Follow TV Tropes

Following

History Music / CWMcCall

Go To

OR

Is there an issue? Send a MessageReason:
None


* TrainSong: [=McCall=] recorded two original songs about trains -- "The Silverton", about the Silverton and Durango Railroad, and ''Gallopin' Goose", about #5 in a series of seven railcars operated by the Rio Grande Southern Railroad from the 1930s to early 1950s. He also did a cover of Steve Goodman's "City of New Orleans", describing a train ride from Chicago to New Orleans on the "City of New Orleans", an overnight Amtrak passenger train operated by the Illinois Central Railroad.

to:

* TrainSong: [=McCall=] recorded two original songs about trains -- "The Silverton", about the Durango and Silverton and Durango Railroad, and ''Gallopin' Goose", about #5 in a series of seven railcars operated by the Rio Grande Southern Railroad from the 1930s to early 1950s. He also did a cover of Steve Goodman's "City of New Orleans", describing a train ride from Chicago to New Orleans on the "City of New Orleans", an overnight Amtrak passenger train operated by the Illinois Central Railroad.
Is there an issue? Send a MessageReason:
None


* HaveAGayOldTime: There are few songs that he made in which he uses "Tranny" as rural slang for a car or truck's transmission, when today the world is almost exclusively known as a transphobic slur.

to:

* HaveAGayOldTime: There are few songs that he made in which he uses "Tranny" as rural slang for a car or truck's transmission, when today the world word is almost exclusively known as a transphobic slur.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* HaveAGayOldTime: There are few songs that he made in which he uses "Tranny" as rural slang for a car or truck's transmission, when today the world is almost exclusively known as a transphobic slur.

Added: 107

Changed: 1608

Is there an issue? Send a MessageReason:
None


* ''Wolf Creek Pass'' (1975)
* ''Black Bear Road'' (1975)
* ''Wilderness'' (1976)
* ''Rubber Duck'' (1976)
* ''Roses for Mama'' (1977)
* ''C. W. [=McCall=] & Co.'' (1979)

to:

* ''Wolf Creek Pass'' (1975)
(1975)[[labelnote:Songs]]Ten -- "Wolf Creek Pass", "Night Rider", "Classified", "Old 30", "I've Trucked All Over This Land", "Four Wheel Drive", "Rocky Mountain September", "Old Home Filler-up an' Keep on a-Truckin' Cafe", "Sloan", "Glenwood Canyon"[[/labelnote]]
* ''Black Bear Road'' (1975)
(1975)[[labelnote:Songs]]Ten -- "Black Bear Road", "The Silverton", "Lewis and Clark", "Oregon Trail", "Ghost Town", "Convoy", "Long Lonesome Road", "Green River", "Write Me a Song", "Mountains on My Mind"[[/labelnote]]
* ''Wilderness'' (1976)
(1976)[[labelnote:Songs]]Twelve -- "Wilderness", "Jackson Hole", "Riverside Slide", "Crispy Critters", "Roy", "The Little Brown Sparrow and Me", "There Won't Be No Country Music (There Won't Be No Rock 'N' Roll)", "Telluride Breakdown", "Four Wheel Cowboy", "Silver Iodide Blues", "Columbine", "Aurora Borealis"[[/labelnote]]
* ''Rubber Duck'' (1976)
(1976)[[labelnote:Songs]]Ten -- "'Round the World with the Rubber Duck", "Audubon", "Super Slab Showdown", "Windshield Wipers in the Rain", "Sing Silent Night", "Ratchetjaw", "Nishnabotna", "Two-Way Lovin'", "Camp Bird Mine", "Niobrara"[[/labelnote]]
* ''Roses for Mama'' (1977)
(1977)[[labelnote:Songs]]Ten -- "Roses for Mama", "The Only Light", "Livin' Within My Means", "Watch the Wildwood Flowers", "Take My Duds to the Junkman", "The Battle of New Orleans", "I Don't Know (and I Don't Care)", "The Gallopin' Goose", "Night Hawk", "Old Glory"[[/labelnote]]
* ''C. W. [=McCall=] & Co.'' (1979)
(1979)[[labelnote:Songs]] Ten -- "Outlaws and Lone Star Beer", "Wheels of Fortune", "City of New Orleans", "The Little Things in Life", "The Cowboy", "Milton", "Flowers on the Wall", "Silver Cloud Breakdown", "I Wish There was More That I Could Give", "Hobo's Lullaby"[[/labelnote]]



* ''The Real [=McCall=]: An American Storyteller'' (1990; first of two albums of re-recorded songs; also including one new song)

to:

* ''The Real [=McCall=]: An American Storyteller'' (1990; first of two albums of re-recorded songs; also including one new song)song, "Comin' Back for More")


Added DiffLines:

** And to top it off, the singer's friend later comments of it that "I've seen better stuff in a junkyard".
Is there an issue? Send a MessageReason:
tweaked descriptions of Old Home Bread story to remove redundancy, added record labels


Coming from a musical family, Fries devised the character of C. W. [=McCall=] for a popular television advertising campaign for Old Home Bread, in which [=McCall=] was a truck driver (played by Jim Finlayson) who delivered the bread to the Old Home Café and flirted with its waitress Mavis. This led to Fries writing songs and performing them under the [=McCall=] name, while his coworker Chip Davis, who wrote jingles for the same advertising agency (and later founded Music/MannheimSteamroller), wrote the music.

to:

Coming from a musical family, Fries devised the character of C. W. [=McCall=] for a popular television advertising campaign for Old Home Bread, in which [=McCall=] was a truck driver (played by Jim Finlayson) who delivered the bread to the Old Home Café and flirted with its waitress Mavis. This led to Mavis, with Fries writing songs and performing them under supplying the talk-singing vocals. The commercial's song was extended into a single-length version that was so successful in the markets where the bread was sold that Fries [[BreakawayAdvertisement assumed the [=McCall=] name, persona]] and wrote more song lyrics, while his coworker Chip Davis, who wrote jingles for the same advertising agency (and later founded Music/MannheimSteamroller), wrote the music.



[=McCall=]'s regular albums consist of:

to:

[=McCall=]'s regular albums (originally on Creator/MGMRecords, then moving to sister label Creator/PolydorRecords) consist of:



** [=McCall=] featured in a set of regional commercials for Old Home Bread during the 70s as a truck driver of the same name who regularly stops at the Old Home Fill Er Up and Keep on Truckin Cafe, where he makes sure to have some Old Home Bread with his meal and flirt with Mavis the waitress. These commercials would tell stories about [=McCall=] and Mavis, and since he was a trucker, and this was the C.B. radio boom, the stories would often involve [=McCall's=] CB radio. [=McCall=] would later have a top 40 radio hit with the song "Convoy", which tells a similar story, though without the bread commercial. And that would later be turned into a [[Film/{{Convoy}} film]].

to:

** [=McCall=] featured in a set of regional commercials for Old Home Bread during the 70s as a truck driver of the same name who regularly stops at the Old Home Fill Er Up and Keep on Truckin Cafe, where he makes sure to have some Old Home Bread with his meal and flirt with Mavis the waitress. These commercials would tell stories about [=McCall=] and Mavis, and since he was a trucker, and this was the C.B. citizens-band radio boom, the stories would often involve [=McCall's=] CB radio. [=McCall=] would later have a top 40 radio hit with the song "Convoy", which tells a similar story, though without the bread commercial. And that would later be turned into a [[Film/{{Convoy}} film]].



* TopTenJingle: C.W. [=McCall=]'s entire career was based on this trope. The C.W. [=McCall=] character was originally a truck driver whose flirty adventures with a truck-stop waitress named Mavis in commercials for Old Home Bread in the early 1970s were told through a talk-singing CountryRap. The commercial's song was extended into a single-length version that was so successful in the markets where the bread was sold that Bill Fries, the advertising executive who sang in the commercials, assumed the C.W. [=McCall=] persona publicly (despite [[TheOtherDarrin looking nothing like]] the actor who played [=McCall=] in the commercials) and had a real-life musical career capped by the smash hit "Convoy".

to:

* TopTenJingle: C.W. [=McCall=]'s entire career was based on this trope. The C.W. [=McCall=] character was originally a truck driver whose flirty adventures with a truck-stop waitress named Mavis in commercials for Old Home Bread in the early 1970s whose adventures were told through a talk-singing CountryRap. CountryRap supplied by Fries, then an advertising executive who helped devise the campaign. The commercial's commercials, and a song was extended into a single-length version that based on them, was so successful in the markets where the bread was sold that Bill Fries, the advertising executive who sang in the commercials, Fries assumed the C.W. [=McCall=] persona publicly (despite [[TheOtherDarrin looking nothing like]] the actor who played [=McCall=] in the commercials) and had parlayed it into a real-life musical career capped by the smash hit "Convoy".career.
Is there an issue? Send a MessageReason:
None


* DenserAndWackier: "Round the World With The Rubber Duck" is a far, far less serious song than "Convoy", its' predecessor. The song kicks off with Rubber Duck's convoy crossing the Atlantic Ocean with nothing but their faith in Jesus(except for about 110 trucks who sink, whom Rubber Duck claims "[[ComedicSociopathy just didn't have no faith]]"), and the rest of the song has the trucks traveling across the entirety of Eurasia and crossing the Pacific through Japan and Australia, encountering NationalStereotypes of the countries they encounter all the way. There's a legitimate argument to be made that it's actually a StealthParody of "Convoy" and by extension novelty CB trucker songs.

to:

* DenserAndWackier: "Round the World With The Rubber Duck" is a far, far less serious song than "Convoy", its' its predecessor. The song kicks off with Rubber Duck's convoy crossing the Atlantic Ocean with nothing but their faith in Jesus(except Jesus (except for about 110 trucks who sink, whom Rubber Duck claims "[[ComedicSociopathy just didn't have no faith]]"), and the rest of the song has the trucks traveling across the entirety of Eurasia and crossing the Pacific through Japan and Australia, encountering NationalStereotypes of the countries they encounter all the way. There's a legitimate argument to be made that it's actually a StealthParody of "Convoy" and by extension novelty CB trucker songs.
Is there an issue? Send a MessageReason:
None


-->''We was screamin' through the valley where the Nishnabotna flows/through the mud and crud and cornfields where the mary-jew-wana grows/'cross the railroad tracks of Persia, up the hills and down the dale/got a CJ-5 with four wheel drive, Smokey on my tail

to:

-->''We was screamin' through the valley where the Nishnabotna flows/through the mud and crud and cornfields where the mary-jew-wana grows/'cross the railroad tracks of Persia, up the hills and down the dale/got a CJ-5 with four wheel drive, Smokey on my tailtail''

Added: 951

Changed: 215

Is there an issue? Send a MessageReason:
None


* DenserAndWackier: "Round the World With The Rubber Duck" is a far, far less serious song than "Convoy", its' predecessor. The song kicks off with Rubber Duck's convoy crossing the Atlantic Ocean with nothing but their faith in Jesus(except for about 110 trucks who sink, whom Rubber Duck claims "[[ComedicSociopathy just didn't have no faith]]"), and the rest of the song has the trucks traveling across the entirety of Eurasia and crossing the Pacific through Japan and Australia, encountering NationalStereotypes of the countries they encounter all the way. There's a legitimate argument to be made that it's actually a StealthParody of "Convoy" and by extension novelty CB trucker songs.



** The driver and his cop pursuer in "Four Wheel Drive", who both proceed to tear across a valley, at high speeds, just because the latter is in HotPursuit of the former for speeding.

to:

** The driver and his cop pursuer in "Four Wheel Drive", who both proceed to tear across a valley, at high speeds, just because the latter is in HotPursuit of the former for speeding. Not only does the driver drift through a cornfield so hard that he apparently starts cooking the corn, but he also manages to ford the Nishnabotna River and rejoin the highway by ''crashing through the guardrail''.
-->''We was screamin' through the valley where the Nishnabotna flows/through the mud and crud and cornfields where the mary-jew-wana grows/'cross the railroad tracks of Persia, up the hills and down the dale/got a CJ-5 with four wheel drive, Smokey on my tail
Is there an issue? Send a MessageReason:
None


* CountryRap: Oddly, you can make a case that HollywoodCB country novelty hits from TheSeventies count as early examples of rap. C.W. [=McCall=] ("Film/{{Convoy}}") sustained a minor career centered on spoken pieces set to country music.

to:

* CountryRap: Oddly, you can make In most of his songs, he doesn't sing so much as orate the lyrics, giving him the flow of a case that HollywoodCB rapper without a typical rap-style beat, instead going for typical country novelty hits from TheSeventies count as early examples of rap. C.W. [=McCall=] ("Film/{{Convoy}}") sustained banjos and guitars. He gets a minor career centered on spoken pieces set ''little'' close to country music.singing in "The Silverton", but he's also wobbling in pitch quite a bit, so it's hard to tell.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

[[quoteright:206:https://static.tvtropes.org/pmwiki/pub/images/untitled_65.jpg]]
[[caption-width-right:206:"[[HardTruckin Let them truckers roll, ten-four]]!"]]
Is there an issue? Send a MessageReason:
None


* ArtisticLicenseGeography: Apparently used, but actually averted, in "Four Wheel Cowboy", which has [=McCall=] driving south from Denver to Santa Fe, supposedly going straight. Some of the places named are rather out of order, implying that he must have backtracked for some reason. ''Especially'' notable when he's "Rattlin' down off a' Raton Pass", with the next spot being "Glorieta Hill like a sheet a' glass". Glorieta Hill is about 160 miles from Raton Pass, so he wouldn't be going anywhere ''near'' it if he's trying to go as straight as possible. However, the geography of northern New Mexico is so mountainous that Interstate 25, the fastest route between Denver and Santa Fe, takes a very indirect route through that region. Once I-25 south reaches Raton Pass at the Colorado–New Mexico border, it turns to the southwest toward Glorieta Pass, after which it takes a sharp turn to the ''northwest'' to reach Santa Fe.

to:

* ArtisticLicenseGeography: Apparently used, but actually averted, in "Four Wheel Cowboy", which has [=McCall=] driving south from Denver to Santa Fe, supposedly going straight. Some of the places named are rather out of order, implying that he must have backtracked for some reason. ''Especially'' notable when he's "Rattlin' down off a' Raton Pass", with the next spot being "Glorieta Hill like a sheet a' glass". Glorieta Hill is about 160 miles from Raton Pass, so he wouldn't be going anywhere ''near'' it if he's trying to go as straight as possible. However, the geography of northern New Mexico is so mountainous that Interstate 25, the fastest route between Denver and Santa Fe, takes a very indirect route through that region. Once I-25 south reaches Raton Pass at the Colorado–New Mexico border, it turns to the southwest toward Glorieta Pass, after which it takes a sharp turn to the ''northwest'' to reach Santa Fe.
Is there an issue? Send a MessageReason:
None


* ArtisticLicenseGeography: Apparently used, but actually averted, in "Four Wheel Cowboy", which has [=McCall=] driving south from Denver to Santa Fe, supposedly going straight. Some of the places named are rather out of order, implying that he must have backtracked for some reason. ''Especially'' notable when he's "Rattlin' down off a' Raton Pass", with the next spot being "Glorieta Hill like a sheet a' glass". Glorieta Hill is about 160 miles from Raton Pass, so he wouldn't be going anywhere ''near'' it if he's trying to go as straight as possible. However, the geography of northern New Mexico is so mountainous that a driver would ''have'' to pass through both locations. The fastest route from Denver to Santa Fe is Interstate 25; the highway runs more or less due south until reaching Raton Pass at the New Mexico border. From there, the highway turns to the southwest toward Glorieta Pass, after which it takes a sharp turn to the ''northwest'' to reach Santa Fe.

to:

* ArtisticLicenseGeography: Apparently used, but actually averted, in "Four Wheel Cowboy", which has [=McCall=] driving south from Denver to Santa Fe, supposedly going straight. Some of the places named are rather out of order, implying that he must have backtracked for some reason. ''Especially'' notable when he's "Rattlin' down off a' Raton Pass", with the next spot being "Glorieta Hill like a sheet a' glass". Glorieta Hill is about 160 miles from Raton Pass, so he wouldn't be going anywhere ''near'' it if he's trying to go as straight as possible. However, the geography of northern New Mexico is so mountainous that a driver would ''have'' to pass through both locations. The Interstate 25, the fastest route from between Denver to and Santa Fe is Interstate 25; the highway runs more or less due Fe, takes a very indirect route through that region. Once I-25 south until reaching reaches Raton Pass at the New Colorado–New Mexico border. From there, the highway border, it turns to the southwest toward Glorieta Pass, after which it takes a sharp turn to the ''northwest'' to reach Santa Fe.
Is there an issue? Send a MessageReason:
"Four Wheel Cowboy" actually AVERTS Artistic License–Geography. Take a look at the route of I-25 and you'll see why.


* ArtisticLicenseGeography: "Four Wheel Cowboy" has [=McCall=] driving south from Denver to Santa Fe, supposedly going straight... but some of the places named are rather out of order, implying that he must have backtracked for some reason. ''Especially'' notable when he's "Rattlin' down off a' Raton Pass", with the next spot being "Glorieta Hill like a sheet a' glass". Glorieta Hill is about one hundred sixty miles from Raton Pass, so he wouldn't be going anywhere ''near'' it if he's trying to go as straight as possible.

to:

* ArtisticLicenseGeography: Apparently used, but actually averted, in "Four Wheel Cowboy" Cowboy", which has [=McCall=] driving south from Denver to Santa Fe, supposedly going straight... but some straight. Some of the places named are rather out of order, implying that he must have backtracked for some reason. ''Especially'' notable when he's "Rattlin' down off a' Raton Pass", with the next spot being "Glorieta Hill like a sheet a' glass". Glorieta Hill is about one hundred sixty 160 miles from Raton Pass, so he wouldn't be going anywhere ''near'' it if he's trying to go as straight as possible.possible. However, the geography of northern New Mexico is so mountainous that a driver would ''have'' to pass through both locations. The fastest route from Denver to Santa Fe is Interstate 25; the highway runs more or less due south until reaching Raton Pass at the New Mexico border. From there, the highway turns to the southwest toward Glorieta Pass, after which it takes a sharp turn to the ''northwest'' to reach Santa Fe.
Is there an issue? Send a MessageReason:
Fixed a spelling error.


* ''Four Wheel Cowboy'' (1989; contents re-rleased on the later ''The Best of C. W. [=McCall=]'')

to:

* ''Four Wheel Cowboy'' (1989; contents re-rleased re-released on the later ''The Best of C. W. [=McCall=]'')
Is there an issue? Send a MessageReason:
None


* TimeSkip: "Jackson Hole" describes the people who worked in Jackson Hole, Wyoming, in different eras, and jumps forward to new eras with every verse, starting in 1836, jumping a hundred years forward to 1836 and then forty years forward to 1976.

to:

* TimeSkip: "Jackson Hole" describes the people who worked in Jackson Hole, Wyoming, in different eras, and jumps forward to new eras with every verse, starting in 1836, jumping a hundred years forward to 1836 1936 and then forty years forward to 1976.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* CarMeetsHouse: The last verse of "Wolf Creek Pass" ends when the flatbed truck that [=McCall=]'s character is a passenger in, and which the driver has lost control of, crashes into the side of a feed store.

Added: 158

Removed: 158

Is there an issue? Send a MessageReason:
Fixed one item that was out of place alphabetically.


* DissonantSerenity: "Wolf Creek Pass" has its narrator describing a harrowing trip down a mountain grade in a semi truck in a humorously nonchalant monotone.


Added DiffLines:

* DissonantSerenity: "Wolf Creek Pass" has its narrator describing a harrowing trip down a mountain grade in a semi truck in a humorously nonchalant monotone.
Is there an issue? Send a MessageReason:
Just made the page, but didn't catch that one trope was Trivia instead of a regular one. Fixing now.


* OneHitWonder: [=McCall=] was originally a truck driver character created for a series of Old Home bread commercials by Omaha, Nebraska advertising executive William Fries, with Fries himself doing the proto-CountryRap narration for the spots. Eventually Fries adopted the [=McCall=] persona, and with writer-producer Chip Davis (future founder of Music/MannheimSteamroller) recorded several albums worth of spoken-word songs about trucking and life on the road. While [=McCall=] did decently on the country charts, with nine Top 40 hits, far and away his biggest success was "Convoy". The [[HollywoodCB CB-jargon]] laced song about rebellious truck drivers frustrated with paying tolls and various other restrictions topped both the country and pop charts in January 1976, and even [[GermansLoveDavidHasselhoff reached #2 in Britain later in the year]]. He only scored one other Top 10 country hit (the sentimental "Roses for Mama" a year later), and his only other brush with the pop Top 40, 1975's "Wolf Creek Pass", peaked at #40. After retiring from music, [=McCall=] served under his real name as the mayor of Ouray, Colorado.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

William "Bill" Dale Fries Jr. (November 15, 1928 -- April 1, 2022), born in Audubon, Iowa as Billie Dale Fries and better known for his musical career as C. W. [=McCall=], was an American advertising executive and spoken word artist of the country-western genre.

Coming from a musical family, Fries devised the character of C. W. [=McCall=] for a popular television advertising campaign for Old Home Bread, in which [=McCall=] was a truck driver (played by Jim Finlayson) who delivered the bread to the Old Home Café and flirted with its waitress Mavis. This led to Fries writing songs and performing them under the [=McCall=] name, while his coworker Chip Davis, who wrote jingles for the same advertising agency (and later founded Music/MannheimSteamroller), wrote the music.

[=McCall=] would record six albums from 1975 to 1979, collecting sixty-two songs (and recording two more that were never released on albums), before largely retiring from the music business, though he would later release one album of re-recorded songs with one new song, four compilation albums and a collaborative album with Mannheim Steamroller.

After he retired from touring as [=McCall=], Fries and his family moved to Ouray, Colorado, where Fries served two terms as mayor. He lived in Ouray with his wife until his death from cancer in 2022, at the age of 93.

The 1978 film ''Film/{{Convoy}}'' was based on his most famous song, featuring a trucker who went by the C.B. handle "Rubber Duck".

[=McCall=]'s regular albums consist of:

* ''Wolf Creek Pass'' (1975)
* ''Black Bear Road'' (1975)
* ''Wilderness'' (1976)
* ''Rubber Duck'' (1976)
* ''Roses for Mama'' (1977)
* ''C. W. [=McCall=] & Co.'' (1979)

[=McCall=]'s other albums consist of:

* ''C. W. [=McCall=]'s Greatest Hits'' (1978; contains twelve songs from his first five albums)
* ''Four Wheel Cowboy'' (1989; contents re-rleased on the later ''The Best of C. W. [=McCall=]'')
* ''The Real [=McCall=]: An American Storyteller'' (1990; first of two albums of re-recorded songs; also including one new song)
* ''The Legendary C. W. [=McCall=]'' (1991; all songs also contained on ''C. W. [=McCall=]'s Greatest Hits'' and ''The Best of C. W. [=McCall=]'')
* ''The Best of C. W. [=McCall=]'' (1997; contains all eight songs from ''Four Wheel Cowboy'' and three more)
* ''American Spirit'' (2003; collaboration with Mannheim Steamroller, including re-recorded versions of "Convoy" and "Wolf Creek Pass")

----
!![=McCall=]'s works contain examples of:

* AnAesop: "Roses for Mama" ultimately leads the singer to learn that he shouldn't take his mother for granted after meeting a young boy who's bought five roses to put on his mother's grave.
* TheAllegedCar: The 1957 Chevy pickup truck from "Classified". As the song goes:
-->''Well, I kicked the tires and I got in the seat and sat on a petrified apple core and found a bunch of field mice livin' in the glove compartment. He says, "Her shaft is bent and her rear end leaks, you can fix her quick with an oily rag. Use a nail as a starter; I lost the key. Don't pay no mind to that whirrin' sound. She use a little oil, but outside a' that, she's cherry."''
* AngryGuardDog: "Classified" has the singer going out to a place owned by a man named Bob, who has a German Shepard named Frank. Frank's ''immediate'' reaction to the singer's arrival is to come out, grab onto his leg... and later when the singer's trying to leave in his "new" truck, the dog attacks him ''again'' and has to be beaten off with a crowbar. And even then he still won't leave the guy alone, even while he's trying to fix a sudden flat!
* ArtisticLicenseGeography: "Four Wheel Cowboy" has [=McCall=] driving south from Denver to Santa Fe, supposedly going straight... but some of the places named are rather out of order, implying that he must have backtracked for some reason. ''Especially'' notable when he's "Rattlin' down off a' Raton Pass", with the next spot being "Glorieta Hill like a sheet a' glass". Glorieta Hill is about one hundred sixty miles from Raton Pass, so he wouldn't be going anywhere ''near'' it if he's trying to go as straight as possible.
* BlackComedyCannibalism: "Comin' Back for More (Al's Café)" is very loosely based on the case of Alferd Packer, the only person ever to be prosecuted for cannibalism in the US. [[note]]Prosecuted but not actually convicted, Packer insisted that it was another in the group who attempted to eat people. And there's a rumor that he became a vegetarian before he died.[[/note]]
* DissonantSerenity: "Wolf Creek Pass" has its narrator describing a harrowing trip down a mountain grade in a semi truck in a humorously nonchalant monotone.
* CanineCompanion: "Old Home Filler Up an' Keep on a-Truckin' Cafe" has [=McCall=]'s character accompanied by a dog named Sloan in his truck. The song "Sloan" in turn explains how they first met.
* CasualDangerDialogue: Though it may be an artifact of the nature of the song, "Wolf Creek Pass" has this bit in a near deadpan:
-->And I said Earl I'm not the type to complain, but the time has come for me to explain that if you don't apply some brake real soon they're gonna have to pick us up with a stick an' a spoon
* CountryRap: Oddly, you can make a case that HollywoodCB country novelty hits from TheSeventies count as early examples of rap. C.W. [=McCall=] ("Film/{{Convoy}}") sustained a minor career centered on spoken pieces set to country music.
* CoverVersion: A couple of [=McCall=]'s songs are covers, including "The Battle of New Orleans" (originally sung by Music/JohnnyHorton), "City of New Orleans" (originally sung by Steve Goodman) and "Hobo's Lullaby" (originally sung by Goebel Reeves). Inverted with "Roses for Mama" -- [=McCall=] is the original singer, but Red Sovine later did a cover version.
* DrivesLikeCrazy:
** "Wolf Creek Pass" is a story about a trip through the place of the same name in Colorado, in which two truckers lose control of their truck while driving through "37 miles of hell". As the song goes on, they gain an enormous amount of speed, lose a lot of their cargo (which consists of crates of chickens), and eventually crash into a store in Pagosa Springs. Inspired by the [[RealLife very real hazards]] that Wolf Creek Pass presents, as the drive is significantly steep on either side (with a 6.8% maximum grade), making it a dangerous undertaking for truckers, especially during winter.
--> ''"I looked on out the window and I started counting phone poles going by at the rate of [[EEqualsMCHammer four to the seventh power]].\\
[[GoodWithNumbers Well I put two and two together, added twelve, and carried five, and come up with twenty-two thousand telephone poles an hour]].''"
** The driver and his cop pursuer in "Four Wheel Drive", who both proceed to tear across a valley, at high speeds, just because the latter is in HotPursuit of the former for speeding.
* DrivingSong: "Convoy", which is all about a pack of truckers driving east across the U.S. (and in "Round the World with the Rubber Duck", they end up continuing on and circumnavigating the globe).
* AGoodOldFashionedPaintWatching: Referenced in "Audubon" -- apparently, there are only two things to do in the titular town, and one of them is to go downtown and watch haircuts.
* GreenAesop: "There Won't Be No Country Music (There Won't Be No Rock 'N' Roll)" warns about the environment's bleak-looking future and the effects of over-commercialization.
* HardTruckin: Portrayed as both good and bad. "Convoy" has trucking as ''awesome'', despite the complaints the characters make about various issues with their time on the road. "Long Lonesome Road", on the other hand, suggests that it's hard on a man, but the singer and his truck will keep on going and make it through anything they have to deal with.
* HippieVan:
** In the song "Convoy", the convoy includes "eleven long-haired [[HippieJesus Friends of Jesus]] in a chartreuse micro-bus".
** "Crispy Critters" has a busload of hippies and dogs descending on a small country town.
* HollywoodCB:
** [=McCall=] featured in a set of regional commercials for Old Home Bread during the 70s as a truck driver of the same name who regularly stops at the Old Home Fill Er Up and Keep on Truckin Cafe, where he makes sure to have some Old Home Bread with his meal and flirt with Mavis the waitress. These commercials would tell stories about [=McCall=] and Mavis, and since he was a trucker, and this was the C.B. radio boom, the stories would often involve [=McCall's=] CB radio. [=McCall=] would later have a top 40 radio hit with the song "Convoy", which tells a similar story, though without the bread commercial. And that would later be turned into a [[Film/{{Convoy}} film]].
** It's also featured in the song [[http://en.wikipedia.org/wiki/Convoy_(song) "Convoy"]] and [[Film/{{Convoy}} the film it spawned]].
* HotPursuit: Played for laughs in "Four Wheel Drive", in which a lone driver going 67 miles per hour catches the attention of a cop, who proceeds to chase him through a valley where the Nishnabotna River flows. The cop's car ends up "mired in fourteen feet of mud", so he calls ahead... and twenty-five more cops come to back him up, finally catching the driver.
* ImAHumanitarian: [=McCall=] did a song about the legendary cannibal killer Al Packer, titled 'Comin' Back For More (Al's Cafe)'.
* LastSecondWordSwap: One of the final lyrics of the song "Convoy" is this:
-->''So keep your thumbs off your glass and the bears off your... tail.''
* MagicBrakes: "Wolf Creek Pass" describes this happening to a flatbed carrying a full load of chickens on the downhill side of the eponymous pass. The description makes it sound as if the lines blew out at that moment, explaining how they didn't notice before. Well, that, and Earl apparently DrivesLikeCrazy.
-->''Well Earl rared back, cocked his leg, stepped down as hard as he could on the brake, the pedal went clear to the floor, and stayed right there on the floor, he says it sorta like stepping on a plum.''
* MessyPig: In "Convoy", Rubber Duck repeatedly complains about the odor of Pig Pen's truckload of hogs, insisting that the other trucker keep well behind him to minimize exposure. By the end of the song, Pig Pen's all the way back in Nebraska, while the rest of the convoy is in New Jersey.
* NitroExpress: Referenced in "Convoy". The convoy's unofficial leader, Rubber Duck, asks a chartreuse minibus driven by 'eleven long-haired friends of Jesus' (that is, Hippies) to put their bus in behind a 'suicide jockey'. "Yeah, he's hauling dynamite, and he needs all the help he can get!" Considering that the convoy is, by then, doing 98 [=MpH=] and crashing through roadblocks and the like, his worries are understandable -- under those conditions, even dynamite (which was specifically designed to be a more stable alternative to nitro) can't be considered particularly safe.
* OneHitWonder: [=McCall=] was originally a truck driver character created for a series of Old Home bread commercials by Omaha, Nebraska advertising executive William Fries, with Fries himself doing the proto-CountryRap narration for the spots. Eventually Fries adopted the [=McCall=] persona, and with writer-producer Chip Davis (future founder of Music/MannheimSteamroller) recorded several albums worth of spoken-word songs about trucking and life on the road. While [=McCall=] did decently on the country charts, with nine Top 40 hits, far and away his biggest success was "Convoy". The [[HollywoodCB CB-jargon]] laced song about rebellious truck drivers frustrated with paying tolls and various other restrictions topped both the country and pop charts in January 1976, and even [[GermansLoveDavidHasselhoff reached #2 in Britain later in the year]]. He only scored one other Top 10 country hit (the sentimental "Roses for Mama" a year later), and his only other brush with the pop Top 40, 1975's "Wolf Creek Pass", peaked at #40. After retiring from music, [=McCall=] served under his real name as the mayor of Ouray, Colorado.
* ParentheticalSwearing: "Convoy", featured in the 1978 movie of the same name, apparently uses "trucking" as a lyrical euphemism for the F-bomb:
-->''Come on and join our convoy, ain't nothin' gonna get in our way,''\\
''We're gonna roll this truckin' convoy across the U.S.A., convoy...''
* RoadBlock: The song "Convoy" involves a group of truckers, annoyed with issues ranging from wage theft to petty harassment over the speed limit, banding together in a massive titular convoy and blasting through several of these on a cross-country run.
* SequelSong: [=McCall=] followed up his 1975 novelty trucker anthem "Convoy" with the comparatively obscure "Round the World with the Rubber Duck" the next year. The song picks up directly after its predecessor as Rubber Duck's convoy finds itself surrounded by "bears" (police) on the Atlantic coast, but takes a sharp turn into DenserAndWackier territory when, with the help of the "friends of Jesus" and their micro-bus, the convoy literally drives across the ocean and tours Eurasia, starting with England and continuing on through Germany, the Soviet Union, and Japan. Each country gets its own (self-consciously corny) BriefAccentImitation.
* SignificantMonogram: Fries gave his character [=McCall=] the initials "C. W." for "Country and Western", after the musical genre he used for the commercials, and which he would go on to perform in.
* SimilarItemConfusion: Non-lethal example in "Aurora Borealis" -- [=McCall=] recalls how he and some friends were camping next to the Green River in Wyoming, and one of the guys from New York chuckles when he points out what he thinks is smog, "clear out here in the sticks". One of the others has to tell him that's not smog -- it's the Milky Way, which he'd never seen before.
* SpokenWord: More than a few of [=McCall=]'s songs are actually recitations set to music, including "Audubon", "Classified", Roses for Mama" and "Aurora Borealis".
* StockScream: "Black Bear Road" uses Creator/{{Disney}}'s Goofy Holler when the U-Drive Jeep Car rolls over the rock and over the cliff.
* TemptingFate: In "Four Wheel Drive", the narrator says repeatedly that "Well, the chase was on, but I had the edge / With a rig that’ll never fail". The song ends with him saying his "CJ-5 with a four-wheel drive" is "Settin’ out back a’ the jail".
* TimeSkip: "Jackson Hole" describes the people who worked in Jackson Hole, Wyoming, in different eras, and jumps forward to new eras with every verse, starting in 1836, jumping a hundred years forward to 1836 and then forty years forward to 1976.
* TitleOnlyChorus: "Old Home Filler Up an' Keep on a-Truckin' Cafe". (Though there's a couple of recited lines by [=McCall=] in between the title.)
* TopTenJingle: C.W. [=McCall=]'s entire career was based on this trope. The C.W. [=McCall=] character was originally a truck driver whose flirty adventures with a truck-stop waitress named Mavis in commercials for Old Home Bread in the early 1970s were told through a talk-singing CountryRap. The commercial's song was extended into a single-length version that was so successful in the markets where the bread was sold that Bill Fries, the advertising executive who sang in the commercials, assumed the C.W. [=McCall=] persona publicly (despite [[TheOtherDarrin looking nothing like]] the actor who played [=McCall=] in the commercials) and had a real-life musical career capped by the smash hit "Convoy".
* TrainSong: [=McCall=] recorded two original songs about trains -- "The Silverton", about the Silverton and Durango Railroad, and ''Gallopin' Goose", about #5 in a series of seven railcars operated by the Rio Grande Southern Railroad from the 1930s to early 1950s. He also did a cover of Steve Goodman's "City of New Orleans", describing a train ride from Chicago to New Orleans on the "City of New Orleans", an overnight Amtrak passenger train operated by the Illinois Central Railroad.
* WhoNamesTheirKidDude: The protagonist in the song "Classified" reacts with incredulity that a dog -- a ''German Shepherd'' at that, who'd reacted to his arrival in the animal's yard [[AngryGuardDog by running out and grabbing onto his leg]] -- is named Frank.
* WintryAuroralSky: [=McCall=]'s song "Aurora Borealis" mentions a time he and his friends saw the Northern Lights once, while camped in the Bitterroot Mountains of Montana.

----

Top