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* LargeHam: In the refrain for "Okome no oishii takikata[[LongTitle ...]]", he screams about rice and its nutritous benefits, before concluding with a subdued "Okome oishii![[labelnote:TL]]Rice is tasty![[/labelnote]]"
* LongTitle: "Okome no oishii takikata, soshite okome wo taberu koto ni yoru sono kouka." Meaning "how to cook delicious rice, and the effect of eating rice".
* LongTitle: "Okome no oishii takikata, soshite okome wo taberu koto ni yoru sono kouka." Meaning "how to cook delicious rice, and the effect of eating rice".
to:
* LargeHam: In the refrain for "Okome no oishii takikata[[LongTitle ...]]", takikata[...", he screams about rice and its nutritous benefits, before concluding with a subdued "Okome oishii![[labelnote:TL]]Rice is tasty![[/labelnote]]"
* LongTitle: "Okome no oishii takikata, soshite okome wo taberu koto ni yoru sono kouka." Meaning "how to cook delicious rice, and the effect of eating rice".tasty![[/labelnote]]"
* LongTitle: "Okome no oishii takikata, soshite okome wo taberu koto ni yoru sono kouka." Meaning "how to cook delicious rice, and the effect of eating rice".
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Dewicking.
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* ExcitedShowTitle: "Day's!", "Hey! Boys & Girls", "SPARK!" and "WISE UP!"
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* ExcitedShowTitle: "BRE∀K DOWN!" and "Strike Party!!".
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* ExcitedShowTitle: "brave!", "MIRACLE FLYER!!"
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Another defunct...and found a replacement for the other.
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* NoPronunciationGuide: According to him, his main alias is not pronounced "dess-row", but "dee-srow".
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** His songs are notorious for having copious amounts of scratches, not just in the tracks themselves but also in their ''IIDX'' charts. "Shakunetsu Beach Side Bunny", the One More Extra Stage of ''beatmania IIDX 18 Resort Anthem'', is one of the most infamous examples; of the 1719 notes in its single player another chart, scratches make up '''667''' of these notes. Its sequel song, ''Shakunetsu Pt.2'', has ''848'' scratches out of 1732 notes in its double another chart.
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** His songs are notorious for having copious amounts of scratches, not just in the tracks themselves but also in their ''IIDX'' charts. "Shakunetsu Beach Side Bunny", the [[{{Superboss}} One More Extra Stage Stage]] of ''beatmania IIDX 18 Resort Anthem'', is one of the most infamous examples; of the 1719 notes in its single player another chart, scratches make up '''667''' of these notes. Its sequel song, ''Shakunetsu Pt.2'', has ''848'' scratches out of 1732 notes in its double another chart.
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No longer a trope
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** His songs are notorious for having copious amounts of scratches, not just in the tracks themselves but also in their ''IIDX'' charts. "Shakunetsu Beach Side Bunny", the [[BonusBoss One More Extra Stage]] of ''beatmania IIDX 18 Resort Anthem'', is one of the most infamous examples; of the 1719 notes in its single player another chart, scratches make up '''667''' of these notes. Its sequel song, ''Shakunetsu Pt.2'', has ''848'' scratches out of 1732 notes in its double another chart.
to:
** His songs are notorious for having copious amounts of scratches, not just in the tracks themselves but also in their ''IIDX'' charts. "Shakunetsu Beach Side Bunny", the [[BonusBoss One More Extra Stage]] Stage of ''beatmania IIDX 18 Resort Anthem'', is one of the most infamous examples; of the 1719 notes in its single player another chart, scratches make up '''667''' of these notes. Its sequel song, ''Shakunetsu Pt.2'', has ''848'' scratches out of 1732 notes in its double another chart.
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TRS cleanup
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* SomethingCompletelyDifferent: While most VENUS songs are well-known for DJ YOSHITAKA's vocals, "Squeeze" is an instrumental song, with all of three lines, all of which are samples ("I don't know how to fly" from "HAERETICUS", "Yeah! Yeah!" from "Brand New World", and "VENUS!" from "Wow Wow VENUS").
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None
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The VideoGame/{{BEMANI}} franchise is perhaps one of Konami's most expansive franchises. As a RhythmGame franchise with over ''one hundred'' games (and that's without counting ports!) across ''thirteen'' different series, eight of which are currently active, it's no surprise that Konami's had to call upon not only licensed music to make their games succeed, but also commissioned and in-house talent.
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The VideoGame/{{BEMANI}} franchise is perhaps one of Konami's most expansive franchises. As a RhythmGame franchise with over ''one hundred'' games (and that's without counting ports!) across ''thirteen'' different series, eight of which are currently active, it's no surprise that Konami's had to call upon not only licensed music to make their games succeed, but also commissioned and in-house talent.
talent (the latter currently branded as BEMANI Sound Team).
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One of BEMANI's most prominent artists in recent years. He became part of BEMANI staff in the mid-2000's, and started out by producing a variety of songs for the ''beatmania IIDX'' series. His most well-known songs include the "HARD RENAISSANCE" and "TRANCE CORE" series of songs from ''jubeat'' and ''REFLEC BEAT.
Currently, aside from being an executive officer of the Konami Amusement division, he's the head producer for ''beatmania IIDX'', ''pop'n music'', and ''SOUND VOLTEX''. On top of that, he's also the director for ''REFLEC BEAT''. He even plays ''REFLEC BEAT'' himself, with a player ID of 1.
Currently, aside from being an executive officer of the Konami Amusement division, he's the head producer for ''beatmania IIDX'', ''pop'n music'', and ''SOUND VOLTEX''. On top of that, he's also the director for ''REFLEC BEAT''. He even plays ''REFLEC BEAT'' himself, with a player ID of 1.
to:
One of BEMANI's most prominent artists in recent years. He became part of BEMANI staff in the mid-2000's, and started out by producing a variety of songs for the ''beatmania IIDX'' series. His most well-known songs include the "HARD RENAISSANCE" and "TRANCE CORE" series of songs from ''jubeat'' and ''REFLEC BEAT.
BEAT''.
Currently, aside from being an executive officer of the Konami Amusement division, he's the head producer for ''beatmania IIDX'', ''pop'n music'', and ''SOUND VOLTEX''. On top of that,he's he was also the director for ''REFLEC BEAT''. He even plays ''REFLEC BEAT'' himself, with a player ID of 1.
Currently, aside from being an executive officer of the Konami Amusement division, he's the head producer for ''beatmania IIDX'', ''pop'n music'', and ''SOUND VOLTEX''. On top of that,
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One of the most popular commision artists, kors k has his own music label: [=S2TB=] Recording.
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One of the most popular commision commission artists, kors k has his own music label: [=S2TB=] Recording.
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A long-time contributor to console versions of VideoGame/{{Beatmania}} IIDX games, he eventually became sound director of the series. He has produced one album, 電人K (Denjin K).
to:
A long-time contributor to console versions of VideoGame/{{Beatmania}} IIDX games, he eventually became the sound director of the series. He has produced one album, 電人K (Denjin K).
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-->'''Also known as:''' uno(IOSYS)
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-->'''Also known as:''' uno(IOSYS)
uno(IOSYS), CANVAS
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Got his start in VideoGame/{{GITADORA}}, but is now the sound director of jubeat.
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Got his start in VideoGame/{{GITADORA}}, but is now the sound director of a prominent contributor in jubeat.
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-->'''Also known as:''' Dustup
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-->'''Also known as:''' Dustup
Dustup, Captain Sonic, The Foie-Gras of The Sea
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The sound director for ''VideoGame/DanceDanceRevolution'' from X2 to 2014, and one of the current sound directors of [=SOUND VOLTEX=].
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The sound director for ''VideoGame/DanceDanceRevolution'' from X2 to 2014, and one of the current former sound directors of [=SOUND VOLTEX=].
On September 2021, TAG announced that he is becoming a freelance producer, ending his tenure at Konami.
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!!Yvya -- Yuuya
One of the newest members of the in-house sound staff who joined in April 2018. Usually composes songs for the [=GITADORA=] series.
One of the newest members of the in-house sound staff who joined in April 2018. Usually composes songs for the [=GITADORA=] series.
to:
!!Yvya -- Yuuya
Yuya Yokoyama
One of the newest members of the in-house sound staff who joined in April 2018. Usually composes songs for the [=GITADORA=]series.
series and provides guitars for a handful of songs in other [=BEMANI=] games.
One of the newest members of the in-house sound staff who joined in April 2018. Usually composes songs for the [=GITADORA=]