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* ClusterFBomb: "Girl Loves Me", to the point where it directly led to the album being the only one in Bowie's catalog to receive a Parental Advisory sticker.

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* ClusterFBomb: "Girl Loves Me", to the point where it directly led to the album being the only one in Bowie's catalog to receive a Parental Advisory an ExplicitContent sticker.


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* ExplicitContent: This is Bowie's only album to be given a sticker for such, owed to the ClusterFBomb lyrics on "Girl Loves Me".
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* EpicRocking: The title track is nearly ten minutes long, while "Lazarus" is 6 and 1/2.

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* EpicRocking: The title track is nearly ten minutes long, while "Lazarus" is 6 and 1/2.1/2, and "I Can't Give Everything Away" is almost 6 minutes long.
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*** It's also been suggested that the title was a reference to the British TV show ''Series/PeakyBlinders'', of which Bowie was a fan (and whose writers are clearly fans of this album, since "Lazarus" was used in a third series episode). On the show, the phrase "Black Star Day" or a black star drawn on a calendar marks the day someone is to die.
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Already strongly received upon its release, the album became even more rapturously received after the singer's death, which made evident additional layers of meaning as people became increasingly aware of the context behind the album's creation. The record was also a significant commercial success, selling hundreds of thousands of copies in its first week of release and making Bowie the highest-selling vinyl artist of the year. Debuting at No. 1 in both the US and UK and topping the charts in 22 other countries (plus Scotland), it marked Bowie's first album to top the Billboard 200, additionally topping Billboard's Top Alternative Albums, Top Rock Albums, and Top Tastemaker Albums charts[[note]]for those curious about the exact list of countries where it topped the charts, in addition to the US, UK, and Scotland, it also was a chart-topper in Australia, Austria, Belgium (on both the Ultratop Flanders and Ultratop Wallonia charts), Canada, Croatia, the Czech Republic, Denmark, the Netherlands, Finland, France, Germany, Ireland, Italy, New Zealand, Portugal, Poland, Portugal, Russia, Spain, Sweden, and Switzerland[[/note]]. ''★'' would go on to become the 5th best-selling album of 2016 in the world, later being certified double-platinum in the Netherlands, platinum in the UK, Australia, Austria, Belgium, Canada, Denmark, France, Italy, Poland, and Switzerland, and gold in the US, Germany, New Zealand, Portugal, Spain, and Sweden.

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Already strongly received upon its release, the album became even more rapturously received after the singer's death, which made evident additional layers of meaning as people became increasingly aware of the context behind the album's creation. The record was also a significant commercial success, selling hundreds of thousands of copies in its first week of release and making Bowie the highest-selling vinyl artist of the year. Debuting at No. 1 in both the US and UK and topping the charts in 22 other countries (plus Scotland), it marked Bowie's first album to top the Billboard 200, additionally topping Billboard's Top Alternative Albums, Top Rock Albums, and Top Tastemaker Albums charts[[note]]for those curious about the exact list of countries where it topped the charts, in addition to the US, UK, and Scotland, it also was a chart-topper in Australia, Austria, Belgium (on both the Ultratop Flanders and Ultratop Wallonia charts), Canada, Croatia, the Czech Republic, Denmark, the Netherlands, Finland, France, Germany, Ireland, Italy, New Zealand, Portugal, Poland, Portugal, Russia, Spain, Sweden, and Switzerland[[/note]]. ''★'' would go on to become the 5th best-selling album of 2016 in the world, later being certified double-platinum in the Netherlands, platinum in the UK, Australia, Austria, Belgium, Canada, Denmark, France, Italy, Poland, and Switzerland, and gold in the US, Germany, New Zealand, Portugal, Spain, and Sweden.
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[[caption-width-right:350:''"[[SwanSong Look up here, I'm in heaven]]"'']]

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[[caption-width-right:350:''"[[SwanSong Look up here, I'm in heaven]]"'']]
heaven.]]"'']]



** The album's artwork for the CD version features a black star on a white background, and below it there are parts of a star meant to spell out "B O W I E".
** The vinyl cover, in light grey, features the star as a cutout, revealing the record (with an all-black picture label) beneath. With the record removed, the black paper behind the cutout reveals a hidden picture of a starfield when the foldout sleeve is held up to a light source.

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** The album's artwork for the CD version and digital versions features a black star on a white background, and below it there are parts of a star meant to spell out "B O W I E".
** The vinyl cover, in light grey, features the star as a cutout, revealing the record (with an all-black picture label) label and inside a transparent PVC inner sleeve) beneath. With the record removed, the black paper behind the cutout reveals a hidden picture of a starfield when the foldout sleeve is held up to a light source.

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Indeed, Bowie's fears would turn out correct; while shooting the music video for "Lazarus", Bowie was informed that his cancer had become terminal. He would die on January 10, 2016, just two days after the album's release, putting an end to one of the longest and most important careers of any solo artist in the western music canon.

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Indeed, Bowie's fears would turn out correct; while shooting the music video for "Lazarus", Bowie was informed that his cancer had become terminal. He would die on January 10, 2016, just two days after the album's release, [[EndOfAnAge putting an end to one of the longest and most important careers of any solo artist in the western music canon.
canon]].



Since its release, ''★''[='s=] acclaim has only continued to grow and galvanize: ''The A.V. Club'', ''Mojo'', ''Newsweek'', ''Paste'', ''Q'', ''Uncut'', ''The Village Voice'', ''The Wire'', and ''Magazine/RollingStone''[='s=] readers' poll would all rank it as the best album of 2016. Bowie would be posthumously awarded the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since [[Music/{{Tonight}} 1985]] and his first Grammies overall since winning the Lifetime Achievement Award in 2006. On review aggregator site ''Rate Your Music'', ''★'' is ranked as the second-highest-rated album of 2016 and the 88th highest-rated album of all time. As of 2020, it sits at No. 72 on ''WebSite/AcclaimedMusic''[='s=] [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically lauded albums of all time (as well as the 4th most acclaimed album of the entire 2010's). Lastly, among Bowie fans, it's widely considered both one of the artist's best albums and the perfect GrandFinale for his life and career.

to:

Since its release, ''★''[='s=] acclaim has only continued to grow and galvanize: ''The A.V. Club'', ''Mojo'', ''Newsweek'', ''Paste'', ''Q'', ''Uncut'', ''The Village Voice'', ''The Wire'', and ''Magazine/RollingStone''[='s=] readers' poll would all rank it as the best album of 2016. Bowie would be posthumously awarded the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since [[Music/{{Tonight}} 1985]] and his first Grammies overall since winning the Lifetime Achievement Award in 2006. On review aggregator site ''Rate Your Music'', ''★'' is ranked as the second-highest-rated album of 2016 2016, the sixth-highest-rated album of the 2010's, and the 88th highest-rated album of all time. As of 2020, it sits at No. 72 on ''WebSite/AcclaimedMusic''[='s=] [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically lauded albums of all time (as well as the 4th most acclaimed album of the entire 2010's). Lastly, among Bowie fans, it's widely considered both one of the artist's best albums and the perfect GrandFinale for his life and career.



''★'' was supported by three singles: the TitleTrack, "Lazarus", and "I Can't Give Everything Away". "Lazarus" was the last single to be released during Bowie's lifetime. On a somewhat more trivial note, "★" was, at the time of its release, the longest song to ever chart on the Billboard 100 (peaking at No. 78) until Music/{{Tool}} broke the record with "Fear Inoculum" in 2019.

to:

''★'' was supported by three singles: the TitleTrack, "Lazarus", and "I Can't Give Everything Away". "Lazarus" was the last single to be released during Bowie's lifetime. On a somewhat more trivial note, "★" was, at the time of its release, the longest song to ever chart on the Billboard 100 (peaking (running just under ten minutes and peaking at No. 78) until Music/{{Tool}} broke the record with the 10:21 "Fear Inoculum" in 2019.



* AnimatedMusicVideo: That for "I Can't Give Everything Away", and strictly out of necessity (as Bowie was already dead by the time it entered production). The video was directed by Jonathan Barnbrook, who designed the parent album's cover art.



* BittersweetEnding: "I Can't Give Everything Away" is this to the album as well as David Bowie's career as a whole. He was eaten away by liver cancer, not knowing what his fate would be while recording ''★'', and died of the disease shortly after the album's release, but was still able to end things off with one hell of a bang.

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* BittersweetEnding: "I Can't Give Everything Away" is this to the album as well as David Bowie's career as a whole. He was eaten away by liver cancer, not knowing what his fate would be while recording ''★'', and died of the disease shortly after the album's release, but was still able to end things off with one hell of a bang. This is most heavily embodied by the closing track, "I Can't Give Everything Away"; Jonathan Barnbrook, who directed the song's music video, had this to say in regards to it:
-->"I saw it as a celebration of David, to say that despite the adversity we face, the difficult things that happen such as David's passing, that human beings are naturally positive, they look forward and can take the good from the past and use it as something to help with the present. We are a naturally optimistic species and we celebrate the good that we are given."



-->"Look up here, I’m in heaven\\
I’ve got scars that can’t be seen\\
I’ve got drama, can’t be stolen\\

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-->"Look up here, I’m I'm in heaven\\
I’ve I've got scars that can’t can't be seen\\
I’ve I've got drama, can’t can't be stolen\\
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* LongestSongGoesLast: Inverted. The title song runs for nearly 10 minutes, but it's the opening of the album.
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Since its release, ''★''[='s=] acclaim has only continued to grow and galvanize: ''The A.V. Club'', ''Mojo'', ''Newsweek'', ''Paste'', ''Q'', ''Uncut'', ''The Village Voice'', ''The Wire'', and ''Magazine/RollingStone''[='s=] readers' poll would all rank it as the best album of 2016. Bowie would be posthumously awarded the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since [[Music/{{Tonight}} 1985]] and his first Grammies overall since winning the Lifetime Achievement Award in 2006. On review aggregator site ''Rate Your Music'', ''★'' is ranked as the second-highest-rated album of 2016 and the 67th highest-rated album of all time. As of 2020, it sits at No. 72 on ''WebSite/AcclaimedMusic''[='s=] [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically lauded albums of all time (as well as the 4th most acclaimed album of the entire 2010's). Lastly, among Bowie fans, it's widely considered both one of the artist's best albums and the perfect GrandFinale for his life and career.

to:

Since its release, ''★''[='s=] acclaim has only continued to grow and galvanize: ''The A.V. Club'', ''Mojo'', ''Newsweek'', ''Paste'', ''Q'', ''Uncut'', ''The Village Voice'', ''The Wire'', and ''Magazine/RollingStone''[='s=] readers' poll would all rank it as the best album of 2016. Bowie would be posthumously awarded the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since [[Music/{{Tonight}} 1985]] and his first Grammies overall since winning the Lifetime Achievement Award in 2006. On review aggregator site ''Rate Your Music'', ''★'' is ranked as the second-highest-rated album of 2016 and the 67th 88th highest-rated album of all time. As of 2020, it sits at No. 72 on ''WebSite/AcclaimedMusic''[='s=] [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically lauded albums of all time (as well as the 4th most acclaimed album of the entire 2010's). Lastly, among Bowie fans, it's widely considered both one of the artist's best albums and the perfect GrandFinale for his life and career.
Is there an issue? Send a MessageReason:
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Since its release, ''★''[='s=] acclaim has only continued to grow and galvanize: ''The A.V. Club'', ''Mojo'', ''Newsweek'', ''Paste'', ''Q'', ''Uncut'', ''The Village Voice'', ''The Wire'', and ''Magazine/RollingStone''[='s=] readers' poll would all rank it as the best album of 2016. Bowie would be posthumously awarded the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since [[Music/{{Tonight}} 1985]] and his first Grammies overall since winning the Lifetime Achievement Award in 2006. On review aggregator site ''Rate Your Music'', ''★'' is ranked as the second-highest-rated album of 2016 and the 67th highest-rated album of all time. As of 2020, it sits at No. 72 on ''WebSite/AcclaimedMusic''[='s=] [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically lauded albums of all time (as well as the 7th most acclaimed album of the entire 2010's). Lastly, among Bowie fans, it's widely considered both one of the artist's best albums and the perfect GrandFinale for his life and career.

to:

Since its release, ''★''[='s=] acclaim has only continued to grow and galvanize: ''The A.V. Club'', ''Mojo'', ''Newsweek'', ''Paste'', ''Q'', ''Uncut'', ''The Village Voice'', ''The Wire'', and ''Magazine/RollingStone''[='s=] readers' poll would all rank it as the best album of 2016. Bowie would be posthumously awarded the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since [[Music/{{Tonight}} 1985]] and his first Grammies overall since winning the Lifetime Achievement Award in 2006. On review aggregator site ''Rate Your Music'', ''★'' is ranked as the second-highest-rated album of 2016 and the 67th highest-rated album of all time. As of 2020, it sits at No. 72 on ''WebSite/AcclaimedMusic''[='s=] [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically lauded albums of all time (as well as the 7th 4th most acclaimed album of the entire 2010's). Lastly, among Bowie fans, it's widely considered both one of the artist's best albums and the perfect GrandFinale for his life and career.
Is there an issue? Send a MessageReason:
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Since its release, ''★''[='s=] acclaim has only continued to grow and galvanize: ''The A.V. Club'', ''Mojo'', ''Newsweek'', ''Paste'', ''Q'', ''Uncut'', ''The Village Voice'', ''The Wire'', and ''Magazine/RollingStone''[='s=] readers' poll would all rank it as the best album of 2016. Bowie would be posthumously awarded the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since [[Music/{{Tonight}} 1985]] and his first Grammies overall since winning the Lifetime Achievement Award in 2006. On review aggregator site ''Rate Your Music'', ''★'' is ranked as the second-highest-rated album of 2016 and the 67th highest-rated album of all time. As of 2018, it sits at No. 179 on ''WebSite/AcclaimedMusic''[='s=] [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically lauded albums of all time (as well as the 7th most acclaimed album of the entire 2010's). Lastly, among Bowie fans, it's widely considered both one of the artist's best albums and the perfect GrandFinale for his life and career.

to:

Since its release, ''★''[='s=] acclaim has only continued to grow and galvanize: ''The A.V. Club'', ''Mojo'', ''Newsweek'', ''Paste'', ''Q'', ''Uncut'', ''The Village Voice'', ''The Wire'', and ''Magazine/RollingStone''[='s=] readers' poll would all rank it as the best album of 2016. Bowie would be posthumously awarded the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since [[Music/{{Tonight}} 1985]] and his first Grammies overall since winning the Lifetime Achievement Award in 2006. On review aggregator site ''Rate Your Music'', ''★'' is ranked as the second-highest-rated album of 2016 and the 67th highest-rated album of all time. As of 2018, 2020, it sits at No. 179 72 on ''WebSite/AcclaimedMusic''[='s=] [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically lauded albums of all time (as well as the 7th most acclaimed album of the entire 2010's). Lastly, among Bowie fans, it's widely considered both one of the artist's best albums and the perfect GrandFinale for his life and career.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

Already strongly received upon its release, the album became even more rapturously received after the singer's death, which made evident additional layers of meaning as people became increasingly aware of the context behind the album's creation. The record was also a significant commercial success, selling hundreds of thousands of copies in its first week of release and making Bowie the highest-selling vinyl artist of the year. Debuting at No. 1 in both the US and UK and topping the charts in 22 other countries (plus Scotland), it marked Bowie's first album to top the Billboard 200, additionally topping Billboard's Top Alternative Albums, Top Rock Albums, and Top Tastemaker Albums charts[[note]]for those curious about the exact list of countries where it topped the charts, in addition to the US, UK, and Scotland, it also was a chart-topper in Australia, Austria, Belgium (on both the Ultratop Flanders and Ultratop Wallonia charts), Canada, Croatia, the Czech Republic, Denmark, the Netherlands, Finland, France, Germany, Ireland, Italy, New Zealand, Portugal, Poland, Portugal, Russia, Spain, Sweden, and Switzerland[[/note]]. ''★'' would go on to become the 5th best-selling album of 2016 in the world, later being certified double-platinum in the Netherlands, platinum in the UK, Australia, Austria, Belgium, Canada, Denmark, France, Italy, Poland, and Switzerland, and gold in the US, Germany, New Zealand, Portugal, Spain, and Sweden.

Since its release, ''★''[='s=] acclaim has only continued to grow and galvanize: ''The A.V. Club'', ''Mojo'', ''Newsweek'', ''Paste'', ''Q'', ''Uncut'', ''The Village Voice'', ''The Wire'', and ''Magazine/RollingStone''[='s=] readers' poll would all rank it as the best album of 2016. Bowie would be posthumously awarded the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since [[Music/{{Tonight}} 1985]] and his first Grammies overall since winning the Lifetime Achievement Award in 2006. On review aggregator site ''Rate Your Music'', ''★'' is ranked as the second-highest-rated album of 2016 and the 67th highest-rated album of all time. As of 2018, it sits at No. 179 on ''WebSite/AcclaimedMusic''[='s=] [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically lauded albums of all time (as well as the 7th most acclaimed album of the entire 2010's). Lastly, among Bowie fans, it's widely considered both one of the artist's best albums and the perfect GrandFinale for his life and career.

Not to be confused with the hip-hop duo consisting of Mos Def and Talib Kweli (the album's title is one word; the hip-hop duo's is two) or the fictional character [[Manga/SoulEater Black★Star]].
Is there an issue? Send a MessageReason:
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Already strongly received upon its release, the album became even more rapturously received after the singer's death, which made evident additional layers of meaning as people became increasingly aware of the context behind the album's creation. The record was also a significant commercial success, selling hundreds of thousands of copies in its first week of release and making Bowie the highest-selling vinyl artist of the year. Debuting at No. 1 in both the US and UK and topping the charts in 22 other countries (plus Scotland), it marked Bowie's first album to top the Billboard 200, additionally topping Billboard's Top Alternative Albums, Top Rock Albums, and Top Tastemaker Albums charts[[note]]for those curious about the exact list of countries where it topped the charts, in addition to the US, UK, and Scotland, it also was a chart-topper in Australia, Austria, Belgium (on both the Ultratop Flanders and Ultratop Wallonia charts), Canada, Croatia, the Czech Republic, Denmark, the Netherlands, Finland, France, Germany, Ireland, Italy, New Zealand, Portugal, Poland, Portugal, Russia, Spain, Sweden, and Switzerland[[/note]]. ''★'' would go on to become the 5th best-selling album of 2016 in the world, later being certified double-platinum in the Netherlands, platinum in the UK, Australia, Austria, Belgium, Canada, Denmark, France, Italy, Poland, and Switzerland, and gold in the US, Germany, New Zealand, Portugal, Spain, and Sweden.

Since its release, ''★''[='s=] acclaim has only continued to grow and galvanize: ''The A.V. Club'', ''Mojo'', ''Newsweek'', ''Paste'', ''Q'', ''Uncut'', ''The Village Voice'', ''The Wire'', and ''Magazine/RollingStone''[='s=] readers' poll would all rank it as the best album of 2016. Bowie would be posthumously awarded the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since [[Music/{{Tonight}} 1985]] and his first Grammies overall since winning the Lifetime Achievement Award in 2006. On review aggregator site ''Rate Your Music'', ''★'' is ranked as the second-highest-rated album of 2016 and the 67th highest-rated album of all time. As of 2018, it sits at No. 179 on ''WebSite/AcclaimedMusic''[='s=] [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically lauded albums of all time (as well as the 7th most acclaimed album of the entire 2010's). Lastly, among Bowie fans, it's widely considered both one of the artist's best albums and the perfect GrandFinale for his life and career.

Not to be confused with the hip-hop duo consisting of Mos Def and Talib Kweli (the album's title is one word; the hip-hop duo's is two) or the fictional character [[Manga/SoulEater Black★Star]].
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[[caption-width-right:350:''"[[HarsherInHindsight Look up here, I'm in heaven]]"'']]

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[[caption-width-right:350:''"[[HarsherInHindsight [[caption-width-right:350:''"[[SwanSong Look up here, I'm in heaven]]"'']]

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* CallBack: The harmonica on the closing track "I Can't Give Everything Away" plays the same tune as the harmonica on "A New Career in a New Town" from Bowie's 1977 album ''Music/LowDavidBowieAlbum''; fans have also cited similarities to "Never Let Me Down", "Soul Love", and "Thursday's Child". The music also becomes more reminiscent of Bowie's old styles towards the end of the album.

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* CallBack: The harmonica on the closing track "I Can't Give Everything Away" plays the same tune as the harmonica on "A New Career in a New Town" from Bowie's 1977 album ''Music/LowDavidBowieAlbum''; fans have also cited similarities to "Never Let Me Down", "Soul Love", "Music/NeverLetMeDown", "[[Music/TheRiseAndFallOfZiggyStardustAndTheSpidersFromMars Soul Love]]", and "Thursday's Child"."[[Music/{{Hours}} Thursday's Child]]". The music also becomes more reminiscent of Bowie's old styles towards the end of the album.



** The album's artwork for the CD version features a black star on a white background, and below it there are parts of a star meant to spell out "b o w i e".

to:

** The album's artwork for the CD version features a black star on a white background, and below it there are parts of a star meant to spell out "b o w i e"."B O W I E".



* ShoutOut: "Girl Loves Me" features lines sung in "Nadsat", the language from ''Literature/AClockWorkOrange'', one of Bowie's favorite novels. Some of the slang words used in the track are also adopted from TheSeventies gay subculture, while others are [[PerfectlyCromulentWord of Bowie's own invention]].

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* ShoutOut: ShoutOut:
**
"Girl Loves Me" features lines sung in "Nadsat", the language from ''Literature/AClockWorkOrange'', one of Bowie's favorite novels. Some of the slang words used in the track are also adopted from TheSeventies gay subculture, while others are [[PerfectlyCromulentWord of Bowie's own invention]].
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* TextlessAlbumCover: It features only the titular black star as well as star symbols that can be interpreted to spell out "Bowie", making this an odd ZigZaggedTrope. It's also one of few Bowie sleeves that doesn't have his FaceOnTheCover, and '''the''' only one to lack his likeness whatsoever (discounting the [[https://img.discogs.com/GlrBkuxbP9lE0AUrGLQ29eyzEwY=/fit-in/600x599/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-710468-1475029886-8513.jpeg.jpg cover art]] for the original 1970 US release of ''Music/TheManWhoSoldTheWorld'', though the [[https://lastfm-img2.akamaized.net/i/u/770x0/d7cc13a5bafa4fd496e30b0d037dfcac.jpg art]] for the 1971 UK release is considered the canonical one anyways).

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* TextlessAlbumCover: It features only the titular black star as well as star symbols that can be interpreted to spell out "Bowie", making this an odd ZigZaggedTrope. It's also one of the few Bowie sleeves that doesn't have his FaceOnTheCover, and '''the''' only one to lack his likeness whatsoever (discounting the [[https://img.discogs.com/GlrBkuxbP9lE0AUrGLQ29eyzEwY=/fit-in/600x599/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-710468-1475029886-8513.jpeg.jpg cover art]] for the original 1970 US release of ''Music/TheManWhoSoldTheWorld'', though the [[https://lastfm-img2.akamaized.net/i/u/770x0/d7cc13a5bafa4fd496e30b0d037dfcac.jpg art]] for the 1971 UK release is considered the canonical one anyways).
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''★'' was supported by three singles: the TitleTrack, "Lazarus", and "I Can't Give Everything Away". "Lazarus" was the last single to be released during Bowie's lifetime; he learned that his cancer was terminal while shooting the song's music video. On a somewhat more trivial note, "★" was, at the time of its release, the longest song to ever chart on the Billboard 100 (peaking at No. 78) until Music/{{Tool}} broke the record with "Fear Inoculum" in 2019.

to:

''★'' was supported by three singles: the TitleTrack, "Lazarus", and "I Can't Give Everything Away". "Lazarus" was the last single to be released during Bowie's lifetime; he learned that his cancer was terminal while shooting the song's music video.lifetime. On a somewhat more trivial note, "★" was, at the time of its release, the longest song to ever chart on the Billboard 100 (peaking at No. 78) until Music/{{Tool}} broke the record with "Fear Inoculum" in 2019.
Is there an issue? Send a MessageReason:
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Since its release, ''★''[='s=] acclaim has only continued to grow and galvanize. Bowie would be posthumously awarded the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since [[Music/{{Tonight}} 1985]] and his first Grammies overall since winning the Lifetime Achievement Award in 2006. As of 2018, it sits at No. 179 on ''WebSite/AcclaimedMusic''[='s=] [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically lauded albums of all time.

to:

Since its release, ''★''[='s=] acclaim has only continued to grow and galvanize.galvanize: ''The A.V. Club'', ''Mojo'', ''Newsweek'', ''Paste'', ''Q'', ''Uncut'', ''The Village Voice'', ''The Wire'', and ''Magazine/RollingStone''[='s=] readers' poll would all rank it as the best album of 2016. Bowie would be posthumously awarded the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since [[Music/{{Tonight}} 1985]] and his first Grammies overall since winning the Lifetime Achievement Award in 2006. On review aggregator site ''Rate Your Music'', ''★'' is ranked as the second-highest-rated album of 2016 and the 67th highest-rated album of all time. As of 2018, it sits at No. 179 on ''WebSite/AcclaimedMusic''[='s=] [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically lauded albums of all time.
time (as well as the 7th most acclaimed album of the entire 2010's). Lastly, among Bowie fans, it's widely considered both one of the artist's best albums and the perfect GrandFinale for his life and career.

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''★'' (pronounced ''Blackstar'') is the twenty-sixth and final studio album by Music/DavidBowie. It was released January 8th, 2016 (Bowie's 69th birthday), two days before his passing. The album reflects a somewhat new sound for Bowie, being influenced by [[AvantGardeMusic avant-garde]] {{jazz}}, ProgressiveRock, experimental hip-hop acts such as Music/DeathGrips and Music/KendrickLamar, and electronic acts such as Music/BoardsOfCanada. Having been diagnosed with liver cancer in 2014, Bowie dedicated the album to exploring his [[ApocalypticLog newfound awareness of his mortality, not knowing whether or not he'd survive his battle and preparing for the possibility of him having to leave this mortal coil]].

Already strongly received upon its release, the album became even more rapturously received after the singer's death, which made evident additional layers of meaning as people became increasingly aware of the context behind the album's creation. The record was also a significant commercial success, selling hundreds of thousands of copies in its first week of release and making Bowie the highest-selling vinyl artist of the year. It débuted at #1 in a large number of countries throughout the world, becoming Bowie's first ever #1 album in the United States, and posthumously scored him the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since [[Music/{{Tonight}} 1985]] and his first Grammies overall since winning the Lifetime Achievement Award in 2006.

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''★'' (pronounced ''Blackstar'') is the twenty-sixth and final studio album by Music/DavidBowie. It was Music/DavidBowie, released on January 8th, 2016 (Bowie's 69th birthday), two days before his passing.birthday). The album reflects a somewhat new sound for Bowie, being influenced by [[AvantGardeMusic avant-garde]] {{jazz}}, ProgressiveRock, experimental hip-hop acts such as Music/DeathGrips and Music/KendrickLamar, and electronic acts such as Music/BoardsOfCanada. Having been diagnosed with liver cancer in 2014, Bowie dedicated the album to exploring his [[ApocalypticLog newfound awareness of his mortality, not knowing whether or not he'd survive his battle and preparing for the possibility of him having to leave this mortal coil]].

Indeed, Bowie's fears would turn out correct; while shooting the music video for "Lazarus", Bowie was informed that his cancer had become terminal. He would die on January 10, 2016, just two days after the album's release, putting an end to one of the longest and most important careers of any solo artist in the western music canon.

Already strongly received upon its release, the album became even more rapturously received after the singer's death, which made evident additional layers of meaning as people became increasingly aware of the context behind the album's creation. The record was also a significant commercial success, selling hundreds of thousands of copies in its first week of release and making Bowie the highest-selling vinyl artist of the year. It débuted Debuting at #1 No. 1 in a large number of both the US and UK and topping the charts in 22 other countries throughout the world, becoming (plus Scotland), it marked Bowie's first ever #1 album to top the Billboard 200, additionally topping Billboard's Top Alternative Albums, Top Rock Albums, and Top Tastemaker Albums charts[[note]]for those curious about the exact list of countries where it topped the charts, in addition to the US, UK, and Scotland, it also was a chart-topper in Australia, Austria, Belgium (on both the Ultratop Flanders and Ultratop Wallonia charts), Canada, Croatia, the Czech Republic, Denmark, the Netherlands, Finland, France, Germany, Ireland, Italy, New Zealand, Portugal, Poland, Portugal, Russia, Spain, Sweden, and Switzerland[[/note]]. ''★'' would go on to become the 5th best-selling album of 2016 in the United States, world, later being certified double-platinum in the Netherlands, platinum in the UK, Australia, Austria, Belgium, Canada, Denmark, France, Italy, Poland, and Switzerland, and gold in the US, Germany, New Zealand, Portugal, Spain, and Sweden.

Since its release, ''★''[='s=] acclaim has only continued to grow and galvanize. Bowie would be
posthumously scored him awarded the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since [[Music/{{Tonight}} 1985]] and his first Grammies overall since winning the Lifetime Achievement Award in 2006.
2006. As of 2018, it sits at No. 179 on ''WebSite/AcclaimedMusic''[='s=] [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically lauded albums of all time.

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* ClusterFBomb: "Girl Loves Me".

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* ClusterFBomb: "Girl Loves Me".Me", to the point where it directly led to the album being the only one in Bowie's catalog to receive a Parental Advisory sticker.



* EldritchAbomination: That... THING at the end of the "★" music video.

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* EldritchAbomination: That... THING An otherworldly mass of tendrils appears at the end of the "★" music video.


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* PrecisionFStrike: "'Tis a Pity She Was a Whore" randomly throws in the phrase "she kept my cock" on only one occasion, contrasting the ClusterFBomb of "Girl Loves Me" and the lack of R-rated profanity elsewhere on the album.

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* MinimalisticCoverArt: The album's artwork for the CD version features a black star on a white background, and below it there are parts of a star meant to spell out "b o w i e".

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* MinimalisticCoverArt: MinimalisticCoverArt:
**
The album's artwork for the CD version features a black star on a white background, and below it there are parts of a star meant to spell out "b o w i e".e".
** The vinyl cover, in light grey, features the star as a cutout, revealing the record (with an all-black picture label) beneath. With the record removed, the black paper behind the cutout reveals a hidden picture of a starfield when the foldout sleeve is held up to a light source.
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* MinimalisticCoverArt: The album's artwork for the CD version features a black star on a white background, and below it there are parts of a star meant to spell out "b o w i e".
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''★'' was supported by three singles: the TitleTrack, "Lazarus", and "I Can't Give Everything Away". "Lazarus" was the last single to be released during Bowie's lifetime; he learned that his cancer was terminal while shooting the song's music video.

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''★'' was supported by three singles: the TitleTrack, "Lazarus", and "I Can't Give Everything Away". "Lazarus" was the last single to be released during Bowie's lifetime; he learned that his cancer was terminal while shooting the song's music video.
video. On a somewhat more trivial note, "★" was, at the time of its release, the longest song to ever chart on the Billboard 100 (peaking at No. 78) until Music/{{Tool}} broke the record with "Fear Inoculum" in 2019.
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* LuckyCharmsTitle: The official title of the album is the black star symbol itself.

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* LuckyCharmsTitle: The official title of the album is and its opening track are the black star symbol itself.itself, chosen over simply writing out "Blackstar" because ★ is a Unicode-standard symbol supported by the vast majority of digital platforms in music distribution, playback, writing, and webpage creation (including this very wiki).
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* ApocalypticLog: As Bowie didn't know whether or not he'd survive his battle with cancer during the writing and recording process (his cancer wouldn't be declared terminal until the shooting for the "Lazarus" music video), the album acts as a rumination on his mortality and uncertainty regarding his forthcoming fate.
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''★'' (pronounced ''Blackstar'') is the twenty-sixth and final studio album by Music/DavidBowie. It was released January 8th, 2016 (Bowie's 69th birthday), two days before his passing. The album reflects a somewhat new sound for Bowie, being influenced by [[AvantGardeMusic avant-garde]] {{jazz}}, ProgressiveRock, experimental hip-hop acts such as Music/DeathGrips and Music/KendrickLamar, and electronic acts such as Music/BoardsOfCanada. Having been diagnosed with liver cancer in 2014, Bowie dedicated the album to exploring his newfound awareness of his mortality, not knowing whether or not he'd survive his battle and preparing for the possibility of him having to leave this mortal coil.

to:

''★'' (pronounced ''Blackstar'') is the twenty-sixth and final studio album by Music/DavidBowie. It was released January 8th, 2016 (Bowie's 69th birthday), two days before his passing. The album reflects a somewhat new sound for Bowie, being influenced by [[AvantGardeMusic avant-garde]] {{jazz}}, ProgressiveRock, experimental hip-hop acts such as Music/DeathGrips and Music/KendrickLamar, and electronic acts such as Music/BoardsOfCanada. Having been diagnosed with liver cancer in 2014, Bowie dedicated the album to exploring his [[ApocalypticLog newfound awareness of his mortality, not knowing whether or not he'd survive his battle and preparing for the possibility of him having to leave this mortal coil.
coil]].
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* BittersweetEnding: "I Can't Give Everything Away" is this to the album as well as David Bowie's career as a whole.

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* BittersweetEnding: "I Can't Give Everything Away" is this to the album as well as David Bowie's career as a whole. He was eaten away by liver cancer, not knowing what his fate would be while recording ''★'', and died of the disease shortly after the album's release, but was still able to end things off with one hell of a bang.

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Already strongly received upon its release, the album became even more rapturously received after the singer's death, which made evident additional layers of meaning. The record has also been quite commercially successful, selling hundreds of thousands of copies in its first week of release and making Bowie the highest-selling vinyl artist of the year. It débuted at #1 in a large number of countries throughout the world, becoming Bowie's first ever #1 album in the United States, and scored him the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since 1985 and his first Grammies overall since winning the Lifetime Achievement Award in 2006.

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Already strongly received upon its release, the album became even more rapturously received after the singer's death, which made evident additional layers of meaning. meaning as people became increasingly aware of the context behind the album's creation. The record has was also been quite commercially successful, a significant commercial success, selling hundreds of thousands of copies in its first week of release and making Bowie the highest-selling vinyl artist of the year. It débuted at #1 in a large number of countries throughout the world, becoming Bowie's first ever #1 album in the United States, and posthumously scored him the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since 1985 [[Music/{{Tonight}} 1985]] and his first Grammies overall since winning the Lifetime Achievement Award in 2006.



* DeadArtistsAreBetter: [[invoked]] It's possible to interpret "Lazarus" as Bowie being self-conscious about how audiences will look at his work differently after he's gone, with all the private torment and anguish that belonged to the artist and his work, becoming common property:

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* DeadArtistsAreBetter: [[invoked]] It's {{Invoked|Trope}}; it's possible to interpret "Lazarus" as Bowie being self-conscious about how audiences will look at his work differently after he's gone, with all the private torment and anguish that belonged to the artist and his work, work now becoming common property:



* LiteraryAllusionTitle: The title "'Tis a Pity She Was a Whore" is a reference to a 17th century drama by John Ford ([[NamesTheSame not]] [[Creator/JohnFord that one]]) entitled ''Theatre/TisPityShesAWhore'', which is infamous for its transgressive themes, including BrotherSisterIncest.

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* LiteraryAllusionTitle: The title "'Tis a Pity She Was a Whore" is a reference to a 17th century drama by John Ford ([[NamesTheSame not]] [[Creator/JohnFord that one]]) entitled ''Theatre/TisPityShesAWhore'', which is infamous for its featuring transgressive themes, including themes such as BrotherSisterIncest.


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* RearrangeTheSong: "'Tis a Pity She Was a Whore" and "Sue (Or in a Season of Crime)" were originally recorded for the 2014 compilation album ''Nothing Has Changed'', and were released together as a single with the latter song as the A-side to promote it; of these two, "Sue (Or in a Season of Crime)" was the only one featured on the album, with "'Tis a Pity She Was a Whore" relegated to BSide status. Bowie re-recorded both songs from the ground-up for ''★''; while the 2014 and 2016 versions of both songs are fairly similar in style and instrumentation, both songs are noticeably shorter on ''★'' than on ''Nothing Has Changed'' (with "'Tis a Pity She Was a Whore" going from 5:26 to 4:52 and "Sue (Or in a Season of Crime)" going from 7:24 to 4:40).


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* WholePlotReference: "Sue (Or in a Season of Crime)" is one to ''Theatre/TisPityShesAWhore'', the title of which was also the namesake for "'Tis a Pity She's a Whore". Perhaps not coincidentally, both songs are re-recordings of tracks initially recorded and released as a single to promote the ''Nothing Has Changed'' compilation in 2014.

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''★'' (pronounced ''Blackstar'') is the twenty-sixth and final studio album by Music/DavidBowie. It was released January 8th, 2016 (Bowie's 69th birthday), two days before his passing. The album reflects a somewhat new sound for Bowie, being influenced by [[AvantGardeMusic avant-garde]] {{jazz}}, ProgressiveRock, experimental hip-hop acts such as Music/DeathGrips and Music/KendrickLamar, and electronic acts such as Music/BoardsOfCanada. Already strongly received upon its release, the album became even more rapturously received after the singer's death, which made evident additional layers of meaning. The record has also been quite commercially successful, selling hundreds of thousands of copies in its first week of release. It débuted at #1 in a large number of countries throughout the world, becoming Bowie's first ever #1 album in the United States.

to:

''★'' (pronounced ''Blackstar'') is the twenty-sixth and final studio album by Music/DavidBowie. It was released January 8th, 2016 (Bowie's 69th birthday), two days before his passing. The album reflects a somewhat new sound for Bowie, being influenced by [[AvantGardeMusic avant-garde]] {{jazz}}, ProgressiveRock, experimental hip-hop acts such as Music/DeathGrips and Music/KendrickLamar, and electronic acts such as Music/BoardsOfCanada. Having been diagnosed with liver cancer in 2014, Bowie dedicated the album to exploring his newfound awareness of his mortality, not knowing whether or not he'd survive his battle and preparing for the possibility of him having to leave this mortal coil.

Already strongly received upon its release, the album became even more rapturously received after the singer's death, which made evident additional layers of meaning. The record has also been quite commercially successful, selling hundreds of thousands of copies in its first week of release. release and making Bowie the highest-selling vinyl artist of the year. It débuted at #1 in a large number of countries throughout the world, becoming Bowie's first ever #1 album in the United States.
States, and scored him the 2017 Grammy Awards for "Best Alternative Music Album" and "Best Recording Package", his first competitive Grammies since 1985 and his first Grammies overall since winning the Lifetime Achievement Award in 2006.


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''★'' was supported by three singles: the TitleTrack, "Lazarus", and "I Can't Give Everything Away". "Lazarus" was the last single to be released during Bowie's lifetime; he learned that his cancer was terminal while shooting the song's music video.
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# "Blackstar" (9:57)

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# "Blackstar" "★" (9:57)



* AscendToAHigherPlaneOfExistence: What the subject of "Blackstar" goes through after his demise.
* AGodAmI: The singer of ''Blackstar'':

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* AscendToAHigherPlaneOfExistence: What the subject of "Blackstar" "★" goes through after his demise.
* AGodAmI: The singer of ''Blackstar'':"★":



* BlindSeer: Invoked by the button-eyed figure Bowie plays in the "Blackstar" and "Lazarus" videos.

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* BlindSeer: Invoked by the button-eyed figure Bowie plays in the "Blackstar" "★" and "Lazarus" videos.



* DeathSong: Both "Blackstar" and "Lazarus" are speculated by many to be Bowie writing his own dirge. It was confirmed the album was a GrandFinale for Bowie and a parting gift to the world. "Dollar Days" and "I Can't Give Everything Away" also address the singer's impending death.
* DyingMomentOfAwesome: Bowie recorded ''Blackstar'' while battling a terminal case of cancer, which took his life two days after this album's official release.
* EldritchAbomination: That... THING at the end of the Blackstar music video.

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* DeathSong: Both "Blackstar" "★" and "Lazarus" are speculated by many to be Bowie writing his own dirge. It was confirmed the album was a GrandFinale for Bowie and a parting gift to the world. "Dollar Days" and "I Can't Give Everything Away" also address the singer's impending death.
* DyingMomentOfAwesome: Bowie recorded ''Blackstar'' ''★'' while battling a terminal case of cancer, which took his life two days after this album's official release.
* EldritchAbomination: That... THING at the end of the Blackstar "★" music video.



* GrandFinale: For Bowie's life, as confirmed by the album's [[RecordProducer producer]] Tony Visconti. However, it was also revealed that after recording ''Blackstar'', Bowie planned to make one more album, and demoed five tracks for it before his death. Bowie called Visconti a week before his death saying he wanted to make another album, which somehow makes the album's subject ''even harsher'' since it makes it plain that, despite ''Blackstar''[='=]s peaceful ending, Bowie still wasn't ready to go.

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* GrandFinale: For Bowie's life, as confirmed by the album's [[RecordProducer producer]] Tony Visconti. However, it was also revealed that after recording ''Blackstar'', ''★'', Bowie planned to make one more album, and demoed five tracks for it before his death. Bowie called Visconti a week before his death saying he wanted to make another album, which somehow makes the album's subject ''even harsher'' since it makes it plain that, despite ''Blackstar''[='=]s ''★''[='=]s peaceful ending, Bowie still wasn't ready to go.



* MindScrew: The song ''Blackstar'' which doesn't so much sound like the singer's having a mental breakdown as that he's already insane to begin with. Not to mention many of the lines in the song is full of bizarre symbolism.

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* MindScrew: The song ''Blackstar'' ''★'' which doesn't so much sound like the singer's having a mental breakdown as that he's already insane to begin with. Not to mention many of the lines in the song is full of bizarre symbolism.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/blackstar_album_cover.jpg]]
[[caption-width-right:350:''"[[HarsherInHindsight Look up here, I'm in heaven]]"'']]

->''"Something happened on the day he died''
->''Spirit rose a meter then stepped aside''
->''Somebody else took his place and bravely cried:''
->'''[[AlbumTitleDrop I'm a Blackstar!]] I'm a Blackstar!'"''

''★'' (pronounced ''Blackstar'') is the twenty-sixth and final studio album by Music/DavidBowie. It was released January 8th, 2016 (Bowie's 69th birthday), two days before his passing. The album reflects a somewhat new sound for Bowie, being influenced by [[AvantGardeMusic avant-garde]] {{jazz}}, ProgressiveRock, experimental hip-hop acts such as Music/DeathGrips and Music/KendrickLamar, and electronic acts such as Music/BoardsOfCanada. Already strongly received upon its release, the album became even more rapturously received after the singer's death, which made evident additional layers of meaning. The record has also been quite commercially successful, selling hundreds of thousands of copies in its first week of release. It débuted at #1 in a large number of countries throughout the world, becoming Bowie's first ever #1 album in the United States.

Not to be confused with the hip-hop duo consisting of Mos Def and Talib Kweli (the album's title is one word; the hip-hop duo's is two) or the fictional character [[Manga/SoulEater Black★Star]].

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!! Tracklist:
[[AC:Side 1]]
# "Blackstar" (9:57)
# "'Tis a Pity She Was a Whore" (4:52)
# "Lazarus" (6:22)

[[AC:Side 2]]
# "Sue (Or in a Season of Crime)" (4:40)
# "Girl Loves Me" (4:51)
# "Dollar Days" (4:44)
# "I Can't Give Everything Away" (5:47)

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!!Seeing more but troping less; saying no but meaning yes; this is all I ever meant; that's the message that I sent:
* AscendToAHigherPlaneOfExistence: What the subject of "Blackstar" goes through after his demise.
* AGodAmI: The singer of ''Blackstar'':
-> You're a flash in the pan (I'm not a marvel star)
-> I'm the great I Am (I'm a blackstar)
* BittersweetEnding: "I Can't Give Everything Away" is this to the album as well as David Bowie's career as a whole.
* BlindSeer: Invoked by the button-eyed figure Bowie plays in the "Blackstar" and "Lazarus" videos.
* CallBack: The harmonica on the closing track "I Can't Give Everything Away" plays the same tune as the harmonica on "A New Career in a New Town" from Bowie's 1977 album ''Music/LowDavidBowieAlbum''; fans have also cited similarities to "Never Let Me Down", "Soul Love", and "Thursday's Child". The music also becomes more reminiscent of Bowie's old styles towards the end of the album.
* ClusterFBomb: "Girl Loves Me".
--> "''Where the fuck did Monday go?...''\\
''Who the fuck's gonna mess with me?''"
* ConceptAlbum: Most songs reflect the singer's illness and impending death.
* DeadArtistsAreBetter: [[invoked]] It's possible to interpret "Lazarus" as Bowie being self-conscious about how audiences will look at his work differently after he's gone, with all the private torment and anguish that belonged to the artist and his work, becoming common property:
-->"Look up here, I’m in heaven\\
I’ve got scars that can’t be seen\\
I’ve got drama, can’t be stolen\\
Everybody knows me now"
* DeathSong: Both "Blackstar" and "Lazarus" are speculated by many to be Bowie writing his own dirge. It was confirmed the album was a GrandFinale for Bowie and a parting gift to the world. "Dollar Days" and "I Can't Give Everything Away" also address the singer's impending death.
* DyingMomentOfAwesome: Bowie recorded ''Blackstar'' while battling a terminal case of cancer, which took his life two days after this album's official release.
* EldritchAbomination: That... THING at the end of the Blackstar music video.
* EpicRocking: The title track is nearly ten minutes long, while "Lazarus" is 6 and 1/2.
* FaceDeathWithDignity: The album is essentially Bowie doing this, taking his impending death from cancer and turning it into a work of art.
* FadingIntoTheNextSong[=/=]SiameseTwinSongs: The drum beat from "I Can't Give Everything Away" starts towards the end of "Dollar Days" before the latter song finishes fading away, in something of an example of a song transition that could be considered halfway between these two tropes.
* GrandFinale: For Bowie's life, as confirmed by the album's [[RecordProducer producer]] Tony Visconti. However, it was also revealed that after recording ''Blackstar'', Bowie planned to make one more album, and demoed five tracks for it before his death. Bowie called Visconti a week before his death saying he wanted to make another album, which somehow makes the album's subject ''even harsher'' since it makes it plain that, despite ''Blackstar''[='=]s peaceful ending, Bowie still wasn't ready to go.
* LiteraryAllusionTitle: The title "'Tis a Pity She Was a Whore" is a reference to a 17th century drama by John Ford ([[NamesTheSame not]] [[Creator/JohnFord that one]]) entitled ''Theatre/TisPityShesAWhore'', which is infamous for its transgressive themes, including BrotherSisterIncest.
* LoudnessWar: The album's mastering is arguably its only significant flaw; it comes out to [=DR5=], making it probably Bowie's loudest album, and is badly clipped. Even the vinyl and [=iTunes=] editions are plagued by clipping.
** Possibly intended as [[FridgeBrilliance fridge]] especially if you know what [[https://en.wikipedia.org/wiki/Death_receptor_5 DR5]] can stand for.
* LoveMartyr: "'Tis a Pity She Was a Whore" has one as its subject.
* LuckyCharmsTitle: The official title of the album is the black star symbol itself.
* MindScrew: The song ''Blackstar'' which doesn't so much sound like the singer's having a mental breakdown as that he's already insane to begin with. Not to mention many of the lines in the song is full of bizarre symbolism.
* NeoclassicalPunkZydecoRockabilly: Jazz fusion, progressive rock, krautrock, modern electronic music, hard rock, avant garde and Bowie's famed art rock and glam rock sounds thrown in a blender.
** Bowie also cited experimental hip hop artists like Music/DeathGrips and Music/KendrickLamar as influences, and it shows in some of the beats.
** He also cited the Music/{{Metallica}} and Music/LouReed collaboration ''Lulu'' as an influence. They do happen to share similar lyrical themes, likely because both Reed and Bowie were at death's door.
* NewSoundAlbum: Jazz fusion, with influence from AvantGardeMusic, HipHop, {{Krautrock}}, ProgressiveRock, ElectronicMusic, and several other styles. Some of these were styles Bowie had explored before, but some were entirely new to his oeuvre.
* ShoutOut: "Girl Loves Me" features lines sung in "Nadsat", the language from ''Literature/AClockWorkOrange'', one of Bowie's favorite novels. Some of the slang words used in the track are also adopted from TheSeventies gay subculture, while others are [[PerfectlyCromulentWord of Bowie's own invention]].
** The title itself might also be one; there exists an obscure Music/ElvisPresley song titled "Black Star", which features lyrics about how "Every man has a black star [...] over his shoulder / And when a man sees his black star / He knows his time has come". Given that the album was released on January 8th (the birthday of both Elvis and Bowie), a widely reported theory was that this Bowie album was named for the Elvis song.
** The reference to the chestnut tree in "Girl Loves Me" is very likely another of Bowie's ''Literature/NineteenEightyFour'' references ("Under the spreading chestnut tree, I sold you and you sold me").
* SomethingCompletelyDifferent: Bowie wanted to create an album that was a departure from his previous release, ''Music/TheNextDay'', leading to him ditching his band and instead hiring jazz musicians to play rock music.
* SophisticatedAsHell:
** "'Tis a Pity She Was a Whore" is partly written in AntiquatedLinguistics befitting the title, but starts with the line "Man she punched me like a dude."
** Lazarus is a very bittersweet song and is written normally, until Bowie drops "I was looking for yo' ass" out of nowhere.
* TextlessAlbumCover: It features only the titular black star as well as star symbols that can be interpreted to spell out "Bowie", making this an odd ZigZaggedTrope. It's also one of few Bowie sleeves that doesn't have his FaceOnTheCover, and '''the''' only one to lack his likeness whatsoever (discounting the [[https://img.discogs.com/GlrBkuxbP9lE0AUrGLQ29eyzEwY=/fit-in/600x599/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-710468-1475029886-8513.jpeg.jpg cover art]] for the original 1970 US release of ''Music/TheManWhoSoldTheWorld'', though the [[https://lastfm-img2.akamaized.net/i/u/770x0/d7cc13a5bafa4fd496e30b0d037dfcac.jpg art]] for the 1971 UK release is considered the canonical one anyways).
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