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* ''Film/GoliathAwaits'': Ronald Bentley (who was a matinee idol in his prime during the sinking) has insecurities about being one if he's rescued after so many decades and placed in a world which wouldn't have any place for him to resume acting.
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* ''Series/AllMyChildren'''s Erica Kane may count as either a White Dwarf Starlet or as a {{gender flip}}ped Hugh Hefner (i.e., an increasingly desperate and creepy has-been who insists on acting like she's still just as relevant {and vital} as she was decades ago).

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* ''Series/AllMyChildren'''s Erica Kane may count as either a White Dwarf Starlet or as a {{gender flip}}ped Hugh Hefner (i.e., Hefner; an increasingly desperate and creepy has-been who insists on acting like she's still just as relevant {and vital} (and vital) as she was decades ago).ago.
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* Gloria Mitchell from By The Way,Meet Vera Stark is one of these.

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* Gloria Mitchell from By The Way,Meet Way, Meet Vera Stark is one of these.
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* Gloria Mitchell from By The Way,Meet Vera Stark is one of these.
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* ''Literature/TheHeroesOfOlympus'': Beryl Grace, the mother of Thalia and Jason, was described as a '80s TV starlet who constantly performed stunts on the tabloids that eventually ruined her career. After Zeus/Jupiter left her for the second time, she turned an alcoholic and abusive to her children before dying in a car crash a year prior to the events of ''Literature/PercyJacksonAndTheOlympians''.
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She's not a yandere. A yandere's insanity is motivated by romantic love, and that doesn't happen with her at all.


* [[HatesTheJobLovesTheLimelight Akira Kogami]] qualifies for this at age ''14'', having worked as an IdolSinger since she was 3 years old and now relegated to a three-minute GreekChorus {{show|WithinAShow}} at the end of each ''Anime/LuckyStar'' episode. And boy, [[{{Yandere}} is she bitter about it]].

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* [[HatesTheJobLovesTheLimelight Akira Kogami]] qualifies for this at age ''14'', having worked as an IdolSinger since she was 3 years old and now relegated to a three-minute GreekChorus {{show|WithinAShow}} at the end of each ''Anime/LuckyStar'' episode. And boy, [[{{Yandere}} is she bitter about it]].it.
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-->"Hi, I'm Troy [=McClure=], you might remember me..."
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Per trope descriptions, He Can Really Act is for real-life examples only, and In Universe examples are Master Actor instead. Changed the Troy McClure entry accordingly.


* Early seasons of ''WesternAnimation/TheSimpsons'' featured Troy [=McClure=], a B-list actor who had starred in a ''ridiculously huge'' array of B-movies and failed TV shows, and persisted trying to chase A-list stardom despite his long litany of flops. Ironically, one episode in which he manages to score the lead position in ''Franchise/PlanetOfTheApes: TheMusical'', shows he's an InUniverse example of SugarWiki/HeReallyCanAct; he's just so desperate to leap into stardom that he makes himself look worse than he really is by constantly appearing in schlocky productions. His myriad vices, including raging alcoholism and [[BestialityIsDepraved an unspeakable fish fetish]], don't improve his chances.

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* Early seasons of ''WesternAnimation/TheSimpsons'' featured Troy [=McClure=], a B-list actor who had starred in a ''ridiculously huge'' array of B-movies {{B Movie}}s, junky commercials and failed TV shows, and persisted trying to chase A-list stardom despite his long litany of flops. Ironically, one episode in which he manages to score the lead position in ''Franchise/PlanetOfTheApes: TheMusical'', shows he's an InUniverse example of SugarWiki/HeReallyCanAct; a MasterActor; he's just so desperate to leap into stardom that he makes himself look worse than he really is by constantly appearing in schlocky productions. His myriad vices, including raging alcoholism and [[BestialityIsDepraved an unspeakable fish fetish]], don't improve his chances.
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* In ''Film/BillAndTedFaceTheMusic'', the titular duo are revealed to be this. Having once been epic rockers playing to huge crowds, they now play to much-smaller audiences who aren't necessarily there to see them.
-->'''The Great Leader:''' 25 years ago, you played a concert in front of the entire world. One month ago, you played in Barstow, California, for 40 people, most of whom were there for "Two-Dollar Taco Night!"
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* ''Series/{{Cheers}}'': Sam Malone often pines over his days in the Boston Red Sox, which ended due to his severe alcoholism, but several times through the series it's shown he wasn't a terribly good player even in his heyday, to the extent the Sox don't even bother inviting him to reunions.

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[[folder:Film]]
* The premise of ''Film/TheArtist'', where male superstar actor George Valentin is slowly fading into one as talking movies become the new craze. However, [[spoiler: he somewhat manages to avoid this fate by becoming a dancing performer]].
* The TropeCodifier would probably be Norma Desmond from ''Film/SunsetBoulevard'', a silent film star who never made the transition into talking pictures. Despite her advancing age and secluded existence, she still believes she's big enough to star in one more picture, with Creator/CecilBDeMille to direct her. Includes a double helping of RealitySubtext, as Desmond was played by Creator/GloriaSwanson, who had been one of silent film's biggest stars but who never made the transition to "talkies". In a GeniusBonus, Desmond watches one of her old films, which is the Gloria Swanson movie ''Queen Kelly''. This was directed by Erich Von Stroheim, a once-prominent director whose career behind the camera ended with the silent film era (though he maintained an acting career), who plays Desmond's butler (who, it turns out, [[spoiler:was also her first director...and her first husband]]). (Because ''Queen Kelly'' went grossly over budget, and was never completed, it effectively ended both Gloria Swanson's and Erich von Stroheim's careers in the silent movie business.) Interestingly, Swanson had to be made up as older than she looked to play a character who was younger than she was!
%%* Dame Evey from ''Driving Lessons''.
* ''Film/WhoFramedRogerRabbit'' finds WesternAnimation/BettyBoop working as a nightclub cigarette girl, having been put out of business by cartoons going to color.[[note]]There actually is one color Betty cartoon, ''Poor Cinderella'' (1934). And Betty's a SignificantGreeneyedRedhead in it![[/note]] She's fairly philosophical about it, though. Counts for a bit of a TearJerker, especially Eddie's sad after she assures him she's StillGotIt[[note]]Eddie: "Yeah, you still got it."[[/note]]. You can thank this movie for helping to [[CareerResurrection revive Betty Boop's career]], if not as an animated film star then as a merchandising icon.[[note]]It should be noted, however, that she technically never "lost" it in the first place, making it a slight subversion of this trope.[[/note]]

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\n[[folder:Film]]\n[[folder:Film - Animated]]
* The premise of ''Film/TheArtist'', where male superstar actor George Valentin is slowly fading into one as talking movies become ''WesternAnimation/DespicableMe3'': [[BigBad Balthazar Bratt]] was the new craze. However, [[spoiler: he somewhat manages to avoid this fate by becoming a dancing performer]].
* The TropeCodifier would probably be Norma Desmond from ''Film/SunsetBoulevard'', a silent film
star who never made of an 80s TV show about a pre-teen supervillain that was cancelled after his reaching puberty invalidated the transition into talking pictures. Despite her advancing age show's basic concept. Unable to accept that shows end and secluded existence, she still believes she's big enough to star in one more picture, with Creator/CecilBDeMille to direct her. Includes find a double helping of RealitySubtext, as Desmond was played by Creator/GloriaSwanson, who had been one of silent film's biggest stars but who never made the transition to "talkies". In a GeniusBonus, Desmond watches one of her old films, which is the Gloria Swanson movie ''Queen Kelly''. This was directed by Erich Von Stroheim, a once-prominent director whose career behind the camera ended with the silent film era (though new job, he maintained an acting career), who plays Desmond's butler (who, it turns out, [[spoiler:was also her first director...and her first husband]]). (Because ''Queen Kelly'' went grossly over budget, and was never completed, it effectively ended both Gloria Swanson's and Erich von Stroheim's careers in the silent movie business.) Interestingly, Swanson had to be made up as older than she looked to play a becomes his character who was younger than she was!
%%* Dame Evey from ''Driving Lessons''.
* ''Film/WhoFramedRogerRabbit'' finds WesternAnimation/BettyBoop working as a nightclub cigarette girl, having been put out
in real life and tries to reproduce his character's crimes, despite the fact that by the time of business by cartoons going to color.[[note]]There actually is one color Betty cartoon, ''Poor Cinderella'' (1934). And Betty's a SignificantGreeneyedRedhead in it![[/note]] She's fairly philosophical about it, though. Counts for a bit of a TearJerker, especially Eddie's sad after she assures him she's StillGotIt[[note]]Eddie: "Yeah, you still got it."[[/note]]. You can thank this the movie for helping to [[CareerResurrection revive Betty Boop's career]], if not as an animated film star then as a merchandising icon.[[note]]It should be noted, however, that she technically never "lost" it in the first place, making it a slight subversion of this trope.[[/note]]he is middle aged.



* ''WesternAnimation/{{Sing}}'' gives us Nana Noodleman, a former stage actress and singer. Both Buster and Mike express surprise that's she still alive and when the former goes to see her, her mansion is filled with posters and pictures of her in her youth and she wears what appears to be the outfit from her theater days. She also reminisces about the old days when the Moon Theater was "a palace of magic and wonder" and bluntly blames Buster for its downfall.
** Nana is a downplayed example; while she does reminisce about the old days, it's only because Buster brought them up and she never expresses a desire to return to her career nor does she seem to care about whether anyone recognizes her. While her mansion is filled with memorabilia, it's in good condition and she's apparently still very wealthy.
[[/folder]]

[[folder:Film - Live-Action]]
* The premise of ''Film/TheArtist'', where male superstar actor George Valentin is slowly fading into one as talking movies become the new craze. However, [[spoiler: he somewhat manages to avoid this fate by becoming a dancing performer]].
* The TropeCodifier would probably be Norma Desmond from ''Film/SunsetBoulevard'', a silent film star who never made the transition into talking pictures. Despite her advancing age and secluded existence, she still believes she's big enough to star in one more picture, with Creator/CecilBDeMille to direct her. Includes a double helping of RealitySubtext, as Desmond was played by Creator/GloriaSwanson, who had been one of silent film's biggest stars but who never made the transition to "talkies". In a GeniusBonus, Desmond watches one of her old films, which is the Gloria Swanson movie ''Queen Kelly''. This was directed by Erich Von Stroheim, a once-prominent director whose career behind the camera ended with the silent film era (though he maintained an acting career), who plays Desmond's butler (who, it turns out, [[spoiler:was also her first director...and her first husband]]). (Because ''Queen Kelly'' went grossly over budget, and was never completed, it effectively ended both Gloria Swanson's and Erich von Stroheim's careers in the silent movie business.) Interestingly, Swanson had to be made up as older than she looked to play a character who was younger than she was!
%%* Dame Evey from ''Driving Lessons''.
* ''Film/WhoFramedRogerRabbit'' finds WesternAnimation/BettyBoop working as a nightclub cigarette girl, having been put out of business by cartoons going to color.[[note]]There actually is one color Betty cartoon, ''Poor Cinderella'' (1934). And Betty's a SignificantGreeneyedRedhead in it![[/note]] She's fairly philosophical about it, though. Counts for a bit of a TearJerker, especially Eddie's sad after she assures him she's StillGotIt[[note]]Eddie: "Yeah, you still got it."[[/note]]. You can thank this movie for helping to [[CareerResurrection revive Betty Boop's career]], if not as an animated film star then as a merchandising icon.[[note]]It should be noted, however, that she technically never "lost" it in the first place, making it a slight subversion of this trope.[[/note]]



* ''WesternAnimation/{{Sing}}'' gives us Nana Noodleman, a former stage actress and singer. Both Buster and Mike express surprise that's she still alive and when the former goes to see her, her mansion is filled with posters and pictures of her in her youth and she wears what appears to be the outfit from her theater days. She also reminisces about the old days when the Moon Theater was "a palace of magic and wonder" and bluntly blames Buster for its downfall.
** Nana is a downplayed example; while she does reminisce about the old days, it's only because Buster brought them up and she never expresses a desire to return to her career nor does she seem to care about whether anyone recognizes her. While her mansion is filled with memorabilia, it's in good condition and she's apparently still very wealthy.



* Balthazar Bratt, the villain of ''WesternAnimation/DespicableMe3'', was the star of an 80s TV show about a pre-teen supervillain that was cancelled after his reaching puberty invalidated the show's basic concept. Unable to accept that shows end and find a new job, he becomes his character in real life and tries to reproduce his character's crimes, despite the fact that by the time of the movie he is middle aged.
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* Balthazar Bratt, the villain of ''WesternAnimation/DespicableMe3'', was the star of an 80s TV show about a pre-teen supervillain that was cancelled after his reaching puberty invalidated the show's basic concept. Unable to accept that shows end and find a new job, he becomes his character in real life and tries to reproduce his character's crimes, despite the fact that by the time of the movie he is middle aged.
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* ''Disney/LadyAndTheTramp'': Pound dog Peg is implied to be this; apparently she'd been performing in shows, and her sultry behavior combined with a worn-down appearance reinforce the impression. Being voiced by jazz singer Peggy Lee helps, too.

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* ''Disney/LadyAndTheTramp'': ''WesternAnimation/LadyAndTheTramp'': Pound dog Peg is implied to be this; apparently she'd been performing in shows, and her sultry behavior combined with a worn-down appearance reinforce the impression. Being voiced by jazz singer Peggy Lee helps, too.
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* ''Film/WhoFramedRogerRabbit'' finds WesternAnimation/BettyBoop working as a nightclub cigarette girl, having been put out of business by cartoons going to color.[[note]]There actually is one color Betty cartoon, ''Poor Cinderella'' (1934). And Betty's a SignificantGreeneyedRedhead in it![[/note]] She's fairly philosophical about it, though. Counts for a bit of a TearJerker, especially Eddie's sad after she assures him she's "Still got it."[[note]]Eddie: "Yeah, you still got it."[[/note]] You can thank this movie for helping to [[CareerResurrection revive Betty Boop's career]], if not as an animated film star then as a merchandising icon.[[note]]It should be noted, however, that she technically never "lost" it in the first place, making it a slight subversion of this trope.[[/note]]

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* ''Film/WhoFramedRogerRabbit'' finds WesternAnimation/BettyBoop working as a nightclub cigarette girl, having been put out of business by cartoons going to color.[[note]]There actually is one color Betty cartoon, ''Poor Cinderella'' (1934). And Betty's a SignificantGreeneyedRedhead in it![[/note]] She's fairly philosophical about it, though. Counts for a bit of a TearJerker, especially Eddie's sad after she assures him she's "Still got it."[[note]]Eddie: StillGotIt[[note]]Eddie: "Yeah, you still got it."[[/note]] "[[/note]]. You can thank this movie for helping to [[CareerResurrection revive Betty Boop's career]], if not as an animated film star then as a merchandising icon.[[note]]It should be noted, however, that she technically never "lost" it in the first place, making it a slight subversion of this trope.[[/note]]
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* Not AlwaysFemale: Rembrandt from ''Series/{{Sliders}}'' was certain his singing the National Anthem at the baseball game he'd been on his way to attending would have restored him to stardom if not for that pesky portal accident.

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* Not AlwaysFemale: Rembrandt from ''Series/{{Sliders}}'' was certain his singing the National Anthem at the baseball game he'd been on his way to attending would have restored him to stardom if not for that pesky portal accident. This was only reinforced by him finding out that he had [[Music/ElvisPresley Elvis]] levels of fame on one of the worlds.
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[[folder:Webcomic]]
* ''Webcomic/FairestCruelest'': The Queen struggles with the fact her spotlight is stolen by the young Princess Delilah, and confused by the princess's attitude towards her
[[/folder]]
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* Daisy Adaire from ''Series/DeadLikeMe''.

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* Daisy Adaire from ''Series/DeadLikeMe''. Although it helps that, being dead, she doesn't age.
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** A SpearCounterpart appears in the episode "[[Recap/TheTwilightZoneS2E45TheTroubleWithTempleton The Trouble With Templeto]]n", in which aging actor Booth Templeton misses his late wife and his time as a Broadway actor in 1927. He escapes to a speakeasy in the past, only to find his wife and close friends callous and indifferent to him. He runs out of the speakeasy and returns to the present. But, when he reads a playbill he snatched from his wife in 1927, it says ''What to Do When Booth Comes Back''. He then realizes that the whole thing was a charade, and that his wife and friends were [[BreakHisHeartToSaveHim just pretending to be mean]] so he would return to the present and appreciate his life there rather than getting stuck wallowing in nostalgia.

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** A SpearCounterpart appears in the episode "[[Recap/TheTwilightZoneS2E45TheTroubleWithTempleton The Trouble With Templeto]]n", Templeton]]", in which aging actor Booth Templeton misses his late wife and his time as a Broadway actor in 1927. He escapes to a speakeasy in the past, only to find his wife and close friends callous and indifferent to him. He runs out of the speakeasy and returns to the present. But, when he reads a playbill he snatched from his wife in 1927, it says ''What to Do When Booth Comes Back''. He then realizes that the whole thing was a charade, and that his wife and friends were [[BreakHisHeartToSaveHim just pretending to be mean]] so he would return to the present and appreciate his life there rather than getting stuck wallowing in nostalgia.

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* Anthem in ''The Order'', a washed-up actor and friend in long standing of Comicbook/IronMan's. How bad is he? Not only had he sunk into depression and become a severe alcoholic, he was resistant to the idea of a comeback because he felt he didn't deserve it. Luckily, he got better before the series began.

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* Anthem in ''The Order'', ''ComicBook/TheOrder'', a washed-up actor and friend in long standing of Comicbook/IronMan's. How bad is he? Not only had he sunk into depression and become a severe alcoholic, he was resistant to the idea of a comeback because he felt he didn't deserve it. Luckily, he got better before the series began.



* Looney Leo from ''ComicBook/AstroCity'' is a [[RefugeeFromTVLand living cartoon character]] who used to be a major movie and television star, but now spends his day as a restauranteur and living novelty. While he's somewhat used to his life now, he used to be ''much'' worse off, having spent time as a homeless drifter after his career faded, made worse by a romantic liaison where the girl turned out to be underage. On top of that, he was haunted by memories of his lover and his three nephews back in the cartoons he came from, people who never actually existed.

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* Looney Leo from ''ComicBook/AstroCity'' is a [[RefugeeFromTVLand living cartoon character]] who used to be a major movie and television star, but now spends his day as a restauranteur restaurateur and living novelty. While he's somewhat used to his life now, he used to be ''much'' worse off, having spent time as a homeless drifter after his career faded, made worse by a romantic liaison where the girl turned out to be underage. On top of that, he was haunted by memories of his lover and his three nephews back in the cartoons he came from, people who never actually existed.


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* ''Film/CloudsOfSilsMaria'' involves an actress who was an ingenue many years earlier who's now wrestling with the prospect of doing a remake of her most famous performance... except that a younger actress now has the role she previously played.


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* In ''Series/DoomPatrol2019'', Rita Farr was a reasonably-sized star back in the 40's, before a freak accident turned her into an amorphous blob. She has spent the past six or seven decades holed up in a mansion, bitterly reminiscing about her lost stardom.
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* Lola of the Music/BarryManilow song "Copacabana".

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* Lola of the Music/BarryManilow song "Copacabana". [[spoiler:Though to be fair to Lola, she pretty much had a mental break after the love of her life was killed in front of her and spends her days drunk and grieving after that.]]
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* A number of Creator/AdamWest parodies, [[AdamWesting most of them voiced by West himself]], tend to fall under this trope. Most notable is "Timothy North," who used to star as "The Fearless Ferret", a ''WesternAnimation/KimPossible'' universe analog of Batman that ran during the same era, and in his old age has come to think he ''is'' the hero. He spent a considerable amount of his fortune having his home redesigned into a replica of the Ferretcave and his alter ego's mansion so accurate that everything actually worked. In fact, he even ropes Ron Stoppable into becoming his successor when he discovers his secret (a shoutout to Batman Beyond, especially since Ron's voice actor also voices the titular Batman of the future.) An actor who played a skunk-themed one-shot villain fell into the same delusion but went further to actually commit a plot. Eventually, the two recognize each other and proceed to greet each other warmly before happily enjoying themselves in Ferretcon with the fans who do still care and remember while savoring the old times:

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* A number of Creator/AdamWest parodies, [[AdamWesting most of them voiced by West himself]], tend to fall under this trope. Most notable is "Timothy North," who used to star as "The Fearless Ferret", a ''WesternAnimation/KimPossible'' universe analog of Batman that ran during the same era, and in his old age has come to think he ''is'' the hero. He spent a considerable amount of his fortune having his home redesigned into a replica of the Ferretcave and his alter ego's mansion so accurate that everything actually worked. In fact, he even ropes Ron Stoppable into becoming his successor when he discovers his secret (a shoutout to Batman Beyond, ''WesternAnimation/BatmanBeyond'', especially since Ron's voice actor also voices the titular Batman of the future.) An actor who played a skunk-themed one-shot villain fell into the same delusion but went further to actually commit a plot. Eventually, the two recognize each other and proceed to greet each other warmly before happily enjoying themselves in Ferretcon with the fans who do still care and remember while savoring the old times:
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''WesternAnimation/{{Sing}}'' gives us Nana Noodleman, a former stage actress and singer. Both Buster and Mike express surprise that's she still alive and when the former goes to see her, her mansion is filled with posters and pictures of her in her youth and she wears what appears to be the outfit from her theater days. She also reminisces about the old days when the Moon Theater was "a palace of magic and wonder" and bluntly blames Buster for its downfall.

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* ''WesternAnimation/{{Sing}}'' gives us Nana Noodleman, a former stage actress and singer. Both Buster and Mike express surprise that's she still alive and when the former goes to see her, her mansion is filled with posters and pictures of her in her youth and she wears what appears to be the outfit from her theater days. She also reminisces about the old days when the Moon Theater was "a palace of magic and wonder" and bluntly blames Buster for its downfall.

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''WesternAnimation/
{{Sing}}'' gives us Nana Noodleman, a former stage actress and singer. Both Buster and Mike express surprise that's she still alive and when the former goes to see her, her mansion is filled with posters and pictures of her in her youth and she wears what appears to be the outfit from her theater days. She also reminisces about the old days when the Moon Theater was "a palace of magic and wonder" and bluntly blames Buster for its downfall.

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''WesternAnimation/
{{Sing}}''
''WesternAnimation/{{Sing}}'' gives us Nana Noodleman, a former stage actress and singer. Both Buster and Mike express surprise that's she still alive and when the former goes to see her, her mansion is filled with posters and pictures of her in her youth and she wears what appears to be the outfit from her theater days. She also reminisces about the old days when the Moon Theater was "a palace of magic and wonder" and bluntly blames Buster for its downfall.

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''WesternAnimation/Sing'' gives us Nana Noodleman, a former stage actress and singer. Both Buster and Mike express surprise that's she still alive and when the former goes to see her, her mansion is filled with posters and pictures of her in her youth and she wears what appears to be the outfit from her theater days. She also reminisces about the old days when the Moon Theater was "a palace of magic and wonder" and bluntly blames Buster for its downfall.

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''WesternAnimation/Sing'' ''WesternAnimation/
{{Sing}}''
gives us Nana Noodleman, a former stage actress and singer. Both Buster and Mike express surprise that's she still alive and when the former goes to see her, her mansion is filled with posters and pictures of her in her youth and she wears what appears to be the outfit from her theater days. She also reminisces about the old days when the Moon Theater was "a palace of magic and wonder" and bluntly blames Buster for its downfall.
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''WesternAnimation/Sing'' gives us Nana Noodleman, a former stage actress and singer. Both Buster and Mike express surprise that's she still alive and when the former goes to see her, her mansion is filled with posters and pictures of her in her youth and she wears what appears to be the outfit from her theater days. She also reminisces about the old days when the Moon Theater was "a palace of magic and wonder" and bluntly blames Buster for its downfall.
** Nana is a downplayed example; while she does reminisce about the old days, it's only because Buster brought them up and she never expresses a desire to return to her career nor does she seem to care about whether anyone recognizes her. While her mansion is filled with memorabilia, it's in good condition and she's apparently still very wealthy.
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None

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* Fading 1960s actress Danke Schoen in ''ComicBook/LoriLovecraft'' bears many of the hallmarks of this trope, although she seems better adjusted than most examples: possibly because her career was very successful (she won two Oscars) before fading into obscurity, and possibly because she has the ace in the hole of [[spoiler:being able to use magic]].
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* Joey from ''Series/Friends'' is an atypical example of this, since he's a main character who was made into a White Dwarf by events that happened after the start of the series. The reason he counts as a White Dwarf is because he is so often portrayed as a has-been ever since the time he lost his job at Series/DaysOfOurLives. Ever since then, his acting career consists of getting jobs that are nowhere near as glorious as his role on Series/DaysOfOurLives, and of constantly boasting about his role as Dr. Drake Remore; not only this, but he often thinks that this success entitles him to be seriously considered anytime he auditions for the high-status acting gigs that he fails to get. He never has any further successes that would make him just as proud as the one time he got lucky and became a star of Series/DaysOfOurLives.

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* Joey from ''Series/Friends'' ''Series/{{Friends}}'' is an atypical example of this, since he's a main character who was made into a White Dwarf by events that happened after the start of the series. The reason he counts as a White Dwarf is because he is so often portrayed as a has-been ever since the time he lost his job at Series/DaysOfOurLives. Ever since then, his acting career consists of getting jobs that are nowhere near as glorious as his role on Series/DaysOfOurLives, and of constantly boasting about his role as Dr. Drake Remore; not only this, but he often thinks that this success entitles him to be seriously considered anytime he auditions for the high-status acting gigs that he fails to get. He never has any further successes that would make him just as proud as the one time he got lucky and became a star of Series/DaysOfOurLives.
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* Joey from {{Friends}} is an atypical example of this, since he's a main character who was made into a White Dwarf by events that happened after the start of the series. The reason he counts as a White Dwarf is because he is so often portrayed as a has-been ever since the time he lost his job at DaysOfOurLives. Ever since then, his acting career consists of getting jobs that are nowhere near as glorious as his role on DaysOfOurLives, and of constantly boasting about his role as Dr. Drake Remore; not only this, but he often thinks that this success entitles him to be seriously considered anytime he auditions for the high-status acting gigs that he fails to get. He never has any further successes that would make him just as proud as the one time he got lucky and became a star of DaysOfOurLives.

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* Joey from {{Friends}} ''Series/Friends'' is an atypical example of this, since he's a main character who was made into a White Dwarf by events that happened after the start of the series. The reason he counts as a White Dwarf is because he is so often portrayed as a has-been ever since the time he lost his job at DaysOfOurLives. Series/DaysOfOurLives. Ever since then, his acting career consists of getting jobs that are nowhere near as glorious as his role on DaysOfOurLives, Series/DaysOfOurLives, and of constantly boasting about his role as Dr. Drake Remore; not only this, but he often thinks that this success entitles him to be seriously considered anytime he auditions for the high-status acting gigs that he fails to get. He never has any further successes that would make him just as proud as the one time he got lucky and became a star of DaysOfOurLives.Series/DaysOfOurLives.
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* Joey from {{Friends}} is an atypical example of this, since he's a main character who was made into a White Dwarf by events that happened after the start of the series. The reason he counts as a White Dwarf is because he is so often portrayed as a has-been ever since the time he lost his job at DaysOfOurLives. Ever since then, his acting career consists of getting jobs that are nowhere near as glorious as his role on DaysOfOurLives, and of constantly boasting about his role as Dr. Drake Remore; not only this, but he often thinks that this success entitles him to be seriously considered anytime he auditions for the high-status acting gigs that he fails to get. He never has any further successes that would make him just as proud as the one time he got lucky and became a star of DaysOfOurLives.
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* In ''Film/OnceUponATimeInHollywood'' Rick Dalton was the lead character of a very successful Western TV show in the 50's until he quit to pursue a film career. He failed to really break out as a star and since returning to television has [[TypeCasting been increasingly cast as]] TheHeavy to boost the careers of newer, younger stars. Rick is painfully aware that his credibility as a leading man is fading and fears become a has-been.

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