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!!Works by Händel with their own pages:

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!!Works by Händel with their own pages:Händel:
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Adding in the trope I presume was supposed to be here


* In Music/GeorgeFredericHandel's "Zadok the Priest", there is one part with the lyrics "and all the people rejoiced".

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* In Music/GeorgeFredericHandel's AndThereWasMuchRejoicing: "Zadok the Priest", there is one part with Priest" includes the lyrics "and all the people rejoiced".
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** The chorus "All We, Like Sheep" from ''Messiah'' starts off quite cheerfully, with layered melismas making the music sound as though the whole choir is on a whirlgig. And then the music draws to a dead halt and the second half of the chorus is slow and somber in a minor key.

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** The chorus "All We, Like Sheep" from ''Messiah'' starts off quite cheerfully, with layered melismas making the music sound as though the whole choir is on a whirlgig. And then the music draws to a dead halt and the second half of the chorus is slow and somber in a minor key.[[{{Tonality}} key]].
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* LastRequest: When his lifelong friend and patron, George I, was in his last weeks, he made two acts as king: the first was to grant Royal Assent to a bill naturalising Händel as a British subject.[[note]]A few other loyal German retainers who had followed the King to Britain were also naturalised, but Händel was the big one.[[/note]]. The second one was to commission him to write a coronation anthem for his son, who would become George II. It was [[https://www.youtube.com/watch?v=MiXgOQ9_-RI awesome.]]

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* LastRequest: When his lifelong friend and patron, George I, was in his last weeks, he His Majesty made two acts as king: the first was to grant Royal Assent to a bill naturalising Händel as a British subject.[[note]]A few other loyal German retainers who had followed the King to Britain were also naturalised, but Händel was the big one.[[/note]]. [[/note]] The second one was to commission him to write a coronation anthem for his son, who would become George II. It was [[https://www.youtube.com/watch?v=MiXgOQ9_-RI awesome.]]
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* LastRequest: When his lifelong friend and commissioner, George I, was on his deathbed, he made two acts as king: the first was to naturalize Händel as a British citizen. The second one was to commission him to write a coronation anthem for his son, who would become George II. It was [[https://www.youtube.com/watch?v=MiXgOQ9_-RI awesome.]]

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* LastRequest: When his lifelong friend and commissioner, patron, George I, was on in his deathbed, last weeks, he made two acts as king: the first was to naturalize grant Royal Assent to a bill naturalising Händel as a British citizen. subject.[[note]]A few other loyal German retainers who had followed the King to Britain were also naturalised, but Händel was the big one.[[/note]]. The second one was to commission him to write a coronation anthem for his son, who would become George II. It was [[https://www.youtube.com/watch?v=MiXgOQ9_-RI awesome.]]
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** Also, the story is sometimes told that Händel composed the "Water Music" to earn his way back into the king's favor after a falling-out. In fact, George I specifically commissioned the piece in order to counter the growing popularity of his son, the Prince of Wales (later George II), with whom--like pretty much all Hanoverian monarchs and their eldest sons--''he'' had had a falling-out.

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** Also, the story is sometimes told that Händel composed the "Water Music" to earn his way back into the king's favor favour after a falling-out. In fact, George I specifically commissioned the piece in order to counter the growing popularity of his son, the Prince of Wales (later George II), with whom--like pretty much all Hanoverian monarchs and their eldest sons--''he'' had had a falling-out.
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German-born English composer (23 February 1685 – 14 April 1759), an exact contemporary of Music/JohannSebastianBach (Bach was born 37 days after Händel), although they never met, even though they were from the same general part of Germany (Handel's birthplace of Halle being not quite 200 km by road from Bach's hometown of Eisenach).[[note]]They did, however, have an unfortunate mutual acquaintance--they both were taken in by the English quack "oculist" John Taylor, whose attempts to surgically correct their cataracts probably robbed both of what was left of their eyesight. Bach ''actually died'' from complications of the treatment.[[/note]] His birth name was Georg Friederich Händel, but when he moved to England and became a naturalized citizen he anglicized the spelling; music scholars will go either way with it.

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German-born English composer (23 February 1685 – 14 April 1759), an exact contemporary of Music/JohannSebastianBach (Bach was born 37 days after Händel), although they never met, even though they were from the same general part of Germany (Handel's birthplace of Halle being not quite 200 km by road from Bach's hometown of Eisenach).Eisenach; anyway, both towns are in the southern part of the old UsefulNotes/EastGermany[[note]]This caused no small amount of awkwardness for the GDR officialdom, who had a lot of reasons to drum up pride in these truly great composers, but could not ignore that both composers were known for their sacred music and that Handel's secular music was largely written for the British monarchy.[[/note]]).[[note]]They did, however, have an unfortunate mutual acquaintance--they both were taken in by the English quack "oculist" John Taylor, whose attempts to surgically correct their cataracts probably robbed both of what was left of their eyesight. Bach ''actually died'' from complications of the treatment.[[/note]] His birth name was Georg Friederich Händel, but when he moved to England and became a naturalized citizen he anglicized the spelling; music scholars will go either way with it.
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* In Music/GeorgeFredericHandel's "Zadok the Priest", there is one part with the lyrics "and all the people rejoiced".
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-->-- after composing the Hallelujah chorus for ''Messiah''

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-->-- after composing the Hallelujah ''Hallelujah'' chorus for ''Messiah''
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[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/handel_by_mercier.jpg]]

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[[quoteright:300:https://static.[[quoteright:295:https://static.tvtropes.org/pmwiki/pub/images/handel_by_mercier.jpg]]



German-born English composer (23 February 1685 – 14 April 1759), an exact contemporary of Music/JohannSebastianBach (Bach was born 37 days after Händel), although they never met, even though they were from the same general part of Germany (his birthplace of Halle is not quite 200 km by road from Bach's hometown of Eisenach).[[note]]They did, however, have an unfortunate mutual acquaintance--they both were taken in by the English quack "oculist" John Taylor, whose attempts to surgically correct their cataracts probably robbed both of what was left of their eyesight. Bach ''actually died'' from complications of the treatment.[[/note]] His birth name was Georg Friederich Händel, but when he moved to England and became a naturalized citizen he anglicized the spelling; music scholars will go either way with it.

Händel made his name and fortune composing operas in Italian, writing over 40 of them, most of them for the English market after he moved to London; he was the first ever composer to [[MoneyDearBoy get rich and famous from composing]]. So many people wanted to attend ''just the rehearsal'' of his "Music for the Royal Fireworks" that it caused a three-hour traffic jam on London Bridge. In the 1740s, the audience's taste for Italian opera mysteriously went away, helped along by the smash hit of John Gay's ''Theatre/TheBeggarsOpera'' in English. After a brief period of reconsideration, he saw what the audience wanted and began to write oratorios in English, the most famous of which (and most famous overall) is ''Messiah''. (Yes, it's the one with the [[StandardSnippet "Hallelujah" chorus.)]]

to:

German-born English composer (23 February 1685 – 14 April 1759), an exact contemporary of Music/JohannSebastianBach (Bach was born 37 days after Händel), although they never met, even though they were from the same general part of Germany (his (Handel's birthplace of Halle is being not quite 200 km by road from Bach's hometown of Eisenach).[[note]]They did, however, have an unfortunate mutual acquaintance--they both were taken in by the English quack "oculist" John Taylor, whose attempts to surgically correct their cataracts probably robbed both of what was left of their eyesight. Bach ''actually died'' from complications of the treatment.[[/note]] His birth name was Georg Friederich Händel, but when he moved to England and became a naturalized citizen he anglicized the spelling; music scholars will go either way with it.

Händel made his name and fortune composing operas in Italian, writing over 40 of them, most of them for the English market after he moved to London; he was the first ever composer to [[MoneyDearBoy get become rich and famous from composing]]. So many people wanted to attend ''just the rehearsal'' of his "Music for the Royal Fireworks" that it caused a three-hour three-hour-long traffic jam on London Bridge. In the 1740s, the audience's taste for Italian opera mysteriously went away, helped along by the smash hit of John Gay's ''Theatre/TheBeggarsOpera'' in English. After So after a brief period of reconsideration, he saw reconsideration Handel, recognizing what the audience wanted and wanted, began to write oratorios in English, the most famous of which (and most famous overall) is ''Messiah''. (Yes, it's the one with the [[StandardSnippet "Hallelujah" chorus.)]]
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[[quoteright:269:https://static.tvtropes.org/pmwiki/pub/images/georgefrederichandel_7787.jpg]]

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[[quoteright:269:https://static.[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/georgefrederichandel_7787.jpg]]
org/pmwiki/pub/images/handel_by_mercier.jpg]]



-->-- After composing the Hallelujah chorus for ''Messiah''

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-->-- After after composing the Hallelujah chorus for ''Messiah''
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* ManlyTears: During his composition of ''Messiah'', his servants found him crying his eyes out. The original manuscript of the score even bears his own tear stains at certain passages.

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* ManlyTears: During his composition of ''Messiah'', his servants found him crying his eyes out.out, so moved was he with religious passion. The original manuscript of the score even bears his own tear stains at certain passages.
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* AccentUponTheWrongSyllable: The original version of the aria "The Trumpet Shall Sound" from ''Messiah'' repeatedly sets the word "incorruptible" as "in-''COR''-rup-''TIB''-le." Similarly, "Hallelujah" includes the line "For the Lord God Om'''NI'''potent reigneth." This may be down to English not being Händel's first language. It's usually changed discreetly in performance, although the correct pronunciation doesn't exactly fit the melody as he wrote it.

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* AccentUponTheWrongSyllable: The original version of the aria "The Trumpet Shall Sound" from ''Messiah'' repeatedly sets the word "incorruptible" as "in-''COR''-rup-''TIB''-le." Similarly, "Hallelujah" includes the line "For the Lord God Om'''NI'''potent reigneth.Om-''NI''-po-tent reign-eth." This may be down to English not being Händel's first language. It's usually changed discreetly in performance, although the correct pronunciation doesn't exactly fit the melody as he wrote it.
Is there an issue? Send a MessageReason:
None


* AccentUponTheWrongSyllable: The original version of the aria "The Trumpet Shall Sound" from ''Messiah'' repeatedly sets the word "incorruptible" as "in-''COR''-rup-''TIB''-le." Similarly, "Hallelujah" includes the line "For the Lord God Om'''ni'''potent reigneth." This may be down to English not being Händel's first language. It's usually changed discreetly in performance, although the correct pronunciation doesn't exactly fit the melody as he wrote it.

to:

* AccentUponTheWrongSyllable: The original version of the aria "The Trumpet Shall Sound" from ''Messiah'' repeatedly sets the word "incorruptible" as "in-''COR''-rup-''TIB''-le." Similarly, "Hallelujah" includes the line "For the Lord God Om'''ni'''potent Om'''NI'''potent reigneth." This may be down to English not being Händel's first language. It's usually changed discreetly in performance, although the correct pronunciation doesn't exactly fit the melody as he wrote it.
Is there an issue? Send a MessageReason:
None


* AccentUponTheWrongSyllable: The original version of the aria "The Trumpet Shall Sound" from ''Messiah'' repeatedly sets the word "incorruptible" as "in-''COR''-rup-''TIB''-le." This may be down to English not being Händel's first language. It's usually changed discreetly in performance, although the correct pronunciation doesn't exactly fit the melody as he wrote it.

to:

* AccentUponTheWrongSyllable: The original version of the aria "The Trumpet Shall Sound" from ''Messiah'' repeatedly sets the word "incorruptible" as "in-''COR''-rup-''TIB''-le." Similarly, "Hallelujah" includes the line "For the Lord God Om'''ni'''potent reigneth." This may be down to English not being Händel's first language. It's usually changed discreetly in performance, although the correct pronunciation doesn't exactly fit the melody as he wrote it.
Is there an issue? Send a MessageReason:
None


German-born English composer (23 February 1685 – 14 April 1759), an exact contemporary of Music/JohannSebastianBach (Bach was born 37 days after Händel), although they never met, even though they were from the same general part of Germany (his birthplace of Halle is not quite 200 km by road from Bach's hometown of Eisenach).[[note]]They did, however, have an unfortunate mutual acquaintance--they both were taken in by the English quack "oculist" John Taylor, whose attempts to surgically correct their cataracts probably robbed both of what was left of their eyesight.[[/note]] His birth name was Georg Friederich Händel, but when he moved to England and became a naturalized citizen he anglicized the spelling; music scholars will go either way with it.

to:

German-born English composer (23 February 1685 – 14 April 1759), an exact contemporary of Music/JohannSebastianBach (Bach was born 37 days after Händel), although they never met, even though they were from the same general part of Germany (his birthplace of Halle is not quite 200 km by road from Bach's hometown of Eisenach).[[note]]They did, however, have an unfortunate mutual acquaintance--they both were taken in by the English quack "oculist" John Taylor, whose attempts to surgically correct their cataracts probably robbed both of what was left of their eyesight. Bach ''actually died'' from complications of the treatment.[[/note]] His birth name was Georg Friederich Händel, but when he moved to England and became a naturalized citizen he anglicized the spelling; music scholars will go either way with it.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* AccentUponTheWrongSyllable: The original version of the aria "The Trumpet Shall Sound" from ''Messiah'' repeatedly sets the word "incorruptible" as "in-''COR''-rup-''TIB''-le." This may be down to English not being Händel's first language. It's usually changed discreetly in performance, although the correct pronunciation doesn't exactly fit the melody as he wrote it.
Is there an issue? Send a MessageReason:
None


* MuggleInMageCustody: In ''Alcina'', the titular sorceress seduces every knight that arrives on her island, and then, once she gets bored of them, she turns them into stones, animals, plants, or whatever she fancies.e

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* MuggleInMageCustody: In ''Alcina'', the titular sorceress seduces every knight that arrives on her island, and then, once she gets bored of them, she turns them into stones, animals, plants, or whatever she fancies.e
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Added DiffLines:

* MuggleInMageCustody: In ''Alcina'', the titular sorceress seduces every knight that arrives on her island, and then, once she gets bored of them, she turns them into stones, animals, plants, or whatever she fancies.e
Is there an issue? Send a MessageReason:
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* GeniusBruiser: An immensely skilled musician and composer, but also famous for his huge size and prodigious strength -- recall the famous incident in which he held a soprano out of a window until she acquiesced to some demand of his, to say nothing of the kettle drum incident. The incident with the kettle drum? See HotBlooded, below.

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* GeniusBruiser: An immensely skilled musician and composer, but also famous for his huge size and prodigious strength -- recall the famous incident in which he held a soprano out of a window until she acquiesced to some demand of his, to say nothing of the incident with the kettle drum incident.drum. The incident with the kettle drum? See HotBlooded, below.
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You Have To Have Jews is no longer a trope.


* YouHaveToHaveJews: Most of his oratorios are on Old Testament subjects, with even ''Messiah'' drawing mostly on Old Testament texts. His only oratorio on a purely Christian subject was one of his last, ''Theodora'', and the librettist claimed that Handel blamed its failure partly on its lack of appeal to London's Jewish music fans: "The Jews will not come to it because it is a Christian story; and the ladies will not come because it is a virtuous one."
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* CoveredUp: Other composers' settings of "Zadok the Priest" had been used at previous coronations, but Handel's version was the one that stuck.
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* CoveredUp: Other composers' settings of "Zadok the Priest" had been used at previous coronations, but Handel's version was the one that stuck.
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Added DiffLines:

* YouHaveToHaveJews: Most of his oratorios are on Old Testament subjects, with even ''Messiah'' drawing mostly on Old Testament texts. His only oratorio on a purely Christian subject was one of his last, ''Theodora'', and the librettist claimed that Handel blamed its failure partly on its lack of appeal to London's Jewish music fans: "The Jews will not come to it because it is a Christian story; and the ladies will not come because it is a virtuous one."
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Not a trope


* MusicOfNote: The ''Messiah'', in particular the "Hallelujah Chorus", is pretty much required listening. Also, don't miss the "Water Music" and "Music for the Royal Fireworks."
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German-born English composer (23 February 1685 – 14 April 1759), an exact contemporary of Music/JohannSebastianBach (Bach was born 37 days after Händel), although they never met, even though they were from the same general part of Germany (his birthplace of Halle is not quite 200 km by road from Bach's hometown of Eisenach).[[note]]They did, however, have an unfortunate mutual acquaintance--they both were taken in by the English quack "oculist" John Taylor, whose attempts to surgically correct their cataracts probably robbed both of what was left of their eyesight.[[/note]] His birth name was Georg Friederich ändel, but when he moved to England and became a naturalized citizen he anglicized the spelling; music scholars will go either way with it.

to:

German-born English composer (23 February 1685 – 14 April 1759), an exact contemporary of Music/JohannSebastianBach (Bach was born 37 days after Händel), although they never met, even though they were from the same general part of Germany (his birthplace of Halle is not quite 200 km by road from Bach's hometown of Eisenach).[[note]]They did, however, have an unfortunate mutual acquaintance--they both were taken in by the English quack "oculist" John Taylor, whose attempts to surgically correct their cataracts probably robbed both of what was left of their eyesight.[[/note]] His birth name was Georg Friederich ändel, Händel, but when he moved to England and became a naturalized citizen he anglicized the spelling; music scholars will go either way with it.

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Changed: 745

Is there an issue? Send a MessageReason:
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German-born English composer (23 February 1685 – 14 April 1759), an exact contemporary of Music/JohannSebastianBach (Bach was born 37 days after Händel), although they never met, even though they were from the same general part of Germany (his birthplace of Halle is not quite 200 km by road from Bach's hometown of Eisenach).[[note]]They did, however, have an unfortunate mutual acquaintance--they both were taken in by the English quack "oculist" John Taylor, whose attempts to surgically correct their cataracts probably robbed both of what was left of their eyesight.[[/note]] Händel made his name and fortune composing operas in Italian, writing over 40 of them, most of them for the English market after he moved to London; he was the first ever composer to [[MoneyDearBoy get rich and famous from composing]].[[note]]So many people wanted to attend ''just the rehearsal'' of his "Music for the Royal Firworks" that it caused a three-hour traffic jam on London Bridge[[/note]] In the 1740s, the audience's taste for Italian opera mysteriously went away. After a brief period of reconsideration, he saw what the audience wanted and began to write oratorios in English, the most famous of which (and most famous overall) is ''Messiah''. (Yes, it's the one with the [[StandardSnippet "Hallelujah" chorus.)]]

to:

German-born English composer (23 February 1685 – 14 April 1759), an exact contemporary of Music/JohannSebastianBach (Bach was born 37 days after Händel), although they never met, even though they were from the same general part of Germany (his birthplace of Halle is not quite 200 km by road from Bach's hometown of Eisenach).[[note]]They did, however, have an unfortunate mutual acquaintance--they both were taken in by the English quack "oculist" John Taylor, whose attempts to surgically correct their cataracts probably robbed both of what was left of their eyesight.[[/note]] His birth name was Georg Friederich ändel, but when he moved to England and became a naturalized citizen he anglicized the spelling; music scholars will go either way with it.

Händel made his name and fortune composing operas in Italian, writing over 40 of them, most of them for the English market after he moved to London; he was the first ever composer to [[MoneyDearBoy get rich and famous from composing]].[[note]]So composing]]. So many people wanted to attend ''just the rehearsal'' of his "Music for the Royal Firworks" Fireworks" that it caused a three-hour traffic jam on London Bridge[[/note]] Bridge. In the 1740s, the audience's taste for Italian opera mysteriously went away.away, helped along by the smash hit of John Gay's ''Theatre/TheBeggarsOpera'' in English. After a brief period of reconsideration, he saw what the audience wanted and began to write oratorios in English, the most famous of which (and most famous overall) is ''Messiah''. (Yes, it's the one with the [[StandardSnippet "Hallelujah" chorus.)]]


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* LetsPutOnAShow: ''Messiah'' had its English premiere at a charity concert to benefit a hospital for orphans. Handel used profits from his music to support many charities, including a foundation for impoverished musicians.
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* OrchestralBombing: "Music for the Royal Fireworks", [[ExactlyWhatItSaysOnTheTin as the name suggests]], was written to be accompanied by a live fireworks display in a specially designed outdoor pavilion with 101 cannons.


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* TheShowMustGoWrong: The premiere of "Music For The Royal Fireworks" was a bit of a disaster, as rainy weather caused the fireworks to misfire. Stray rockets caused burns to several people, part of the pavilion caught fire, and some of the soldiers operating the cannons were badly injured.
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** King George II did ''not'' rise to his feet upon hearing the "Hallelujah Chorus," nor indeed is there any clear evidence he was even at the (London) premiere.[[note]]The actual premiere of ''Messiah'' was in ''UsefulNotes/{{Dublin}}'', where the King was ''definitely'' not in attendance (he is not recorded to have set foot in Ireland during his reign).[[/note]] But thanks to the legend, it's become a concert tradition for the audience to follow suit.

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** King George II did ''not'' rise to his feet upon hearing the "Hallelujah Chorus," nor indeed is there any clear evidence he was even at the (London) premiere.[[note]]The [[note]]That is, the first time it was performed for an audience in London. The actual premiere of ''Messiah'' was in ''UsefulNotes/{{Dublin}}'', where the King was ''definitely'' not in attendance (he is not recorded to have set foot in Ireland during his reign).[[/note]] But thanks to the legend, it's become a concert tradition for the audience to follow suit.
Is there an issue? Send a MessageReason:
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** King George II did ''not'' rise to his feet upon hearing the "Hallelujah Chorus," nor indeed is there any clear evidence he was even at the premiere. But thanks to the legend, it's become a concert tradition for the audience to follow suit.

to:

** King George II did ''not'' rise to his feet upon hearing the "Hallelujah Chorus," nor indeed is there any clear evidence he was even at the premiere. (London) premiere.[[note]]The actual premiere of ''Messiah'' was in ''UsefulNotes/{{Dublin}}'', where the King was ''definitely'' not in attendance (he is not recorded to have set foot in Ireland during his reign).[[/note]] But thanks to the legend, it's become a concert tradition for the audience to follow suit.

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