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* ShoutOut: The riff to "Mr. Soul" was written as a deliberate homage to "(I Can't Get No) Satisfaction" by Music/{{The Rolling Stones|Band}}).

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* ShoutOut: The riff to "Mr. Soul" was written as a deliberate homage to "(I Can't Get No) Satisfaction" by Music/{{The Rolling Stones|Band}}).Stones|Band}}.
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Trope was cut/disambiguated due to cleanup


* GutturalGrowler: For a small, boyish-looking blonde-haired guy, Stephen sure had a powerfully raspy voice. Dewey Martin's was even harsher and louder, and by most accounts he had NoIndoorVoice in general.
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* HeartbeatSoundtrack: "Broken Arrow" is an angsty minor-key number typical of Neil Young with a couple of false stops, that finally crossfades into a jaunty, jazzy instrumental, which crossfades into a heartbeat into the fadeout.

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* HeartbeatSoundtrack: "Broken Arrow" is an angsty minor-key minor-[[{{Scales}} key]] number typical of Neil Young with a couple of false stops, that finally crossfades into a jaunty, jazzy instrumental, which crossfades into a heartbeat into the fadeout.
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* SillyLoveSongs: "Sit Down, I Think I Love You", an infectious plea for love written by Stills.
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[[caption-width-right:350:Buffalo Springfield in 1967. From left to right: Bruce Palmer, Stephen Stills, Dewey Martin, Richie Furay, Music/NeilYoung]]

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[[caption-width-right:350:Buffalo Springfield in 1967. From left to right: Bruce Palmer, Stephen Stills, Music/StephenStills, Dewey Martin, Richie Furay, Music/NeilYoung]]
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Buffalo Springfield was a band formed in 1966 by two Americans - Stephen Stills and Richie Furay (both vocals, guitar) - and three Canadians - Music/NeilYoung (also vocals, guitar), Bruce Palmer (bass) and Dewey Martin (vocals, drums). They took their name from a steamroller parked outside of their house, manufactured by the Buffalo-Springfield Roller Company. With the five meeting in UsefulNotes/LosAngeles and playing in prominent nightclub Whisky a Go Go under the encouragement of Music/TheByrds' bassist Chris Hillman, they garnered a reputation in the city for their virtuosic live performances, which featured complex solos and jamming courtesy of dual lead guitarists Stills and Young. It didn't take long for the band to acquire a record deal with Creator/AtcoRecords for a four-album contract. In the second half of 1966, Buffalo Springfield entered the studio to record their debut album, an engaging--if shoddily produced--set that drew from the popular British Invasion-inspired sounds of the time, as well as more homegrown folk and country influences.

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Buffalo Springfield was a band formed in 1966 by two Americans - Stephen Stills Music/StephenStills and Richie Furay (both vocals, guitar) - and three Canadians - Music/NeilYoung (also vocals, guitar), Bruce Palmer (bass) and Dewey Martin (vocals, drums). They took their name from a steamroller parked outside of their house, manufactured by the Buffalo-Springfield Roller Company. With the five meeting in UsefulNotes/LosAngeles and playing in prominent nightclub Whisky a Go Go under the encouragement of Music/TheByrds' bassist Chris Hillman, they garnered a reputation in the city for their virtuosic live performances, which featured complex solos and jamming courtesy of dual lead guitarists Stills and Young. It didn't take long for the band to acquire a record deal with Creator/AtcoRecords for a four-album contract. In the second half of 1966, Buffalo Springfield entered the studio to record their debut album, an engaging--if shoddily produced--set that drew from the popular British Invasion-inspired sounds of the time, as well as more homegrown folk and country influences.



* Stephen Stills - guitar, keyboards, vocals (1966-8; 2010-2)

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* Stephen Stills Music/StephenStills - guitar, keyboards, vocals (1966-8; 2010-2)
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*NonAppearingTitle: Several, "For What It's Worth", "A Child's Claim to Fame" and "On the Way Home" being a few.
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* ShortLivedBigImpact: The band lasted barely over two years but, like Music/TheByrds, they were massively influential on the direction taken by southern California folk-rock and country-rock in the following decade.
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* ShortLivedBigImpact: The band lasted barely over two years but, like Music/TheByrds, they were massively influential on the direction taken by southern California folk-rock and country-rock in the following decade.
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* ChronologicalAlbumTitle: Following their [[SelfTitledAlbum self-titled debut]], their second album was called--wait for it--''Buffalo Springfield Again''. And their final record--released after they'd broken up--was, appropriately enough, ''Last Time Around.''

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* ChronologicalAlbumTitle: Following their [[SelfTitledAlbum self-titled debut]], their second album was called--wait for it--''Buffalo called ''Buffalo Springfield Again''. And their final record--released after they'd broken up--was, appropriately enough, ''Last Time Around.''

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* CreatorThumbprint: Neil's songs often relate to flying or falling ("Burned", "Flying on the Ground Is Wrong", "Expecting to Fly"). "Broken Arrow", meanwhile, is a precursor to his many solo-era songs that focus on the plight of the Native Americans.



* {{Foil}}: Stephen Stills and Neil Young. The former was a hard-driving, ambitious taskmaster whose preferred method of operation was to run his bandmates into the ground military-style until they'd captured a perfect performance. The latter was a morose, withdrawn and somewhat inscrutable character with a habit of disappearing whenever he was most needed. Despite their differences, it wouldn't be inaccurate to describe the pair as VitriolicBestBuds.

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* FiveManBand:
** Stephen Stills - TheLeader
** Neil Young - TheLancer
** Richie Furay - PerpetualSmiler
** Bruce Palmer - TheQuietOne
** Dewey Martin - TheBigGuy
* {{Foil}}: Stephen Stills and Neil Young. The former was a hard-driving, ambitious hard-driving taskmaster whose preferred method of operation was to run his bandmates into the ground military-style until they'd captured a perfect performance. The latter was a morose, withdrawn and somewhat inscrutable character with a habit of disappearing whenever he was most needed. Despite their differences, it wouldn't be inaccurate to describe the pair as VitriolicBestBuds.



* GutturalGrowler: For a small, boyish-looking blonde-haired guy, Stephen sure had a powerfully raspy voice. Dewey Martin's was even harsher and louder, and by all accounts he had NoIndoorVoice in general.

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* GutturalGrowler: For a small, boyish-looking blonde-haired guy, Stephen sure had a powerfully raspy voice. Dewey Martin's was even harsher and louder, and by all most accounts he had NoIndoorVoice in general.



*** It [[ValuesResonance once again found relevance]] in 2020 in the USA during the various protests and riots against police brutality and UsefulNotes/DonaldTrump in the wake of the murder of George Floyd. [[{{Pun}} For what it's worth]], the lyrics have some eerie {{applicability}} to the contemporary events.

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*** It [[ValuesResonance once again found relevance]] relevance in 2020 in the USA during the various protests and riots against police brutality and UsefulNotes/DonaldTrump in the wake of the murder of George Floyd. [[{{Pun}} For what it's worth]], the lyrics have some eerie {{applicability}} to the contemporary events.


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* TheSilentBob: Bruce Palmer, who rarely spoke in band interviews and never sang lead vocals, but nonetheless was very influential within the band.
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* {{Foil}}: VitriolicBestBuds Stephen Stills and Neil Young. The former was a hard-driving, ambitious taskmaster whose preferred method of operation was to run his bandmates into the ground military-style until they'd captured a perfect performance. The latter was a morose, withdrawn and somewhat inscrutable character with a habit of disappearing whenever he was most needed.

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* {{Foil}}: VitriolicBestBuds Stephen Stills and Neil Young. The former was a hard-driving, ambitious taskmaster whose preferred method of operation was to run his bandmates into the ground military-style until they'd captured a perfect performance. The latter was a morose, withdrawn and somewhat inscrutable character with a habit of disappearing whenever he was most needed. Despite their differences, it wouldn't be inaccurate to describe the pair as VitriolicBestBuds.
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* UncommonTime: A common feature of Neil's songs in particular, most noticeably on "Nowadays Clancy Can't Even Sing", which shifts between 4/4 in the verses and 6/8 in the choruses.

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* UncommonTime: A common frequent feature of Neil's songs in particular, most noticeably on "Nowadays Clancy Can't Even Sing", which shifts between 4/4 in the verses and 6/8 in the choruses.

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Stills went on to form the supergroup [[Music/CrosbyStillsNashAndYoung Crosby, Stills & Nash]] in 1968, joined a year later by Young (who had also begun his solo career). Furay and Messina both went on to form the band Poco. The band was inducted in the UsefulNotes/RockAndRollHallOfFame in 1997, and had a reunion concert with their surviving members in 2011 before declaring an indefinite hiatus the following year.

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Stills and Crosby maintained their friendship and, with Music/TheHollies' Graham Nash, went on to form the supergroup [[Music/CrosbyStillsNashAndYoung Crosby, Stills & Nash]] in 1968, joined a year later by Young (who had also begun his solo career). Furay and Messina both went on to form the band Poco. The band was inducted in the UsefulNotes/RockAndRollHallOfFame in 1997, and had a reunion concert with their surviving members in 2011 before declaring an indefinite hiatus the following year.



* ChronologicalAlbumTitle: Following their [[SelfTitledAlbum self-titled debut]], their second album was called--wait for it--''Buffalo Springfield Again''. And their final record--released after they'd broken up--was, appropriately enough, ''Last Time Around.''
* CreepyHighPitchedVoice: Neil had (and has) one. Most of his songs on Buffalo Springfield's first album were sung by Richie Furay, due to concerns that his distinctive--and, nowadays, largely beloved--whine would be a turn-off for general audiences.
* {{Foil}}: VitriolicBestBuds Stephen Stills and Neil Young. The former was a hard-driving, ambitious taskmaster whose preferred method of operation was to run his bandmates into the ground military-style until they'd captured a perfect performance. The latter was a morose, withdrawn and somewhat inscrutable character with a habit of disappearing whenever he was most needed.
* GenreMashup: Their second and third albums both feature this, largely due to Stephen, Neil and Richie diverging in their musical tastes.
* GratuitousSpanish: "Uno Mundo" is an entire song pretty much based around this trope. Stephen Stills would later use this again in the coda of the [=CSN=] classic "Suite: Judy Blue Eyes."
* GutturalGrowler: For a small, boyish-looking blonde-haired guy, Stephen sure had a powerfully raspy voice. Dewey Martin's was even harsher and louder, and by all accounts he had NoIndoorVoice in general.



* {{Improv}}: The infamous "guitar duels" between Stephen and Neil. These were a major part of the band's live act, but were never convincingly captured on record (although the trade-offs between Stephen's dexterous acoustic riffing and Neil's fuzzed-out electric fills on "Bluebird" may provide something of an approximation).
* JumpScare: The ''extremely'' loud, gnarly, distorted guitar note from Neil that opens Stephen's jazzy "Everydays". This reappears a few times throughout the song, on each occasion turning into a wave of controlled feedback that extends over the following verse.



* LongestSongGoesLast: At over six minutes, ''Buffalo Springfield Again'' closer "Broken Arrow" is by some margin the longest track on the album.



** The band did a song that ''was'' about Vietnam: "Four Days Gone", in which the protagonist is a [[DraftDodging draft dodger]] who's escaping the "government madness".

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** The band did a song that ''was'' about Vietnam: "Four Days Gone", in which the protagonist is a [[DraftDodging draft dodger]] who's escaping the "government madness".madness"


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* SopranoAndGravel: Pleasant-voiced crooner Richie Furay contrasted with Stephen Stills' throaty shouts and Neil Young's high-pitched yowls.
* StageNames: Dewey Martin was born Walter Milton Dwayne Midkiff.
* StepUpToTheMicrophone:
** Dewey handles lead vocals on "Good Time Boy" from ''Buffalo Springfield Again''. The song was written by Richie Furay specifically for him to sing ("that's why they call me good ol' Dew").
** Jim Messina sings lead on his own "Carefree Country Day", on the final album.
* UncommonTime: A common feature of Neil's songs in particular, most noticeably on "Nowadays Clancy Can't Even Sing", which shifts between 4/4 in the verses and 6/8 in the choruses.
* VocalTagTeam: Stephen and Richie in the early days, although by the time of the second album, Neil was fully integrated into the tag team.
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A GenreMashup of rock, blues, psychedelia, folk, country, soul and even jazz, ''Buffalo Springfield Again'' is generally recognized as the band's masterpiece, and they entered 1968 on an optimistic note. Unfortunately, history repeated itself when Bruce Palmer was once again deported for marijuana possession. This time, engineer Jim Messina was hired as a permanent replacement on bass when the band toured as a supporting act for Music/TheBeachBoys. Legal troubles continued, though, after Young, Furay and Messina were arrested in the aftermath of a rehearsal party hosted by Music/EricClapton in April 1968. Demoralized and frustrated, the band officially broke up the following month. Later in the year Furay and Messina assembled the various tracks recorded between 1967 and early 1968 for their third and final album ''Last Time Around''.

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A GenreMashup of rock, blues, psychedelia, folk, country, bluegrass, soul and even jazz, ''Buffalo Springfield Again'' is generally recognized as the band's masterpiece, and they entered 1968 on an optimistic note. Unfortunately, history repeated itself when Bruce Palmer was once again deported for marijuana possession. This time, engineer Jim Messina was hired as a permanent replacement on bass when the band toured as a supporting act for Music/TheBeachBoys. Legal troubles continued, though, after Young, Furay and Messina were arrested in the aftermath of a rehearsal party hosted by Music/EricClapton in April 1968. Demoralized and frustrated, the band officially broke up the following month. Later in the year Furay and Messina assembled the various tracks recorded between 1967 and early 1968 for their third and final album ''Last Time Around''.

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Buffalo Springfield was a band formed in 1966 by two Americans - Stephen Stills and Richie Furay (both vocals, guitar) - and three Canadians - Music/NeilYoung (also vocals, guitar), Bruce Palmer (bass) and Dewey Martin (vocals, drums). They took their name from a steamroller parked outside of their house, manufactured by the Buffalo-Springfield Roller Company. With the five meeting in UsefulNotes/LosAngeles and playing in prominent nightclub Whisky a Go Go under the encouragement of Music/TheByrds' bassist Chris Hillman, they garnered a reputation in the city for their virtuosic live performances, which featured complex solos and jamming courtesy of dual lead guitarists Stills and Young. It didn't take long for the band to acquire a record deal with Creator/AtcoRecords for a four-album contract. In the second half of 1966, Buffalo Springfield entered the studio to record their debut album, an engaging--if shoddily produced by the band's managers--British Invasion-inspired set with distinct folk and country influences.

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Buffalo Springfield was a band formed in 1966 by two Americans - Stephen Stills and Richie Furay (both vocals, guitar) - and three Canadians - Music/NeilYoung (also vocals, guitar), Bruce Palmer (bass) and Dewey Martin (vocals, drums). They took their name from a steamroller parked outside of their house, manufactured by the Buffalo-Springfield Roller Company. With the five meeting in UsefulNotes/LosAngeles and playing in prominent nightclub Whisky a Go Go under the encouragement of Music/TheByrds' bassist Chris Hillman, they garnered a reputation in the city for their virtuosic live performances, which featured complex solos and jamming courtesy of dual lead guitarists Stills and Young. It didn't take long for the band to acquire a record deal with Creator/AtcoRecords for a four-album contract. In the second half of 1966, Buffalo Springfield entered the studio to record their debut album, an engaging--if shoddily produced by produced--set that drew from the band's managers--British popular British Invasion-inspired set with distinct sounds of the time, as well as more homegrown folk and country influences.



Buffalo Springfield was often at odds with law enforcement, with Bruce Palmer being deported twice for possession of marijuana. The second time in January 1968, engineer Jim Messina was hired as a permanent replacement on bass when the band toured as a supporting act for Music/TheBeachBoys. After Young, Furay and Messina were arrested in the aftermath of a rehearsal party hosted by Music/EricClapton in April 1968, the band officially broke up the following month. Later in the year Furay and Messina assembled the various tracks recorded between 1967-early 1968 for their third and final album ''Last Time Around''.

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Buffalo Springfield was often at odds with law enforcement, with No sooner had the band broken through, however, than Bruce Palmer being was deported twice for possession of marijuana. The He was temporarily replaced by Jim Fielder, but chaos reared its head again when, to Stills' outrage and horror, Young abruptly quit right before a crucial television appearance on Creator/JohnnyCarson's show. In June 1967, Buffalo Springfield played the Monterey Pop Festival with the Byrds' Music/DavidCrosby infamously guesting on guitar. Crosby and Stills had befriended one another, and Crosby helped co-write the Springfield track "Rock & Roll Woman," which featured on their second time album, ''Buffalo Springfield Again'', released in January 1968, November 1967. By this point, both Young and Palmer had returned to the band, with Young contributing three songs to the new record, although one--"Expecting to Fly"--was really a Young solo track which did not feature any of the other members.

A GenreMashup of rock, blues, psychedelia, folk, country, soul and even jazz, ''Buffalo Springfield Again'' is generally recognized as the band's masterpiece, and they entered 1968 on an optimistic note. Unfortunately, history repeated itself when Bruce Palmer was once again deported for marijuana possession. This time,
engineer Jim Messina was hired as a permanent replacement on bass when the band toured as a supporting act for Music/TheBeachBoys. After Legal troubles continued, though, after Young, Furay and Messina were arrested in the aftermath of a rehearsal party hosted by Music/EricClapton in April 1968, 1968. Demoralized and frustrated, the band officially broke up the following month. Later in the year Furay and Messina assembled the various tracks recorded between 1967-early 1967 and early 1968 for their third and final album ''Last Time Around''.

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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/buffalospringfield.jpg]]
[[caption-width-right:350:From left to right: Stephen Stills, Richie Furay, Bruce Palmer, Dewey Martin, Music/NeilYoung]]

Buffalo Springfield is a band formed in 1966 from two Americans - Stephen Stills and Richie Furay - and three Canadians - Music/NeilYoung, Bruce Palmer and Dewey Martin. They took their name from a steamroller parked outside of their house, manufactured by the Buffalo-Springfield Roller Company. With the five meeting in UsefulNotes/LosAngeles and performing in prominent nightclub Whisky a Go Go under the encouragement of Music/TheByrds' bassist Chris Hillman, they garnered a reputation in the city for their live performances, eventually acquiring a record deal with Creator/AtcoRecords for a four-album contract. And then in November 1966, Los Angeles County closed down Sunset Strip nightclub Pandora's Box and initiated a strict curfew in response to resident complaints about noise and traffic, leading to [[https://en.wikipedia.org/wiki/Sunset_Strip_curfew_riots confrontations between youths and police]], and the group made the song "For What It's Worth" in response. The single was their commercial breakthrough outside of Los Angeles, making the top ten nationwide.

The band had often been at odds with law enforcement, with Bruce Palmer being deported twice for possession of marijuana. The second time in January 1968, engineer Jim Messina was hired as a permanent replacement on bass when performing as a supporting act for Music/TheBeachBoys. After Young, Furay and Messina were arrested in the aftermath of a rehearsal party hosted by Music/EricClapton in April 1968, the band officially broke up the following month, and later in the year Furay and Messina assembled the various tracks recorded between 1967-early 1968 for their third and final album ''Last Time Around''.

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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/buffalospringfield.jpg]]
[[caption-width-right:350:From
org/pmwiki/pub/images/gettyimages_74255791_921c49e565169d67e56e820ffbcf6d3d25ebaa7f_s6_c30.jpg]]
[[caption-width-right:350:Buffalo Springfield in 1967. From
left to right: Bruce Palmer, Stephen Stills, Dewey Martin, Richie Furay, Bruce Palmer, Dewey Martin, Music/NeilYoung]]

Buffalo Springfield is was a band formed in 1966 from by two Americans - Stephen Stills and Richie Furay (both vocals, guitar) - and three Canadians - Music/NeilYoung, Music/NeilYoung (also vocals, guitar), Bruce Palmer (bass) and Dewey Martin.Martin (vocals, drums). They took their name from a steamroller parked outside of their house, manufactured by the Buffalo-Springfield Roller Company. With the five meeting in UsefulNotes/LosAngeles and performing playing in prominent nightclub Whisky a Go Go under the encouragement of Music/TheByrds' bassist Chris Hillman, they garnered a reputation in the city for their virtuosic live performances, eventually acquiring which featured complex solos and jamming courtesy of dual lead guitarists Stills and Young. It didn't take long for the band to acquire a record deal with Creator/AtcoRecords for a four-album contract. And then In the second half of 1966, Buffalo Springfield entered the studio to record their debut album, an engaging--if shoddily produced by the band's managers--British Invasion-inspired set with distinct folk and country influences.

Buffalo Springfield had made a name for themselves
in Southern California, but were struggling to break through in the rest of the country. In November 1966, Los Angeles County closed down Sunset Strip nightclub Pandora's Box and initiated a strict curfew in response to resident complaints about noise and traffic, leading to [[https://en.wikipedia.org/wiki/Sunset_Strip_curfew_riots confrontations between youths and police]], and the group made the song police]]. Stephen Stills wrote "For What It's Worth" in response. The single was their commercial breakthrough outside of Los Angeles, response, and upon its release in December, the song quickly became a hit, making the top ten nationwide.

The band had Buffalo Springfield was often been at odds with law enforcement, with Bruce Palmer being deported twice for possession of marijuana. The second time in January 1968, engineer Jim Messina was hired as a permanent replacement on bass when performing the band toured as a supporting act for Music/TheBeachBoys. After Young, Furay and Messina were arrested in the aftermath of a rehearsal party hosted by Music/EricClapton in April 1968, the band officially broke up the following month, and later month. Later in the year Furay and Messina assembled the various tracks recorded between 1967-early 1968 for their third and final album ''Last Time Around''.
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Stills went on to form the supergroup [[Music/CrosbyStillsNashAndYoung Crosby, Stills & Nash]] in 1968, joined a year later by Young (who had also begun his solo career). Furay and Messina both went on to form the band Music/{{Poco}}. The band was inducted in the UsefulNotes/RockAndRollHallOfFame in 1997, and had a reunion concert with their surviving members in 2011 before declaring an indefinite hiatus the following year.

to:

Stills went on to form the supergroup [[Music/CrosbyStillsNashAndYoung Crosby, Stills & Nash]] in 1968, joined a year later by Young (who had also begun his solo career). Furay and Messina both went on to form the band Music/{{Poco}}.Poco. The band was inducted in the UsefulNotes/RockAndRollHallOfFame in 1997, and had a reunion concert with their surviving members in 2011 before declaring an indefinite hiatus the following year.


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* ShoutOut: The riff to "Mr. Soul" was written as a deliberate homage to "(I Can't Get No) Satisfaction" by Music/{{The Rolling Stones|Band}}).
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Buffalo Springfield is a band formed in 1966 from two Americans - Stephen Stills and Richie Furay - and three Canadians - Music/NeilYoung, Bruce Palmer and Dewey Martin. They took their name from a steamroller parked outside of their house, manufactured by the Buffalo-Springfield Roller Company. With the five meeting in UsefulNotes/LosAngeles and performing in prominent nightclub Whisky a Go Go under the encouragement of Music/TheByrds' manager Chris Hillman, they garnered a reputation in the city for their live performances, that they acquired a record deal with Creator/AtcoRecords for a four-album contract. And then in November 1966, Los Angeles County closed down Sunset Strip nightclub Pandora's Box and initiated a strict curfew in response to resident complaints about noise and traffic, leading to [[https://en.wikipedia.org/wiki/Sunset_Strip_curfew_riots confrontations between youths and police]], and the group made the song "For What It's Worth" in response. The single was their commercial breakthrough outside of Los Angeles, making the top ten nationwide.

to:

Buffalo Springfield is a band formed in 1966 from two Americans - Stephen Stills and Richie Furay - and three Canadians - Music/NeilYoung, Bruce Palmer and Dewey Martin. They took their name from a steamroller parked outside of their house, manufactured by the Buffalo-Springfield Roller Company. With the five meeting in UsefulNotes/LosAngeles and performing in prominent nightclub Whisky a Go Go under the encouragement of Music/TheByrds' manager bassist Chris Hillman, they garnered a reputation in the city for their live performances, that they acquired eventually acquiring a record deal with Creator/AtcoRecords for a four-album contract. And then in November 1966, Los Angeles County closed down Sunset Strip nightclub Pandora's Box and initiated a strict curfew in response to resident complaints about noise and traffic, leading to [[https://en.wikipedia.org/wiki/Sunset_Strip_curfew_riots confrontations between youths and police]], and the group made the song "For What It's Worth" in response. The single was their commercial breakthrough outside of Los Angeles, making the top ten nationwide.



Stills went on to form the supergroup [[Music/CrosbyStillsNashAndYoung Crosby, Stills & Nash]] in 1968, joined a year later by Young. Furay and Messina both went on to form the band Music/{{Poco}}. The band was inducted in the UsefulNotes/RockAndRollHallOfFame in 1997, and had a reunion concert with their surviving members in 2011 before declaring an indefinite hiatus the following year.

to:

Stills went on to form the supergroup [[Music/CrosbyStillsNashAndYoung Crosby, Stills & Nash]] in 1968, joined a year later by Young.Young (who had also begun his solo career). Furay and Messina both went on to form the band Music/{{Poco}}. The band was inducted in the UsefulNotes/RockAndRollHallOfFame in 1997, and had a reunion concert with their surviving members in 2011 before declaring an indefinite hiatus the following year.
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*** It [[CulturalResonance once again found relevance]] in 2020 in the USA during the various protests and riots against police brutality and UsefulNotes/DonaldTrump in the wake of the murder of George Floyd. [[{{Pun}} For what it's worth]], the lyrics have some eerie {{applicability}} to the contemporary events.

to:

*** It [[CulturalResonance [[ValuesResonance once again found relevance]] in 2020 in the USA during the various protests and riots against police brutality and UsefulNotes/DonaldTrump in the wake of the murder of George Floyd. [[{{Pun}} For what it's worth]], the lyrics have some eerie {{applicability}} to the contemporary events.
Is there an issue? Send a MessageReason:
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* LineOfSightName: When Stephen Stills submitted their most well-known single, he said to to record executive Ahmet Ertegun: "I have this song here, for what it's worth, if you want it."

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* LineOfSightName: When Stephen Stills submitted their most well-known single, he said to to record executive Ahmet Ertegun: "I have this song here, for what it's worth, if you want it."



*** It once again found relevance in 2020 in the USA during the various protests and riots against police brutality and UsefulNotes/DonaldTrump in the wake of the murder of George Floyd. [[{{Pun}} For what it's worth]], the lyrics have some eerie {{Applicability}} to the contemporary events.

to:

*** It [[CulturalResonance once again found relevance relevance]] in 2020 in the USA during the various protests and riots against police brutality and UsefulNotes/DonaldTrump in the wake of the murder of George Floyd. [[{{Pun}} For what it's worth]], the lyrics have some eerie {{Applicability}} {{applicability}} to the contemporary events.
Is there an issue? Send a MessageReason:
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** The band did a song that ''was'' about Vietnam: "Four Days Gone", in which the protagonist is a draft dodger who's escaping the "government madness".

to:

** The band did a song that ''was'' about Vietnam: "Four Days Gone", in which the protagonist is a [[DraftDodging draft dodger dodger]] who's escaping the "government madness".
Is there an issue? Send a MessageReason:
None

Added DiffLines:

*** It once again found relevance in 2020 in the USA during the various protests and riots against police brutality and UsefulNotes/DonaldTrump in the wake of the murder of George Floyd. [[{{Pun}} For what it's worth]], the lyrics have some eerie {{Applicability}} to the contemporary events.
Is there an issue? Send a MessageReason:
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* SongStyleShift: The album version of "Bluebird" starts as a hard rock song before shifting to an acoustic folk song with guitar and banjo for the last verse.
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!!Stop, children, what's that sound, everybody look what's tropin' round:

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!!Stop, children, what's that sound, everybody look what's tropin' round:down:

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* ProtestSong: "For What It's Worth" was commonly used in [[UsefulNotes/TheVietnamWar Vietnam War]] contexts, but it didn't start out that way. The song was about the curfew riots in Los Angeles.

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* ProtestSong: ProtestSong:
**
"For What It's Worth" was commonly used in [[UsefulNotes/TheVietnamWar Vietnam War]] contexts, but it didn't start out that way. The song was about the curfew riots in Los Angeles.Angeles.
** The band did a song that ''was'' about Vietnam: "Four Days Gone", in which the protagonist is a draft dodger who's escaping the "government madness".
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* LeaningOnTheFourthWall: "Nowadays Clancy Can't Even Sing"

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* LeaningOnTheFourthWall: "Nowadays Clancy Can't Even Sing"Sing".



* ProtestSong: "For What It's Worth" was commonly used in [[UsefulNotes/TheVietnameWar Vietnam War]] contexts, but it didn't start out that way. The song was about the curfew riots in Los Angeles.

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* ProtestSong: "For What It's Worth" was commonly used in [[UsefulNotes/TheVietnameWar [[UsefulNotes/TheVietnamWar Vietnam War]] contexts, but it didn't start out that way. The song was about the curfew riots in Los Angeles.
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Buffalo Springfield is a band formed in 1966 from two Americans - Stephen Stills and Richie Furay - and three Canadians - Music/NeilYoung, Bruce Palmer and Dewey Martin. They took their name from a steamroller parked outside of their house, manufactured by the Buffalo-Springfield Roller Company. With the five meeting in Los Angeles and performing in prominent nightclub Whisky a Go Go under the encouragement of Music/TheByrds manager Chris Hillman, they garnered a reputation in the city for their live performances, that they acquired a record deal with Creator/AtcoRecords for a four-album contract. And then in November 1966, Los Angeles County closed down Sunset Strip nightclub Pandora's Box and initiated a strict curfew in response to resident complaints about noise and traffic, leading to [[https://en.wikipedia.org/wiki/Sunset_Strip_curfew_riots confrontations between youths and police]], and the song "For What It's Worth" was made in response. The single was their commercial breakthrough outside of Los Angeles, making the top ten nationwide.

to:

Buffalo Springfield is a band formed in 1966 from two Americans - Stephen Stills and Richie Furay - and three Canadians - Music/NeilYoung, Bruce Palmer and Dewey Martin. They took their name from a steamroller parked outside of their house, manufactured by the Buffalo-Springfield Roller Company. With the five meeting in Los Angeles UsefulNotes/LosAngeles and performing in prominent nightclub Whisky a Go Go under the encouragement of Music/TheByrds Music/TheByrds' manager Chris Hillman, they garnered a reputation in the city for their live performances, that they acquired a record deal with Creator/AtcoRecords for a four-album contract. And then in November 1966, Los Angeles County closed down Sunset Strip nightclub Pandora's Box and initiated a strict curfew in response to resident complaints about noise and traffic, leading to [[https://en.wikipedia.org/wiki/Sunset_Strip_curfew_riots confrontations between youths and police]], and the group made the song "For What It's Worth" was made in response. The single was their commercial breakthrough outside of Los Angeles, making the top ten nationwide.



* ProtestSong: "For What It's Worth" was commonly used in Vietnam War contexts, but it didn't start out that way. The song was about the curfew riots in Los Angeles.

to:

* ProtestSong: "For What It's Worth" was commonly used in [[UsefulNotes/TheVietnameWar Vietnam War War]] contexts, but it didn't start out that way. The song was about the curfew riots in Los Angeles.
Angeles.
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Stills went on to form the supergroup [[Music/CrosbyStillsNashAndYoung Crosby, Stills & Nash]] in 1968, joined a year later by Young. Furay and Messina both went on to form the band ''Music/{{Poco}}''. The band was inducted in the UsefulNotes/RockAndRollHallOfFame in 1997, and had a reunion concert with their surviving members in 2011 before declaring an indefinite hiatus the following year.

to:

Stills went on to form the supergroup [[Music/CrosbyStillsNashAndYoung Crosby, Stills & Nash]] in 1968, joined a year later by Young. Furay and Messina both went on to form the band ''Music/{{Poco}}''.Music/{{Poco}}. The band was inducted in the UsefulNotes/RockAndRollHallOfFame in 1997, and had a reunion concert with their surviving members in 2011 before declaring an indefinite hiatus the following year.
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Added DiffLines:

[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/buffalospringfield.jpg]]
[[caption-width-right:350:From left to right: Stephen Stills, Richie Furay, Bruce Palmer, Dewey Martin, Music/NeilYoung]]

Buffalo Springfield is a band formed in 1966 from two Americans - Stephen Stills and Richie Furay - and three Canadians - Music/NeilYoung, Bruce Palmer and Dewey Martin. They took their name from a steamroller parked outside of their house, manufactured by the Buffalo-Springfield Roller Company. With the five meeting in Los Angeles and performing in prominent nightclub Whisky a Go Go under the encouragement of Music/TheByrds manager Chris Hillman, they garnered a reputation in the city for their live performances, that they acquired a record deal with Creator/AtcoRecords for a four-album contract. And then in November 1966, Los Angeles County closed down Sunset Strip nightclub Pandora's Box and initiated a strict curfew in response to resident complaints about noise and traffic, leading to [[https://en.wikipedia.org/wiki/Sunset_Strip_curfew_riots confrontations between youths and police]], and the song "For What It's Worth" was made in response. The single was their commercial breakthrough outside of Los Angeles, making the top ten nationwide.

The band had often been at odds with law enforcement, with Bruce Palmer being deported twice for possession of marijuana. The second time in January 1968, engineer Jim Messina was hired as a permanent replacement on bass when performing as a supporting act for Music/TheBeachBoys. After Young, Furay and Messina were arrested in the aftermath of a rehearsal party hosted by Music/EricClapton in April 1968, the band officially broke up the following month, and later in the year Furay and Messina assembled the various tracks recorded between 1967-early 1968 for their third and final album ''Last Time Around''.

Stills went on to form the supergroup [[Music/CrosbyStillsNashAndYoung Crosby, Stills & Nash]] in 1968, joined a year later by Young. Furay and Messina both went on to form the band ''Music/{{Poco}}''. The band was inducted in the UsefulNotes/RockAndRollHallOfFame in 1997, and had a reunion concert with their surviving members in 2011 before declaring an indefinite hiatus the following year.

!!Discography
* ''[[SelfTitledAlbum Buffalo Springfield]]'' (1966)
* ''Buffalo Springfield Again'' (1967)
* ''Last Time Around'' (1968)

!!Principal members
* Richie Furay - guitar, vocals (1966-8; 2010-2)
* Dewey Martin - drums, vocals (1966-8; died 2009)
* Jim Messina - bass, vocals (1968)
* Bruce Palmer - bass (1966-8; died 2004)
* Stephen Stills - guitar, keyboards, vocals (1966-8; 2010-2)
* Music/NeilYoung - guitar, harmonica, piano, vocals (1966-8; 2010-2)

!!Stop, children, what's that sound, everybody look what's tropin' round:
* HeartbeatSoundtrack: "Broken Arrow" is an angsty minor-key number typical of Neil Young with a couple of false stops, that finally crossfades into a jaunty, jazzy instrumental, which crossfades into a heartbeat into the fadeout.
* LeaningOnTheFourthWall: "Nowadays Clancy Can't Even Sing"
--> Who should be sleeping but's writing this song,\\
Wishing and hoping he weren't so [[PrecisionFStrike damn]] wrong?
* LineOfSightName: When Stephen Stills submitted their most well-known single, he said to to record executive Ahmet Ertegun: "I have this song here, for what it's worth, if you want it."
* ProtestSong: "For What It's Worth" was commonly used in Vietnam War contexts, but it didn't start out that way. The song was about the curfew riots in Los Angeles.

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