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* RuleOfSymbolism: The series goes into abstract imaginery for analogies very often, from walking skeletons and surreal art, to people growing giant and smashing buildings and Marie Antoinette using Website/Twitter.

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* RuleOfSymbolism: The series goes into abstract imaginery for analogies very often, from walking skeletons and surreal art, to people growing giant and smashing buildings and Marie Antoinette using Website/Twitter.Website/{{Twitter}}.
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* BornInTheWrongCentury: Marie is [[BerserkButton enraged]] by misgonysts and often [[TheSuffragette advocates that women should have as much rights as men do]], but she's hardly taken seriously. Also what Jacques Damiens envisions is literally modern France. The two had an a brief debate about it when they've met.


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* CensorShadow: The series ''just barely'' tries BarbieDollAnatomy, as it's frequent with demonstrating corpses, GratuitousRape and WardrobeMalfunction. The breasts are unaffected, but genitals are white'ed out.


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* RuleOfSymbolism: The series goes into abstract imaginery for analogies very often, from walking skeletons and surreal art, to people growing giant and smashing buildings and Marie Antoinette using Website/Twitter.


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* SocialMediaIsBad: Marie Antoinette prefers to have fun with her circle of friends than face her responsibilities as a queen, and the series uses a lot of literal comparisons to modern internet users.
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Trope deprecated per TRS


* DefiantToTheEnd: Despite being lead to the guillotine, Antoinette calmly [[AgonyOfTheFeet steps on]] [[spoiler: the foot of her executioner, Marie]] while saying her FamousLastWords: "I am sorry, monsieur. I meant not to do it." In this version of the French Revolution, Antoinette stepped on her executioner's foot deliberately.

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* DefiantToTheEnd: Despite being lead to the guillotine, Antoinette calmly [[AgonyOfTheFeet steps on]] [[spoiler: the foot of her executioner, Marie]] while saying her FamousLastWords: last words: "I am sorry, monsieur. I meant not to do it." In this version of the French Revolution, Antoinette stepped on her executioner's foot deliberately.
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* GoOutWithASmile: Played with, since [[spoiler: Marie]] is already a [[OurGhostsAreDifferent ghost]] when she sports one to [[spoiler: Charles]].
** Antoinette gives Marie a smug version as she calmly walks towards her fate on the platform.

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* ThisIsWrongonSoManyLevels: Both the chapter where Marie is branded by her grandmother and that chastity belt scene. With Marie, you have the torture scene of a child, a completely screwed chronology (because between the écartelement and that scene, Nicolas somehow managed to spend 15 days in prison and later become a monk. Why the hell did Anne-Marthe wait so much to punish her granddaughter is beyond me) and the fact the chapter is called "a young femme fatal" or something in those lines. The scene with the chastity belt on Delphine, we are showed [[spoiler: that she get's her privy pierced against her will]] and is putted in a chastity belt under lock and key, which makes you wonder why it was necessary because her folds were pierced shut. Also, the key somehow helps. Both scenes are complitely fictional.



* TortureTechnician: Subyss, who is called in to extract information from Damiens, but fails.
Jean-Baptiste is shown torturing his son at one point.

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* TortureTechnician: Subyss, who is called in to extract information from Damiens, but fails. \n Jean-Baptiste is shown torturing his son at one point.

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* AnachronicOrder: This trope is used midway in Rouge, made even more confusing when one flashback chapter is followed by a FlashbackWithinAFlashback.



* [[spoiler: BittersweetEnding]]: [[spoiler: While a majority of the characters either eventually die, have died before their actual date, or their fates are left unknown, the Innocent series ends with a summary of the downfall of the aristocracy with the eventual abdication of Napoleon III in 1832, and the abolishing of executions in France in 1981. While Marie and Charles were unable to achieve their dreams when they were alive, their dreams were realized centuries after their deaths. Marie appearing as a ghost also helps Charles come to terms with his failures and forgive himself.]]

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* [[spoiler: BittersweetEnding]]: [[spoiler: While a majority of the characters either will eventually die, have died before their actual date, or their fates are left unknown, the Innocent series ends with a summary of the downfall of the aristocracy with the eventual abdication of Napoleon III in 1832, and the abolishing of executions in France in 1981. While Marie and Charles were unable to achieve their dreams when they were alive, their dreams were realized centuries after their deaths. Marie appearing as a ghost also helps Charles come to terms with his failures and forgive himself.]]
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*ThisIsWrongonSoManyLevels: Both the chapter where Marie is branded by her grandmother and that chastity belt scene. With Marie, you have the torture scene of a child, a completely screwed chronology (because between the écartelement and that scene, Nicolas somehow managed to spend 15 days in prison and later become a monk. Why the hell did Anne-Marthe wait so much to punish her granddaughter is beyond me) and the fact the chapter is called "a young femme fatal" or something in those lines. The scene with the chastity belt on Delphine, we are showed [[spoiler: that she get's her privy pierced against her will]] and is putted in a chastity belt under lock and key, which makes you wonder why it was necessary because her folds were pierced shut. Also, the key somehow helps. Both scenes are complitely fictional.
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*SirSwearsaLot: Marie-Joseph, Jeanne de la Motte and Subyss curse like sailors.

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Innocent Rouge is now a finished series.



* TortureAlwaysWorks: Played straight with Charles, subverted with Damien. Still portrayed in a positive light.

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* TortureAlwaysWorks: Played straight with Charles, subverted with Damien. Still portrayed in a positive negative light.
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Jean-Baptiste is shown torturing his son at one point.
*TortureAlwaysWorks: Played straight with Charles, subverted with Damien. Still portrayed in a positive light.
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* CoitusUninterrupts: In Innocent, Charles decides to become a monk instead of being an executioner anymore, and goes to his parents' room to speak about it with his father. When he hears his parents being...."busy", Charles snuffs out the candles he held, and opens the door a crack at the mention of his mother asking Jean-Baptiste if Charles would be considered his successor. Knowing that Charles is watching, Jean-Baptiste doesn't stop until the...."deed" is completed, saying that Charles is too weak to be an executioner, and that children are nothing but puppets, and more children can be made if need be.

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* CoitusUninterrupts: CoitusUninterruptus: In Innocent, Charles decides to become a monk instead of being an executioner anymore, and goes to his parents' room to speak about it with his father. When he hears his parents being...."busy", Charles snuffs out the candles he held, and opens the door a crack at the mention of his mother asking Jean-Baptiste if Charles would be considered his successor. Knowing that Charles is watching, Jean-Baptiste doesn't stop until the...."deed" is completed, saying that Charles is too weak to be an executioner, and that children are nothing but puppets, and more children can be made if need be.
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* ArrangedMarriage: This goes without saying with Marie Antoinette and Louis-Auguste's marriage. Later on in Innocent, Charles admits [[spoiler: to Marie that he's already chosen a groom, Gaspard, for her to marry in order for her to settle down and continue the family line]]. After [[spoiler: losing in a duel, Marie agrees to marry Gaspard]], though this turns out to be a ruse.


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* CoitusUninterrupts: In Innocent, Charles decides to become a monk instead of being an executioner anymore, and goes to his parents' room to speak about it with his father. When he hears his parents being...."busy", Charles snuffs out the candles he held, and opens the door a crack at the mention of his mother asking Jean-Baptiste if Charles would be considered his successor. Knowing that Charles is watching, Jean-Baptiste doesn't stop until the...."deed" is completed, saying that Charles is too weak to be an executioner, and that children are nothing but puppets, and more children can be made if need be.
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* DawnOfAnEra: An era in which social status and executions are abolished is represented by the end of Rouge through [[spoiler: Zero]].

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* AristocratsAreEvil: Quite a few examples but the most noteworthy is the Count De Luxe, who burns down a school with children inside simply because he hated the idea of poor people getting the same education as nobles. Notably even other aristocrats are disgusted when they learn the full story.

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* AristocratsAreEvil: Quite a few examples but the most noteworthy is the Count De Luxe, who burns down a school with children inside simply because he hated the idea of poor people getting the same education as nobles. Notably even other aristocrats are disgusted when they learn the full story.



* BigBad: Robspierre eventually takes over as this



* [[spoiler: BittersweetEnding]]: [[spoiler: While a majority of the characters either eventually die, have died before their actual date, or their fates are left unknown, the Innocent series ends with a summary of the downfall of the aristocracy with the eventual abdication of Napoleon III in 1832, and the abolishing of executions in France in 1981. While Marie and Charles were unable to achieve their dreams when they were alive, their dreams were realized centuries after their deaths.]]

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* [[spoiler: BittersweetEnding]]: [[spoiler: While a majority of the characters either eventually die, have died before their actual date, or their fates are left unknown, the Innocent series ends with a summary of the downfall of the aristocracy with the eventual abdication of Napoleon III in 1832, and the abolishing of executions in France in 1981. While Marie and Charles were unable to achieve their dreams when they were alive, their dreams were realized centuries after their deaths. Marie appearing as a ghost also helps Charles come to terms with his failures and forgive himself.]]
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The page is being cut per TRS.


* BiTheWay: Charles has a homosexual experience with the son of a noble, but later shows that he is interested in women as well, as per [[spoiler: his sexual experience with Marie Jeanne]]. The same goes for Marie-Joseph who gets involved with multiple partners from both genders. It's also implied that, despite her disdain towards men,[[spoiler: her first love, Alain Bernard, was the only person she genuinely loved in the romantic sense of the word]].
** Marie Antoinette starts having an affair with Hans Axel von Fersen after her [[spoiler: fallout with Marie-Joseph]].
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* OddFriendship: Charles has one with both King Louis XVI and Robert Francois Damiens. Tragically he ends up being forced to execute both of them. Marie also forms a strong bond with Alain.


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* StartOfDarkness: Marie's is the death of Alain.
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* AmazonianBeauty: Marie-Joshep, due to her rigorous training from an early age in order to live up to the role of an executioner.

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* AmazonianBeauty: Marie-Joshep, Marie-Joseph, due to her rigorous training from an early age in order to live up to the role of an executioner.



* BiTheWay: Charles has a homosexual experience with the son of a noble, but later shows that he is interested in women as well, as per [[spoiler: his sexual experience with Marie Jeanne]]. The same goes for Marie-Joshep who gets involved with multiple partners from both genders. It's also implied that, despite her disdain towards men,[[spoiler: her first love, Alain Bernard, was the only person she genuinely loved in the romantic sense of the word]].

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* BiTheWay: Charles has a homosexual experience with the son of a noble, but later shows that he is interested in women as well, as per [[spoiler: his sexual experience with Marie Jeanne]]. The same goes for Marie-Joshep Marie-Joseph who gets involved with multiple partners from both genders. It's also implied that, despite her disdain towards men,[[spoiler: her first love, Alain Bernard, was the only person she genuinely loved in the romantic sense of the word]].
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* AmazonianBeauty: Marie-Joshep, due to her rigorous training from an early age in order to live up to the role of an executioner.
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* BiTheWay: Charles has a homosexual experience with the son of a noble, but later shows that he is interested in women as well, as per [[spoiler: his sexual experience with Marie Jeanne]]. The same goes for Marie-Joshep who, despite her disdain towards men, gets involved with multiple partners from both genders. It's also implied that[[spoiler: her first love, Alain Bernard, was the only person she genuinely loved in the romantic sense of the word]].

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* BiTheWay: Charles has a homosexual experience with the son of a noble, but later shows that he is interested in women as well, as per [[spoiler: his sexual experience with Marie Jeanne]]. The same goes for Marie-Joshep who, despite her disdain towards men, who gets involved with multiple partners from both genders. It's also implied that[[spoiler: that, despite her disdain towards men,[[spoiler: her first love, Alain Bernard, was the only person she genuinely loved in the romantic sense of the word]].
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* LipstickLesbian: Marie Joseph. Played with during her affair with Marie Antoinette. Due to the female executioner's androgynous look, she's able to switch between this and * ButchLesbian with relative ease.

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* LipstickLesbian: Marie Joseph. Played with during her affair with Marie Antoinette. Due to the female executioner's androgynous look, she's able to switch between this and * ButchLesbian with relative ease.
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* LipstickLesbian: Marie-Joseph.

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* LipstickLesbian: Marie-Joseph.Marie Joseph. Played with during her affair with Marie Antoinette. Due to the female executioner's androgynous look, she's able to switch between this and * ButchLesbian with relative ease.
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* BiTheWay: Charles has a homosexual experience with the son of a noble, but later shows that he is interested in women as well, as per [[spoiler: his sexual experience with Marie Jeanne]].

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* BiTheWay: Charles has a homosexual experience with the son of a noble, but later shows that he is interested in women as well, as per [[spoiler: his sexual experience with Marie Jeanne]]. The same goes for Marie-Joshep who, despite her disdain towards men, gets involved with multiple partners from both genders. It's also implied that[[spoiler: her first love, Alain Bernard, was the only person she genuinely loved in the romantic sense of the word]].

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** In chapter 38 of Innocent Rouge, there's a page of Marie wiping away some blood from her lips while it's snowing out. Whether this is just because of chapped lips or the [[spoiler: symptoms of the unspecified illness that she revealed to Charles in the final chapter of Rouge]], is speculation at this point.



** In chapter 38 of Innocent Rouge, there's a page of Marie wiping away some blood from her lips while it's snowing out. Whether this is just because of chapped lips or the [[spoiler: symptoms of the unspecified illness that she revealed to Charles in the final chapter of Rouge]], is speculation at this point.
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* BloodFromTheMouth: Marguerite Jouenne, a woman who would eventually become the first lady of the Sansons, suddenly began vomiting/coughing up blood, beginning from when her first son was born, up until her death.


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**In chapter 38 of Innocent Rouge, there's a page of Marie wiping away some blood from her lips while it's snowing out. Whether this is just because of chapped lips or the [[spoiler: symptoms of the unspecified illness that she revealed to Charles in the final chapter of Rouge]], is speculation at this point.

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In 18th century France, during the last days of the french monarchy in the reign of Louis XVI, the Sanson family, appointed as the royal executioners by the king himself, are struggling with the reluctance of the eldest son, Charles-Henri Sanson, to succeed his father. The story centers around Charles' struggle as a kind, sensitive young man, as he faces his harsh fate as the "Monsieur de Paris", and is changed radically in the process. Over time, the series also begins to focus on his sister, the cold, morbid and rebellious Marie Joseph as she struggles to navigate the patriarchal society of the time to become an executioner herself, and her eventual entanglement with Marie Antoinette.

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In 18th century France, during the last days of the french monarchy in the reign of Louis XVI, the Sanson family, appointed as [[TheExecutioner the royal executioners executioners]] by the king himself, are struggling with the reluctance of the eldest son, Charles-Henri Sanson, to succeed his father. The story centers around Charles' struggle as a kind, sensitive young man, as he faces his harsh fate as the "Monsieur de Paris", and is changed radically in the process. Over time, the series also begins to focus on his sister, the cold, morbid and rebellious Marie Joseph as she struggles to navigate the patriarchal society of the time to become an executioner herself, and her eventual entanglement with Marie Antoinette.


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* TheExecutioner: We have an entire family of them.
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* DefeatByModesty: After [[spoiler: Charles-Henri cheats in his and Marie's duel by using a hidden gun in his sword to defeat her]], Marie's second, the chevalier D'Eon, tries to avenge her by fighting against Charles and Marie's betrothed, Gaspard. D'Eon is quickly defeated when Gaspard uses a second sword to slash through the knight's dress, much to her horror.


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* InformedAbility: Marie's friend and [[spoiler: second for her duel]], the chevalier D'Eon, is a diplomat and spy for the king's secret service, much like in real life. While we see her swordsmanship by effortlessly cutting through a leaf, her skills against fighting another person aren't shown.
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* DruggedLipstick: How Marie was able to make De Luxe confess, right before his congratulatory dinner..


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**In Innocent Rouge, Pierre, is represented by violets by Gabriel Sanson. He even refers to Pierre as "my violet" before [[spoiler: throwing himself from the platform, while holding Pierre's decapitated head]].


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* OurGhostsAreDifferent: The way that [[spoiler: Marie comes back from Heaven to visit Charles-Henri]] is based on the European and American folklore that meteors are from the souls of people who have just passed away.
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* CosmicMotifs: Shooting star motifs become far more common in Rouge to represent change for the coming era. However, this motif can be seen all the way back in Innocent with with title of chapter 45: "A Comet Appears". In the Innocent musicale, Marie's CharacterSong, "Innocent Rouge", includes lyrics about shooting stars and a "meteore rouge" - [[spoiler:[[OurGhostsAreDifferent which is what Marie becomes by the end of the series]] ]].

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