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* OneCastMemberPerCover: Every volume cover has a different member of the main cast. Volumes with odd numbers feature a character of Team Moriarty while even numbers feature one of Team Holmes. For example, William is on Volume 1 and Sherlock is on Volume 2.
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* SwornInByOath: William always demands vows of loyalty and someone's life in exchange for his consulting services. When Bond joins his team, they swear their life and loyalty over to him before being accepted.
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** Billy seeks out McGinty afte McGinty killed Pat Garrett and destroyed his hometown to try to ''forgive'' him instead of seeking revenge...only for it to nearly faily because he was so tempted to take revenge himself. Fortunately, he manages to deliver McGinty over to the law.

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** Billy seeks out McGinty afte McGinty [=McGinty=] after [=McGinty=] killed Pat Garrett and destroyed his hometown to try to ''forgive'' him instead of seeking revenge...only for it to nearly faily fail because he was so tempted to take revenge himself. Fortunately, he manages to deliver McGinty [=McGinty=] over to the law.



* SparedButNotForgiven: Billy delivers McGinty over to the law instead of killing him for revenge, but he cannot find it in himself to forgive the man for what he did.

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* SparedButNotForgiven: Billy delivers McGinty [=McGinty=] over to the law instead of killing him for revenge, but he cannot find it in himself to forgive the man for what he did.



* VengeanceFeelsEmpty: Billy doesn't feel any better after apprehending McGinty and giving him to the law to face justice accordingly. Sherlock points out that the person he truly has to forgive in order to feel better is himself, for doubting his friendship with Garrett.

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* VengeanceFeelsEmpty: Billy doesn't feel any better after apprehending McGinty [=McGinty=] and giving him to the law to face justice accordingly. Sherlock points out that the person he truly has to forgive in order to feel better is himself, for doubting his friendship with Garrett.



** Billy's choice to hand McGinty over to the law instead of killing him himself extrajudicially is portrayed as not truly taking harmful revenge and instead as the proper course of action.

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** Billy's choice to hand McGinty [=McGinty=] over to the law instead of killing him himself extrajudicially is portrayed as not truly taking harmful revenge and instead as the proper course of action.

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* VigilanteInjustice: This story portrays a WellIntentionedExtremist version of Professor Moriarty. Moriarty knows the murder he's committing of monstrous nobles in hopes of bringing equality to the British Empire is wrong and openly says it's not justice but still seems to view it as a necessity he's committed to for too long to abandon. [[spoiler: The series actually has him survive ''The Final Problem'' arc in which he dies in the original canon so he is forced to find a proper way to atone for everything he's done and find a new way to commit to justice.]]

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* VigilanteInjustice: VigilanteInjustice:
**
This story portrays a WellIntentionedExtremist version of Professor Moriarty. Moriarty William knows the murder he's committing of monstrous nobles in hopes of bringing equality to the British Empire is wrong and openly says it's not justice but still seems to view it as a necessity he's committed to for too long to abandon. [[spoiler: The series actually has him survive ''The Final Problem'' arc in which he dies in the original canon so he is forced to find a proper way to atone for everything he's done and find a new way to commit to justice.]]]]
** Billy's choice to hand McGinty over to the law instead of killing him himself extrajudicially is portrayed as not truly taking harmful revenge and instead as the proper course of action.

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* FoeRomanceSubtext: William and Sherlock are on nominally opposite sides of the criminal/detective match up for much of the series. Despite this, Sherlock talks about a RedStringOfFate tying him to William repeatedly, is unabashedly excited every time he sees William, and is fixated on saving him from himself. On William's part, he hopes to be reincarnated with Sherlock to be with him in another life, desires to throw his entire plan and life away to spend more time with Sherlock, requests to die with Sherlock alone at his side, and thinks of Sherlock as a warm breeze in a cold and lonely room he's trapped in--even compares meeting Sherlock to a [[FlamesOfLove fire being lit in his dark, cold, empty life]]. Sherlock says they have ''always felt the same way''. [[spoiler:Then Sherlock catches William in his arms and cradles him protectively surrounded by [[CherryBlossoms cherry-blossom]] imagery. After that, in Sherlock agrees to work with Billy to provide William's medical care and stays vigilant at William's bedside in the manga, and in the anime Sherlock is asked if he is looking for a "lover" and answers that he is looking for a "friend" and grins at William]]. And on top of all of that profession of feelings, their story matches the usually-romantic shinjuu plot structure. With their constant devotion to each other, it gets harder and harder as the series goes on to see their professed "dear friendship" as JustFriends. Plus, you know, they live together for a while and [[CurtainFic literally discuss buying curtains for their home together]].

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* FoeRomanceSubtext: William and Sherlock are on nominally opposite sides of the criminal/detective match up for much of the series. Despite this, Sherlock talks about a RedStringOfFate tying him to William repeatedly, is unabashedly excited every time he sees William, and is fixated on saving him from himself. On William's part, he hopes to be reincarnated with Sherlock to be with him in another life, desires to throw his entire plan and life away to spend more time with Sherlock, requests to die with Sherlock alone at his side, and thinks of Sherlock as a warm breeze in a cold and lonely room he's trapped in--even compares meeting Sherlock to a [[FlamesOfLove fire being lit in his dark, cold, empty life]]. Sherlock says they have ''always felt the same way''. [[spoiler:Then Sherlock catches William in his arms and cradles him protectively surrounded by [[CherryBlossoms cherry-blossom]] imagery. After that, in Sherlock agrees to work with Billy to provide William's medical care and stays vigilant at William's bedside in the manga, and in the anime Sherlock is asked if he is looking for a "lover" and answers that he is looking for a "friend" and grins at William]]. And on top of all of that profession of feelings, their story matches the usually-romantic shinjuu plot structure. With their constant devotion to each other, it gets harder and harder as the series goes on to see their professed "dear friendship" as JustFriends. Plus, you know, they live together for a while and [[CurtainFic literally discuss buying curtains for their home together]]. And then they both ask each other to live together, struggle together, and help each other with they go astray, and even Billy says it sounds like wedding vows.



* VengeanceFeelsEmpty: Billy doesn't feel any better after apphrending McGinty and giving him to the law to face justice accordingly. Sherlock points out that the person he truly has to forgive in order to feel better is himself, for doubting his friendship with Garrett.

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* VengeanceFeelsEmpty: Billy doesn't feel any better after apphrending apprehending McGinty and giving him to the law to face justice accordingly. Sherlock points out that the person he truly has to forgive in order to feel better is himself, for doubting his friendship with Garrett.

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* ItsPersonal: Billy spends ''The Valley of Fellows'' arc chasing after the man who destroyed his hometown of Fort Sumner and killed his best friend.



* RevengeIsNotJustice: For all that the Moriarty family is portrayed sympathetically, their actions are not portrayed as acceptable or forgivable. They were evil and they all commit to devoting the rest of their lives to atoning for their crimes. William even outright states that he's never thought of his actions as justice, nor that he has any right to have done what he has.

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* RevengeIsNotJustice: RevengeIsNotJustice:
**
For all that the Moriarty family is portrayed sympathetically, their actions are not portrayed as acceptable or forgivable. They were evil and they all commit to devoting the rest of their lives to atoning for their crimes. William even outright states that he's never thought of his actions as justice, nor that he has any right to have done what he has.has.
** Billy seeks out McGinty afte McGinty killed Pat Garrett and destroyed his hometown to try to ''forgive'' him instead of seeking revenge...only for it to nearly faily because he was so tempted to take revenge himself. Fortunately, he manages to deliver McGinty over to the law.


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* SparedButNotForgiven: Billy delivers McGinty over to the law instead of killing him for revenge, but he cannot find it in himself to forgive the man for what he did.


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* VengeanceFeelsEmpty: Billy doesn't feel any better after apphrending McGinty and giving him to the law to face justice accordingly. Sherlock points out that the person he truly has to forgive in order to feel better is himself, for doubting his friendship with Garrett.
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* DeathbedPromotion: Moran is declared killed in action alongside his entire squad and all of them are promoted two ranks posthumously. This takes Moran up to his well-known rank as "Colonel."
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* TheCaper: Being about a criminal mastermind and his plans, most of the series' arcs features at least one of these. Some of the more exemplary ones include:
** The dramatic staged murder of Blitz Enders in front of an entire cruiseship full of witnesses to Enders committing his crimes--all organized by Moriarty to put him on display.
** Arranging for Hope's murder of Drebbers and then framing Sherlock for murder, dragging him around London to clear his name.
** There's an offhand mention of "The Red-headed League" and how Moriarty's crew arranged to have access to a shop in order to dig a tunnel to commit a crime--although what crime they were organizing for remains unclear.
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* SheathStrike: After William takes on his quest of atonement, he keeps his sword neatly in the cane during fights to keep from killing anyone while he bats them around.


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* ThreePointLanding: William jumps off a horse and lands on both feet and one hand to brace himself and engages in a fight.
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* GrudgingThankYou: Played with: When Louis finally thanks Sherlock Holmes for saving his brother's life, after loathing him for the entire series to that point, he is genuine and sincere with no hesitation at all, but Sherlock wasn't expecting such a heartfelt expression of gratitude from him.
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* RoleCalled: While Moriarty is still a math professor in this series, the series is about his ''patriotism'' and dedication to saving his country.

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* HotSpringsEpisode: The anime OVA episodes were announced to take place in Bath, England, at a hot springs resort for the upper class, where Sherlock and William become intrigued by an incident.

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* HorsebackHeroism: In chapter 73, William arrives in Vermissa Valley to save Sherlock (and Billy) where they're pinned down in a bar by the enemy, on a white horse and a sword.
* HotSpringsEpisode: The One anime OVA episodes were announced to take OVA, The Rememberence of the Lily takes place in Bath, England, at a hot springs resort for the upper class, where Sherlock and William become intrigued by an incident.solve yet another mystery together.
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* StealingTheCredit: Lestrade has taken credit for many of Sherlock's deductions and solved cases, so now Scotland Yard keeps giving him the trickiest cases even when Sherlock isn't around to rely on. William even teases Sherlock by complimenting Lestrade on it in front of Sherlock.
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* DirtyCop: Arterton of Scotland Yard is an absolutely monster who falsifies evidence on innocent people to close cases quickly and easily. Patterson and Lestrade take him down with the help of Sherlock and Patterson takes over his position to be chief of police with different kind of [[MoleInCharge agenda]].
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* BankRobbery: Louis, Moran, Fred, and Bond are CaughtUpInARobbery at a bank while running errands in ''The Adventure of the Four Servants''.

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* CastFullOfPrettyBoys: The series has very few prominent female characters, and the male characters are all commented on even in-universe to be very handsome. In "The Tea Party" chapter, the women visiting the Moriarty manor drool over how pretty ''even the Moriarty servants'' are, even the older SilverFox Jack.

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* CastFullOfPrettyBoys: The series has very few prominent female characters, and the male characters are all commented on even in-universe to be very handsome. In "The Tea Party" chapter, the women visiting the Moriarty manor drool over how pretty ''even the Moriarty servants'' are, even the older SilverFox Jack.Jack.
* CaughtUpInARobbery: In ''The Adventure of the Four Servants'', William sends Louis, Bond, Moran, and Fred out to retrieve the contents of a safe deposit box. While they're on the errand, the bank is held up by robbers and they have to find a way to accomplish each of their objectives and save the civilians. It becomes clear later that William set up the robbery as a way for Bond to prove what they can do in a real situation and show their worth.

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There is exactly zero evidence these things came from BBC Sherlock just because they are similar. Replaced with an actual example.


* MythologyGag: The series has featured a couple to ''Series/{{Sherlock}}''
** Dr. Watson is blonde(the Paget illustrations and most adaptations have Watson as dark haired) and lacking the traditional mustache until after a TimeSkip.
** Milverton backports a lot of elements from his counterpart Charles Augustus Magnussen, including his much nastier personality, status as a media mogul, and death [[spoiler:by Holmes.]]

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* MythologyGag: The series has featured Sherlock usually wears a couple to ''Series/{{Sherlock}}''
** Dr. Watson is blonde(the Paget illustrations
blue suit and most adaptations have Watson as dark haired) and lacking the traditional mustache until unbuttoned dress shirt, but shortly after John publishes ''A Study in Scarlet'', he forced a TimeSkip.
** Milverton backports a lot of elements from his counterpart Charles Augustus Magnussen, including his much nastier personality, status as a
deerstalker cap and matching cape on Sherlock to greet the media mogul, and death [[spoiler:by Holmes.]]moguls to match his most iconic look.
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Added Mythology Gag entry for Sherlock inspirations.

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* MythologyGag: The series has featured a couple to ''Series/{{Sherlock}}''
** Dr. Watson is blonde(the Paget illustrations and most adaptations have Watson as dark haired) and lacking the traditional mustache until after a TimeSkip.
** Milverton backports a lot of elements from his counterpart Charles Augustus Magnussen, including his much nastier personality, status as a media mogul, and death [[spoiler:by Holmes.]]
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* FaceDeathWithDignity: William, approaching the end of ''The Final Problem'' and what he believes to be his doom, is he calmest he has been in the entire arc. He is resolute, willing to die, and accepting that he deserves death.
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* EverybodyHelpsOutDenouement: The GeckoEnding for the anime adaption shows the Moriarty clan, without William, working side-by-side with the people of the British Empire to improve things and help the community instead of terrorizing the worst of the worst.

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* NeverFoundTheBody: [[spoiler:William and Sherlock's. Both, of course, survive.]]

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* NeverFoundTheBody: [[spoiler:William and Sherlock's.Sherlock's bodies were searched for and never found after ''The Final Problem''. Both, of course, survive.]]]]
* NocturnalCrime: The vast majority of William's crimes are committed in the dark of night.



* SeriesFauxnale: Subverted ''hard''. Readers (and even some media outlets) assumed the manga would wrap up with ''The Final Problem''. After all, it's the story of Moriarty who dies in that story in the original canon, it seems to be the final clash between William and Sherlock, the first page of the first chapter foreshadowed it, and, well...it's called "Final" for a reason. But ''The Adventure of the Empty Hearts'' follows immediately after and introduces a character that had been shown on the cover of chapter one alongside William's other subordinates who weren't introduced until much later, so the authors intended to go past ''The Final Problem''...since chapter one.



* ShowdownAtHighNoon: Billy's final faceoff with Garrett was a quick-draw pistol duel at high noon in Fort Sumner.
* TheSiege: During ''The Valley of Fellows'', Sherlock and Billy, along with four other mercenaries and roughly 30 untrained townspeople, need to protect Vermissa Valley from the Scrower's attack of 100 strong.



* SeriesFauxnale: Subverted ''hard''. Readers (and even some media outlets) assumed the manga would wrap up with ''The Final Problem''. After all, it's the story of Moriarty who dies in that story in the original canon, it seems to be the final clash between William and Sherlock, the first page of the first chapter foreshadowed it, and, well...it's called "Final" for a reason. But ''The Adventure of the Empty Hearts'' follows immediately after and introduces a character that had been shown on the cover of chapter one alongside William's other subordinates who weren't introduced until much later, so the authors intended to go past ''The Final Problem''...since chapter one.

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Moving from character pages.


* AgeLift: Just about all of the main characters are younger than they seem to be in the original canon. Before the TimeSkip, Professor Moriarty and Sherlock are only 24, Mycroft only 31, Colonel Moran only 35, and John Watson only 26, with everyone else hovering around their twenties and thirties as well.



* AgeLift: Just about all of the main characters are younger than they seem to be in the original canon. Before the TimeSkip, Professor Moriarty and Sherlock are only 24, Mycroft only 31, Colonel Moran only 35, and John Watson only 26, with everyone else hovering around their twenties and thirties as well.



* AngerBornOfWorry: John's default reaction to Sherlock's recklessness and self-endangerment is angry lectures.



* CorruptionByAMinor: While he's an adult for most of the series, just about every time we see William as a child, he's helping adults commit crimes they couldn't without his brain. And he talks Jack into teaching him and his brothers how to ''kill people'' (not that they need that much help).



* EvilVersusEvil: The concept of the show. William murders people who are worse than he is. Also seen with his decision to confront Milverton, the King of Blackmail, whose actions are solely rooted in his own desire to push people toward evil, as opposed to William's hope for a more equal world.

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* EvilGloating: Milverton has a tendency to over-explain his plans to his subordinates, and he also spends a fair amount of time rubbing in Sherlock and William's faces that he believes he has outwitted them. For whatever reason, even with guns pointed at him, they simply let him keep talking.
* EvilVersusEvil: The concept of the show.series. William murders people who are worse than he is. Also seen with his decision to confront Milverton, the King of Blackmail, whose actions are solely rooted in his own desire to push people toward evil, as opposed to William's hope for a more equal world.


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* MotiveMisidentification: One of the earliest fractures in William's plan was assuming Sherlock did not kill [[spoiler:Hope]] because he wasn't willing to do "anything" for his own purposes (in this case, to be told who the Lord of Crime was), rather than Sherlock didn't actually want someone to tell him the answer in the first place.
* MurderInTheFamily: Most of ''The Scarlet Eyes'' leads to the murder of Albert's family by himself.
* MurderIsTheBestSolution: Von Herder suggests allowing Moran to assassinate people in ''The Adventure of the Empty Hearts'', although when no one responds well to the suggestion, he claims to have been joking.


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* TheNameIsBondJamesBond:
** When William first asks Sherlock's name as they disembark the Noahtic, Sherlock introduces himself as "Holmes. Sherlock Holmes."
** James Bond himself announced his name this way when revealing his new name, as is only appropriate.


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* ResignInProtest: When Albert is ordered as the head of [=MI6=] to arrest his younger brother William, he simply refuses to do it and quits.


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* ScrewTheRulesImDoingWhatsRight: In ''The Riot in New Scotland Yard'', Lestrade winds up briefly in prison for defying orders and helping Sherlock find evidence.


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* ShirtlessScene:
** Sherlock strips down to his underwear after Adler jumped into a river fully dressed. Technically, this is two scenes, since the scene skipped between when he stripped down in public and when they got home, with him still undressed.
** Seen again after Sherlock's rescue by Billy, with his pants on, but his shirt conveniently off.
** Moran is also often seen shirtless, although in his case he tends to be ''totally'' nude.


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* WhatTheHellHero: Sherlock gets a number of these lectures from John whenever he's disappointed in Sherlock's moral choices.
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* ImprobablyFallingSave: After William falls from the Tower Bridge, Sherlock grabs his arm in hopes of hauling him back up, and manages to hold him up for long enough to have an argument with William before William notes that the bridge won't hold them forever--never mind that Sherlock's arm should be ripped from its socket.

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* ImprobablyFallingSave: ImprobableFallingSave: After William falls from the Tower Bridge, Sherlock grabs his arm in hopes of hauling him back up, and manages to hold him up for long enough to have an argument with William before William notes that the bridge won't hold them forever--never mind that Sherlock's arm should be ripped from its socket.
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* ImprobablyFallingSave: After William falls from the Tower Bridge, Sherlock grabs his arm in hopes of hauling him back up, and manages to hold him up for long enough to have an argument with William before William notes that the bridge won't hold them forever--never mind that Sherlock's arm should be ripped from its socket.
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* JuxtaposedReflectionPoster: One of the chapter cover pages features William leaning up against a window, peering out morosely, while his reflection stares back at the viewer with his eyes ablaze and a smirk indicating his Lord of Crime persona.
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** The manga shows the founding of the UsefulNotes/MI6 before Dr. Watson publishes his first Sherlock Holmes novel, under the pen-name of Creator/ArthurConanDoyle. In reality, ''Literature/AStudyInScarlet'' (first published in 1887) precedes the [=MI6=] by 22 years ([=MI6 =]was formed in 1909). Of course, since the [=MI6=] in this setting is founded by Moriarty (hence his codename "M"), while Sherlock Holmes is their UnwittingPawn whose involvement in the murder case that became the basis of Dr. Watson's first novel is due to Moriarty's machinations, the manga couldn't possibly use the correct historical order.

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** The manga shows the founding of the UsefulNotes/MI6 before Dr. Watson publishes his first Sherlock Holmes novel, under the pen-name of Creator/ArthurConanDoyle. In reality, ''Literature/AStudyInScarlet'' (first published in 1887) precedes the [=MI6=] by 22 years ([=MI6 =]was ([=MI6=] was formed in 1909). Of course, since the [=MI6=] in this setting is founded by Moriarty (hence his codename "M"), while Sherlock Holmes is their UnwittingPawn whose involvement in the murder case that became the basis of Dr. Watson's first novel is due to Moriarty's machinations, the manga couldn't possibly use the correct historical order.



** Miss Moneypenny is the only woman on William's team in MI6.

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** Miss Moneypenny is the only woman on William's team in MI6.[=MI6=].
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* TheSmurfettePrinciple:
** Miss Moneypenny is the only woman on William's team in MI6.
** Miss Hudson is generally the only woman on Sherlock's team who does anything--Mary Morstan only shows up extremely rarely and is never involved in cases or the aware of them the way Hudson often is.
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* FaithInTheFoe: Sherlock and William tend to believe in each other even against all odds and both remark that they're only truly understood by each other.
** Sherlock quickly realizes William is a sort of "noble criminal" who doesn't kill needlessly
** William knows Sherlock will solve whatever case he's after, and after a quick test, easily predicts his motions in most of their adventures together.
** Sherlock even says at one point that he knew William was the Lord of Crime because "there's no one else it could be."
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** Possibly most notably, the central driving conflict of the series, Moriarty’s desire to reduce the political power of the nobility, is half a century or more too late to be realistic. In reality that conflict had played out over the late 18th and early 19th centuries culminating in the passing of the Reform Act of 1832 (which instituted the reforms that appear to be contemplated by the legislation proposed in ''White Knight of London''). To be fair the passage of the Reform Act was at least as controversial as it is portrayed as being in the series. Arguments about the extension of the franchise and making the Lords subordinate to the Commons brought down several governments and the initial rejection of the Act by the Lords provoked riots (though, as far as anyone is aware, there was no assassination campaign by the Lords). By the late 19th century when the work is set the main conflict in British society was labour versus capital rather than commoners versus nobles.

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** Possibly most notably, the central driving conflict of the series, anime, Moriarty’s desire to reduce the political power of the nobility, is half a century or more too late to be realistic. In reality that conflict had played out over the late 18th and early 19th centuries culminating in the passing of the Reform Act of 1832 (which instituted the reforms that appear to be contemplated by the legislation proposed in ''White Knight of London''). To be fair the passage of the Reform Act was at least as controversial as it is portrayed as being in the series. Arguments about the extension of the franchise and making the Lords subordinate to the Commons brought down several governments and the initial rejection of the Act by the Lords provoked riots (though, as far as anyone is aware, there was no assassination campaign by the Lords). By the late 19th century when the work is set the main conflict in British society was labour versus capital rather than commoners versus nobles.
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** Possibly most notably, the central driving conflict of the series, Moriarty’s desire to reduce the political power of the nobility, is half a century or more too late to be realistic. In reality that conflict had played out over the late 18th and early 19th centuries culminating in the passing of the Reform Act of 1832 (which instituted the reforms that appear to be contemplated by the legislation proposed in ''White Knight of London''). To be fair the passage of the Reform Act was at least as controversial as it is portrayed as being in the series. Arguments about the extension of the franchise and making the Lords subordinate to the Commons brought down several governments and the initial rejection of the Act by the Lords provoked riots (though, as far as anyone is aware, there was no assassination campaign by the Lords). By the late 19th century when the work is set the main conflict in British society was labour versus capital rather than commoners versus nobles.

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