, and played all the guitar lines, although few were considerably melodic or guitar solos. The touring (and briefly full-term) guitarist Jason White does comparatively rhythmic parts as additions to the band's live performances.
to:
* LeadSingerPlaysLeadGuitar: For much of the band's lifetime, frontman Billie Joe was the band's sole full-term guitarist, and played all the guitar lines, although few were considerably melodic or guitar solos. The touring (and briefly full-term) guitarist Jason White does comparatively rhythmic parts as additions to the band's live performances.
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Changed line(s) 30,31 (click to see context) from:
* Jason White - guitar, vocals (2012–2016; currently a touring member)
to:
* Jason White - guitar, vocals (2012–2016; currently a touring member)
member since 1999)
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Added DiffLines:
* LeadSingerPlaysLeadGuitar: For much of the band's lifetime, frontman Billie was the band's sole full-term guitarist, and played all the guitar lines, although few were considerably melodic or guitar solos. The touring (and briefly full-term) guitarist Jason White does comparatively rhythmic parts as additions to the band's live performances.
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Changed line(s) 19,20 (click to see context) from:
Green Day reached its first breakout success with 1994's ''Music/{{Dookie}}'', still seen as one of the most seminal albums of its time for its lasting impact on punk rock and its mainstream acceptance. It remains their highest-selling album. From then on, the band would continuously slide between [[SlidingScaleOfIdealismVersusCynicism cynical and optimistic tones]] in their songwriting and concepts, often transparently informed by the political tensions of the times, and [[NewSoundAlbum experiment with different genres]] both in their work and their handful of short-lived side projects, including The Network (NewWave, under pseudonyms) and Foxboro Hot Tubs (GarageRock).
to:
Green Day reached its first breakout success with 1994's ''Music/{{Dookie}}'', still seen as one of the most seminal albums of its time for its lasting impact on punk rock and its mainstream acceptance. It remains their highest-selling album. From then on, the band would continuously slide between [[SlidingScaleOfIdealismVersusCynicism cynical and optimistic tones]] in their songwriting and concepts, often transparently informed by the political tensions of the times, and [[NewSoundAlbum experiment with different genres]] both in their work and their handful of short-lived side projects, including The Network (NewWave, ({{New Wave|Music}}, under pseudonyms) and Foxboro Hot Tubs (GarageRock).
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Changed line(s) 34 (click to see context) from:
to:
[[index]]
Changed line(s) 47 (click to see context) from:
* 2001 - ''[[GreatestHitsAlbum International Superhits!]]'' (compilation)
to:
* 2001 - ''[[GreatestHitsAlbum International Superhits!]]'' ''International Superhits!'' (compilation)
Changed line(s) 62 (click to see context) from:
to:
[[/index]]
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Added DiffLines:
* PianoDrop: Among other chaos seen in the music video for "Walking Contradiction", in one scene Billie Joe picks up a rear-view mirror fallen from a car. As he is checking himself in it, he temporarily blinds a worker lifing a piano, just as Tre Cool is walking under it (and also stops to pick something off of the ground), only narrowly avoiding the piano falling down on him.
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Changed line(s) 127 (click to see context) from:
* {{Crossdresser}}: "King for a Day".
to:
* {{Crossdresser}}: "King for a Day".Day" is about the narrator going through his mother's closet as a child to try on her clothes.
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Dewicking.
Deleted line(s) 135 (click to see context) :
* ExcitedShowTitle: ''Kerplunk'' is sometimes put as ''Kerplunk!''
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Changed line(s) 292 (click to see context) from:
** Speaking of which, Green Day also gave PopPunk its reputation for sophomoric humour, and generally being played by and for juvenile delinquents. In the 90s, they were big douchebags and proud of it, exemplified by their infamous mud fight with the audience at ''Woodstock 1994,'' and the VulgarHumor of songs like "The Grouch." (Heck, the protagonist of "Longview" was an apathetic slob that sits around [[ADateWithRosiePalms playing with his junk all day]].) That kind of loutish behaviour was celebrated in the sub-genre, particularly by Sum 41, until Green Day got older and phased it out in the 2000's. Soon after, Music/FallOutBoy and their brethren changed the game by adopting more of a DeadpanSnarker attitude.
to:
** Speaking of which, Green Day also gave PopPunk its reputation for sophomoric humour, and generally being played by and for juvenile delinquents. In the 90s, they were big douchebags and proud of it, exemplified by their infamous mud fight with the audience at ''Woodstock 1994,'' and the VulgarHumor of songs like "The Grouch." (Heck, the protagonist of "Longview" was an apathetic slob that sits around [[ADateWithRosiePalms playing with his junk all day]].day.) That kind of loutish behaviour was celebrated in the sub-genre, particularly by Sum 41, until Green Day got older and phased it out in the 2000's. Soon after, Music/FallOutBoy and their brethren changed the game by adopting more of a DeadpanSnarker attitude.
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A Date With Rosie Palms is no longer a trope
Deleted line(s) 130,135 (click to see context) :
* ADateWithRosiePalms:
** The ''Dookie'' HiddenTrack "All by Myself".
** The infamous "Longview" (which talks about apathy in general) isn't even remotely subtle about it, combining a reference to "going blind" ("but it's just a myth") with the explicit "when masturbation's lost its fun, you're fucking lonely".
** "2000 Light Years Away", by some interpretations.
-->''I hold my breath and close my eyes and dream about her''
** A particularly memorable moment in the ''Bullet in a Bible'' performance of "Hitchin' a Ride", where Billie Joe conducts the audience to say different sounds, which then escalates to him straight-up having an orgasm on stage. Then he slips his hand into his pants...
** The ''Dookie'' HiddenTrack "All by Myself".
** The infamous "Longview" (which talks about apathy in general) isn't even remotely subtle about it, combining a reference to "going blind" ("but it's just a myth") with the explicit "when masturbation's lost its fun, you're fucking lonely".
** "2000 Light Years Away", by some interpretations.
-->''I hold my breath and close my eyes and dream about her''
** A particularly memorable moment in the ''Bullet in a Bible'' performance of "Hitchin' a Ride", where Billie Joe conducts the audience to say different sounds, which then escalates to him straight-up having an orgasm on stage. Then he slips his hand into his pants...
