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* RealLifeWritesThePlot: Violent J got the idea to record a cover of Sly Fox's song "Let's Go All the Way" after buying a compilation of NewWaveMusic on cassette at a gas station. There's a TakeThat towards Sharon Osbourne because of the bet they made. There's a Take That towards Music/KidRock because he'd recorded a couple songs dissing ICP[[note]]after Shaggy 2 Dope dissed Kid Rock first, on the 1994 solo song "Fuck Off!", where 2 Dope rapped, "I won't [[RapRock mix no rap with rock & roll]], like somebody else I know!", Kid Rock dissed them on two songs from ''Music/EarlyMorninStonedPimp'', "Ya Keep On", where Rock raps, "don't call me Joe, 'cause the Joes I know can't even flow", referring to Joe Bruce (Violent J) and Joe Utsler (Shaggy 2 Dope), and "Freestyle Rhyme", where Rock raps, "is there anything wacker than a wicked clown? Nope"[[/note]] and the end of "Please Don't Hate Me", where Violent J reveals that the person he'd just left a phone message informing them of having had sex with their mother was Music/{{Eminem}} came as a result of their real-life feud.[[note]]During the release of ''The Slim Shady EP'', Eminem, who was influenced by ICP, gave them a flyer saying that ICP, as well as House of Krazees, the group that became Twiztid, Esham, Kid Rock and dozens of other popular Detroit rappers, ''might'' appear at Eminem's release party. Violent J pointed out that this was deceptive, because ICP hadn't agreed to appear at Eminem's release party, or even been asked, and when Eminem informed them that this was his way of inviting them, Violent J flat out refused in a way that Eminem perceived as a diss towards him, which Violent J later admitted may have been more disrespectful towards Eminem than he'd intended, Eminem subsequently rapped in a radio freestyle, "Fuck ICP! Buy my CD!" ICP responded by redubbing Eminem's then-recent hit "My Name Is" as "Slim Anus", starting a long-running feud between Eminem and ICP, which D12's Proof helped bury in the mid-2000's. Eminem later rapped in the 2013 song "Wicked Ways" that he was a cross between Skylar Grey, Music/TylerTheCreator and Violent J, a CallBack to when he'd previously described himself as a cross between Music/MarilynManson, Esham and Music/OzzyOsbourne in the lyrics to 1999's "Still Don't Give a Fuck".[[/note]]

to:

* RealLifeWritesThePlot: Violent J got the idea to record a cover of Sly Fox's song "Let's Go All the Way" after buying a compilation of NewWaveMusic on cassette at a gas station. There's a TakeThat towards Sharon Osbourne because of the bet they made. There's a Take That towards Music/KidRock because he'd recorded a couple songs dissing ICP[[note]]after Shaggy 2 Dope dissed Kid Rock first, on the 1994 solo song "Fuck Off!", where 2 Dope rapped, "I won't [[RapRock mix no rap with rock & roll]], like somebody else I know!", Kid Rock dissed them on two songs from ''Music/EarlyMorninStonedPimp'', "Ya Keep On", where Rock raps, "don't call me Joe, 'cause the Joes I know can't even flow", referring to Joe Bruce (Violent J) and Joe Utsler (Shaggy 2 Dope), and "Freestyle Rhyme", where Rock raps, "is there anything wacker than a wicked clown? Nope"[[/note]] and the end of "Please Don't Hate Me", where Violent J reveals that the person he'd just left a phone message informing them of having had sex with their mother was Music/{{Eminem}} came as a result of their real-life feud.[[note]]During the release of ''The Slim Shady EP'', Eminem, who was influenced by ICP, gave them a flyer saying that ICP, as well as House of Krazees, the group that became Twiztid, Esham, Kid Rock and dozens of other popular Detroit rappers, ''might'' appear at Eminem's release party. Violent J pointed out that this was deceptive, because ICP hadn't agreed to appear at Eminem's release party, or even been asked, and when Eminem informed them that this was his way of inviting them, Violent J flat out refused in a way that Eminem perceived as a diss towards him, which Violent J later admitted may have been more disrespectful towards Eminem than he'd intended, Eminem subsequently rapped in a radio freestyle, "Fuck ICP! Buy my CD!" ICP responded by redubbing Eminem's then-recent hit "My "[[Music/TheSlimShadyLP My Name Is" Is]]" as "Slim Anus", starting a long-running feud between Eminem and ICP, which D12's Proof helped bury in the mid-2000's. Eminem later rapped in the 2013 song "Wicked Ways" that he was a cross between Skylar Grey, Music/TylerTheCreator and Violent J, a CallBack to when he'd previously described himself as a cross between Music/MarilynManson, Esham and Music/OzzyOsbourne in the lyrics to 1999's "Still Don't Give a Fuck".[[/note]]
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# "The Pendulum's Promise" – [[HiddenTrack 21:25]]

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# "The Pendulum's Promise" – [[HiddenTrack 21:25]]
5:33



# "Crystal Ball" (featuring Twiztid) – [[HiddenTrack 22:44]]

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# "Crystal Ball" (featuring Twiztid) – [[HiddenTrack 22:44]]
7:52
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# "The Pendulum's Promise" – 21:25

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# "The Pendulum's Promise" – 21:25
[[HiddenTrack 21:25]]



# "Crystal Ball" (featuring Twiztid) – 22:44

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# "Crystal Ball" (featuring Twiztid) – 22:44
[[HiddenTrack 22:44]]
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More details


* RealLifeWritesThePlot: Violent J got the idea to record a cover of Sly Fox's song "Let's Go All the Way" after buying a compilation of NewWaveMusic on cassette at a gas station. There's a TakeThat towards Sharon Osbourne because of the bet they made. There's a Take That towards Music/KidRock because he'd recorded a couple songs dissing ICP[[note]]"Ya Keep On", off ''Music/EarlyMorninStonedPimp'', where Rock raps, "don't call me Joe, 'cause the Joes I know can't even flow", referring to Joe Bruce (Violent J) and Joe Utsler (Shaggy 2 Dope), and "Freestyle Rhyme", off the same album, where Rock raps, "is there anything wacker than a wicked clown? Nope"[[/note]] and the end of "Please Don't Hate Me", where Violent J reveals that the person he'd just left a phone message informing them of having had sex with their mother was Music/{{Eminem}} came as a result of their real-life feud.[[note]]During the release of ''The Slim Shady EP'', Eminem, who was influenced by ICP, gave them a flyer saying that ICP, as well as House of Krazees, the group that became Twiztid, Esham, Kid Rock and dozens of other popular Detroit rappers, ''might'' appear at Eminem's release party. Violent J pointed out that this was deceptive, because ICP hadn't agreed to appear at Eminem's release party, or even been asked, and when Eminem informed them that this was his way of inviting them, Violent J flat out refused in a way that Eminem perceived as a diss towards him, which Violent J later admitted may have been more disrespectful towards Eminem than he'd intended, Eminem subsequently rapped in a radio freestyle, "Fuck ICP! Buy my CD!" ICP responded by redubbing Eminem's then-recent hit "My Name Is" as "Slim Anus", starting a long-running feud between Eminem and ICP, which D12's Proof helped bury in the mid-2000's. Eminem later rapped in the 2013 song "Wicked Ways" that he was a cross between Skylar Grey, Music/TylerTheCreator and Violent J, a CallBack to when he'd previously described himself as a cross between Music/MarilynManson, Esham and Music/OzzyOsbourne in the lyrics to 1999's "Still Don't Give a Fuck".[[/note]]

to:

* RealLifeWritesThePlot: Violent J got the idea to record a cover of Sly Fox's song "Let's Go All the Way" after buying a compilation of NewWaveMusic on cassette at a gas station. There's a TakeThat towards Sharon Osbourne because of the bet they made. There's a Take That towards Music/KidRock because he'd recorded a couple songs dissing ICP[[note]]"Ya Keep On", off ICP[[note]]after Shaggy 2 Dope dissed Kid Rock first, on the 1994 solo song "Fuck Off!", where 2 Dope rapped, "I won't [[RapRock mix no rap with rock & roll]], like somebody else I know!", Kid Rock dissed them on two songs from ''Music/EarlyMorninStonedPimp'', "Ya Keep On", where Rock raps, "don't call me Joe, 'cause the Joes I know can't even flow", referring to Joe Bruce (Violent J) and Joe Utsler (Shaggy 2 Dope), and "Freestyle Rhyme", off the same album, where Rock raps, "is there anything wacker than a wicked clown? Nope"[[/note]] and the end of "Please Don't Hate Me", where Violent J reveals that the person he'd just left a phone message informing them of having had sex with their mother was Music/{{Eminem}} came as a result of their real-life feud.[[note]]During the release of ''The Slim Shady EP'', Eminem, who was influenced by ICP, gave them a flyer saying that ICP, as well as House of Krazees, the group that became Twiztid, Esham, Kid Rock and dozens of other popular Detroit rappers, ''might'' appear at Eminem's release party. Violent J pointed out that this was deceptive, because ICP hadn't agreed to appear at Eminem's release party, or even been asked, and when Eminem informed them that this was his way of inviting them, Violent J flat out refused in a way that Eminem perceived as a diss towards him, which Violent J later admitted may have been more disrespectful towards Eminem than he'd intended, Eminem subsequently rapped in a radio freestyle, "Fuck ICP! Buy my CD!" ICP responded by redubbing Eminem's then-recent hit "My Name Is" as "Slim Anus", starting a long-running feud between Eminem and ICP, which D12's Proof helped bury in the mid-2000's. Eminem later rapped in the 2013 song "Wicked Ways" that he was a cross between Skylar Grey, Music/TylerTheCreator and Violent J, a CallBack to when he'd previously described himself as a cross between Music/MarilynManson, Esham and Music/OzzyOsbourne in the lyrics to 1999's "Still Don't Give a Fuck".[[/note]]
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The only problem was that they didn't want to release the Sixth Joker's Card albums on Island/Def Jam[[note]]Island merged with Def Jam after signing ICP, so ICP wasn't feeling the atmosphere with the new executives, as, on Island, they stood out as one of the only Hip-Hop acts on the label, but on Def Jam, they were just another rap act, and while Island was excited to work with ICP, Def Jam didn't care about marketing them.[[/note]] So they would have to come up with two completely different, unrelated albums to give to Island so they could release them on the same day. Additionally, through their contract with Creator/PsychopathicRecords, Island had already reissued Twiztid's debut album ''Mostasteless'', and would also get to distribute Twiztid's second album, ''Freek Show'', on the same day as ICP's ''Bizaar Bizzar'' albums, which would more than complete their Island contract.

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The only problem was that they didn't want to release the Sixth Joker's Card albums on Island/Def Jam[[note]]Island Jam,[[note]]Island merged with Def Jam after signing ICP, so ICP wasn't feeling the atmosphere with the new executives, as, on Island, they stood out as one of the only Hip-Hop acts on the label, but on Def Jam, they were just another rap act, and while Island was excited to work with ICP, Def Jam didn't care about marketing them.[[/note]] So so they would have to come up with two completely different, unrelated albums to give to Island so they could release them on the same day. Additionally, through their contract with Creator/PsychopathicRecords, Island had already reissued Twiztid's debut album ''Mostasteless'', and would also get to distribute Twiztid's second album, ''Freek Show'', on the same day as ICP's ''Bizaar Bizzar'' albums, which would more than complete their Island contract.
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Trimming the introduction


The only problem was that if they released the Sixth Joker's Card albums on Island Records, Island would own them, and so they needed to complete their contract with the label so that they could release the Sixth Joker's Card albums independently and own all rights themselves.[[note]]Additionally, Island had merged with Def Jam after signing ICP, so ICP wasn't feeling the atmosphere with the new executives, as, on Island, they stood out as one of the only Hip-Hop acts on the label, but on Def Jam, they were just another rap act, and while Island was excited to work with ICP, Def Jam didn't care about marketing them.[[/note]] So they would have to come up with two completely different, unrelated albums to give to Island so they could release them on the same day. Additionally, through their contract with Creator/PsychopathicRecords, Island had already reissued Twiztid's debut album ''Mostasteless'', and would also get to distribute Twiztid's second album, ''Freek Show'', on the same day as ICP's ''Bizaar Bizzar'' albums, which would more than complete their Island contract.

to:

The only problem was that if they released the Sixth Joker's Card albums on Island Records, Island would own them, and so they needed didn't want to complete their contract with the label so that they could release the Sixth Joker's Card albums independently and own all rights themselves.[[note]]Additionally, Island had on Island/Def Jam[[note]]Island merged with Def Jam after signing ICP, so ICP wasn't feeling the atmosphere with the new executives, as, on Island, they stood out as one of the only Hip-Hop acts on the label, but on Def Jam, they were just another rap act, and while Island was excited to work with ICP, Def Jam didn't care about marketing them.[[/note]] So they would have to come up with two completely different, unrelated albums to give to Island so they could release them on the same day. Additionally, through their contract with Creator/PsychopathicRecords, Island had already reissued Twiztid's debut album ''Mostasteless'', and would also get to distribute Twiztid's second album, ''Freek Show'', on the same day as ICP's ''Bizaar Bizzar'' albums, which would more than complete their Island contract.
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* AffablyEvil: "Mr. Happy" is a cheerful little song about a friendly(if slightly-odd) fellow that really, really loves people. He just also happens to consider gruesomely murdering people the ultimate expression of love. The fact that he appears to be singing this song to a group of children simply adds [[NightmareFuel a whole other layer of creepy to this already-disturbing track]].

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* AffablyEvil: "Mr. Happy" is a cheerful little song about a friendly(if friendly (if slightly-odd) fellow that really, really loves people. He just also happens to consider gruesomely murdering people the ultimate expression of love. The fact that he appears to be singing this song to a group of children simply adds [[NightmareFuel a whole other layer of creepy to this already-disturbing track]].
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[[caption-width-right:410:''Witnesses now tell us thousands upon thousands of people are emerging from sewers everywhere, their faces are painted and, [[UsefulNotes/{{Juggalo}} and they look like clowns...]]'']]

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[[caption-width-right:410:''Witnesses now tell us thousands upon thousands of people are emerging from sewers everywhere, their faces are painted and, and...[[UsefulNotes/{{Juggalo}} and they look like clowns...]]'']]
Is there an issue? Send a MessageReason:
None


* RealLifeWritesThePlot: Violent J got the idea to record a cover of Sly Fox's song "Let's Go All the Way" after buying a compilation of NewWaveMusic on cassette at a gas station. There's a TakeThat towards Sharon Osbourne because of the bet they made. There's a Take That towards Music/KidRock because he'd recorded a couple songs dissing ICP[[note]]"Ya Keep On", off ''Music/EarlyMorninStonedPimp'', where Rock raps, "don't call me Joe, 'cause the Joes I know can't even flow", referring to Joe Bruce (Violent J) and Joe Utsler (Shaggy 2 Dope), and "Freestyle Rhyme", off the same album, where Rock raps, "is there anything wacker than a wicked clown? Nope"[[/note]] and the end of "Please Don't Hate Me", where Violent J reveals that the person he'd just left a phone message informing them of having had sex with their mother was Music/{{Eminem}} came as a result of their real-life feud.[[note]]During the release of ''The Slim Shady EP'', Eminem, who was influenced by ICP, gave them a flyer saying that ICP, as well as House of Krazees, the group that became Twiztid, Esham, Kid Rock and dozens of other popular Detroit rappers, ''might'' appear at Eminem's release party. Violent J pointed out that this was deceptive, because ICP hadn't agreed to appear at Eminem's release party, or even been asked, and when Eminem informed them that this was his way of inviting them, Violent J flat out refused in a way that Eminem perceived as a diss towards him, which Violent J later admitted may have been more disrespectful towards Eminem than he'd intended, Eminem subsequently rapped in a radio freestyle, "Fuck ICP! Buy my CD!" ICP responded by redubbing Eminem's then-recent hit "My Name Is" as "Slim Anus", started a long-running feud between Eminem and ICP, which D12's Proof helped bury in the mid-2000's. Eminem later rapped in the 2013 song "Wicked Ways" that he was a cross between Skylar Grey, Music/TylerTheCreator and Violent J, a CallBack to when he'd previously described himself as a cross between Music/MarilynManson, Esham and Music/OzzyOsbourne in the lyrics to 1999's "Still Don't Give a Fuck".[[/note]]

to:

* RealLifeWritesThePlot: Violent J got the idea to record a cover of Sly Fox's song "Let's Go All the Way" after buying a compilation of NewWaveMusic on cassette at a gas station. There's a TakeThat towards Sharon Osbourne because of the bet they made. There's a Take That towards Music/KidRock because he'd recorded a couple songs dissing ICP[[note]]"Ya Keep On", off ''Music/EarlyMorninStonedPimp'', where Rock raps, "don't call me Joe, 'cause the Joes I know can't even flow", referring to Joe Bruce (Violent J) and Joe Utsler (Shaggy 2 Dope), and "Freestyle Rhyme", off the same album, where Rock raps, "is there anything wacker than a wicked clown? Nope"[[/note]] and the end of "Please Don't Hate Me", where Violent J reveals that the person he'd just left a phone message informing them of having had sex with their mother was Music/{{Eminem}} came as a result of their real-life feud.[[note]]During the release of ''The Slim Shady EP'', Eminem, who was influenced by ICP, gave them a flyer saying that ICP, as well as House of Krazees, the group that became Twiztid, Esham, Kid Rock and dozens of other popular Detroit rappers, ''might'' appear at Eminem's release party. Violent J pointed out that this was deceptive, because ICP hadn't agreed to appear at Eminem's release party, or even been asked, and when Eminem informed them that this was his way of inviting them, Violent J flat out refused in a way that Eminem perceived as a diss towards him, which Violent J later admitted may have been more disrespectful towards Eminem than he'd intended, Eminem subsequently rapped in a radio freestyle, "Fuck ICP! Buy my CD!" ICP responded by redubbing Eminem's then-recent hit "My Name Is" as "Slim Anus", started starting a long-running feud between Eminem and ICP, which D12's Proof helped bury in the mid-2000's. Eminem later rapped in the 2013 song "Wicked Ways" that he was a cross between Skylar Grey, Music/TylerTheCreator and Violent J, a CallBack to when he'd previously described himself as a cross between Music/MarilynManson, Esham and Music/OzzyOsbourne in the lyrics to 1999's "Still Don't Give a Fuck".[[/note]]
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"Bizzar" (featuring Twiztid and Music/{{Esham}}) – 3:36

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# "Bizzar" (featuring Twiztid and Music/{{Esham}}) – 3:36
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The only problem was that if they released the Sixth Joker's Card albums on Island Records, Island would own them, and so they needed to complete their contract with the label so that they could release the Sixth Joker's Card albums independently and own all rights themselves.[[note]]Additionally, Island had merged with Def Jam after signing ICP, so ICP wasn't feeling the atmosphere with the new executives, as, on Island, they stood out as one of the only Hip-Hop acts on the label, but on Def Jam, they were just another rap act, and while Island was excited to work with ICP, Def Jam didn't care about marketing them.[[/note]] So they would have to come up with two completely different, unrelated albums to give to Island so they could release them on the same day. Additionally, through their contract with Creator/PsychopathicRecords, Island had already reissued Twiztid's debut album ''Mostasteless'', and would also get to distribute Twiztid's second album, ''Freek Show'' on the same day as ICP's ''Bizaar Bizzar'' albums, which would more than complete their Island contract.

to:

The only problem was that if they released the Sixth Joker's Card albums on Island Records, Island would own them, and so they needed to complete their contract with the label so that they could release the Sixth Joker's Card albums independently and own all rights themselves.[[note]]Additionally, Island had merged with Def Jam after signing ICP, so ICP wasn't feeling the atmosphere with the new executives, as, on Island, they stood out as one of the only Hip-Hop acts on the label, but on Def Jam, they were just another rap act, and while Island was excited to work with ICP, Def Jam didn't care about marketing them.[[/note]] So they would have to come up with two completely different, unrelated albums to give to Island so they could release them on the same day. Additionally, through their contract with Creator/PsychopathicRecords, Island had already reissued Twiztid's debut album ''Mostasteless'', and would also get to distribute Twiztid's second album, ''Freek Show'' Show'', on the same day as ICP's ''Bizaar Bizzar'' albums, which would more than complete their Island contract.
Is there an issue? Send a MessageReason:
None


[[caption-width-right:410:''Witnesses now tell us thousands upon thousands of people are emerging from sewers everywhere, their faces are painted and, and they look like clowns...'']]

to:

[[caption-width-right:410:''Witnesses now tell us thousands upon thousands of people are emerging from sewers everywhere, their faces are painted and, [[UsefulNotes/{{Juggalo}} and they look like clowns...'']]]]'']]
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Added DiffLines:

* RockStarSong: The narrative of "Radio Stars" is that ICP are trying to get a radio hit by writing songs in several {{Pop}} styles which [[GenreShift we hear rhe results of]] as [[PopRap Glam Rap]], PopPunk, and the BoyBand are all parodied.
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None


* RealLifeWritesThePlot: Violent J got the idea to record a cover of Sly Fox's song "Let's Go All the Way" after buying a compilation of NewWaveMusic on cassette at a gas station. There's a TakeThat towards Sharon Osbourne because of the bet they made. There's a Take That towards Music/KidRock because he'd recorded a couple songs dissing ICP[[note]]"Ya Keep On", off ''Music/EarlyMorninStonedPimp'', where Rock raps, "don't call me Joe, 'cause the Joes I know can't even flow", referring to Joe Bruce (Violent J) and Joe Utsler (Shaggy 2 Dope), and "Freestyle Rhyme", off the same album, where Rock raps, "is there anything wacker than a wicked clown? Nope"[[/note]] and the end of "Please Don't Hate Me", where Violent J reveals that the person he'd just left a phone message informing them of having had sex with their mother was Music/{{Eminem}} came as a result of their real-life feud.[[note]]During the release of ''The Slim Shady EP'', Eminem, who was influenced by ICP, gave them a flyer saying that ICP, as well as House of Krazees, the group that became Twiztid, Esham, Kid Rock and dozens of other popular Detroit rappers, ''might'' appear at Eminem's release party. Violent J pointed out that this was deceptive, because ICP hadn't agreed to appear at Eminem's release party, or even been asked, and when Eminem informed them that this was his way of inviting them, Violent J flat out refused in a way that Eminem perceived as a diss towards him, which Violent J later admitted may have been more disrespectful towards Eminem than he'd intended, Eminem subsequently rapped in a radio freestyle, "Fuck ICP! Buy my CD!" ICP responded by redubbing Eminem's then-recent hit "My Name Is" as "Slim Anus", started a long-running feud between Eminem and ICP, which D12's Proof helped bury in the mid-2000's. Eminem later rapped in the 2013 song "Wicked Way" that he was a cross between Skylar Grey, Music/TylerTheCreator and Violent J, a CallBack to when he'd previously described himself as a cross between Music/MarilynManson, Esham and Music/OzzyOsbourne in the lyrics to 1999's "Still Don't Give a Fuck".[[/note]]

to:

* RealLifeWritesThePlot: Violent J got the idea to record a cover of Sly Fox's song "Let's Go All the Way" after buying a compilation of NewWaveMusic on cassette at a gas station. There's a TakeThat towards Sharon Osbourne because of the bet they made. There's a Take That towards Music/KidRock because he'd recorded a couple songs dissing ICP[[note]]"Ya Keep On", off ''Music/EarlyMorninStonedPimp'', where Rock raps, "don't call me Joe, 'cause the Joes I know can't even flow", referring to Joe Bruce (Violent J) and Joe Utsler (Shaggy 2 Dope), and "Freestyle Rhyme", off the same album, where Rock raps, "is there anything wacker than a wicked clown? Nope"[[/note]] and the end of "Please Don't Hate Me", where Violent J reveals that the person he'd just left a phone message informing them of having had sex with their mother was Music/{{Eminem}} came as a result of their real-life feud.[[note]]During the release of ''The Slim Shady EP'', Eminem, who was influenced by ICP, gave them a flyer saying that ICP, as well as House of Krazees, the group that became Twiztid, Esham, Kid Rock and dozens of other popular Detroit rappers, ''might'' appear at Eminem's release party. Violent J pointed out that this was deceptive, because ICP hadn't agreed to appear at Eminem's release party, or even been asked, and when Eminem informed them that this was his way of inviting them, Violent J flat out refused in a way that Eminem perceived as a diss towards him, which Violent J later admitted may have been more disrespectful towards Eminem than he'd intended, Eminem subsequently rapped in a radio freestyle, "Fuck ICP! Buy my CD!" ICP responded by redubbing Eminem's then-recent hit "My Name Is" as "Slim Anus", started a long-running feud between Eminem and ICP, which D12's Proof helped bury in the mid-2000's. Eminem later rapped in the 2013 song "Wicked Way" Ways" that he was a cross between Skylar Grey, Music/TylerTheCreator and Violent J, a CallBack to when he'd previously described himself as a cross between Music/MarilynManson, Esham and Music/OzzyOsbourne in the lyrics to 1999's "Still Don't Give a Fuck".[[/note]]
Is there an issue? Send a MessageReason:
None


* RealLifeWritesThePlot: Violent J got the idea to record a cover of Sly Fox's song "Let's Go All the Way" after buying a compilation of NewWaveMusic on cassette at a gas station. There's a TakeThat towards Sharon Osbourne because of the bet they made. There's a Take That towards Music/KidRock because he'd recorded a couple songs dissing ICP[[note]]"Ya Keep On", off ''Music/EarlyMorninStonedPimp'', where Rock raps, "don't call me Joe, 'cause the Joes I know can't even flow", referring to Joe Bruce (Violent J) and Joe Utsler (Shaggy 2 Dope), and "Freestyle Rhyme", where Rock raps, "is there anything wacker than a wicked clown? Nope"[[/note]] and the end of "Please Don't Hate Me", where Violent J reveals that the person he'd just left a phone message informing them of having had sex with their mother was Music/{{Eminem}} came as a result of their real-life feud.[[note]]During the release of ''The Slim Shady EP'', Eminem, who was influenced by ICP, gave them a flyer saying that ICP, as well as House of Krazees, the group that became Twiztid, Esham, Kid Rock and dozens of other popular Detroit rappers, ''might'' appear at Eminem's release party. Violent J pointed out that this was deceptive, because ICP hadn't agreed to appear at Eminem's release party, or even been asked, and when Eminem informed them that this was his way of inviting them, Violent J flat out refused in a way that Eminem perceived as a diss towards him, which Violent J later admitted may have been more disrespectful towards Eminem than he'd intended, Eminem subsequently rapped in a radio freestyle, "Fuck ICP! Buy my CD!" ICP responded by redubbing Eminem's then-recent hit "My Name Is" as "Slim Anus", started a long-running feud between Eminem and ICP, which D12's Proof helped bury in the mid-2000's. Eminem later rapped in the 2013 song "Wicked Way" that he was a cross between Skylar Grey, Music/TylerTheCreator and Violent J, a CallBack to when he'd previously described himself as a cross between Music/MarilynManson, Esham and Music/OzzyOsbourne in the lyrics to 1999's "Still Don't Give a Fuck".[[/note]]

to:

* RealLifeWritesThePlot: Violent J got the idea to record a cover of Sly Fox's song "Let's Go All the Way" after buying a compilation of NewWaveMusic on cassette at a gas station. There's a TakeThat towards Sharon Osbourne because of the bet they made. There's a Take That towards Music/KidRock because he'd recorded a couple songs dissing ICP[[note]]"Ya Keep On", off ''Music/EarlyMorninStonedPimp'', where Rock raps, "don't call me Joe, 'cause the Joes I know can't even flow", referring to Joe Bruce (Violent J) and Joe Utsler (Shaggy 2 Dope), and "Freestyle Rhyme", off the same album, where Rock raps, "is there anything wacker than a wicked clown? Nope"[[/note]] and the end of "Please Don't Hate Me", where Violent J reveals that the person he'd just left a phone message informing them of having had sex with their mother was Music/{{Eminem}} came as a result of their real-life feud.[[note]]During the release of ''The Slim Shady EP'', Eminem, who was influenced by ICP, gave them a flyer saying that ICP, as well as House of Krazees, the group that became Twiztid, Esham, Kid Rock and dozens of other popular Detroit rappers, ''might'' appear at Eminem's release party. Violent J pointed out that this was deceptive, because ICP hadn't agreed to appear at Eminem's release party, or even been asked, and when Eminem informed them that this was his way of inviting them, Violent J flat out refused in a way that Eminem perceived as a diss towards him, which Violent J later admitted may have been more disrespectful towards Eminem than he'd intended, Eminem subsequently rapped in a radio freestyle, "Fuck ICP! Buy my CD!" ICP responded by redubbing Eminem's then-recent hit "My Name Is" as "Slim Anus", started a long-running feud between Eminem and ICP, which D12's Proof helped bury in the mid-2000's. Eminem later rapped in the 2013 song "Wicked Way" that he was a cross between Skylar Grey, Music/TylerTheCreator and Violent J, a CallBack to when he'd previously described himself as a cross between Music/MarilynManson, Esham and Music/OzzyOsbourne in the lyrics to 1999's "Still Don't Give a Fuck".[[/note]]
Is there an issue? Send a MessageReason:
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* RealLifeWritesThePlot: Violent J got the idea to record a cover of Sly Fox's song "Let's Go All the Way" after buying a compilation of NewWaveMusic on cassette at a gas station. There's a TakeThat towards Sharon Osbourne because of the bet they made. There's a Take That towards Music/KidRock because he'd recorded a couple songs dissing ICP[[note]]"Ya Keep On", off ''Music/EarlyMorninStonedPimp'', where Rock raps, "don't call me Joe, 'cause the Joes I know can't even flow", referring to Joe Bruce (Violent J) and Joe Utsler (Shaggy 2 Dope), and "Freestyle Rhyme", where Rock raps, "is there anything wacker than a wicked clown? Nope"[[/note]] and the end of "Please Don't Hate Me", where Violent J reveals that the person he'd just left a phone message informing them of having had sex with their mother was Music/{{Eminem}} came as a result of their real-life feud.[[note]]During the release of ''The Slim Shady EP'', Eminem, who was influenced by ICP, gave them a flyer saying that ICP, as well as House of Krazees, the group that became Twiztid, Esham, Kid Rock and dozens of other popular Detroit rappers, ''might'' appear at Eminem's release party. Violent J pointed out that this was deceptive, because ICP hadn't agreed to appear at Eminem's release party, or even been asked, and when Eminem informed them that this was his way of inviting them, Violent J flat out refused in a way that Eminem perceived as a diss towards him, which Violent J later admitted may have been more disrespectful towards Eminem than he'd intended, Eminem subsequently rapped in a radio freestyle, "Fuck ICP! Buy my CD!" ICP responded by redubbing Eminem's then-recent hit "My Name Is" as "Slim Anus", started a long-running feud between Eminem and ICP, which D12's Proof helped bury in the mid-2000's. Eminem later rapped in a 2013 song that he was a cross between Skylar Grey, Music/TylerTheCreator and Violent J, a CallBack to when he'd previously described himself as a cross between Music/MarilynManson, Esham and Music/OzzyOsbourne.[[/note]]

to:

* RealLifeWritesThePlot: Violent J got the idea to record a cover of Sly Fox's song "Let's Go All the Way" after buying a compilation of NewWaveMusic on cassette at a gas station. There's a TakeThat towards Sharon Osbourne because of the bet they made. There's a Take That towards Music/KidRock because he'd recorded a couple songs dissing ICP[[note]]"Ya Keep On", off ''Music/EarlyMorninStonedPimp'', where Rock raps, "don't call me Joe, 'cause the Joes I know can't even flow", referring to Joe Bruce (Violent J) and Joe Utsler (Shaggy 2 Dope), and "Freestyle Rhyme", where Rock raps, "is there anything wacker than a wicked clown? Nope"[[/note]] and the end of "Please Don't Hate Me", where Violent J reveals that the person he'd just left a phone message informing them of having had sex with their mother was Music/{{Eminem}} came as a result of their real-life feud.[[note]]During the release of ''The Slim Shady EP'', Eminem, who was influenced by ICP, gave them a flyer saying that ICP, as well as House of Krazees, the group that became Twiztid, Esham, Kid Rock and dozens of other popular Detroit rappers, ''might'' appear at Eminem's release party. Violent J pointed out that this was deceptive, because ICP hadn't agreed to appear at Eminem's release party, or even been asked, and when Eminem informed them that this was his way of inviting them, Violent J flat out refused in a way that Eminem perceived as a diss towards him, which Violent J later admitted may have been more disrespectful towards Eminem than he'd intended, Eminem subsequently rapped in a radio freestyle, "Fuck ICP! Buy my CD!" ICP responded by redubbing Eminem's then-recent hit "My Name Is" as "Slim Anus", started a long-running feud between Eminem and ICP, which D12's Proof helped bury in the mid-2000's. Eminem later rapped in a the 2013 song "Wicked Way" that he was a cross between Skylar Grey, Music/TylerTheCreator and Violent J, a CallBack to when he'd previously described himself as a cross between Music/MarilynManson, Esham and Music/OzzyOsbourne.Music/OzzyOsbourne in the lyrics to 1999's "Still Don't Give a Fuck".[[/note]]

Added: 2040

Changed: 50

Is there an issue? Send a MessageReason:
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* RealLifeWritesThePlot: Violent J got the idea to record a cover of Sly Fox's song "Let's Go All the Way" after buying a compilation of NewWaveMusic on cassette at a gas station. There's a TakeThat towards Sharon Osbourne because of the bet they made. There's a Take That towards Music/KidRock because he'd recorded a couple songs dissing ICP[[note]]"Ya Keep On", off ''Music/EarlyMorninStonedPimp'', where Rock raps, "don't call me Joe, 'cause the Joes I know can't even flow", referring to Joe Bruce (Violent J) and Joe Utsler (Shaggy 2 Dope), and "Freestyle Rhyme", where Rock raps, "is there anything wacker than a wicked clown? Nope"[[/note]] and the end of "Please Don't Hate Me", where Violent J reveals that the person he'd just left a phone message informing them of having had sex with their mother was Music/{{Eminem}} came as a result of their real-life feud.[[note]]During the release of ''The Slim Shady EP'', Eminem, who was influenced by ICP, gave them a flyer saying that ICP, as well as House of Krazees, the group that became Twiztid, Esham, Kid Rock and dozens of other popular Detroit rappers, ''might'' appear at Eminem's release party. Violent J pointed out that this was deceptive, because ICP hadn't agreed to appear at Eminem's release party, or even been asked, and when Eminem informed them that this was his way of inviting them, Violent J flat out refused in a way that Eminem perceived as a diss towards him, which Violent J later admitted may have been more disrespectful towards Eminem than he'd intended, Eminem subsequently rapped in a radio freestyle, "Fuck ICP! Buy my CD!" ICP responded by redubbing Eminem's then-recent hit "My Name Is" as "Slim Anus", started a long-running feud between Eminem and ICP, which D12's Proof helped bury in the mid-2000's. Eminem later rapped in a 2013 song that he was a cross between Skylar Grey, Music/TylerTheCreator and Violent J, a CallBack to when he'd previously described himself as a cross between Music/MarilynManson, Esham and Music/OzzyOsbourne.[[/note]]



* TroubledProduction: On top of having to complete two albums at once to get out of their Island contract, and having to win a bet with one of Rock's most powerful business people, Mike E. Clark quit working with ICP after producing these albums, over a disagreement in regard to the artistic direction ICP was going to take on [[Music/TheWraithShangriLa the Sixth Joker's Card]]. He came back later, but many fans felt that his absence hurt ''The Wraith: Shangri-La'' and ''Music/HellsPit'' albums.

to:

* TroubledProduction: On top of having to complete two albums at once to get out of their Island contract, contract due to not fitting in at Creator/DefJamRecordings, and having to win a bet with one of Rock's most powerful business people, Mike E. Clark quit working with ICP after producing these albums, over a disagreement in regard to the artistic direction ICP was going to take on [[Music/TheWraithShangriLa the Sixth Joker's Card]]. He came back later, but many fans felt that his absence hurt ''The Wraith: Shangri-La'' and ''Music/HellsPit'' albums.
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The only problem was that if they released the Sixth Joker's Card albums on Island Records, Island would own them, and so they needed to complete their contract with the label so that they could release the Sixth Joker's Card albums independently and own all rights themselves.[[note]]Additionally, Island had merged with Def Jam after signing ICP, so ICP weren't feeling the atmosphere with the new executives, as, on Island, they stood out as one of the only Hip-Hop acts on the label, but on Def Jam, they were just another rap act, and while Island was excited to work with ICP, Def Jam didn't care about marketing them.[[/note]] So they would have to come up with two completely different, unrelated albums to give to Island so they could release them on the same day. Additionally, through their contract with Creator/PsychopathicRecords, Island had already reissued Twiztid's debut album ''Mostasteless'', and would also get to distribute Twiztid's second album, ''Freek Show'' on the same day as ICP's ''Bizaar Bizzar'' albums, which would more than complete their Island contract.

to:

The only problem was that if they released the Sixth Joker's Card albums on Island Records, Island would own them, and so they needed to complete their contract with the label so that they could release the Sixth Joker's Card albums independently and own all rights themselves.[[note]]Additionally, Island had merged with Def Jam after signing ICP, so ICP weren't wasn't feeling the atmosphere with the new executives, as, on Island, they stood out as one of the only Hip-Hop acts on the label, but on Def Jam, they were just another rap act, and while Island was excited to work with ICP, Def Jam didn't care about marketing them.[[/note]] So they would have to come up with two completely different, unrelated albums to give to Island so they could release them on the same day. Additionally, through their contract with Creator/PsychopathicRecords, Island had already reissued Twiztid's debut album ''Mostasteless'', and would also get to distribute Twiztid's second album, ''Freek Show'' on the same day as ICP's ''Bizaar Bizzar'' albums, which would more than complete their Island contract.
Is there an issue? Send a MessageReason:
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''Bizaar'' and ''Bizzar'' are a DistinctDoubleAlbum by the HipHop act Music/InsaneClownPosse, released on [[HalloweenEpisode October 31, 2000]] as two separately sold discs to be their final releases on Creator/IslandRecords. The albums were produced at the same time the duo was writing ''Tales from the Lotus Pod'', the debut album of Music/DarkLotus, their side project with Music/{{Twiztid}}, and ICP were riding high off the success of ''Music/TheAmazingJeckelBrothers'' when Violent J got the idea to make the Sixth Joker's Card a Double Album about death, [[Music/TheWraithShangriLa one album about Heaven]] and [[Music/HellsPit another about Hell]], separately released.

The only problem was that if they released the Sixth Joker's Card albums on Island Records, Island would own them, and so they needed to complete their contract with the label so that they could release the Sixth Joker's Card albums independently and own all rights themselves.[[note]]Additionally, Island had recently merged with Creator/DefJamRecordings, so ICP weren't feeling the atmosphere with the new executives, as, on Island, they stood out as one of the only Hip-Hop acts on the label, but on Def Jam, they were just another rap act.[[/note]] So they would have to come up with two completely different, unrelated albums to give to Island so they could release them on the same day. Additionally, through their contract with Creator/PsychopathicRecords, Island had already reissued Twiztid's debut album ''Mostasteless'', and would also get to distribute Twiztid's second album, ''Freek Show'' on the same day as ICP's ''Bizaar Bizzar'' albums, which would more than complete their Island contract.

to:

''Bizaar'' and ''Bizzar'' are a DistinctDoubleAlbum by the HipHop act Music/InsaneClownPosse, released on [[HalloweenEpisode October 31, 2000]] as two separately sold discs to be their final releases on Creator/IslandRecords.[[Creator/IslandRecords Island]] Creator/DefJamRecordings. The albums were produced at the same time the duo was writing ''Tales from the Lotus Pod'', the debut album of Music/DarkLotus, their side project with Music/{{Twiztid}}, and ICP were riding high off the success of ''Music/TheAmazingJeckelBrothers'' when Violent J got the idea to make the Sixth Joker's Card a Double Album about death, [[Music/TheWraithShangriLa one album about Heaven]] and [[Music/HellsPit another about Hell]], separately released.

The only problem was that if they released the Sixth Joker's Card albums on Island Records, Island would own them, and so they needed to complete their contract with the label so that they could release the Sixth Joker's Card albums independently and own all rights themselves.[[note]]Additionally, Island had recently merged with Creator/DefJamRecordings, Def Jam after signing ICP, so ICP weren't feeling the atmosphere with the new executives, as, on Island, they stood out as one of the only Hip-Hop acts on the label, but on Def Jam, they were just another rap act.act, and while Island was excited to work with ICP, Def Jam didn't care about marketing them.[[/note]] So they would have to come up with two completely different, unrelated albums to give to Island so they could release them on the same day. Additionally, through their contract with Creator/PsychopathicRecords, Island had already reissued Twiztid's debut album ''Mostasteless'', and would also get to distribute Twiztid's second album, ''Freek Show'' on the same day as ICP's ''Bizaar Bizzar'' albums, which would more than complete their Island contract.
Is there an issue? Send a MessageReason:
None


The only problem was that if they released the Sixth Joker's Card albums on Island Records, Island would own them, and so they needed to complete their contract with the label so that they could release the Sixth Joker's Card albums independently and own all rights themselves. So they would have to come up with two completely different, unrelated albums to give to Island so they could release them on the same day. Additionally, through their contract with Creator/PsychopathicRecords, Island had already reissued Twiztid's debut album ''Mostasteless'', and would also get to distribute Twiztid's second album, ''Freek Show'' on the same day as ICP's ''Bizaar Bizzar'' albums, which would more than complete their Island contract.

to:

The only problem was that if they released the Sixth Joker's Card albums on Island Records, Island would own them, and so they needed to complete their contract with the label so that they could release the Sixth Joker's Card albums independently and own all rights themselves. [[note]]Additionally, Island had recently merged with Creator/DefJamRecordings, so ICP weren't feeling the atmosphere with the new executives, as, on Island, they stood out as one of the only Hip-Hop acts on the label, but on Def Jam, they were just another rap act.[[/note]] So they would have to come up with two completely different, unrelated albums to give to Island so they could release them on the same day. Additionally, through their contract with Creator/PsychopathicRecords, Island had already reissued Twiztid's debut album ''Mostasteless'', and would also get to distribute Twiztid's second album, ''Freek Show'' on the same day as ICP's ''Bizaar Bizzar'' albums, which would more than complete their Island contract.
Is there an issue? Send a MessageReason:
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* NewSoundAlbum: Both albums are more RapRock-oriented than ''Music/TheAmazingJeckelBothers'', pushing the Rock sound further than even ''Music/TheGreatMilenko'' on "Tilt-A-Whirl" and "[[CoverVersion Let's Go All the Way]]".

to:

* NewSoundAlbum: Both albums are more RapRock-oriented than ''Music/TheAmazingJeckelBothers'', ''Music/TheAmazingJeckelBrothers'', pushing the Rock sound further than even ''Music/TheGreatMilenko'' on "Tilt-A-Whirl" and "[[CoverVersion Let's Go All the Way]]".
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---

to:

-------
Is there an issue? Send a MessageReason:
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On top of the TroubledProduction, ICP had gotten into beef with [[Series/TheOsbournes Sharon Osbourne]], the wife of Music/OzzyOsbourne and manager of a NuMetal band called Music/CoalChamber, who had been touring to support ICP on ''Music/TheAmazingJeckelBothers'' tour, alongside [[Music/BoneThugsNHarmony Krayzie Bone]], Twiztid and Music/MindlessSelfIndulgence. The audiences would wind up demanding refunds on shows with Coal Chamber, whose Nu Metal style didn't mesh well with the Hip-Hop favoring audience. ICP made a business decision to kick Coal Chamber off the tour, lying to the band and claiming it was due to equipment problems. The attendence significantly improved. However, Osbourne threatened to sue ICP for breaking their contract, and eventually confronted them on ''Radio/TheHowardSternShow'', where ICP admitted that they really kicked Coal Chamber off the tour because the audiences hated the band's music. On the show, Osbourne bet ICP $50,000 that their next album would not even sell 200,000 copies and told them that their careers were over. Violent J agreed to the bet, predicting the album would sell 500,000, although the bet officially stood at 200,000.

to:

On top of the TroubledProduction, ICP had gotten into beef with [[Series/TheOsbournes Sharon Osbourne]], the wife of Music/OzzyOsbourne and manager of a NuMetal band called Music/CoalChamber, who had been touring to support ICP on ''Music/TheAmazingJeckelBothers'' the ''Amazing Jeckel Brothers'' tour, alongside [[Music/BoneThugsNHarmony Krayzie Bone]], Twiztid and Music/MindlessSelfIndulgence. The audiences would wind up demanding refunds on shows with Coal Chamber, whose Nu Metal style didn't mesh well with the Hip-Hop favoring audience. ICP made a business decision to kick Coal Chamber off the tour, lying to the band and claiming it was due to equipment problems. The attendence significantly improved. However, Osbourne threatened to sue ICP for breaking their contract, and eventually confronted them on ''Radio/TheHowardSternShow'', where ICP admitted that they really kicked Coal Chamber off the tour because the audiences hated the band's music. On the show, Osbourne bet ICP $50,000 that their next album would not even sell 200,000 copies and told them that their careers were over. Violent J agreed to the bet, predicting the album would sell 500,000, although the bet officially stood at 200,000.
Is there an issue? Send a MessageReason:
None


''Bizaar'' and ''Bizzar'' are a DistinctDoubleAlbum by the HipHop act Music/InsaneClownPosse, released on [[HalloweenEpisode October 31, 2000]] as two separately sold discs as their final releases on Creator/IslandRecords. The albums were produced at the same time the duo was writing ''Tales from the Lotus Pod'', the debut album of Music/DarkLotus, their side project with Music/{{Twiztid}}, and ICP were riding high off the success of ''Music/TheAmazingJeckelBrothers'' when Violent J got the idea to make the Sixth Joker's Card a Double Album about death, [[Music/TheWraithShangriLa one album about Heaven]] and [[Music/HellsPit another about Hell]], separately released.

to:

''Bizaar'' and ''Bizzar'' are a DistinctDoubleAlbum by the HipHop act Music/InsaneClownPosse, released on [[HalloweenEpisode October 31, 2000]] as two separately sold discs as to be their final releases on Creator/IslandRecords. The albums were produced at the same time the duo was writing ''Tales from the Lotus Pod'', the debut album of Music/DarkLotus, their side project with Music/{{Twiztid}}, and ICP were riding high off the success of ''Music/TheAmazingJeckelBrothers'' when Violent J got the idea to make the Sixth Joker's Card a Double Album about death, [[Music/TheWraithShangriLa one album about Heaven]] and [[Music/HellsPit another about Hell]], separately released.
Is there an issue? Send a MessageReason:
Spelling/grammar fix(es)


''Bizaar'' and ''Bizzar'' are a DistinctDoubleAlbum by the HipHop act Music/InsaneClownPosse, released on [[HalloweenEpiaode October 31, 2000]] as two separately sold discs as their final releases on Creator/IslandRecords. The albums were produced at the same time the duo was writing ''Tales from the Lotus Pod'', the debut album of Music/DarkLotus, their side project with Music/{{Twiztid}}, and ICP were riding high off the success of ''Music/TheAmazingJeckelBrothers'' when Violent J got the idea to make the Sixth Joker's Card a Double Album about death, [[Music/TheWraithShangriLa one album about Heaven]] and [[Music/HellsPit another about Hell]], separately released.

to:

''Bizaar'' and ''Bizzar'' are a DistinctDoubleAlbum by the HipHop act Music/InsaneClownPosse, released on [[HalloweenEpiaode [[HalloweenEpisode October 31, 2000]] as two separately sold discs as their final releases on Creator/IslandRecords. The albums were produced at the same time the duo was writing ''Tales from the Lotus Pod'', the debut album of Music/DarkLotus, their side project with Music/{{Twiztid}}, and ICP were riding high off the success of ''Music/TheAmazingJeckelBrothers'' when Violent J got the idea to make the Sixth Joker's Card a Double Album about death, [[Music/TheWraithShangriLa one album about Heaven]] and [[Music/HellsPit another about Hell]], separately released.
Is there an issue? Send a MessageReason:
None


''Bizaar'' and ''Bizzar'' are a DistinctDoubleAlbum by the HipHop act Music/InsaneClownPosse, released as two separately sold discs as their final releases on Creator/IslandRecords. The albums were produced at the same time the duo was writing ''Tales from the Lotus Pod'', the debut album of Music/DarkLotus, their side project with Music/{{Twiztid}}, and ICP were riding high off the success of ''Music/TheAmazingJeckelBrothers'' when Violent J got the idea to make the Sixth Joker's Card a Double Album about death, [[Music/TheWraithShangriLa one album about Heaven]] and [[Music/HellsPit another about Hell]], separately released.

to:

''Bizaar'' and ''Bizzar'' are a DistinctDoubleAlbum by the HipHop act Music/InsaneClownPosse, released on [[HalloweenEpiaode October 31, 2000]] as two separately sold discs as their final releases on Creator/IslandRecords. The albums were produced at the same time the duo was writing ''Tales from the Lotus Pod'', the debut album of Music/DarkLotus, their side project with Music/{{Twiztid}}, and ICP were riding high off the success of ''Music/TheAmazingJeckelBrothers'' when Violent J got the idea to make the Sixth Joker's Card a Double Album about death, [[Music/TheWraithShangriLa one album about Heaven]] and [[Music/HellsPit another about Hell]], separately released.
Is there an issue? Send a MessageReason:
None


''Bizaar'' and ''Bizzar'' are a DistinctDoubleAlbum by the HipHop act Music/InsaneClownPosse, and their final releases on Creator/IslandRecords. The albums were produced at the same time the duo was writing ''Tales from the Lotus Pod'', the debut album of Music/DarkLotus, their side project with Music/{{Twiztid}}, and ICP were riding high off the success of ''Music/TheAmazingJeckelBrothers'' when Violent J got the idea to make the Sixth Joker's Card a Double Album about death, [[Music/TheWraithShangriLa one album about Heaven]] and [[Music/HellsPit another about Hell]], separately released.

to:

''Bizaar'' and ''Bizzar'' are a DistinctDoubleAlbum by the HipHop act Music/InsaneClownPosse, and released as two separately sold discs as their final releases on Creator/IslandRecords. The albums were produced at the same time the duo was writing ''Tales from the Lotus Pod'', the debut album of Music/DarkLotus, their side project with Music/{{Twiztid}}, and ICP were riding high off the success of ''Music/TheAmazingJeckelBrothers'' when Violent J got the idea to make the Sixth Joker's Card a Double Album about death, [[Music/TheWraithShangriLa one album about Heaven]] and [[Music/HellsPit another about Hell]], separately released.
Is there an issue? Send a MessageReason:
None


''Bizaar'' and ''Bizzar'' are a DistinctDoubleAlbum by the HipHop act Music/InsaneClownPosse, and their final releases on Creator/IslandRecords. The albums were produced at the same time the duo was writing ''Tales from the Lotus Pod'', the debut album of Music/DarkLotus, their side project with Music/{{Twiztid}}, and ICP were riding high off the success of ''Music/The amazing JeckelBrothers'' when Violent J got the idea to make the Sixth Joker's Card a DoubleAlbum about death, [[Music/TheWraithShangriLa one album about Heaven]] and [[Music/HellsPit another about Hell]], separately released.

to:

''Bizaar'' and ''Bizzar'' are a DistinctDoubleAlbum by the HipHop act Music/InsaneClownPosse, and their final releases on Creator/IslandRecords. The albums were produced at the same time the duo was writing ''Tales from the Lotus Pod'', the debut album of Music/DarkLotus, their side project with Music/{{Twiztid}}, and ICP were riding high off the success of ''Music/The amazing JeckelBrothers'' ''Music/TheAmazingJeckelBrothers'' when Violent J got the idea to make the Sixth Joker's Card a DoubleAlbum Double Album about death, [[Music/TheWraithShangriLa one album about Heaven]] and [[Music/HellsPit another about Hell]], separately released.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

[[quoteright:410:https://static.tvtropes.org/pmwiki/pub/images/bizaar_bizzar.jpg]]
[[caption-width-right:410:''Witnesses now tell us thousands upon thousands of people are emerging from sewers everywhere, their faces are painted and, and they look like clowns...'']]
''Bizaar'' and ''Bizzar'' are a DistinctDoubleAlbum by the HipHop act Music/InsaneClownPosse, and their final releases on Creator/IslandRecords. The albums were produced at the same time the duo was writing ''Tales from the Lotus Pod'', the debut album of Music/DarkLotus, their side project with Music/{{Twiztid}}, and ICP were riding high off the success of ''Music/The amazing JeckelBrothers'' when Violent J got the idea to make the Sixth Joker's Card a DoubleAlbum about death, [[Music/TheWraithShangriLa one album about Heaven]] and [[Music/HellsPit another about Hell]], separately released.

The only problem was that if they released the Sixth Joker's Card albums on Island Records, Island would own them, and so they needed to complete their contract with the label so that they could release the Sixth Joker's Card albums independently and own all rights themselves. So they would have to come up with two completely different, unrelated albums to give to Island so they could release them on the same day. Additionally, through their contract with Creator/PsychopathicRecords, Island had already reissued Twiztid's debut album ''Mostasteless'', and would also get to distribute Twiztid's second album, ''Freek Show'' on the same day as ICP's ''Bizaar Bizzar'' albums, which would more than complete their Island contract.

On top of the TroubledProduction, ICP had gotten into beef with [[Series/TheOsbournes Sharon Osbourne]], the wife of Music/OzzyOsbourne and manager of a NuMetal band called Music/CoalChamber, who had been touring to support ICP on ''Music/TheAmazingJeckelBothers'' tour, alongside [[Music/BoneThugsNHarmony Krayzie Bone]], Twiztid and Music/MindlessSelfIndulgence. The audiences would wind up demanding refunds on shows with Coal Chamber, whose Nu Metal style didn't mesh well with the Hip-Hop favoring audience. ICP made a business decision to kick Coal Chamber off the tour, lying to the band and claiming it was due to equipment problems. The attendence significantly improved. However, Osbourne threatened to sue ICP for breaking their contract, and eventually confronted them on ''Radio/TheHowardSternShow'', where ICP admitted that they really kicked Coal Chamber off the tour because the audiences hated the band's music. On the show, Osbourne bet ICP $50,000 that their next album would not even sell 200,000 copies and told them that their careers were over. Violent J agreed to the bet, predicting the album would sell 500,000, although the bet officially stood at 200,000.

The combined sales of ''Bizaar Bizzar'' ultimately wound up at 400,000 copies, exceeding the number Osbourne predicted. However, Osbourne never paid off on the bet, although Violent J has said that she didn't even have to pay him directly, and that she could simply donate the amount to a charity in his name, she never even did this. While the albums were profitable, though, the actual release was a bit of a disaster, as the two albums were titled so similarly, had practically the same cover and were released on the same day, so they could get confused with each other and some people ended up accidentally buying two copies of the same album. The confusion between the two albums led to the ICP albums selling less than Twiztid's ''Freek Show'', which was released on the same day, and Violent J later admitted that releasing three albums on the same day for UsefulNotes/{{Juggalo}}s to buy was a mistake.

The albums featured a RapRock sound and ''Bizzar'' spawned one of ICP's most popular singles, a CoverVersion of the Sly Fox NewWaveMusic hit "Let's Go All the Way", while ''Bizaar'' had another popular Rap Rock single in "Tilt-A-Whirl".

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!! Track listings

''Bizaar'':
# "Intro" – 2:07
# "Take Me Away" – 4:39
# "Fearless" – 4:14
# "Rainbows and Stuff" – 4:11
# "Whut?" (featuring Music/{{Twiztid}}) – 4:55
# "Still Stabbin'" – 4:03
# "Tilt-A-Whirl" – 3:58
# "We Gives No Fuck" – 3:39
# "Please Don't Hate Me" – 4:18
# "Behind the Paint" – 4:33
# "My Homie Baby Mama" – 4:09
# "The Pendulum's Promise" – 21:25

''Bizzar'':
# "Intro" – 1:55
"Bizzar" (featuring Twiztid and Music/{{Esham}}) – 3:36
# "Cherry Pie (I Need a Freak)" – 4:33
# "Questions" (featuring Esham) – 5:44
# "Mr. Happy" – 4:43
# "Radio Stars" – 4:33
# "My Axe" – 3:52
# "If" – 3:39
# "[[CoverVersion Let's Go All the Way]]" – 3:35
# "Let a Killa" – 4:56
# "Juggalo Paradise" – 3:41
# "Crystal Ball" (featuring Twiztid) – 22:44

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!! ''Bizaar'' and ''Bizzar'' exhibit examples of the following tropes:

* AffablyEvil: "Mr. Happy" is a cheerful little song about a friendly(if slightly-odd) fellow that really, really loves people. He just also happens to consider gruesomely murdering people the ultimate expression of love. The fact that he appears to be singing this song to a group of children simply adds [[NightmareFuel a whole other layer of creepy to this already-disturbing track]].
* BuffySpeak: "I'm Mr. Happy and I ride a bike, ching! / I don't have a seat I just sit on the pipe thing!"
* DissonantSerenity: "Mr. Happy", the happy SerialKiller, who's [[MadnessMantra happy, happy, happy as he murder, murder, murders you]].
* DistinctDoubleAlbum: ''Bizaar'' and ''Bizzar'' were released on the same day with [[PaletteSwap practically the same cover]] and similar sounding names.
* EmergencyBroadcast: ''Bizzar'' opens with a news broadcast, which is upgraded into a nationwide emergency broadcast in its sister album ''Bizaar''.
* HiddenTrack: "The Pendulum's Promise" and "Crystal Ball" aren't ''really'' 22 minutes each. [[EpicRocking "Pendulum's Promise" is actually about 6 minutes and "Crystal Ball" is about 8 minutes.]] However, each album ends with extensive fucking around in the studio, including [[YourMom Yo Mama]] jokes.
** "JUST when you thought it was over! Here's a little something from Vanilla Ice himself!" [[Music/VanillaIce "Your greasy ass, camel cock breath momma is so fucking poor, she gotta suck cock for crack!"]]
* NewSoundAlbum: Both albums are more RapRock-oriented than ''Music/TheAmazingJeckelBothers'', pushing the Rock sound further than even ''Music/TheGreatMilenko'' on "Tilt-A-Whirl" and "[[CoverVersion Let's Go All the Way]]".
* PaletteSwap: Both album covers featured the same spiral background. The ''Bizaar'' album cover features question marks. The ''Bizzar'' cover features eyes.
* {{Sampling}}: The introduction to ''Bizaar'' sampled the ThemeTune to Creator/JohnCarpenter's ''Film/EscapeFromNewYork'' written and performed [[ElectronicMusic by Carpenter himself]]. However, since either ICP didn't license the sample, or Carpenter's licensing agreement for the sample of his music didn't extend to streaming services, [[KeepCirculatingTheTapes the intro track is not available on streaming services]].
* SpecialGuest: Officially, Music/{{Esham}} and Music/{{Twiztid}} are the only Guests on the two albums. However, during the HiddenTrack on "Crystal Ball", Vanilla Ice turns up to deliver the final Yo Mama joke.
* StepfordSmiler: As indicated by his name, Mr. Happy is all smiles and cheerfulness... even when killing people.
* TroubledProduction: On top of having to complete two albums at once to get out of their Island contract, and having to win a bet with one of Rock's most powerful business people, Mike E. Clark quit working with ICP after producing these albums, over a disagreement in regard to the artistic direction ICP was going to take on [[Music/TheWraithShangriLa the Sixth Joker's Card]]. He came back later, but many fans felt that his absence hurt ''The Wraith: Shangri-La'' and ''Music/HellsPit'' albums.

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