History MediumAwareness / LiveActionTV

* "Series/Brooklyn99": By Season 4 main character Jake is aware he's going to be meeting the Pontiac Bandit just once a year.

** Ten once puts on a gas mask and quotes [[Recap/DoctorWhoS27E9TheEmptyChild "The Empty Child]]. It's a cute shoutout for fans but in context of both the episode it appears and the situation he's quoting, it's either weird or simply disturbing.

* ''Series/TheBurnsAndAllenShow'' started the same year (1950) and Creator/GeorgeBurns especially would talk to the camera and announcer. Also the commercials were built into the show itself and George would sometimes watch what Gracie was doing on their TV set.

* Episode 3 of ''Series/TheHitchhikersGuideToTheGalaxy'' begins with a potted history of the Galactic Empire, signified by the coat of arms of the Empire floating in space. Then a spaceship containing a Real Man, a Real Woman and a Real Small Furry Creature from Alpha Centauri crashes into it.

* The characters of ''Series/HowIMetYourMother'' occasionally seem to know that they exist only in Future!Ted's memories, or otherwise go on with the story even though [[UnreliableNarrator Ted was never around for the event or simply forgot how the story went]].
** Especially obvious in "The Mermaid Theory", where Future!Ted forgets what happened in the middle of a story, and when his narration trails off into "no that's not right...hang on a minute...let me think..." Barney and Lily, who are frozen mid-conversation on the couch glance anxiously into the camera, break character completely and scowl in exasperation, and impatiently check their watches as Future!Ted continues to flounder.
** In "How I Met Everyone Else" Ted brings a GirlOfTheWeek to meet the group and Future!Ted has to pause as he realizes he forgot her name. So that the story can continue he names her "Blah-blah" and the characters call her Blah-Blah as though it is a normal name. "I'm just here to make Robin jealous and when she takes you back you probably won't even remember my name!" "Come on Blah-Blah, it's not like that!" [[spoiler: He remembers her name as Carol in one of the last episodes of the series]].
** Especially notable in the DayInTheLimelight episodes where someone other than Future!Ted is narrating, as that's when they become a lot more aware of the conventions of the show. Robin's court mandated therapy where she explains what happened to lead up to an assault has the therapist constantly asking [[FourLinesAllWaiting why she's diverting into other stories and she insists that it will come back around]].

* ''Series/BostonLegal'' plays with this trope at least once or twice per episode. An interesting thought experiment is to watch the fourth wall breaks and try to work out whether anyone other than Denny can actually see the credits/hear the theme music/etc., or if they're just humoring him. Jerry certainly can. He's [[ThemeTuneCameo sung the theme song twice]], after all.

** "Odd Beginnings: Part 1" reveals that TheMovie based on the show, ''Odd Squad: The Movie,'' is canon in-universe, and if the Sticky Sisters going to see it while on an Odd Squad tour are any indication, it's apparently a box office hit (in America, at least).

** The CreditsGag seen in "Put Me In Coach" has Coach O put down a point for Agents Oriele and Orielle during the competition of who will take a powerful orb to Cloud Town. He declares them the winners, which causes them to begin celebrating their win while Olympia and Otis, the losers of the competition, are disappointed. The credits begin to play as normal, but Coach O stops them mid-way, complete with [[LettingTheAirOutOfTheBand the background music slowing to a halt,]] and explains that he meant [[AssumedWin Oriele and Orielle won the first ''round'' of the competition, and not the competition itself.]]

** The CouchGag for "Odds and Ends", the Season 2 finale, has Agent Olympia saying that "this is the end of our story", as though she's aware that the episode marks the final appearances of her, Agent Oona and Agent Otis. (This was long before Anna Cathcart, her actress, would return to make a voice-only cameo for Olympia on an [[CharacterBlog [=OddTube=] Season 2 episode.)

*** [[ActorAllusion It was supposed to be]] the ''Series/MacGyver'' theme, but Amanda Tapping couldn't remember how it went. This would have been at least the second reference to ''MacGyver'' that Tapping worked into the show, after mentioning "MacGyvering" a problem in the pilot.

* In the season 2 finale of ''Series/{{House}}'', House goes from a hallway shot directly to a stairwell shot, and then stops, looks at the stairwell, and mentions that he has no idea how he appeared in the stairwell. To viewers, it's a scene jump. To poor House, who's leaning against the FourthWall it's vanished time[[note]]It's also an in-joke about the set: those stairs don't actually lead anywhere[[/note]]. It turns out the reason he can see this, when he usually can't, is that [[spoiler:he's hallucinating the entire thing]].

* In the season 2 finale of ''Series/{{House}}'', House goes from a hallway shot directly to a stairwell shot, and then stops, looks at the stairwell, and mentions that he has no idea how he appeared in the stairwell. To viewers, it's a scene jump. To poor House, who's leaning against the FourthWall it's vanished time[[note]]It's also an in-joke about the set: those stairs don't actually lead anywhere.[[/note]].

* ''Series/TheFreshPrinceOfBelAir'': Creator/WillSmith's character describes another character to Carlton as "The dude who be spinning me over his head in the opening credits"
** The episode above ended with Will deciding to stay in Philadelphia. The following episode started with him being kidnapped. Will seems to know the men and asks why they're kidnapping him. The kidnappers respond by saying the show couldn't be called "The Fresh Prince of Philadelphia." He is then shoved into an NBC van.
** Another episode's ColdOpen involved Uncle Phil lecturing his children on how they didn't have to worry about money. As they leave the room, Smith says to the audience, "We so rich, why we can't afford no ceiling?" The camera pans up to reveal the ceiling-less top of the set they're filming in.
*** When Baby Nicky undergoes SoapOperaRapidAgingSyndrome, Jazz asks Will about it, who mumbles confusedly.
*** Even more amusing, Jazz first asked "Who's playing the mom this year?" ({{lampshad|eHanging}}ing the previous change in actresses.) Post-SORAS Nicky comes out and answers "It's the same mom!" which prompts Jazz's confusion.
*** The season prior, after the actress switch, Jazz told Vivian that she looked different ever since she had the baby. Will responds with an AsideGlance.
** In yet another episode, Will convinces Carlton that one of his pranks has resulted in Will killing a woman, which results in Carlton hysterically running through every set of the episode and finally into the studio audience.

* ''Series/GreenAcres'' liked this trope:
** In at least one episode the opening credits were painted on the furniture in the main characters' farmhouse.
** In another, while both lying in bed, Lisa asks Oliver, "Who are [names of two people featured in the opening credits]? I just had a dream where their names were floating above us."
** In another episode, Mr. Ziffel waits at Mr Douglas' house while the credits appear behind him, only for them to disappear when he turns around. When Mr. Ziffel manages to turn around on time, he says, "Gotcha!" Mr. Douglas appears and asks, "Got what?" Ziffel says, "The names!"
** Every time Oliver makes some long-winded, heartfelt speech about life in the country, patriotic fife-and-drum music starts playing, prompting everybody to wonder where it comes from. In one episode, Oliver listened to a recording of himself and murmured in astonishment, "Is that a fife?"
* Arnie Becker, finding himself in a thorny situation in TheTeaser in one episode of ''Series/LALaw'', shouts, "Close the trunk!" This leads to the opening credits, which always began with a shot of a car's trunk being closed.

* In the all puppet version of the Muppet show ''WesternAnimation/DogCity'', Ace finds a note from his father that contains a strange postscript, "Dum-Dum-De-Dum." When his girlfriend wonders what that is supposed to mean, they both suddenly hear the equivalent notes played out of nowhere and she realizes that it's a music cue. They suddenly realize the big reveal of the plot and suddenly, and without irony, sing along with the replayed cue, "Dum-Dum-De-Dum!"
* In an early episode of ''Series/{{Roseanne}}'' dramatic music plays each time the word "audit" is used. The characters begin waiting for it it to happen and are freaked out by it.
** One episode of ''Series/GrowingPains'' used a similar joke. Mike was explaining something through {{Flashback}}s. When he doesn't immediately continue his story at one point, Maggie asks him what's wrong, and he replies, "I'm waiting for the ripple!"
* In ''Series/MysteryScienceTheater3000'', the Satellite of Love had "Commercial Sign", a light that indicated it was time to begin the commercial break. (The break itself wouldn't start until a character triggered it by touching the light.) For further redundancy, the Magic Voice would count down until the start of each episode's first Commercial Sign. This was dropped in later seasons.
** [[WordOfGod It was later revealed by Joel Hodgson]] that the Mads were taping the events of the series and selling them to Comedy Central. Thus, it is entirely possible that the series events are broadcast live in-universe, and Commercial Sign is simply the necessary extension of this.
* In the ''Series/BuffyTheVampireSlayer'' episode "Once More With Feeling", after learning that Dawn has been captured, Buffy remarks "....Must be Tuesday". Tuesday is when ''Buffy'' aired on Creator/{{UPN}}.
** In the same episode Anya comments on their number in the apartment, saying "It was like we were being watched. Like there was a wall missing from our apartment. Like there were only three walls, and not a fourth wall."
* Similarly to Buffy's Tuesday line, in the SeasonFinale of season 3 of ''Series/{{Arrow}}'', Laurel bursts into her father's office and says the entire city is under threat. Quentin responds "Really? It must be May!" - a reference to the fact the two previous seasons ''also'' ended in May with a finale of the entire city being under threat.
** And in the fifth episode of ''Series/TheFlash2014'' they were already doing it.
--->'''Joe:''' A human bomb? Must be Tuesday in Central City.
* In the ''Series/DoctorWho'' episode "Forest Of The Dead", [[spoiler:when Donna is trapped in a computer simulation of ordinary life, she experiences the usual TV-style jump-cuts between scenes as gaps in her memory. At first she's confused and her therapist Dr. Moon has to tell her what happened during the parts we didn't see. Later on she starts filling in the gaps herself: "You said you were tired, so we put the kids to bed and watched TV for a bit, and then we came up to bed." It's clear to the audience that the computer is using this device as a way to fast-forward Donna through several years of virtual life in a few minutes.]]
** Though, to be honest, the series has had several bizarre affairs with this trope. A perfect example comes up in "The Caves of Androzani", where [[spoiler:the Doctor dies of an exotic poison and regenerates into his sixth incarnation (played by Colin Baker). When Peri asks what happened, Six turns to the camera with a smirk on his face and explains, "Change, m'dear... and it seems not a moment too soon." Of course, later episodes showed that this Doctor may well be borderline insane anyhow, so it could well be explained like that]].
** In the episode "Blink", the behavior of the angels -- who can move with blinding speed but are "quantum locked" in stone when anybody looks at them -- only makes sense when you realize that the camera counts as an observer. When the audience sees them, they're frozen, even if nobody else is looking at them.
*** Until series five, when in the episode "Flesh and Stone" the camera shows the angels slowly realizing that a blindfolded character can't actually see them. The resulting scene of the supposedly solid statues turning their heads to look at Amy definitely qualifies as terrifying.
*** Don't forget, those Angels moved very slowly...and there's a shutter passing behind the lens of the camera 24 times a second...
** As with the Buffy example above, the Doctor asks a passing milkman in "The Stolen Earth" what day it is. The Doctor responds with "Saturday. Good. Good, I like Saturdays," which is a nod to the show's main broadcast night on BBC One.
*** Similarly, there is one at the end of the interactive game "Attack of the Graske" that gives a nod to ITV.
*** The Eleventh Doctor is also a big fan of Saturdays, calling them "Big temporal tipping points where anything could happen!". This fits in with the more timey-wimey nature of new showrunner Steven Moffat's stories.
* ''Series/BostonLegal'' plays with this trope at least once or twice per episode. An interesting thought experiment is to watch the fourth wall breaks and try to work out whether anyone other than Denny can actually see the credits/hear the theme music/etc, or if they're just humoring him. Jerry certainly can. He's [[ThemeTuneCameo sung the theme song twice]], after all.
* The characters of ''Series/TheBasilBrushShow'' seem to be well aware that they are in a television programme and often reference this.
* ''Series/TheMonkees'' did this frequently. Many episodes contain references to the fact that they are characters in a TV show.

-->(''Exterior shot: a door opens and Sir William appears out of it into the fresh air. He suddenly halts.'')\\

-->'''Second Policeman''': Namely, simply ending every bleeding sketch by having a policeman come in and.. wait a moment.
-->'''Third Policeman''': Hold it!
-->'''Second Policeman''': It's a fair cop!
-->(''The hand of a fourth policeman then enters frame to seize the third policeman by the shoulder.'')

-->'''Customer''': Sorry about this. Normally we try and avoid these little pauses. ''Longeurs''. Only dramatically he's gone down to the basement, you see. 'Course, there isn't really a basement, but he just goes off and we pretend. Actually what happens is he just goes off there, off-camera, and just waits there so it looks as though he's gone down to the basement. Actually, I think he's rather overdoing it. Ah!"\\
(''The chemist is shown standing on the edge of the set, sees the camera, and rushes to get back into the sketch.'')
-->'''Chemist''' (out of breath): Sorry, Sir. Lot of steps.
-->'''Customer''': ([[AsideGlance Winks at camera]])

* ''Series/HoneyIShrunkTheKids'': Every time a one-shot villain's name is said, [[{{Sting}} very dramatic music plays]]. The family wonders where it comes from. [[SorryILeftTheBGMOn They then find a series of trumpet players hiding in odd places on the set and shoo them off.]]
* In the very weird fourth and last season of ''Series/TilDeath'', one of the characters realizes that he is in fact a character on a sitcom. He realizes that he can't swear or have sex, and he notices that [[TheOtherDarrin four different actresses]] have played his wife.

* ''Series/SavedByTheBell'' - the show was so well-known for Zack Morris' talking to the audience - among other things - that '' 'Time Out!' '' could be the TropeNamer for this.

* Episode 3 of ''Series/TheHitchhikersGuideToTheGalaxy'' begins with a potted history of the Galactic Empire, signified by the coat of arms of the Empire floating in space. Then a spaceship containing a Real Man, a Real Woman and a Real Small Furry Creature from Alpha Centauri crashes into it.
* ''Series/MalcolmInTheMiddle'' is all about a dysfunctional teen who [[NoFourthWall tells the viewers]] about his difficulties - at one point, he's called out on "talking to himself", but every other time, people ignore him. This isn't limited to realtime, and he'll often announce a fatal error in-progress and slow the show down to yell "Abort!" (with normal speed) (and resumes making the error anyway, still slowed).
** Which all implies that the "face the camera" segments are just internal monologue, rather than any real acknowledgement of the fictional universe.
* One episode of ''Series/{{Angel}}'' had Lorne speaking directly to what was purportedly a nightclub audience. Then the show cuts to commercials, and when it comes back...
-->'''Lorne:''' Well, those were some exciting products. Am I right? Mmm. Let's all think about buying some of those.
* J.D. in ''Series/{{Scrubs}}'' has elements of this. Sometimes it's just LeaningOnTheFourthWall (like when it ''looks'' like he's noticed the Creator/{{ABC}} logo), sometimes it isn't. In particular, he's shown awareness of (or at least thinks he's imagining) the drums that lead into the opening titles (in one episode he mimes them as they play), the SentimentalMusicCue (in "My Old Friend's New Friend") and the weird sound effect that plays when characters exit (in "My Happy Place").
** This may not be medium awareness. The show clearly takes place from his perspective, so the music may actually be a part of his imagination. He notes on one occasion that it sounds like that "in his head".
* The plot of ''Series/RedDwarf: Back to Earth''.
* Lilly in ''Series/HannahMontana'' begins to develop some of this in season 3 to go along with her GenreSavvy when she not only knows that her fantasy sequence is about to appear, but is able to point out to Miley where on screen it will be appearing.
* The episode "Sun Tea" of ''Series/ThirtyRock'' aired during NBC's 2009 Green Week. Since the show is about the production of a (fictional) show that airs on NBC, naturally the characters are all aware of this fact. At one point it's mentioned that for Green Week the NBC Peacock logo that sits in the corner is turned green, at which point Kenneth looks directly at it in the corner of the screen.
* ''Series/StargateSG1''
** In "Small Victories" two {{red shirt}}s on a Russian submarine are investigating a noise. One says to the other [[BilingualBonus in Russian]] "maybe it's one of the bugs from the other episode."
** Another episode has Sam humming the theme song in an elevator. Col. O'Niel questions her about it.
*** [[ActorAllusion It was supposed to be]] the ''Series/MacGyver'' theme, but Amanda Tapping couldn't remember how it went. This would have been at least the second reference to ''MacGyver'' that Tapping worked into the show, after mentioning "MacGyvering" a problem in the pilot.
** Yet another has a combo of this and a {{continuity nod}} to the movie when the Colonel insists that a reporter get the spelling of his name right, alluding to the fact that the character in the movie and the same character in the TV show spell their names differently. He also mentions that the other Col. O'Neil has no sense of humor, referring to the fact that Creator/KurtRussell was far more serious in the movie.
* ''Series/PhilOfTheFuture'' sometimes played with this trope. One example had Pym pondering about something her father, Lloyd, had said to her earlier in the episode, with Lloyd appearing in a "thought balloon" and repeating his earlier line. After Pym continues to reflect silently for some length of time, her father impatiently addresses her from within the insert:
--> '''Lloyd:''' Look, are you about done with this flashback? 'Cause I have stuff to do...
* In several episodes of ''Series/{{Psych}}'', either Shawn or Gus has observed, "We solve a murder a week. And usually one around Christmas."
* On an episode of ''Series/{{Seinfeld}}'' George says "All you see on TV these days is four morons sitting in an apartment whining about their dates!"
** Even more so when Jerry was introducing the Clip Shows, he would address the camera, in character.
--->'''Jerry:''' You know it seems like every week a whole new set of problems would spring up over night, except for the summer, where nothing would happen for months at a time.
* In newer episodes, Adam Savage will have one-sided conversations with the ''Series/MythBusters'' editors, asking them to replay a clip or put two scenes together in split-screen.
** Even in older episodes, Adam would often predict how the episode would be cut. He did this as early as the first "What Is Bulletproof" episode, where he predicted a cut to Jamie (in season one) saying that their blast screens would "stop a bullet".
* In one ChristmasEpisode of ''Series/MarriedWithChildren'', Al and Peggy try to watch TV together and both hate anything the other one wants to watch. Halfway through, Al goes to the bathroom, turns to the camera...
-->'''Al:''' And I really ''hate'' this commercial!
-->[commercial break]
* An extremely subtle one in ''{{Series/Firefly}}'', with this exchange:
--> '''River:''' (Jayne)'s scared of us. Scared we'll know.
--> '''Simon:''' Since when?
--> '''River:''' Since Ariel.
** 'Ariel' being the name of the episode where Jayne [[spoiler: betrayed them]]. Okay, so it could equally be that River means 'Ariel'-the-planet where the action happened, as in 'since we were on Ariel'). But the no-fourth-walliness intention of the phrasing is confirmed by [[WordOfGod Word Of Joss]] on the commentary. This is after all the science fiction show with the following exchange:
--> '''Wash:''' Psychic, though? That sounds like something out of science fiction.
--> '''Zoe:''' We live on a spaceship, dear.
* In one episode of ''Series/BoyMeetsWorld'', Cory gets caught in a TwoTimerDate scenario and Shawn teaches him to play it out like Fred did in one episode of ''WesternAnimation/TheFlintstones'', leading to this exchange:
-->'''Shawn:''' ...and Fred never spent more than 75 seconds at either location.
-->'''Cory:''' Shawn, that was a cartoon, [[CartoonlandTime time was compressed]], [[ThisIsReality we're real, we're in real time]].
-->'''Shawn:''' Trust me, it's the same thing.
-->'''Cory:''' No it's not. You see a television show can cover many days in only one half-hour program.
-->'''Shawn:''' ''Trust'' me, it's the same thing.
-->'''Cory:''' ''(shrugging)'' Okay!
* The characters of ''Series/HowIMetYourMother'' occasionally seem to know that they exist only in Future!Ted's memories, or otherwise go on with the story even though [[UnreliableNarrator Ted was never around for the event or simply forgot how the story went]].
** Especially obvious in "The Mermaid Theory", where Future!Ted forgets what happened in the middle of a story, and when his narration trails off into "no that's not right...hang on a minute...let me think..." Barney and Lily, who are frozen mid-conversation on the couch glance anxiously into the camera, break character completely and scowl in exasperation, and impatiently check their watches as Future!Ted continues to flounder.
** In "How I Met Everyone Else" Ted brings a GirlOfTheWeek to meet the group and Future!Ted has to pause as he realizes he forgot her name. So that the story can continue he names her "Blah-blah" and the characters call her Blah-Blah as though it is a normal name. "I'm just here to make Robin jealous and when she takes you back you probably won't even remember my name!" "Come on Blah-Blah, it's not like that!" [[spoiler: He remembers her name as Carol in one of the last episodes of the series]].
** Especially notable in the DayInTheLimelight episodes where someone other than Future!Ted is narrating, as that's when they become a lot more aware of the conventions of the show. Robin's court mandated therapy where she explains what happened to lead up to an assault has the therapist constantly asking [[FourLinesAllWaiting why she's diverting into other stories and she insists that it will come back around]].
* ''Series/ItsGarryShandlingsShow'' is arguably the ur-example of all things BreakingTheFourthWall-related, and the entire premise behind the {{Lampshade}}-eriffic show. The theme song was made up entirely of lyrics like "This is the music that you hear/When you watch the credits." Garry would talk to -- and with -- the crew and audience; move between scenes by walking around the walls of the sets (or driving by golf cart); declare time lapses if he didn't feel like waiting for something (and once missed a visit from a guest because another character did a time lapse without his permission). One episode featured Gilda Radner (her last role before her untimely death), and Garry chastised her for looking into the camera. Only he was allowed to BreakTheFourthWall.

* ''Series/WizardsOfWaverlyPlace:''
** Alex from declares the start and end of her FallingInLoveMontage with Mason, and in another episode, stops talking for about a minute to prove that comedies are unfunny without dialog.
** In the episode "Magic Unmasqued", Alex starts to have a flashback and tells it to go away.
* ''Series/ThankGodYoureHere'' does this sometimes, particularly when Shaun Micaleff is on. In one sketch he enters a scene looks at the fourth wall and audience and says to another character, "I love what you've done with the place, you've had this wall taken out and all these people put in."
* During the ''Series/SaturdayNightLive'' B-movie spoof "Attack Of The Terrible Snapping Creatures", the unfortunate women (Gail Matthius and Jamie Lee Curtis) realize they're facing imminent danger, because there's suddenly scary music playing in their apartment.
** A sketch later in that season involves Bill Murray trying to write a romance novel, as its characters act out the novel-in-progress behind him.... which becomes more and more difficult when he hits writer's block (and they're left standing around impatiently waiting for a cue); and at one point quickly rereads everything he just wrote, forcing the characters to reenact the entire scene at breakneck speed.
* In ''Series/{{Farscape}}'', after John Crichton finally reached the absolute nadir of his progressing insanity, he would occasionally hum along with the show's score.
** ''Series/TheJackBennyShow'' had similiar interaction, since Jack would start out on the stage and walk into the set after speaking with the audience. Including walking through the missing literal fourth wall so he could hand something to someone who walked out the front door.
** ''Series/TheBurnsAndAllenShow'' started the same year (1950) and Creator/GeorgeBurns especially would talk to the camera and announcer. Also the commercials were built into the show itself and George would sometimes watch what Gracie was doing on their TV set.
* In the first episode of ''Series/KrodMandoonAndTheFlamingSwordOfFire'', Dongalor and Barnabas are having a conversation when the Narrator interrupts, then continue as though they had heard the Narrator, then become confused about just who had been talking.
* The Norwegian Series/BrodreneDal used it shamelessly. Hence, this snippet from the third series:
---> But how do ''we'' fit in the (big) picture?
---> I will tell you. If the camera moves backwards, you will fit in the picture.
---> (All three brothers look behind them and straight at the camera, which pulls backwards).
* A Real Life example happened in Mexican show Otro Rollo with Will Smith. He was being interviewed and out of nowhere he started minding the [[https://youtu.be/l46dy23Fs3s?t=2m9s translator for the audience]].
* In ''Series/XenaWarriorPrincess'', Xena whistles the show's theme song while fishing (and ignoring Gabrielle's cries for help) in the episode "Fins, Femmes, and Gems."
* ''Series/SesameStreet'': At the beginning of the special ''The Street We Live On'', Grover bumps into the executive producer credit ("Oh, pardon me, I did not see you there!").
* The central character of ''Series/{{Fleabag}}'' breaks the fourth wall constantly, until eventually it becomes apparent that the reason for this is that she's using the viewer as a LivingEmotionalCrutch. After five and a half episodes of constant aside glances and comments, she finally retreats behind the fourth wall after a scene in the final episode where she turns away from us, only to find that we're watching her from the reverse angle as well. It's this realization that she cannot escape from ''us'', as much as anything happening in-universe, which prompts her breakdown.
* Briefly invoked on ''Series/LateNight with Creator/ConanOBrien''; during a sketch where Conan and his sidekicks were making on-air confessions (deeming it safe to do so since [[NoHoperRepeat everyone else was watching]] the [[UsefulNotes/OlympicGames Winter Olympics]] on CBS), Conan confessed that he didn't like the NBC logo in the corner of the screen, so he killed it with [[StealthPun bug spray]].
* The mostly serious tone of ''Series/WKRPInCincinnati'''s YetAnotherChristmasCarol episode is leavened with wry invocations of this trope.
--->'''Arthur:''' This isn't going to be one of those Charles Dickens ''Christmas Carol'' things, is it?
--->'''Arthur:''' ''(on returning from the past to the dimly lit radio station)'' I'm alone. And in bad lighting again.

** And in the fifth episode of ''Series/TheFlash'' they were already doing it.

** Alex from declares the start and end of her FallingInLove Montage with Mason, and in another episode, stops talking for about a minute to prove that comedies are unfunny without dialog.

** Another Episode has Sam humming the theme song in an elevator. Col. O'Niel questions her about it.

** Though, to be honest, the series has had several bizarre affairs with this trope. A perfect example comes up in The Caves of Androzani, where [[spoiler:the Doctor dies of an exotic poison and regenerates into his sixth incarnation (played by Colin Baker). When Peri asks what happened, Six turns to the camera with a smirk on his face and explains, "Change, m'dear... and it seems not a moment too soon." Of course, later episodes showed that this Doctor may well be borderline insane anyhow, so it could well be explained like that]].

** Though, to be honest, the series has had several bizarre affairs with this trope. A perfect example comes up in The Caves of Androzani, where [[spoiler:the Doctor dies of an exotic poison and regenerates into his sixth incarnation (played by Colin Baker), and then proceeds to explain what happened by turning to the camera with a bizarre smirk on his face and explaining "Change... And by the looks of it, not a moment too soon." Of course, later episodes showed that this Doctor may well be borderline insane anyhow, so it could well be explained like that]].

*** Until season five, when in the episode "Flesh and Stone" the camera shows the angels slowly realizing that a blindfolded character can't actually see them. The resulting scene of the supposedly solid statues turning their heads to look at Amy definitely qualifies as terrifying.

---> (All three brothers look behind them and straight at the camera, which pans backwards).

* Briefly invoked on ''Series/LateNight with Creator/ConanOBrien''; during a sketch where Conan and his sidekicks were making on-air confessions (deeming it safe to do so since [[NoHoperRepeat everyone else was watching]] the [[UsefulNotes/OlympicGames Winter Olympics]] on CBS), Conan confessed that he didn't like the NBC logo in the corner of the screen, so he killed it with [[StealthPun bug spray]].

* In one episode of ''Series/BoyMeetsWorld'', Cory gets caught in a TwoTimerDate scenario and Shawn teaches him to play it out like Fred did in one episode of ''TheFlintstones'', leading to this exchange: