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''A Farewell to Kings'' is the fifth studio album by the Canadian ProgressiveRock band Music/{{Rush|Band}}, released in 1977. The followup to their BreakthroughHit ''[[Music/TwentyOneTwelve 2112]]'', it continues in a similar style, although it takes a more philosophically mature approach to the themes used in that album, and it is also the only of the band's albums in this period not to contain a side-length epic. Like the previous release, it was commercially successful, spawning the hit single "Closer to the Heart", and is well liked by fans, also containing fan favourites "Xanadu" and "Cygnus X-1 Book I: The Voyage". The latter of these was another ScienceFiction RockOpera whose story would be continued on the band's next album ''Music/{{Hemispheres}}''.

!!Personnel

[[AC: Band]]

* Geddy Lee: vocals, bass and twelve-string guitar, Minimoog, bass pedal synthesizers
* Alex Lifeson: electric and acoustic six- and twelve-string guitars, classical guitar, bass pedal synthesizers
* Neil Peart: drums, orchestra bells, wind chimes, bell tree, vibraslap, triangle, tubular bells, temple blocks

[[AC: Guests]]

* Terry Brown: spoken vocals on "Cygnus X-1"

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''A Farewell to Kings'' is the fifth studio album by the Canadian ProgressiveRock band Music/{{Rush|Band}}, released in 1977. The album was the band's first to be released in Canada by Anthem Records, a vanity label created by the band's managers to give them increased creative control of their work; international releases of their material, this album included, would still be handled by Creator/MercuryRecords. The followup to their BreakthroughHit ''[[Music/TwentyOneTwelve 2112]]'', it continues in a similar style, although it takes a more philosophically mature approach to the themes used in that album, and it is also the only of the band's albums in this period not to contain a side-length epic. Like the previous release, it was commercially successful, spawning the hit single "Closer to the Heart", and is well liked by fans, also containing fan favourites "Xanadu" and "Cygnus X-1 Book I: The Voyage". The latter of these was another ScienceFiction RockOpera whose story would be continued on the band's next album ''Music/{{Hemispheres}}''.

!!Personnel

[[AC: Band]]

* Geddy Lee: vocals, bass and twelve-string guitar, Minimoog, bass pedal synthesizers
* Alex Lifeson: electric and acoustic six- and twelve-string guitars, classical guitar, bass pedal synthesizers
* Neil Peart: drums, orchestra bells, wind chimes, bell tree, vibraslap, triangle, tubular bells, temple blocks

[[AC: Guests]]

* Terry Brown: spoken vocals on "Cygnus X-1"
''Music/{{Hemispheres}}''.




[[AC: Side One]]

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\n[[AC: Side One]]\n[[AC:Side One]]



[[AC: Side Two]]

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[[AC: Side [[AC:Side Two]]
[numlist:3]




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[/numlist]

!!Personnel
[[AC:Band]]
* Geddy Lee: vocals, bass and twelve-string guitar, Minimoog, bass pedal synthesizers
* Alex Lifeson: electric and acoustic six- and twelve-string guitars, classical guitar, bass pedal synthesizers
* Neil Peart: drums, orchestra bells, wind chimes, bell tree, vibraslap, triangle, tubular bells, temple blocks

[[AC:Guests]]
* Terry Brown: spoken vocals on "Cygnus X-1"



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Every nerve is torn apart...''

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Every nerve is '''[[LastNoteNightmare torn apart...''apart!]]'''''
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* WhoWantsToLiveForever: The second half of "Xanadu" is about [[spoiler:how miserable the protagonist is after achieving immortality]].

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* WhoWantsToLiveForever: The second half of "Xanadu" is about [[spoiler:how miserable the protagonist is after achieving immortality]].immortality]].
----
->''Sound and fury drown my heart\\
Every nerve is torn apart...''
----
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''A Farewell to Kings'' is the fifth studio album by the Canadian ProgressiveRock band Music/{{Rush}}, released in 1977. The followup to their BreakthroughHit ''[[Music/TwentyOneTwelve 2112]]'', it continues in a similar style, although it takes a more philosophically mature approach to the themes used in that album, and it is also the only of the band's albums in this period not to contain a side-length epic. Like the previous release, it was commercially successful, spawning the hit single "Closer to the Heart", and is well liked by fans, also containing fan favourites "Xanadu" and "Cygnus X-1 Book I: The Voyage". The latter of these was another ScienceFiction RockOpera whose story would be continued on the band's next album ''Music/{{Hemispheres}}''.

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''A Farewell to Kings'' is the fifth studio album by the Canadian ProgressiveRock band Music/{{Rush}}, Music/{{Rush|Band}}, released in 1977. The followup to their BreakthroughHit ''[[Music/TwentyOneTwelve 2112]]'', it continues in a similar style, although it takes a more philosophically mature approach to the themes used in that album, and it is also the only of the band's albums in this period not to contain a side-length epic. Like the previous release, it was commercially successful, spawning the hit single "Closer to the Heart", and is well liked by fans, also containing fan favourites "Xanadu" and "Cygnus X-1 Book I: The Voyage". The latter of these was another ScienceFiction RockOpera whose story would be continued on the band's next album ''Music/{{Hemispheres}}''.
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* FilkSong: "Xanadu" is based on Creator/SamuelTaylorColeridge's [[WhatCouldHaveBeen legendarily unfinished poem]] "Literature/KublaKhan".

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* BlackHole: A central focus of "Cygnus X-1".



* {{Cliffhanger}}: "Cygnus X-1" ends with [[spoiler:the protagonist being pulled into a BlackHole]].

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* {{Cliffhanger}}: "Cygnus X-1" ends with [[spoiler:the protagonist being pulled into a BlackHole]].an UnrealisticBlackHole]].



* NoEnding: "Cygnus X-1" ends with [[spoiler:the protagonist being pulled into a BlackHole]]. {{Justified|Trope}}, as the plot is continued on the next album.
* NothingIsScarier: At the end of Cygnus "X-1", [[spoiler:after the protagonist is pulled into the BlackHole, the only things left are some eerie chords from Lifeson's guitar and a faint sample of a beating heart.]]

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* NoEnding: "Cygnus X-1" ends with [[spoiler:the protagonist being pulled into a BlackHole]].UnrealisticBlackHole]]. {{Justified|Trope}}, as the plot is continued on the next album.
* NothingIsScarier: At the end of Cygnus "X-1", [[spoiler:after the protagonist is pulled into the BlackHole, UnrealisticBlackHole, the only things left are some eerie chords from Lifeson's guitar and a faint sample of a beating heart.]]


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* UnrealisticBlackHole: A central focus of "Cygnus X-1".
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* CarefulWithThatAxe: The ending of "Cygnus X-1", which probably features the most intense screams Geddy Lee ever put to record, and certainly features the highest note he ever sang on a studio album (B♭5).


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* MetalScream: Again, "Cygnus X-1" - see CarefulWithThatAxe above.


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* NothingIsScarier: At the end of Cygnus "X-1", [[spoiler:after the protagonist is pulled into the BlackHole, the only things left are some eerie chords from Lifeson's guitar and a faint sample of a beating heart.]]
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!!Tropes

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!!Tropes
!!Closer to the Tropes
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How To Create A Works Page explicitly says "No bolding is used for work titles."


'''''A Farewell to Kings''''' is the fifth studio album by the Canadian ProgressiveRock band Music/{{Rush}}, released in 1977. The followup to their BreakthroughHit ''[[Music/TwentyOneTwelve 2112]]'', it continues in a similar style, although it takes a more philosophically mature approach to the themes used in that album, and it is also the only of the band's albums in this period not to contain a side-length epic. Like the previous release, it was commercially successful, spawning the hit single "Closer to the Heart", and is well liked by fans, also containing fan favourites "Xanadu" and "Cygnus X-1 Book I: The Voyage". The latter of these was another ScienceFiction RockOpera whose story would be continued on the band's next album ''Music/{{Hemispheres}}''.

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'''''A ''A Farewell to Kings''''' Kings'' is the fifth studio album by the Canadian ProgressiveRock band Music/{{Rush}}, released in 1977. The followup to their BreakthroughHit ''[[Music/TwentyOneTwelve 2112]]'', it continues in a similar style, although it takes a more philosophically mature approach to the themes used in that album, and it is also the only of the band's albums in this period not to contain a side-length epic. Like the previous release, it was commercially successful, spawning the hit single "Closer to the Heart", and is well liked by fans, also containing fan favourites "Xanadu" and "Cygnus X-1 Book I: The Voyage". The latter of these was another ScienceFiction RockOpera whose story would be continued on the band's next album ''Music/{{Hemispheres}}''.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/farewell_to_kings.jpg]]
[[caption-width-right:350:''"The hypocrites are slandering the sacred Halls of Truth/Ancient nobles showering their bitterness on youth/Can't we find the minds that made us strong? Can't we learn to feel what's right and what's wrong?"'']]
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'''''A Farewell to Kings''''' is the fifth studio album by the Canadian ProgressiveRock band Music/{{Rush}}, released in 1977. The followup to their BreakthroughHit ''[[Music/TwentyOneTwelve 2112]]'', it continues in a similar style, although it takes a more philosophically mature approach to the themes used in that album, and it is also the only of the band's albums in this period not to contain a side-length epic. Like the previous release, it was commercially successful, spawning the hit single "Closer to the Heart" and containing fan favourites "Xanadu" and "Cygnus X-1 Book I: The Voyage". The latter of these was another ScienceFiction RockOpera whose story would be continued on the band's next album ''Music/{{Hemispheres}}''.

to:

'''''A Farewell to Kings''''' is the fifth studio album by the Canadian ProgressiveRock band Music/{{Rush}}, released in 1977. The followup to their BreakthroughHit ''[[Music/TwentyOneTwelve 2112]]'', it continues in a similar style, although it takes a more philosophically mature approach to the themes used in that album, and it is also the only of the band's albums in this period not to contain a side-length epic. Like the previous release, it was commercially successful, spawning the hit single "Closer to the Heart" Heart", and is well liked by fans, also containing fan favourites "Xanadu" and "Cygnus X-1 Book I: The Voyage". The latter of these was another ScienceFiction RockOpera whose story would be continued on the band's next album ''Music/{{Hemispheres}}''.



* LastNoteNightmare: "Cygnus X-1"

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* LastNoteNightmare: "Cygnus X-1"X-1".



* TitleTrack: "A Farewell to Kings"

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* TitleTrack: "A Farewell to Kings"Kings".
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* WhoWantsToLiveForever: The second half of "Xanadu" is about how miserable the protagonist is after achieving immortality.

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* WhoWantsToLiveForever: The second half of "Xanadu" is about how [[spoiler:how miserable the protagonist is after achieving immortality.immortality]].

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* DownerEnding: "Xanadu". A man finds the secret to immortality, but at the price of never leaving the titular palace. A thousand years later, he's been driven mad and is desperately wishing for death.

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* BlackHole: A central focus of "Cygnus X-1".
* {{Cliffhanger}}: "Cygnus X-1" ends with [[spoiler:the protagonist being pulled into a BlackHole]].
* DownerEnding: "Xanadu". A [[spoiler:A man finds the secret to immortality, but at the price of never leaving the titular palace. A thousand years later, he's been driven mad and is desperately wishing for death.death]].



* NoEnding: "Cygnus X-1" ends with the protagonist being pulled into a BlackHole. {{Justified|Trope}}, as the plot is continued on the next album.

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* NoEnding: "Cygnus X-1" ends with the [[spoiler:the protagonist being pulled into a BlackHole.BlackHole]]. {{Justified|Trope}}, as the plot is continued on the next album.


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* ToBeContinued: "Cygnus X-1".
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'''''A Farewell to Kings''''' is the fifth studio album by the Canadian ProgressiveRock band Music/{{Rush}}, released in 1977. The followup to their BreakthroughHit ''[[Music/TwentyOneTwelve 2112]]'', it continues in a similar style, although it takes a more philosophically mature approach to the themes used in that album, and it is also the only of the band's albums in this period not to contain a side-length epic. Like the previous release, it was commercially successful, spawning the hit single "Closer to the Heart" and containing fan favourites "Xanadu" and "Cygnus X-1 Book I: The Voyage". The latter of these was another ScienceFiction RockOpera whose story would be continued on the band's next album ''Music/{{Hemispheres}}''.

!!Personnel

[[AC: Band]]

* Geddy Lee: vocals, bass and twelve-string guitar, Minimoog, bass pedal synthesizers
* Alex Lifeson: electric and acoustic six- and twelve-string guitars, classical guitar, bass pedal synthesizers
* Neil Peart: drums, orchestra bells, wind chimes, bell tree, vibraslap, triangle, tubular bells, temple blocks

[[AC: Guests]]

* Terry Brown: spoken vocals on "Cygnus X-1"

!!Track listing

[[AC: Side One]]

# "A Farewell to Kings" (5:51)
# "Xanadu" (11:05)

[[AC: Side Two]]

# "Closer to the Heart" (2:54)
# "Cinderella Man" (4:20)
# "Madrigal" (2:35)
# "Cygnus X-1 Book I: The Voyage" (10:25)

!!Tropes

* DownerEnding: "Xanadu". A man finds the secret to immortality, but at the price of never leaving the titular palace. A thousand years later, he's been driven mad and is desperately wishing for death.
* EpicInstrumentalOpener: "Xanadu" goes on for about five minutes before the lyrics enter.
* EpicRocking: "Xanadu" goes on for over eleven minutes and "Cygnus X-1" goes on for about ten and a half. The TitleTrack just barely misses the six-minute mark.
* FilkSong: "Xanadu" is based on Creator/SamuelTaylorColeridge's [[WhatCouldHaveBeen legendarily unfinished poem]] "Literature/KublaKhan".
* LastNoteNightmare: "Cygnus X-1"
* NoEnding: "Cygnus X-1" ends with the protagonist being pulled into a BlackHole. {{Justified|Trope}}, as the plot is continued on the next album.
* RecordProducer: Rush and Terry Brown. Brown provides spoken word vocals for "Cygnus X-1".
* RockOpera: "Cygnus X-1" and, depending on your definition, "Xanadu".
* SpokenWordInMusic: In the intro to "Cygnus X-1".
* TitleTrack: "A Farewell to Kings"
* WholePlotReference: As mentioned above, "Xanadu" to "Kubla Khan".
* WhoWantsToLiveForever: The second half of "Xanadu" is about how miserable the protagonist is after achieving immortality.

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