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Disembowelment were a [[DeathMetal Death]]/DoomMetal band that formed in 1989 in Melbourne, Australia. Despite breaking up in 1993 without ever having played a live show, their only album, ''Transcendence into the Peripheral'', proved massively influential to the genre, and arguably created the subgenre of Funeral Doom.

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Disembowelment (often stylised as diSEMBOWELMENT, formerly known as Dusk) were a [[DeathMetal Death]]/DoomMetal band that formed in 1989 in Melbourne, Australia. Despite breaking up in 1993 without ever having played a live show, their only album, ''Transcendence into the Peripheral'', proved massively influential to the genre, and arguably created (or at least served as an UrExample for) the subgenre of Funeral Doom.
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* ShoutOut: Their song "A Burial at Ornans" is named after a [[https://en.wikipedia.org/wiki/A_Burial_At_Ornans major work]] by French Realist painter Gustave Courbet, which at the time was the subject of fierce controversy for treating an ordinary funeral with unflattering realism - on a giant scale traditionally reserved for heroic, religious, or historical scenes, at that (it is 10 feet by 22 feet, or 3.1 by 6.6 metres). It brought Courbet instant fame and is now regarded as a major turning point in Western art, though he later repudiated the painting.

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* ShoutOut: Their song "A Burial at Ornans" is named after a [[https://en.wikipedia.org/wiki/A_Burial_At_Ornans major work]] by French Realist painter Gustave Courbet, which at the time was the subject of fierce controversy for treating an ordinary funeral with unflattering realism - on a giant scale traditionally reserved for heroic, religious, or historical scenes, at that (it is 10 feet by 22 feet, or 3.1 by 6.6 metres). It Most of the people in the painting are patterned after people in Courbet's hometown, for which the painting is partially named; it brought Courbet instant fame and is now regarded as a major turning point in Western art, though he later repudiated the painting.it.
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* ShoutOut: Their song "A Burial at Ornans" is named after a [[https://en.wikipedia.org/wiki/A_Burial_At_Ornans major work]] by French Realist painter Gustave Courbet, which at the time was the subject of fierce controversy for treating an ordinary funeral with unflattering realism - on a giant scale traditionally reserved for heroic, religious, or historical scenes, at that (it is 10 feet by 22 feet, or 3.1 by 6.6 metres). It brought Courbet instant fame and is now regarded as a major turning point in Western art, though he later repudiated the painting.

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* MohsScaleOfRockAndMetalHardness: 10.



* UrExample: For funeral doom alongside Thergothon (the latter of whom also qualify as its TropeMaker; however, Disembowelment are not considered to belong to the genre themselves).

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* UrExample: For funeral doom alongside Thergothon (the latter of whom also qualify as its TropeMaker; however, Disembowelment are not considered to belong to the genre themselves).themselves).
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* LoudnessWar: Unfortunately, the self-titled collection released after the band's breakup falls victim to this, as do vinyl reissues of their album.

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* LoudnessWar: Unfortunately, the self-titled collection released after the band's breakup falls victim to this, as do vinyl reissues of their album. (On the other hand, SpiritualSuccessor Inverloch's releases thus far completely avert this trope.)
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* OneBookAuthor: Only released a single album, an EP, a couple of demos, and a compilation, but proved to be one of the most influential death or doom metal acts of TheNineties.
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* SpokenWordInMusic: As mentioned above under BreatherEpisode, "Nightside of Eden" has one.

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* SpokenWordInMusic: As mentioned above under BreatherEpisode, "Nightside of Eden" has one.one.
* UrExample: For funeral doom alongside Thergothon (the latter of whom also qualify as its TropeMaker; however, Disembowelment are not considered to belong to the genre themselves).
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* CoverVersion: The limited-edition three-disc version of their self-titled compilation has a cover of Necrovore's "Slaughtered Remains".
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* SpiritualSuccessor: Inverloch, which contains two of the same members (Mazziotta and Sarajew) and has released an EP and an album so far.

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* SpiritualSuccessor: Inverloch, which contains two of the same members (Mazziotta and Sarajew) Skarajew) and has released an EP and an album so far.far, both to great acclaim.

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* BreatherEpisode: "Nightside of Eden", which features clean guitars and a spoken-word passage by a woman credited only as I'da.



* MohsScaleOfRockAndMetalHardness: 10.

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* EpicRocking: More than half the songs on ''Transcendence'' are above the nine-minute mark. The longest, "A Burial at Ornans", is nearly fifteen.
* FadingIntoTheNextSong: The first two and last three songs on ''Transcendence'' do this, though the vinyl edition necessarily splits some of them up due to their length.
* LoudnessWar: Unfortunately, the self-titled collection released after the band's breakup falls victim to this, as do vinyl reissues of their album.
* MohsScaleOfRockAndMetalHardness: 10.10.
* SpiritualSuccessor: Inverloch, which contains two of the same members (Mazziotta and Sarajew) and has released an EP and an album so far.
* SpokenWordInMusic: As mentioned above under BreatherEpisode, "Nightside of Eden" has one.
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Disembowelment were a Australian [[DeathMetal Death]]/DoomMetal band that formed in 1989. Despite breaking up in 1993 without ever having played a live show, their only album, ''Transcendence into the Peripheral'', proved massively influential to the genre, and arguably created the subgenre of Funeral Doom.

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Disembowelment were a Australian [[DeathMetal Death]]/DoomMetal band that formed in 1989.1989 in Melbourne, Australia. Despite breaking up in 1993 without ever having played a live show, their only album, ''Transcendence into the Peripheral'', proved massively influential to the genre, and arguably created the subgenre of Funeral Doom.
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There isn't a lot of to learn about this group, but I still feel they deserve a page.

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Disembowelment were a Australian [[DeathMetal Death]]/DoomMetal band that formed in 1989. Despite breaking up in 1993 without ever having played a live show, their only album, ''Transcendence into the Peripheral'', proved massively influential to the genre, and arguably created the subgenre of Funeral Doom.

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!!!Current Lineup:
* Paul Mazziotta - drums (1989-1993)
* Renato Gallina - vocals, guitars (1989-1993)
* Jason Kells - guitars (1991-1993)
* Matthew Skarajew - bass (1992-1993)


!!!Discography:
* ''Transcendence into the Peripheral'' (1993)

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!!This band contains examples of the following tropes:
* [[DeathMetal Death]]/[[DoomMetal Doom Metal]]
* DespairEventHorizon: A primary lyrical theme of ''Transcendence into the Peripheral''.
* DroneOfDread: ''Transcendence'' often has these after the blasting sections.
* MohsScaleOfRockAndMetalHardness: 10.

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