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* ''Film/{{Gladiator}1992}}'' (1992) (Replacing a score by Music/JerryGoldsmith)
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* ''Film/{{Gladiator}1992}}'' ''Film/{{Gladiator|1992}}'' (1992) (Replacing a score by Music/JerryGoldsmith)
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* ''Film/Gladiator1992'' (1992) (Replacing a score by Music/JerryGoldsmith)
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* ''Film/Gladiator1992'' ''Film/{{Gladiator}1992}}'' (1992) (Replacing a score by Music/JerryGoldsmith)
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* ''Film/Gladiator1992'' (1992) (Replacing a score by Music/JerryGoldsmith)
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* ''Film/JohnnyMnemonic'' (1995)
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* ''Film/JohnnyMnemonic'' (1995)
(1995, American/International Cut only)
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* UncommonTime: The main theme to ''Film/TheTerminator'' is in 13/16. This is actually an unintentional example, a result of the instrumental tracks being improperly synchronized.
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* UncommonTime: The main theme to ''Film/TheTerminator'' is in 13/16. This is actually an unintentional example, a the result of the instrumental tracks being improperly synchronized.
synchronized, but it was kept as it was because it matched the film's grim tone.
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Brad Fiedel (born March 10, 1951) is an American film and television composer, best known for composing the scores to such films as the first two ''Franchise/{{Terminator}}'' installments and ''Film/FrightNight1985''. He uses synthesizers in the majority of his scores, though there are some exceptions.
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Brad Fiedel (born March 10, 1951) 1951 in UsefulNotes/NewYorkCity, New York) is an American film and television composer, best known for composing the scores to such films as the first two ''Franchise/{{Terminator}}'' installments and ''Film/FrightNight1985''. He uses synthesizers in the majority of his scores, though there are some exceptions.
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[[quoteright:280:https://static.tvtropes.org/pmwiki/pub/images/bradfiedel_cararobbins01.jpg]]
Brad Fiedel (born March 10, 1951) is an American film and television composer, best known for composing the scores to such films as the first two ''Franchise/{{Terminator}}'' installments and ''Film/FrightNight1985''. He uses synthesizers in the majority of his scores, though there are some exceptions.
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!! Some of Fiedel's film scores include:
* ''Film/{{Night School|1981}}'' (1981)
* ''Film/JustBeforeDawn'' (1981)
* ''Film/TheTerminator'' (1984)
** ''Film/Terminator2JudgmentDay'' (1991)
* ''Film/{{Fright Night|1985}}'' (1985)
* ''Film/PopeyeDoyle'' (1986)
* ''Film/TheBigEasy'' (1987)
* ''Film/TheSerpentAndTheRainbow'' (1988)
* ''Film/TheAccused'' (1988)
* ''Film/TrueBeliever'' (1989)
* ''Film/BlueSteel'' (1990)
* ''Film/TheRealMcCoy'' (1993)
* ''Film/StrikingDistance'' (1993)
* ''Film/TrueLies'' (1994)
* ''Film/JohnnyMnemonic'' (1995)
!! Tropes associated with this composer:
* AssociatedComposer: For Creator/JamesCameron and Rowdy Herrington.
* ElectronicMusic: The majority of his scores are rendered electronically, including those for the first two ''Terminator'' films, although he does occasionally use acoustic instruments and on rare occasions a full orchestra.
* HellIsThatNoise: The eerie whistle motif heard in his score for ''Film/JustBeforeDawn''.
* UncommonTime: The main theme to ''Film/TheTerminator'' is in 13/16. This is actually an unintentional example, a result of the instrumental tracks being improperly synchronized.
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Brad Fiedel (born March 10, 1951) is an American film and television composer, best known for composing the scores to such films as the first two ''Franchise/{{Terminator}}'' installments and ''Film/FrightNight1985''. He uses synthesizers in the majority of his scores, though there are some exceptions.
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!! Some of Fiedel's film scores include:
* ''Film/{{Night School|1981}}'' (1981)
* ''Film/JustBeforeDawn'' (1981)
* ''Film/TheTerminator'' (1984)
** ''Film/Terminator2JudgmentDay'' (1991)
* ''Film/{{Fright Night|1985}}'' (1985)
* ''Film/PopeyeDoyle'' (1986)
* ''Film/TheBigEasy'' (1987)
* ''Film/TheSerpentAndTheRainbow'' (1988)
* ''Film/TheAccused'' (1988)
* ''Film/TrueBeliever'' (1989)
* ''Film/BlueSteel'' (1990)
* ''Film/TheRealMcCoy'' (1993)
* ''Film/StrikingDistance'' (1993)
* ''Film/TrueLies'' (1994)
* ''Film/JohnnyMnemonic'' (1995)
!! Tropes associated with this composer:
* AssociatedComposer: For Creator/JamesCameron and Rowdy Herrington.
* ElectronicMusic: The majority of his scores are rendered electronically, including those for the first two ''Terminator'' films, although he does occasionally use acoustic instruments and on rare occasions a full orchestra.
* HellIsThatNoise: The eerie whistle motif heard in his score for ''Film/JustBeforeDawn''.
* UncommonTime: The main theme to ''Film/TheTerminator'' is in 13/16. This is actually an unintentional example, a result of the instrumental tracks being improperly synchronized.
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