Is there an issue? Send a MessageReason:
None
Changed line(s) 61 (click to see context) from:
* RhymingWithItself: Martin does this from time to time. But then he's not one who necessarily feels the need to force lyrics to rhyme in the first place. Several of the songs don't have any rhyming at all.
to:
* RhymingWithItself: Martin does this from time to time. But then he's not one who necessarily feels the need to force lyrics to rhyme in the first place. Several of the songs don't have any rhyming at all.
Changed line(s) 67 (click to see context) from:
* SubvertedRhymeEveryOccasion: A rather baffling case in "Solid Rock".
to:
* SubvertedRhymeEveryOccasion: A rather baffling case in "Solid Rock".Rock", as even though it's not common for them to avoid forcing a rhyme that doesn't fit and just go with non-rhyming lyrics, the word "land" was available and reasonably natural-sounding there.
Changed line(s) 72 (click to see context) from:
* WordSaladLyrics: "Bicycle Gasoline". ItMakesSenseInContext.
to:
* WordSaladLyrics: "Bicycle Gasoline". ItMakesSenseInContext.[[note]]An analogy that's roughly about how trying to sustain a committed relationship just by doing gestures that score points for yourself is like trying to power a bicycle with gasoline [[/note]
Is there an issue? Send a MessageReason:
Obvious Beta is YMMV. Cleanup: (re)moving wick from trope/work example lists
Changed line(s) 36 (click to see context) from:
* EarlyInstallmentWeirdness / ObviousBeta: The ''Cutting Edge'' recordings were mostly made before the band had even decided on Delirious? as a permanent moniker, and several band members hadn't joined yet. While these recordings contain several of the band's most famous songs, the recordings (especially on volumes One and Two) are much more low-budget and have more in common with your local church's worship team throwing together a record rather than the big-budget, stadium-sized songs they'd later become known for.
to:
* EarlyInstallmentWeirdness / ObviousBeta: EarlyInstallmentWeirdness: The ''Cutting Edge'' recordings were mostly made before the band had even decided on Delirious? as a permanent moniker, and several band members hadn't joined yet. While these recordings contain several of the band's most famous songs, the recordings (especially on volumes One and Two) are much more low-budget and have more in common with your local church's worship team throwing together a record rather than the big-budget, stadium-sized songs they'd later become known for.
Is there an issue? Send a MessageReason:
Per TRS
, this is YMMV. However, it's misuse because it's about getting songs' titles wrong based on the lyrics, not based on anything else.
, this is YMMV. However, it's misuse because it's about getting songs' titles wrong based on the lyrics, not based on anything else.Deleted line(s) 61,62 (click to see context) :
* RefrainFromAssuming: Martin has a habit of titling many of his songs after the first line in the song, rather than anything which appears in the chorus.
** Having all of the ''Cutting Edge'' recordings together as a single album makes it incredibly easy to confuse "Lead Me" with "Oh Lead Me". They're two completely different songs.
** Having all of the ''Cutting Edge'' recordings together as a single album makes it incredibly easy to confuse "Lead Me" with "Oh Lead Me". They're two completely different songs.
Is there an issue? Send a MessageReason:
Deleted line(s) 54 (click to see context) :
* NotChristianRock: Each album, with the exception of ''Glo'' and the ''Cutting Edge'' recordings, will have a few songs that don't appearance to reference God or Jesus with any specificity, but which have deep spiritual significance if you know the story, or which are just for fun. ''Audio: Lessonover?'' is the only album which seems to intentionally shrug off the ChristianRock label for its entire duration, and even then there are several references to grace, heaven, etc.
Is there an issue? Send a MessageReason:
None
Changed line(s) 45 (click to see context) from:
** Making matters worse, it was often written as "Deliriou5?" in the old days, because Martin first typed the band name on a keyboard that didn't have an "s" key, and because the album cover art for The Cutting Edge showed a stylized version of the band name with a 5 in it - but the official name of the band has always been "Delirious?"
to:
** Making matters worse, it was often written as "Deliriou5?" "[=Deliriou5=]?" in the old days, because Martin first typed the band name on a keyboard that didn't have an "s" key, and because the album cover art for The Cutting Edge showed a stylized version of the band name with a 5 in it - but the official name of the band has always been "Delirious?"
Is there an issue? Send a MessageReason:
Changed line(s) 61 (click to see context) from:
** ''Touch'' was essentially a re-arrangement of an entire album, with a few remixed tracks and a bit of [[OrwellianEditor Orwellian Editing]] to excise the tracks that were perceived as least likely to catch on with the American audience. Ironically this included the song "America".
to:
** ''Touch'' was essentially a re-arrangement of an entire album, with a few remixed tracks and a bit of [[OrwellianEditor Orwellian Editing]] Editing to excise the tracks that were perceived as least likely to catch on with the American audience. Ironically this included the song "America".
Is there an issue? Send a MessageReason:
None
Changed line(s) 38 (click to see context) from:
** Done frequently in the ''Cutting Edge'' days, with "Did You Feel the Mountains Tremble?" (at nearly ten minutes) and "Obsession" (at about eight and a half) as [[CrowningMusicOfAwesome arguably the most triumphant examples]].
to:
** Done frequently in the ''Cutting Edge'' days, with "Did You Feel the Mountains Tremble?" (at nearly ten minutes) and "Obsession" (at about eight and a half) as [[CrowningMusicOfAwesome [[SugarWiki/AwesomeMusic arguably the most triumphant examples]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 57 (click to see context) from:
* PrecisionFStrike: "It's OK" attracted some controversy over the line "She's as pretty as hell". (Remember, this is a ChristianRock audience we're talking about. "Hell" is only an acceptable word if you're talking about a literal place of [[HypocriticalHumor damnation]].) A few teetotallers also didn't like that song's reference to drinking wine.
to:
* PrecisionFStrike: "It's OK" attracted some controversy over the line "She's as pretty as hell". (Remember, this is a ChristianRock audience we're talking about. "Hell" is only an acceptable word if you're talking about a literal place of [[HypocriticalHumor damnation]].) A few teetotallers also didn't like that song's reference to drinking wine.[[note]]Despite it being an explicit reference to Holy Communion[[/note]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 31 (click to see context) from:
* CoverVersion: Surprisingly averted; all of the songs on their studio albums are originals (though they sometimes reference well-known hymns quite liberally). They did cover {{U2}}'s "Pride (In the Name of Love)" once for a [[CoverAlbum Tribute Album]].
to:
* CoverVersion: Surprisingly averted; all of the songs on their studio albums are originals (though they sometimes reference well-known hymns quite liberally). They did cover {{U2}}'s Music/{{U2}}'s "Pride (In the Name of Love)" once for a [[CoverAlbum Tribute Album]].
Deleted line(s) 33 (click to see context) :
** As one of Christian music's most well-known worship bands, some of their songs have been covered so many times by so many people that [[CoveredUp far more people know the song than the name of the artist who originated it]].
Changed line(s) 43,44 (click to see context) from:
* FollowTheLeader: They've come dangerously close to sounding like {{U2}}, {{Radiohead}}, or {{Coldplay}} at various points in their career.
* GermansLoveDavidHasselhoff: They're surprisingly popular in South America, to the point where one of their final live albums was recorded in Bogota, Colombia, rather than in the US or the UK.
* GermansLoveDavidHasselhoff: They're surprisingly popular in South America, to the point where one of their final live albums was recorded in Bogota, Colombia, rather than in the US or the UK.
to:
* FollowTheLeader: They've come dangerously close to sounding like {{U2}}, {{Radiohead}}, [=U2=], Music/{{Radiohead}}, or {{Coldplay}} Music/{{Coldplay}} at various points in their career.
* GermansLoveDavidHasselhoff: They're surprisingly popular in South America, to the point where one of their final live albums was recorded in Bogota, Colombia, rather than in the US or the UK.career.
* GermansLoveDavidHasselhoff: They're surprisingly popular in South America, to the point where one of their final live albums was recorded in Bogota, Colombia, rather than in the US or the UK.
Is there an issue? Send a MessageReason:
Hottip cleanup
; see thread for details
; see thread for detailsChanged line(s) 76 (click to see context) from:
--> We’ll climb on your back, take us to higher '''ground'''. [[hottip:*:Wouldn't "land" have made more sense here?]]
to:
--> We’ll climb on your back, take us to higher '''ground'''. [[hottip:*:Wouldn't "land" have made more sense here?]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 35 (click to see context) from:
* DepartmentOfRedundancyDepartment: They started out as a worship band; it kinda comes with the territory.
to:
* DepartmentOfRedundancyDepartment: They started out as a worship band; it kinda comes with the territory.territory - although they tend to not go back and repeat earlier verses the way many worship bands do.
Changed line(s) 43 (click to see context) from:
* FollowTheLeader: They've come dangerously close to sounding like {{U2}}, {{Radiohead}} and {{Coldplay}} at various points in their career.
to:
* FollowTheLeader: They've come dangerously close to sounding like {{U2}}, {{Radiohead}} and {{Radiohead}}, or {{Coldplay}} at various points in their career.
Changed line(s) 50 (click to see context) from:
** The acoustic, reflective "What Would I Have Done?" segueing into the roaring "My Glorious" on ''Glo''. At least that one has a CallForward to hint at what's coming.
to:
** The acoustic, reflective "What Would I Have Done?" segueing into the roaring "My Glorious" on ''Glo''. At least that one has a CallForward to hint at what's coming.coming (which they often did for "My Glorious").
Is there an issue? Send a MessageReason:
None
Changed line(s) 47 (click to see context) from:
** Making matters worse, it was often written as "Deliriou5?" in the old days, because Martin first typed the band name on a keyboard that didn't have an "s" key.
to:
** Making matters worse, it was often written as "Deliriou5?" in the old days, because Martin first typed the band name on a keyboard that didn't have an "s" key.key, and because the album cover art for The Cutting Edge showed a stylized version of the band name with a 5 in it - but the official name of the band has always been "Delirious?"
Changed line(s) 59 (click to see context) from:
* PrecisionFStrike: "It's OK" attracted some controversy over the line "She's as pretty as hell". (Remember, this is a ChristianRock audience we're talking about. "Hell" is only an acceptable word if you're talking about a literal place of [[HypocriticalHumor damnation]].)
to:
* PrecisionFStrike: "It's OK" attracted some controversy over the line "She's as pretty as hell". (Remember, this is a ChristianRock audience we're talking about. "Hell" is only an acceptable word if you're talking about a literal place of [[HypocriticalHumor damnation]].)) A few teetotallers also didn't like that song's reference to drinking wine.
Changed line(s) 66 (click to see context) from:
* RhymingWithItself: Martin does this from time to time. But then he's not one who necessarily feels the need to force lyrics to rhyme in the first place.
to:
* RhymingWithItself: Martin does this from time to time. But then he's not one who necessarily feels the need to force lyrics to rhyme in the first place. Several of the songs don't have any rhyming at all.
Is there an issue? Send a MessageReason:
None
Changed line(s) 16 (click to see context) from:
* ''Mezzamoprhis'' (1999)
to:
* ''Mezzamoprhis'' ''Mezzamorphis'' (1999)
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* SubvertedRhymeEveryOccasion: A rather baffling case in "Solid Rock".
--> On Christ the solid rock we will stand,
--> All other ground is sinking sand.
--> On Christ the solid rock we will stand,
--> We’ll climb on your back, take us to higher '''ground'''. [[hottip:*:Wouldn't "land" have made more sense here?]]
--> On Christ the solid rock we will stand,
--> All other ground is sinking sand.
--> On Christ the solid rock we will stand,
--> We’ll climb on your back, take us to higher '''ground'''. [[hottip:*:Wouldn't "land" have made more sense here?]]
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** Having all of the ''Cutting Edge'' recordings together as a single album makes it incredibly easy to confuse "Lead Me" with "Oh Lead Me". They're two completely different songs.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** Just a few songs later on ''Glo'', "Intimate Stranger" shows up - a long, drawn-out, and appropriately mellow song. it's sandwiched between the loud, bouncy "Hang on to You" and the loud burst of guitars and bagpipes that open "Awaken the Dawn".
Is there an issue? Send a MessageReason:
None
Changed line(s) 48 (click to see context) from:
* Mood Whiplash: Since the band has their fair share of both [[EpicRiff Epic Riffs]] and long, meditative [[SubduedSection Subdued Sections]], these can sometimes collide in jarring ways. Take, for example:
to:
* Mood Whiplash: MoodWhiplash: Since the band has their fair share of both [[EpicRiff Epic Riffs]] and long, meditative [[SubduedSection Subdued Sections]], these can sometimes collide in jarring ways. Take, for example:
Is there an issue? Send a MessageReason:
None
Changed line(s) 48 (click to see context) from:
* Mood Whiplash: Since the band has their fair share of both [[EpicRiff EpicRiffs]] and [[SurprisinglySubduedSection SurprisinglySubduedSections]], these can sometimes collide in jarring ways. Take, for example:
to:
* Mood Whiplash: Since the band has their fair share of both [[EpicRiff EpicRiffs]] Epic Riffs]] and [[SurprisinglySubduedSection SurprisinglySubduedSections]], long, meditative [[SubduedSection Subdued Sections]], these can sometimes collide in jarring ways. Take, for example:
Is there an issue? Send a MessageReason:
None
Changed line(s) 48 (click to see context) from:
* Mood Whiplash: Since the band has their fair share of both EpicRiffs and SurprisinglySubduedSections, these can sometimes collide in jarring ways. Take, for example:
to:
* Mood Whiplash: Since the band has their fair share of both EpicRiffs [[EpicRiff EpicRiffs]] and SurprisinglySubduedSections, [[SurprisinglySubduedSection SurprisinglySubduedSections]], these can sometimes collide in jarring ways. Take, for example:
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* Mood Whiplash: Since the band has their fair share of both EpicRiffs and SurprisinglySubduedSections, these can sometimes collide in jarring ways. Take, for example:
** The trance-like "August 30th" segueing into the noisy, distorted "Promise" on ''King of Fools''.
** The acoustic, reflective "What Would I Have Done?" segueing into the roaring "My Glorious" on ''Glo''. At least that one has a CallForward to hint at what's coming.
** The buzzing, riff-heavy "Fire" ending abruptly right before the slow, ambient "There Is an Angel" on ''Audio: Lessonover?''
** The trance-like "August 30th" segueing into the noisy, distorted "Promise" on ''King of Fools''.
** The acoustic, reflective "What Would I Have Done?" segueing into the roaring "My Glorious" on ''Glo''. At least that one has a CallForward to hint at what's coming.
** The buzzing, riff-heavy "Fire" ending abruptly right before the slow, ambient "There Is an Angel" on ''Audio: Lessonover?''
Is there an issue? Send a MessageReason:
None
Changed line(s) 40 (click to see context) from:
** ''Glo'' is an entire album of this. If you consider the spontaneous "Glo in the Dark" segments to be extensions of the preceding songs, then there are only three songs on the album that are 6 minutes.
to:
** ''Glo'' is an entire album of this. If you consider the spontaneous "Glo in the Dark" segments to be extensions of the preceding songs, then there are only three songs on the album that are under 6 minutes.
Is there an issue? Send a MessageReason:
None
Changed line(s) 14 (click to see context) from:
* ''Cutting Edge'' (1997 - a [[DistinctDoubleAlbum]] 2-disc compilation of material from their independent releases as "The Cutting Edge Band")
to:
* ''Cutting Edge'' (1997 - a [[DistinctDoubleAlbum]] [[DistinctDoubleAlbum 2-disc compilation compilation]] of material from their independent releases as "The Cutting Edge Band")
Is there an issue? Send a MessageReason:
None
Added DiffLines:
Delirious? was a British ChristianRock band from Littlehampton, West Sussex, England, active from 1992-2009. They are best known for popularizing a more rock-oriented form of praise music commonly referred to as "modern worship". many of their songs such as "I Could Sing of Your Love Forever", "Did You Feel the Mountains Tremble?", and "Majesty (Here I Am)" are still sung in many churches today, while "Deeper" and other singles experienced varying levels of success at both Christian and mainstream radio.
Their members were:
* Martin Smith - lead vocals, rhythm guitar (1992–2009)
* Stuart Garrard (aka Stu G) - lead guitar, backing vocals (1994–2009)
* Tim Jupp - keyboards (1992–2009)
* Jon Thatcher - bass guitar (1995–2009)
* Stew Smith - drums, percussion (1992–2008)
* Paul Evans - drums, percussion (2008–2009)
The group released eight (or nine, depending on how you look at it) full-length studio albums:
* ''Cutting Edge'' (1997 - a [[DistinctDoubleAlbum]] 2-disc compilation of material from their independent releases as "The Cutting Edge Band")
* ''King of Fools'' (1997 UK/1998 US)
* ''Mezzamoprhis'' (1999)
* ''Glo'' (2000)
* ''Audio: Lessonover?'' (2001 UK) / ''Touch'' (2002 US)
* ''World Service'' (2003 UK/2004 US)
* ''The Mission Bell'' (2005)
* ''Kingdom of Comfort'' (2008)
And also too many singles, [=EPs=], and live albums to easily enumerate here.
----
!Tropes that apply to Delirious? include:
* ArcWords: Martin really likes to sing about shoes, feet, and running.
* BlackSheepHit: Martin didn't actually think "I Could Sing of Your Love Forever" was one of his better songs. It was their most popular song in America.
* ChristianRock: They're one of the bands credited with launching the "Modern Worship" movement. Albums like ''Mezzamorphis'' and ''Audio: Lessonover?'' demonstrated that they weren't entirely comfortable with being pigeonholed as just a "worship band".
* CoverVersion: Surprisingly averted; all of the songs on their studio albums are originals (though they sometimes reference well-known hymns quite liberally). They did cover {{U2}}'s "Pride (In the Name of Love)" once for a [[CoverAlbum Tribute Album]].
** "Hang on to You" is a weird case: Martin wrote it, their American label gave it to then-labelmates Luna Halo for a cover version, and then Delirious? released their own version on ''Glo'' later that year.
** As one of Christian music's most well-known worship bands, some of their songs have been covered so many times by so many people that [[CoveredUp far more people know the song than the name of the artist who originated it]].
* ContinuityNod: Two tracks on ''Glo'', "Investigate" and "Jesus' Blood", both reference lyrics from "Deeper" in their vamp sections when Martin is singing spontaneously.
* DepartmentOfRedundancyDepartment: They started out as a worship band; it kinda comes with the territory.
* DistinctDoubleAlbum: The ''Cutting Edge'' recordings were originally four separate, indepedently released cassettes. Just prior to ''King of Fools'', they were re-released as a 2-disc set. The fairly mellow approach on the first disc (mostly material from volumes One and Two) can be quite surprising into the more rock-oriented material on the second disc (from volumes Three and Fore), which more closely resembles the sound that the band was best known for.
* EarlyInstallmentWeirdness / ObviousBeta: The ''Cutting Edge'' recordings were mostly made before the band had even decided on Delirious? as a permanent moniker, and several band members hadn't joined yet. While these recordings contain several of the band's most famous songs, the recordings (especially on volumes One and Two) are much more low-budget and have more in common with your local church's worship team throwing together a record rather than the big-budget, stadium-sized songs they'd later become known for.
* EpicRocking: "History Maker", especially when played live.
** Done frequently in the ''Cutting Edge'' days, with "Did You Feel the Mountains Tremble?" (at nearly ten minutes) and "Obsession" (at about eight and a half) as [[CrowningMusicOfAwesome arguably the most triumphant examples]].
** ''Glo'' is an entire album of this. If you consider the spontaneous "Glo in the Dark" segments to be extensions of the preceding songs, then there are only three songs on the album that are 6 minutes.
* ExecutiveMeddling: Happened quite a bit with Sparrow Records, their American label. At first, every American release had extra songs or somehow rearranged the track listing. "It's OK" quite nearly got left off of ''Mezzamorphis'' due to this. ''Glo'', being a straight-up worship album, was the first of their releases to not be tampered with in any way for its US release. But then ''Audio: Lessonover?'', given its [[NewSoundAlbum unexpected stylistic swerve]], took about a year for Sparrow to figure out what the heck to do with it, finally getting released as ''Touch''. This practice thankfully ended with ''World Service'', and from then on their US and UK releases were identical.
** FadingIntoTheNextSong: ''Glo'' does this throughout most of the album.
* FollowTheLeader: They've come dangerously close to sounding like {{U2}}, {{Radiohead}} and {{Coldplay}} at various points in their career.
* GermansLoveDavidHasselhoff: They're surprisingly popular in South America, to the point where one of their final live albums was recorded in Bogota, Colombia, rather than in the US or the UK.
* LongRunnerLineUp: Once bassist Jon Thatcher joined, finalizing the initial line-up in the mid-90s, the lineup went unchanged until drummer Stew Smith stepped down in 2008.
* LuckyCharmsTitle: Having a question mark at the end of your band's name always guarantees headaches for critics and journalists when their word processors auto-correct the next word, assuming it's the beginning of a new sentence.
** Making matters worse, it was often written as "Deliriou5?" in the old days, because Martin first typed the band name on a keyboard that didn't have an "s" key.
* NewSoundAlbum: ''Mezzamorphis'' was far more electronic than their previous work, and ''Audio: Lessonover?'' was intentionally oriented toward more of a mainstream audience. [[TheyChangedItNowItSucks Neither of these changes went over well with]] [[FanDumb a largely Christian fanbase expecting more worship songs]].
* NoExportForYou: A big problem for American fans when ''Audio: Lessonover?'' was first released in 2001. A rearranged and heavily edited version, featuring only 9 songs from the original album plus a remix of a non-album track, was finally released in the US as ''Touch'' the following year.
** [[ExecutiveMeddling Label problems]] also initially prevented them from selling their live release ''Access:D?'' in the US.
* NotChristianRock: Each album, with the exception of ''Glo'' and the ''Cutting Edge'' recordings, will have a few songs that don't appearance to reference God or Jesus with any specificity, but which have deep spiritual significance if you know the story, or which are just for fun. ''Audio: Lessonover?'' is the only album which seems to intentionally shrug off the ChristianRock label for its entire duration, and even then there are several references to grace, heaven, etc.
* OddlyNamedSequel2ElectricBoogaloo: The last two ''Cutting Edge'' tapes. Volume Three was called "[[PunnyName The Red Tape]]" while the fourth volume was intentionally misspelled as "Fore".
* {{Portmantitle}}: ''Mezzamorphis'' gets its title from two songs, "The Mezzanine Floor" and "Metamorphis".
* PrecisionFStrike: "It's OK" attracted some controversy over the line "She's as pretty as hell". (Remember, this is a ChristianRock audience we're talking about. "Hell" is only an acceptable word if you're talking about a literal place of [[HypocriticalHumor damnation]].)
* RearrangeTheSong: Up until ''Glo'', the US release of each album would contain at least one remixed song from a previous album, or that would appear on a later album.
** The US version of ''King of Fools'' has a remix of "Louder than the Radio", originally found on ''Cutting Edge Fore''.
** The US Christian market release of ''Mezzamorphis'' has "Jesus' Blood", which wasn't released in the UK until ''Glo'' appeared the following year. It also had "Deeper '99", a remix of the band's biggest hit from ''King of Fools''.
** ''Touch'' was essentially a re-arrangement of an entire album, with a few remixed tracks and a bit of [[OrwellianEditor Orwellian Editing]] to excise the tracks that were perceived as least likely to catch on with the American audience. Ironically this included the song "America".
* RefrainFromAssuming: Martin has a habit of titling many of his songs after the first line in the song, rather than anything which appears in the chorus.
* RhymingWithItself: Martin does this from time to time. But then he's not one who necessarily feels the need to force lyrics to rhyme in the first place.
* ScareChord: "King or Cripple" can be quite startling if you're fooled by its false ending.
* SignificantAnagram: ''Audio: Lessonover?'' owes its strange title to an anagram: ''Radio One Loves Us''. [[SarcasmMode They didn't.]]
* SillyLoveSongs: ''Audio: Lessonover?'' opens with two of these, "Waiting for the Summer" and "Take Me Away". There are a few others farther into the album. (Just one of many things that their fanbase didn't seem to like about it.)
* StepUpToTheMicrophone: Stu G takes the mic for part of several songs, most notably the verses of "Inside Outside" and "A Little Love", and the bridges of "Bliss" and "Stare the Monster Down".
** ''Audio: Lessonover?'' has the HiddenTrack "Making Art", which sounds an awful lot like Stu G. spontaneously snuck a 2-minute song onto the album when no one else was looking.
* WordSaladLyrics: "Bicycle Gasoline". ItMakesSenseInContext.
Their members were:
* Martin Smith - lead vocals, rhythm guitar (1992–2009)
* Stuart Garrard (aka Stu G) - lead guitar, backing vocals (1994–2009)
* Tim Jupp - keyboards (1992–2009)
* Jon Thatcher - bass guitar (1995–2009)
* Stew Smith - drums, percussion (1992–2008)
* Paul Evans - drums, percussion (2008–2009)
The group released eight (or nine, depending on how you look at it) full-length studio albums:
* ''Cutting Edge'' (1997 - a [[DistinctDoubleAlbum]] 2-disc compilation of material from their independent releases as "The Cutting Edge Band")
* ''King of Fools'' (1997 UK/1998 US)
* ''Mezzamoprhis'' (1999)
* ''Glo'' (2000)
* ''Audio: Lessonover?'' (2001 UK) / ''Touch'' (2002 US)
* ''World Service'' (2003 UK/2004 US)
* ''The Mission Bell'' (2005)
* ''Kingdom of Comfort'' (2008)
And also too many singles, [=EPs=], and live albums to easily enumerate here.
----
!Tropes that apply to Delirious? include:
* ArcWords: Martin really likes to sing about shoes, feet, and running.
* BlackSheepHit: Martin didn't actually think "I Could Sing of Your Love Forever" was one of his better songs. It was their most popular song in America.
* ChristianRock: They're one of the bands credited with launching the "Modern Worship" movement. Albums like ''Mezzamorphis'' and ''Audio: Lessonover?'' demonstrated that they weren't entirely comfortable with being pigeonholed as just a "worship band".
* CoverVersion: Surprisingly averted; all of the songs on their studio albums are originals (though they sometimes reference well-known hymns quite liberally). They did cover {{U2}}'s "Pride (In the Name of Love)" once for a [[CoverAlbum Tribute Album]].
** "Hang on to You" is a weird case: Martin wrote it, their American label gave it to then-labelmates Luna Halo for a cover version, and then Delirious? released their own version on ''Glo'' later that year.
** As one of Christian music's most well-known worship bands, some of their songs have been covered so many times by so many people that [[CoveredUp far more people know the song than the name of the artist who originated it]].
* ContinuityNod: Two tracks on ''Glo'', "Investigate" and "Jesus' Blood", both reference lyrics from "Deeper" in their vamp sections when Martin is singing spontaneously.
* DepartmentOfRedundancyDepartment: They started out as a worship band; it kinda comes with the territory.
* DistinctDoubleAlbum: The ''Cutting Edge'' recordings were originally four separate, indepedently released cassettes. Just prior to ''King of Fools'', they were re-released as a 2-disc set. The fairly mellow approach on the first disc (mostly material from volumes One and Two) can be quite surprising into the more rock-oriented material on the second disc (from volumes Three and Fore), which more closely resembles the sound that the band was best known for.
* EarlyInstallmentWeirdness / ObviousBeta: The ''Cutting Edge'' recordings were mostly made before the band had even decided on Delirious? as a permanent moniker, and several band members hadn't joined yet. While these recordings contain several of the band's most famous songs, the recordings (especially on volumes One and Two) are much more low-budget and have more in common with your local church's worship team throwing together a record rather than the big-budget, stadium-sized songs they'd later become known for.
* EpicRocking: "History Maker", especially when played live.
** Done frequently in the ''Cutting Edge'' days, with "Did You Feel the Mountains Tremble?" (at nearly ten minutes) and "Obsession" (at about eight and a half) as [[CrowningMusicOfAwesome arguably the most triumphant examples]].
** ''Glo'' is an entire album of this. If you consider the spontaneous "Glo in the Dark" segments to be extensions of the preceding songs, then there are only three songs on the album that are 6 minutes.
* ExecutiveMeddling: Happened quite a bit with Sparrow Records, their American label. At first, every American release had extra songs or somehow rearranged the track listing. "It's OK" quite nearly got left off of ''Mezzamorphis'' due to this. ''Glo'', being a straight-up worship album, was the first of their releases to not be tampered with in any way for its US release. But then ''Audio: Lessonover?'', given its [[NewSoundAlbum unexpected stylistic swerve]], took about a year for Sparrow to figure out what the heck to do with it, finally getting released as ''Touch''. This practice thankfully ended with ''World Service'', and from then on their US and UK releases were identical.
** FadingIntoTheNextSong: ''Glo'' does this throughout most of the album.
* FollowTheLeader: They've come dangerously close to sounding like {{U2}}, {{Radiohead}} and {{Coldplay}} at various points in their career.
* GermansLoveDavidHasselhoff: They're surprisingly popular in South America, to the point where one of their final live albums was recorded in Bogota, Colombia, rather than in the US or the UK.
* LongRunnerLineUp: Once bassist Jon Thatcher joined, finalizing the initial line-up in the mid-90s, the lineup went unchanged until drummer Stew Smith stepped down in 2008.
* LuckyCharmsTitle: Having a question mark at the end of your band's name always guarantees headaches for critics and journalists when their word processors auto-correct the next word, assuming it's the beginning of a new sentence.
** Making matters worse, it was often written as "Deliriou5?" in the old days, because Martin first typed the band name on a keyboard that didn't have an "s" key.
* NewSoundAlbum: ''Mezzamorphis'' was far more electronic than their previous work, and ''Audio: Lessonover?'' was intentionally oriented toward more of a mainstream audience. [[TheyChangedItNowItSucks Neither of these changes went over well with]] [[FanDumb a largely Christian fanbase expecting more worship songs]].
* NoExportForYou: A big problem for American fans when ''Audio: Lessonover?'' was first released in 2001. A rearranged and heavily edited version, featuring only 9 songs from the original album plus a remix of a non-album track, was finally released in the US as ''Touch'' the following year.
** [[ExecutiveMeddling Label problems]] also initially prevented them from selling their live release ''Access:D?'' in the US.
* NotChristianRock: Each album, with the exception of ''Glo'' and the ''Cutting Edge'' recordings, will have a few songs that don't appearance to reference God or Jesus with any specificity, but which have deep spiritual significance if you know the story, or which are just for fun. ''Audio: Lessonover?'' is the only album which seems to intentionally shrug off the ChristianRock label for its entire duration, and even then there are several references to grace, heaven, etc.
* OddlyNamedSequel2ElectricBoogaloo: The last two ''Cutting Edge'' tapes. Volume Three was called "[[PunnyName The Red Tape]]" while the fourth volume was intentionally misspelled as "Fore".
* {{Portmantitle}}: ''Mezzamorphis'' gets its title from two songs, "The Mezzanine Floor" and "Metamorphis".
* PrecisionFStrike: "It's OK" attracted some controversy over the line "She's as pretty as hell". (Remember, this is a ChristianRock audience we're talking about. "Hell" is only an acceptable word if you're talking about a literal place of [[HypocriticalHumor damnation]].)
* RearrangeTheSong: Up until ''Glo'', the US release of each album would contain at least one remixed song from a previous album, or that would appear on a later album.
** The US version of ''King of Fools'' has a remix of "Louder than the Radio", originally found on ''Cutting Edge Fore''.
** The US Christian market release of ''Mezzamorphis'' has "Jesus' Blood", which wasn't released in the UK until ''Glo'' appeared the following year. It also had "Deeper '99", a remix of the band's biggest hit from ''King of Fools''.
** ''Touch'' was essentially a re-arrangement of an entire album, with a few remixed tracks and a bit of [[OrwellianEditor Orwellian Editing]] to excise the tracks that were perceived as least likely to catch on with the American audience. Ironically this included the song "America".
* RefrainFromAssuming: Martin has a habit of titling many of his songs after the first line in the song, rather than anything which appears in the chorus.
* RhymingWithItself: Martin does this from time to time. But then he's not one who necessarily feels the need to force lyrics to rhyme in the first place.
* ScareChord: "King or Cripple" can be quite startling if you're fooled by its false ending.
* SignificantAnagram: ''Audio: Lessonover?'' owes its strange title to an anagram: ''Radio One Loves Us''. [[SarcasmMode They didn't.]]
* SillyLoveSongs: ''Audio: Lessonover?'' opens with two of these, "Waiting for the Summer" and "Take Me Away". There are a few others farther into the album. (Just one of many things that their fanbase didn't seem to like about it.)
* StepUpToTheMicrophone: Stu G takes the mic for part of several songs, most notably the verses of "Inside Outside" and "A Little Love", and the bridges of "Bliss" and "Stare the Monster Down".
** ''Audio: Lessonover?'' has the HiddenTrack "Making Art", which sounds an awful lot like Stu G. spontaneously snuck a 2-minute song onto the album when no one else was looking.
* WordSaladLyrics: "Bicycle Gasoline". ItMakesSenseInContext.
