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** The CD release of ''Gone to Earth'' removes the tracks "Silver Moon Over Sleeping Steeples", "Camp Fire: Coyote Country", "A Bird of Prey Vanishes into a Bright Blue Cloudless Sky" and "Sunlight Seen Through Towering Trees" in order to fit the double-LP album onto one disc. Japanese [=CDs=] since 1988 would restore the full-length version across two discs, with this configuration being followed by both the 1989 BoxedSet ''Weatherbox'' and the 2003 remaster.

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* EpicRocking: ''There's a Light That Enters Houses with No Other House in Sight'' consists of a single hour-long track.

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* EpicRocking: EpicRocking:
** ''When Loud Weather Buffeted Naoshima'' consists of a single 70:23 track.
**
''There's a Light That Enters Houses with No Other House in Sight'' consists of a single hour-long track.



* LongestSongGoesFirst:
** ''Dead Bees on a Cake'' opens with the nine-and-a-half-minute "I Surrender"; the second-longest track on the album just barely cracks eight minutes.
** ''Blemish'' kicks off with the 13:42 TitleTrack, the only song on the album to surpass eight minutes.
* LongestSongGoesLast:
** ''Brilliant Trees'' ends with the 8:39 TitleTrack, the only EpicRocking song on the entire album.
** ''Alchemy: An Index of Possibilities'' closes out with the nearly nineteen-minute "Steel Cathedrals"; no other song on the album spans long enough to reach EpicRocking status.



* ProtestSong: Both "World Citizen -- I Won't Be Disappointed" and "World Citizen" are commentaries on the state of the world in 2004, with the former specifically focusing on pollution and the latter focusing on government corruption and societal apathy.

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* ProtestSong: Both "World Citizen -- I Won't Be Disappointed" and "World Citizen" are commentaries on the state of the world in 2004, 2003, with the former specifically focusing on pollution and the latter focusing on government corruption and societal apathy.



*** ''Gone to Earth'' shortens the intro to "Before the Bullfight" and adds in remixes of "River Man", the TitleTrack, and "Camp Fire: Coyote Country".

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*** ''Gone to Earth'' shortens the intro to "Before the Bullfight" and adds in appends remixes of "River Man", the TitleTrack, and "Camp Fire: Coyote Country".Country" to the end of disc one.
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* GreenAesop: "World Citizen -- I Won't Be Disappointed" is a ProtestSong about the continuing issue of pollution and the grave consequences it holds if it continues progressing at its current rate.


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* ProtestSong: Both "World Citizen -- I Won't Be Disappointed" and "World Citizen" are commentaries on the state of the world in 2004, with the former specifically focusing on pollution and the latter focusing on government corruption and societal apathy.

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!!!Studio Albums:



* ''Approaching Silence'' (1999; compilation of previously issued soundscapes for art shows)




!!!Compilations:
* ''Weatherbox'' (1989; BoxedSet containing Sylvian's first four solo albums)
* ''Approaching Silence'' (1999; compilation of previously issued soundscapes for art shows)
* ''Everything and Nothing'' (2000; compilation of outtakes and rarities)
* ''Sleepwalkers'' (2010; compilation of post-Creator/VirginRecords collaborations; reissued in 2022 with a revised tracklist)
* ''A Victim of Stars 1982-2012'' (2012; GreatestHitsAlbum)



* NewSoundAlbum: All of them, but the two that are particularly worth mentioning are the Japan album ''Quiet Life'', in which he shows off his deeper voice, ballad and Asian influences for the first time; his solo debut ''Brilliant Trees'', where he expressed his full sonic vision for the first time; and the solo album ''Blemish'', which began his current experimental career.

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* NewSoundAlbum: All of them, but the two that are particularly worth mentioning are the Japan Music/{{Japan}} album ''Quiet Life'', in which he shows off his deeper voice, ballad and Asian influences for the first time; his solo debut ''Brilliant Trees'', where he expressed his full sonic vision for the first time; and the solo album ''Blemish'', which began his current experimental career.



* ReCut: The 2022 reissue of the 2010 collaborations compilation ''Sleepwalkers'' drops "Ballad of a Deadman" and "Playground Martyrs" while adding "World Citizen", "Do You Know Me Now?", and "Modern Interior".

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* ReCut: ReCut:
** The ''Weatherbox'' BoxedSet removes "Preparations for a Journey" and "Forbidden Colours (Version)" from ''Alchemy: An Index of Possibilities'' and ''Secrets of the Beehive'', respectively.
** The 1994 US release of ''Brilliant Trees'' adds on the "Words with the Shaman" trilogy from ''Alchemy: An Index of Possibilities'' as bonus tracks, mainly because the latter album was not available on CD outside of Japan at the time.
** With the sole exception of ''Brilliant Trees'', the 2003 remasters of Sylvian's '80s albums add in bonus tracks for almost every release:
*** ''Alchemy: An Index of Possibilities'' adds in "The Stigma of Childhood (Kin)" and "A Brief Conversation Ending in Divorce".
*** ''Gone to Earth'' shortens the intro to "Before the Bullfight" and adds in remixes of "River Man", the TitleTrack, and "Camp Fire: Coyote Country".
*** ''Secrets of the Beehive'' swaps out "Forbidden Colours (Version" for "Promise (The Cult of Eurydice)".
** The double-LP reissue of ''Dead Bees on a Cake'', put out for Record Store Day 2018, adds in the ''Everything and Nothing'' tracks "The Scent of Magnolia", "Cover Me With Flowers", "Albuquerque (Dobro #6)", and "Aparna and Nimisha (Dobro # 5)", all of which were recorded during the ''Dead Bees on a Cake'' sessions and considered for inclusion back in 1999. Several of the other 14 tracks are also rearranged.
**
The 2022 reissue of the 2010 collaborations compilation ''Sleepwalkers'' drops "Ballad of a Deadman" and "Playground Martyrs" while adding "World Citizen", "Do You Know Me Now?", and "Modern Interior".Interior".
* SpecialGuest: Music/KingCrimson guitarist/bandleader Robert Fripp appears as a session guitarist throughout ''Gone to Earth''; Sylvian would return the favor via the collaborative album ''The First Day''.
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* BookEnds: The music video for "Silver Moon" opens with Sylvian removing his hands from atop the camera lens. The video closes with him placing his hands back over the lens.
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* ReCut: The 2022 reissue of the 2010 collaborations compilation ''Sleepwalkers'' drops "Ballad of a Deadman" and "Playground Martyrs" while adding "World Citizen", "Do You Know Me Now?", and "Modern Interior".
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* LaterInstallmentWeirdness: Carrying off of his work with Music/{{Japan}}, the bulk of Sylvian's solo output consisted of jazzy, {{ambient}}-influenced art pop until his divorce from Ingrid Chavez in 2003, after which he shifted towards improvisational AvantGardeMusic, with his singing voice concurrently shifting from a NewRomantic croon to a more gravelly style.
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* CoverVersion: With Japan, he covered "Don't Rain on My Parade" by Music/BarbraStreisand, [[Music/TheVelvetUndergroundAndNico "All Tomorrow's Parties"]] by Music/TheVelvetUnderground, "I Second That Emotion" by Music/TheMiracles and "Ain't That Peculiar" by Music/MarvinGaye. Early on, the band often performed a cover of Music/TheRollingStones' "Doo Doo Doo Doo Doo (Heartbreaker)" live and recorded an unreleased studio demo of it, as well as recorded unreleased cover versions of Velvet Underground's "Venus in Furs," Music/BobMarley and the Wailers' "I Shot the Sheriff," Music/TheIsleyBrothers' "This Old Heart of Mine," and an unreleased Music/{{Chic}} cover believed to be "Le Freak."

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* CoverVersion: With Japan, he covered "Don't Rain on My Parade" by Music/BarbraStreisand, [[Music/TheVelvetUndergroundAndNico "All Tomorrow's Parties"]] by Music/TheVelvetUnderground, "I Second That Emotion" by Music/TheMiracles and "Ain't That Peculiar" by Music/MarvinGaye. Early on, the band often performed a cover of Music/TheRollingStones' Music/{{The Rolling Stones|Band}}' "Doo Doo Doo Doo Doo (Heartbreaker)" live and recorded an unreleased studio demo of it, as well as recorded unreleased cover versions of Velvet Underground's "Venus in Furs," Music/BobMarley and the Wailers' "I Shot the Sheriff," Music/TheIsleyBrothers' "This Old Heart of Mine," and an unreleased Music/{{Chic}} cover believed to be "Le Freak."
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* DigitalDestruction: Due to an indexing error, ''A Victim of Stars 1982-2012'' sees the first split-second of "Forbidden Colours (Version)" play at the end of "Bamboo Music".

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* PopStarComposer: Sylvian spent a lot of time in the 1980s scoring art shows, films and dance pieces that he was also involved in.
* RearrangeTheSong: The single release of "Red Guitar" included an orchestral re-recording of the Music/RyuichiSakamoto collaboration [[Film/MerryChristmasMrLawrence "Forbidden Colours"]] as a B-side; it would later be featured on the original CD release of ''Secrets of the Beehive'' and on the GreatestHitsAlbum ''A Victim of Stars: 1982-2012''.

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* PopStarComposer: Sylvian spent a lot of time in the 1980s scoring art shows, films and dance pieces that he was also involved in.
in. ''When Loud Weather Buffeted Naoshima'' was additionally created as the soundtrack to an exhibit at the Naoshima Fukutake Art Museum Foundation before seeing a commercial release.
* RearrangeTheSong: RearrangeTheSong:
**
The single release of "Red Guitar" included an orchestral re-recording of the Music/RyuichiSakamoto collaboration [[Film/MerryChristmasMrLawrence "Forbidden Colours"]] as a B-side; it would later be featured on the original CD release of ''Secrets of the Beehive'' and on the GreatestHitsAlbum ''A Victim of Stars: 1982-2012''.
** The 2000 compilation ''Everything and Nothing'' includes a new version of Music/{{Japan}}'s "Ghosts" that sees Sylvian performing a new vocal part atop the original instrumental. This remix is also included on ''A Victim of Stars
1982-2012''.

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* BoxedSet: ''Weatherbox'', a CD set containing ''Brilliant Trees'', a slightly expanded version of ''Alchemy: An Index of Possibilities'', ''Gone to Earth'', and ''Secrets of the Beehive'' (without the re-recorded "Forbidden Colours"). The set marked the first time that the unabridged version of ''Gone to Earth'' was available on CD outside of Japan, with previous western CD releases removing four tracks to fit the album on one disc.



* IdiosyncraticEpisodeNaming:
** ''Weatherbox'' names each of its discs "Tree", "Stone", "Earth", "Water", and "Light".
** ''Everything and Nothing'' labels its two [=CDs=] "E" and "N," matching the compilation title.



* TakeThat: When a then-career-spanning box set called ''Weatherbox'' was put out, Creator/VirginRecords demanded for a new hit single to go with it. He came up with "Pop Song," which consists of a unconventional mallet-on-piano-strings bass part, no drums, and a synthesizer set on flute that is flying across the keyboard with two open palms.

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* CoverVersion: With Japan, he covered "Don't Rain on My Parade" by Music/BarbraStreisand, "All Tomorrow's Parties" by Music/VelvetUnderground, "I Second That Emotion" by Music/TheMiracles and "Ain't That Peculiar" by Music/MarvinGaye. Early on, the band often performed a cover of Music/TheRollingStones' "Doo Doo Doo Doo Doo (Heartbreaker)" live and recorded an unreleased studio demo of it, as well as recorded unreleased cover versions of Velvet Underground's "Venus in Furs," Music/BobMarley and the Wailers' "I Shot the Sheriff," Music/TheIsleyBrothers' "This Old Heart of Mine," and an unreleased Music/{{Chic}} cover believed to be "Le Freak."

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* CoverVersion: With Japan, he covered "Don't Rain on My Parade" by Music/BarbraStreisand, [[Music/TheVelvetUndergroundAndNico "All Tomorrow's Parties" Parties"]] by Music/VelvetUnderground, Music/TheVelvetUnderground, "I Second That Emotion" by Music/TheMiracles and "Ain't That Peculiar" by Music/MarvinGaye. Early on, the band often performed a cover of Music/TheRollingStones' "Doo Doo Doo Doo Doo (Heartbreaker)" live and recorded an unreleased studio demo of it, as well as recorded unreleased cover versions of Velvet Underground's "Venus in Furs," Music/BobMarley and the Wailers' "I Shot the Sheriff," Music/TheIsleyBrothers' "This Old Heart of Mine," and an unreleased Music/{{Chic}} cover believed to be "Le Freak."



* EarlyInstallmentWeirdness: The first two Japan albums, and to an extent ''Quiet Life'', feature David using a rather different vocal style to his later smoother work. Also, the first album ''Adolescent Sex'' is very guitar and synth heavy, with lyrics predominantly about dancing and comparing relationships to political events (something that was very popular in glam rock). Sylvian's appearance was rather different then, with long dyed blond hair and makeup (the other members of Japan had similar styles, because Sylvian wanted to make the group stand out.)


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* LimitedLyricsSong: The lyrics to the Music/RyuichiSakamoto collaboration "Bamboo Houses" consists of a single verse, recited in Japanese and sung in English.


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* MultilingualSong: "Bamboo Houses" consists of a single verse recited in Japanese by Music/RyuichiSakamoto and sung in English by Sylvian.
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* RearrangeTheSong: The original CD release of ''Secrets of the Beehive'' included an orchestral re-recording of the Music/RyuichiSakamoto collaboration [[Film/MerryChristmasMrLawrence "Forbidden Colours"]]; it would later be featured on the GreatestHitsAlbum ''A Victim of Stars: 1982-2012''.

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* RearrangeTheSong: The original CD single release of ''Secrets of the Beehive'' "Red Guitar" included an orchestral re-recording of the Music/RyuichiSakamoto collaboration [[Film/MerryChristmasMrLawrence "Forbidden Colours"]]; Colours"]] as a B-side; it would later be featured on the original CD release of ''Secrets of the Beehive'' and on the GreatestHitsAlbum ''A Victim of Stars: 1982-2012''.

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* AlternateAlbumCover: Because the original master artwork for the albums was lost, the 2018 reissues of ''Brilliant Trees'', ''Alchemy: An Index of Possibilities'', and ''Gone to Earth'' feature new covers made from various photoshoots done at the time. In particular, the ''Brilliant Trees'' cover now uses the full, uncropped version of the original photo, which was bordered by a yellow marble texture on the original release.



* VariantCover: Reissues of his early albums have had completely new covers due to the original artwork being lost.
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* RearrangeTheSong: The original CD release of ''Secrets of the Beehive'' included an orchestral re-recording of the Music/RyuichiSakamoto collaboration [[Film/MerryChristmasMrLawrence "Forbidden Colours"]]; it would later be featured on the GreatestHitsAlbum ''A Victim of Stars: 1982-2012''.

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* FollowTheLeader: Sylvian himself was heavily inspired by the Music/NewYorkDolls, Music/DavidBowie and Roxy Music. Asian and jazz influences influenced him more and more as he went on. His detractors constantly mention the Roxy Music influence. Music/DuranDuran were heavily inspired by Japan and are often considered to be their spiritual successors. The band were recording their self titled debut near where Japan were recording ''Gentlemen Take Polaroids'', and rumour has it that the Duran boys chose that studio just so they could meet Japan.


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* MatchCut: Used extensively throughout the music video for "Forbidden Colours", in which shots of Sylvian posing fade into shots of characters from ''Film/MerryChristmasMrLawrence'' in identical positions (and vice-versa).


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* VideoFullOfFilmClips: The music video for "Forbidden Colours" intersperses clips from ''Film/MerryChristmasMrLawrence'' with footage of Sylvian miming under a spotlight.

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David Sylvian (born David Alan Batt, 23 February 1958) is an [[UsefulNotes/{{Britain}} English]] musician who may be best known for appearing in the NewRomantic / GlamRock band Music/{{Japan}} in the late '70s to the early '80s. After inner tensions between band members led to a falling out, Sylvian pursued a solo career, crafting music that was more mature and artsier than his previous work. He has since gained a respectable cult following. Sylvian has also dabbled in poetry, visual art and photography. He has been photographed by Creator/AntonCorbijn (who also produced some of his music videos), and has collaborated with [[Music/YellowMagicOrchestra Ryuichi Sakamoto]] (more closely in his solo material) and with Music/KingCrimson guitarist Robert Fripp (their efforts combined produced two albums in the early to mid '90s). Sylvian was married to Music/{{Prince}} protégé Music/IngridChavez from 1992 until 2003. Throughout his career, both in Japan and solo, he has relied on his brother Steve Jansen (né Stephen Batt) as a percussionist.

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David Sylvian (born David Alan Batt, 23 February 1958) is an [[UsefulNotes/{{Britain}} English]] musician who may be best known for appearing in the NewRomantic / GlamRock band Music/{{Japan}} in the late '70s to the early '80s. After inner tensions between band members led to a falling out, Sylvian pursued a solo career, crafting music that was more mature and artsier than his previous work. He has since gained a respectable cult following. Sylvian has also dabbled in poetry, visual art and photography. He has been photographed by Creator/AntonCorbijn (who also produced some of his music videos), and has collaborated with [[Music/YellowMagicOrchestra Ryuichi Sakamoto]] Music/RyuichiSakamoto (more closely in his solo material) and with Music/KingCrimson guitarist Robert Fripp (their efforts combined produced two albums in the early to mid '90s). Sylvian was married to Music/{{Prince}} protégé Music/IngridChavez from 1992 until 2003. Throughout his career, both in Japan and solo, he has relied on his brother Steve Jansen (né Stephen Batt) as a percussionist.





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* EpicRocking: ''There's a Light That Enters Houses with No Other House in Sight'' consists of a single hour-long track.


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* WhiteVoidRoom: The music video for "Bamboo Houses" (his first of many collaborations with Music/RyuichiSakamoto) is set in one, interspersed with a number of video effects.
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His solo works represent an artistic evolution, as Sylvian proceeded to dispose of the flamboyancy, get a hair cut, and adopt more [[BaroqueMusic Baroque]], Chamber and {{Jazz}} influences that slowly began to resemble the latter-day, sophisticated Art Pop works of artists like Music/PeterGabriel or Music/TalkTalk (with a little bit of Avalon-era Music/RoxyMusic thrown in for good measure.) This is particularly present in 1984's ''Brilliant Trees''; but he took an even more stripped-down approach in 1987's ''Secrets of the Beehive'', which extracted the electronics from that album and the soundscapey ''Alchemy'' and ''Gone to Earth'' and replaced them with lush string, violin and piano arrangements. After some experimental collaborations and a twelve year (!) wait, he made a solo comeback in 1999 in the form of ''Dead Bees on a Cake,'' which took a slightly darker, more {{Ambient}} and adult contemporary approach to his classic pop leanings. His sound palette would mutate again with 2003's ''Blemish'', which removed everything but his harmonized voice, avant garde guitar playing and glitching electronic drones; this new style would be mined and expanded on Sylvian's subsequent albums.

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His solo works represent an artistic evolution, as Sylvian proceeded to dispose of the flamboyancy, get a hair cut, and adopt more [[BaroqueMusic Baroque]], Chamber and {{Jazz}} influences that slowly began to resemble the latter-day, sophisticated Art Pop works of artists like Music/PeterGabriel or Music/TalkTalk (with a little bit of Avalon-era ''Music/{{Avalon}}''-era Music/RoxyMusic thrown in for good measure.) This is particularly present in 1984's ''Brilliant Trees''; but he took an even more stripped-down approach in 1987's ''Secrets of the Beehive'', which extracted the electronics from that album and the soundscapey ''Alchemy'' and ''Gone to Earth'' and replaced them with lush string, violin and piano arrangements. After some experimental collaborations and a twelve year (!) wait, he made a solo comeback in 1999 in the form of ''Dead Bees on a Cake,'' which took a slightly darker, more {{Ambient}} and adult contemporary approach to his classic pop leanings. His sound palette would mutate again with 2003's ''Blemish'', which removed everything but his harmonized voice, avant garde guitar playing and glitching electronic drones; this new style would be mined and expanded on Sylvian's subsequent albums.
Is there an issue? Send a MessageReason:
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David Sylvian (born David Alan Batt, 23 February 1958) is an [[UsefulNotes/{{Britain}} English]] musician who may be best known for appearing in the NewRomantic / GlamRock band Music/{{Japan}} in the late '70s to the early '80s. After inner tensions between band members led to a falling out, Sylvian pursued a solo career, crafting music that was more mature and artsier than his previous work. He has since gained a respectable cult following. Sylvian has also dabbled in poetry, visual art and photography. He has been photographed by Creator/AntonCorbijn (who also produced some of his music videos), and has collaborated with [[Music/YellowMagicOrchestra Ryuichi Sakamoto]] (more closely in his solo material) and with Music/KingCrimson guitarist Robert Fripp (their efforts combined produced two albums in the early to mid '90s). Sylvian was married to Music/{{Prince}} protégé Music/IngridChavez from 1992 until 2003. Throughout his career, both in Japan and solo, he has relied on his brother Steve Jansen (née Stephen Batt) as a percussionist.

to:

David Sylvian (born David Alan Batt, 23 February 1958) is an [[UsefulNotes/{{Britain}} English]] musician who may be best known for appearing in the NewRomantic / GlamRock band Music/{{Japan}} in the late '70s to the early '80s. After inner tensions between band members led to a falling out, Sylvian pursued a solo career, crafting music that was more mature and artsier than his previous work. He has since gained a respectable cult following. Sylvian has also dabbled in poetry, visual art and photography. He has been photographed by Creator/AntonCorbijn (who also produced some of his music videos), and has collaborated with [[Music/YellowMagicOrchestra Ryuichi Sakamoto]] (more closely in his solo material) and with Music/KingCrimson guitarist Robert Fripp (their efforts combined produced two albums in the early to mid '90s). Sylvian was married to Music/{{Prince}} protégé Music/IngridChavez from 1992 until 2003. Throughout his career, both in Japan and solo, he has relied on his brother Steve Jansen (née (né Stephen Batt) as a percussionist.
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Dewicking Bi The Way per the Trope Repair Shop thread.


* BiTheWay: David mentioned in the '80s that he had slept with men as well as women, but he didn't have much interest in sex. Many thought he was gay when he would wear makeup in Japan's early days, so this doesn't come as much of a surprise.
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* LongHairedPrettyBoy: The premier example of the NewRomantic genre during his time in Japan.

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David Sylvian (born David Alan Batt, 23 February 1958) is an [[UsefulNotes/{{Britain}} English]] musician who may be best known for appearing in the NewRomantic / GlamRock band Music/{{Japan}} in the late '70s to the early '80s. After a bit of a falling out with his band following some inner tension between members (some of which was reconciled with a reunion under a different name in 1991 in the form of ''Rain Tree Crow''), he pursued a solo career, crafting music that was more mature and artsier than his previous work, which has since gained a respectable cult following. Sylvian has also dabbled in poetry, visual art and photography. He has been photographed by Creator/AntonCorbijn (who also produced some of his music videos), and has collaborated with [[Music/YellowMagicOrchestra Ryuichi Sakamoto]] (more closely in his solo material) and with Music/KingCrimson guitarist Robert Fripp (their efforts combined produced two albums in the early to mid '90s). Sylvian was married to Music/{{Prince}} protégé Music/IngridChavez from 1992 until 2003.

His solo works represent an artistic "evolution" (if you will,) as Sylvian proceeded to dispose of the flamboyancy, get a hair cut, and adopt more [[BaroqueMusic Baroque]], Chamber and {{Jazz}} influences that slowly began to resemble the latter-day, sophisticated Art Pop works of artists like Music/PeterGabriel or Music/TalkTalk (with a little bit of Avalon-era Music/RoxyMusic thrown in for good measure.) This is particularly present in 1984's Brilliant Trees; but he took an even more stripped-down approach in 1987's ''Secrets of the Beehive'', which extracted the electronics from that album and the soundscapey "Gone to Earth," and replaced them with lush string, violin and piano arrangements. After some collaborations and a twelve year (!) wait, he made a solo comeback in 1999 in the form of ''Dead Bees on a Cake,'' which took a slightly darker, more {{Ambient}} approach to his classic pop leanings.

David takes a very serious, crafty approach to music, but it's always all-around artsy. He's also known for being a bit of... [[ReclusiveArtist a hermit]]. Don't expect him to come out of hiding unless it's for something important.

to:

David Sylvian (born David Alan Batt, 23 February 1958) is an [[UsefulNotes/{{Britain}} English]] musician who may be best known for appearing in the NewRomantic / GlamRock band Music/{{Japan}} in the late '70s to the early '80s. After a bit of inner tensions between band members led to a falling out with his band following some inner tension between members (some of which was reconciled with a reunion under a different name in 1991 in the form of ''Rain Tree Crow''), he out, Sylvian pursued a solo career, crafting music that was more mature and artsier than his previous work, which work. He has since gained a respectable cult following. Sylvian has also dabbled in poetry, visual art and photography. He has been photographed by Creator/AntonCorbijn (who also produced some of his music videos), and has collaborated with [[Music/YellowMagicOrchestra Ryuichi Sakamoto]] (more closely in his solo material) and with Music/KingCrimson guitarist Robert Fripp (their efforts combined produced two albums in the early to mid '90s). Sylvian was married to Music/{{Prince}} protégé Music/IngridChavez from 1992 until 2003.

2003. Throughout his career, both in Japan and solo, he has relied on his brother Steve Jansen (née Stephen Batt) as a percussionist.

His solo works represent an artistic "evolution" (if you will,) evolution, as Sylvian proceeded to dispose of the flamboyancy, get a hair cut, and adopt more [[BaroqueMusic Baroque]], Chamber and {{Jazz}} influences that slowly began to resemble the latter-day, sophisticated Art Pop works of artists like Music/PeterGabriel or Music/TalkTalk (with a little bit of Avalon-era Music/RoxyMusic thrown in for good measure.) This is particularly present in 1984's Brilliant Trees; ''Brilliant Trees''; but he took an even more stripped-down approach in 1987's ''Secrets of the Beehive'', which extracted the electronics from that album and the soundscapey "Gone ''Alchemy'' and ''Gone to Earth," Earth'' and replaced them with lush string, violin and piano arrangements. After some experimental collaborations and a twelve year (!) wait, he made a solo comeback in 1999 in the form of ''Dead Bees on a Cake,'' which took a slightly darker, more {{Ambient}} and adult contemporary approach to his classic pop leanings.

leanings. His sound palette would mutate again with 2003's ''Blemish'', which removed everything but his harmonized voice, avant garde guitar playing and glitching electronic drones; this new style would be mined and expanded on Sylvian's subsequent albums.

David takes a very serious, crafty serious crafting approach to music, but it's always all-around artsy. He's also known for being a bit of... [[ReclusiveArtist a hermit]]. Don't expect him to come out of hiding unless it's for something important.



* ''Alchemy: An Index of Possibilities'' (1985)

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* ''Alchemy: An Index of Possibilities'' (1985)(1985; EP expanded to full album in 1989)



* ''Approaching Silence'' (1999; compilation of previously issued soundscapes for art shows)



* ''Snow Borne Sorrow'' (as member of band Nine Horses, 2005)



* ''Wandermüde'' (with Stephan Mathieu, 2012)



* BreakUpSong: ''Blemish'' is a break-up album, with Sylvian meditating on his feelings over his divorce from Ingrid Chavez. "The only daughter" is probably the most break-upy song on the album, with a chorus of "This, your one and only warning / Please be gone by morning"



* FollowTheLeader: Sylvian himself was heavily inspired by the Music/NewYorkDolls, Music/DavidBowie and Roxy Music. Asian and jazz influences influenced him more and more as he went on. His detractors constantly mention the Roxy Music influence. Music/DuranDuran were heavily inspired by Japan and are often considered to be their spiritual successors. The band were recording their self titled debut near where Japan were recording ''Gentlemen Take Polaroids'', and rumour has it that they chose that studio just so they could meet the band.
* ForeignCultureFetish: He went in for Japanese culture in a big way, appropriately enough for someone in a band named Music/{{Japan}}. He frequently collaborated with Music/RyuichiSakamoto and was in a relationship with a Japanese photographer named Yuka Fujii, who shot many of his cover photos.
* NewSoundAlbum: All of them, but the two that are particularly worth mentioning are the Japan album ''Quiet Life'', in which he shows off his deeper voice, ballad and Asian influences for the first time, and the solo album ''Blemish'', which began his current experimental career.

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* FaceOnTheCover: Surprisingly, for such an [[EvenTheGuysWantHim attractive rocker]], Sylvian kept himself off of the majority of his album covers. His debut ''Brilliant Trees'' features a wide shot with him from the torso up in profile, while ''Blemish'' features an illustration of his headshot. Played straight with the remastered reissues of his pre-2000 albums in the 2010s, as the original artwork for the albums were lost and therefore press photos had to be used.
* FollowTheLeader: Sylvian himself was heavily inspired by the Music/NewYorkDolls, Music/DavidBowie and Roxy Music. Asian and jazz influences influenced him more and more as he went on. His detractors constantly mention the Roxy Music influence. Music/DuranDuran were heavily inspired by Japan and are often considered to be their spiritual successors. The band were recording their self titled debut near where Japan were recording ''Gentlemen Take Polaroids'', and rumour has it that they the Duran boys chose that studio just so they could meet the band.
Japan.
* ForeignCultureFetish: He went in for Japanese culture in a big way, appropriately enough for someone in a band named Music/{{Japan}}. He frequently collaborated with Music/RyuichiSakamoto Music/RyuichiSakamoto, sang with Akiko Yano, and was in a relationship with a Japanese photographer named Yuka Fujii, who shot many of his cover photos.
* GreatestHitsAlbum: After releasing three collections showcasing unreleased songs, instrumentals and collaborations, Sylvian finally released a greatest hits, ''A Victim of Stars'', in 2012. Tellingly, it begins with "Ghosts" from the final Japan album, ''Tin Drum''.
* NewSoundAlbum: All of them, but the two that are particularly worth mentioning are the Japan album ''Quiet Life'', in which he shows off his deeper voice, ballad and Asian influences for the first time, time; his solo debut ''Brilliant Trees'', where he expressed his full sonic vision for the first time; and the solo album ''Blemish'', which began his current experimental career.career.
* PopStarComposer: Sylvian spent a lot of time in the 1980s scoring art shows, films and dance pieces that he was also involved in.



* TakeThat: When a then-career-spanning box set called ''Weatherbox'' was put out, Creator/VirginRecords demanded for a new hit single to go with it. He came up with "Pop Song," which consists of a unconventional mallet-on-piano-strings bass part, and a synthesizer set on flute that is flying across the keyboard with two open palms.

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* TakeThat: When a then-career-spanning box set called ''Weatherbox'' was put out, Creator/VirginRecords demanded for a new hit single to go with it. He came up with "Pop Song," which consists of a unconventional mallet-on-piano-strings bass part, no drums, and a synthesizer set on flute that is flying across the keyboard with two open palms.
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* VariantCover: Reissues of his early albums have had completely new covers due to the original artwork being lost.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/polaroids_sylvian_smash84_3023.jpg]]
[[caption-width-right:350: Suave.]]

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[[quoteright:350:https://static.[[quoteright:300:https://static.tvtropes.org/pmwiki/pub/images/polaroids_sylvian_smash84_3023.jpg]]
[[caption-width-right:350: [[caption-width-right:300: Suave.]]
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* ForeignCultureFetish: He went in for Japanese culture in a big way, appropriately enough for someone in a band named Music/{{Japan}}. He frequently collaborated with [[Music/YellowMagicOrchestra Ryuichi Sakamoto]] and was in a relationship with a Japanese photographer named Yuka Fujii, who shot many of his cover photos.

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* ForeignCultureFetish: He went in for Japanese culture in a big way, appropriately enough for someone in a band named Music/{{Japan}}. He frequently collaborated with [[Music/YellowMagicOrchestra Ryuichi Sakamoto]] Music/RyuichiSakamoto and was in a relationship with a Japanese photographer named Yuka Fujii, who shot many of his cover photos.
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* DistinctDoubleAlbum: The first disc of ''Gone to Earth'' is comprised of vocal pieces and the second is entirely instrumental.

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* DistinctDoubleAlbum: The first disc of ''Gone to Earth'' is comprised of vocal pieces and the second is entirely instrumental.made up of ambient instrumental pieces.
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* DistinctDoubleAlbum: The first disc of ''Gone to Earth'' is comprised of vocal pieces and the second is entirely instrumental.
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* DomesticAbuse: "When Poets Dreamed of Angels":
-->''She rises early from bed\\
Runs to the mirror\\
The bruises inflicted in moments of fury\\
He kneels beside her once more\\
Whispers a promise\\
"Next time I'll break every bone in your body"''
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David takes a very serious, crafty approach to music, but it's always all-around artsy. He's also known for being a bit of... a hermit. Don't expect him to come out of hiding unless it's for something important.

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David takes a very serious, crafty approach to music, but it's always all-around artsy. He's also known for being a bit of... [[ReclusiveArtist a hermit.hermit]]. Don't expect him to come out of hiding unless it's for something important.
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* ForeignCultureFetish: He went in for Japanese culture in a big way, appropriately enough for someone in a band named Music/{{Japan}}. He frequently collaborated with [[Music/MagicYellowOrchestra Ryuichi Sakamoto]] and was in a relationship with a Japanese photographer named Yuka Fujii, who shot many of his cover photos.

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* ForeignCultureFetish: He went in for Japanese culture in a big way, appropriately enough for someone in a band named Music/{{Japan}}. He frequently collaborated with [[Music/MagicYellowOrchestra [[Music/YellowMagicOrchestra Ryuichi Sakamoto]] and was in a relationship with a Japanese photographer named Yuka Fujii, who shot many of his cover photos.

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