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* Creator/ArthurLowe had the scripts of ''Series/TheLastOfTheBaskets'' rewritten to remove most of his co-star's funny lines.
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* ''Series/HancocksHalfHour'':
** One of the show's central conceits was that Tony Hancock was perennially unlucky and constantly taken advantage of, with his victories being very small and few and far between. As the real Creator/TonyHancock began exerting more control behind the scenes, his character became more successful and started coming out on top at the end of each episode.
** When Creator/IreneHandl guest starred in "The Bequest", she was insistent that she would have her dog with her while she gave her performance. This backfired when the dog nipped Creator/SidJames.
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* Creator/BrandonLee requested that one character be removed from ''Film/TheCrow'' -- an Asian character from the comic who tries to steal Eric's powers -- as he felt it was a stereotype.

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* Creator/BrandonLee requested that one character be removed from ''Film/TheCrow'' ''Film/TheCrow1994'' -- an Asian character from the comic who tries to steal Eric's powers -- as he felt it was a stereotype.
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* Narrowly averted on Creator/AlejandroJodorowsky's ill-fated adaptation of ''Literature/{{Dune}}''. Jodorowsky wanted to recruit Creator/SalvadorDali to play the Emperor, but he had very little experience with negotiating and Dali made a number of demands, including the hiring of Creator/AmandaLear as Princess Irulan and $100,000 for ''every hour he was on set''. Jodorowsky, in a rare moment of lucidity, realized that this would bankrupt the film and rewrote Dali's role so that he would only have to be on set for one hour. This all ended up being a moot point, as Dali was ultimately fired for his pro-Franco statements.

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* Narrowly averted on Creator/AlejandroJodorowsky's ill-fated adaptation of ''Literature/{{Dune}}''. Jodorowsky wanted to recruit Creator/SalvadorDali to play the Emperor, but he had very little experience with negotiating and Dali made a number of demands, including the hiring of Creator/AmandaLear as Princess Irulan and $100,000 for ''every hour he was on set''. Jodorowsky, in a rare moment of lucidity, realized that this would bankrupt the film and rewrote Dali's role so that he would only have to be on set for one hour.hour, and most of the Emperor's lines would be delivered by a robot doppleganger. Dali actually accepted this on the condition that the robot be donated to his museum. This all ended up being a moot point, as Dali was ultimately fired for his pro-Franco statements.
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* During Creator/WendyRichard's early years on ''Series/EastEnders'', she was given a script in which Pauline Fowler launched into a tirade against UsefulNotes/MargaretThatcher. Being a staunch supporter of the Conservatives, she refused to perform it.
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Note that this situation is actually an ''improvement'' on how things worked for a while in Hollywood. After [[UsefulNotes/FallOfTheStudioSystem the final collapse of the studio star system]] in the late '60s, if an actor didn't like how the director was doing their job, it was completely possible for the star to get the director fired, then take over director's job themselves for the remainder of the shoot. This practice was officially stopped in 1976, after Creator/ClintEastwood had Philip Kaufman fired from ''Film/TheOutlawJoseyWales'' and took over the film himself -- the [[UsefulNotes/UnionsInHollywood Directors Guild]] subsequently made a rule which stated that whenever a film's director was fired, the replacement was not allowed to have been associated with the production in any way whatsoever. This theoretically safeguards directors from overly egotistical actors, although there are, of course, ways around it.

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Note that this situation is actually an ''improvement'' on how things worked for a while in Hollywood. After [[UsefulNotes/FallOfTheStudioSystem [[MediaNotes/FallOfTheStudioSystem the final collapse of the studio star system]] in the late '60s, if an actor didn't like how the director was doing their job, it was completely possible for the star to get the director fired, then take over director's job themselves for the remainder of the shoot. This practice was officially stopped in 1976, after Creator/ClintEastwood had Philip Kaufman fired from ''Film/TheOutlawJoseyWales'' and took over the film himself -- the [[UsefulNotes/UnionsInHollywood Directors Guild]] subsequently made a rule which stated that whenever a film's director was fired, the replacement was not allowed to have been associated with the production in any way whatsoever. This theoretically safeguards directors from overly egotistical actors, although there are, of course, ways around it.



** During the filming of ''Film/XMen1'', she refused to wear white contacts that covered her eyes (like in the comics) and wanted more lines/scenes. By shooting time for ''Film/X2XMenUnited'', she [[UsefulNotes/AcademyAward had more clout]], and used it to give herself a bigger part in the movie, and lo, here comes her conversations with Nightcrawler and strange use of powers against the missiles.

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** During the filming of ''Film/XMen1'', she refused to wear white contacts that covered her eyes (like in the comics) and wanted more lines/scenes. By shooting time for ''Film/X2XMenUnited'', she [[UsefulNotes/AcademyAward [[MediaNotes/AcademyAward had more clout]], and used it to give herself a bigger part in the movie, and lo, here comes her conversations with Nightcrawler and strange use of powers against the missiles.
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* Creator/MikeMyers had already recorded some of his lines for ''WesternAnimation/{{Shrek}}'' when he decided that his character should have a Scottish accent. This meant not only going back and rerecording all of the lines, but also reanimating significant portions of the film which had already been completed at the time. The latter added millions of dollars to the film's budget, but Myers insisted, and the studio complied.

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* Creator/MikeMyers had already recorded some of his lines for ''WesternAnimation/{{Shrek}}'' ''WesternAnimation/Shrek1'' when he decided that his character should have a Scottish accent. This meant not only going back and rerecording all of the lines, but also reanimating significant portions of the film which had already been completed at the time. The latter added millions of dollars to the film's budget, but Myers insisted, and the studio complied.
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** Triple H was of course ''married'' to the "director", as Wrestling/StephanieMcMahon was "Head of Creative" for most of the 2000s and 2010s, and would eventually himself be named Head of Creative after Stephanie resigned from the company and chairman Wrestling/VinceMcMahon was temporarily ousted from the company after a sex scandal. Vince would later return, and sell the company to UsefulNotes/{{UFC}}'s parent company, but Triple H remained as head of creative until a second scandal would oust Vince McMahon yet again.

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** Triple H was of course ''married'' to the "director", as Wrestling/StephanieMcMahon was "Head of Creative" for most of the 2000s and 2010s, and would eventually himself be named Head of Creative after Stephanie resigned from the company and chairman Wrestling/VinceMcMahon was temporarily ousted from the company after a sex scandal. Vince would later return, and sell the company to UsefulNotes/{{UFC}}'s parent company, but Triple H remained as head of creative until a second scandal would oust Vince McMahon [=McMahon=] yet again.
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* ''Film/CarryOnDick'': Both Laraine Humphrys and Creator/PennyIrving had staged protests to Creator/GeraldThomas over the skimpy outfits the Birds of Paradise had to wear.
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* There was no love lost between executive producer Allan [=McKeown=] and Creator/JimmyNail while making ''Series/AufWiedersehenPet''. [=McKeown=] said that Nail was a nightmare to work with during the second series and that Nail suddenly thought he knew everything there is to know about filming and would often demand his lines be changed and would tell the director how to film a scene. [=McKeown=] confessed that during the filming of the second series, he thought Jimmy Nail had become an arsehole. The pair never spoke to each other from 1985 right until [=McKeown's=] death in 2013.
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Updated Pro Wrestling examples to reflect current affairs with Vince Mc Mahon


** Triple H was of course ''married'' to the "director", as Wrestling/StephanieMcMahon was "Head of Creative" for most of the 2000s and 2010s, and would eventually himself be named Head of Creative after Stephanie resigned from the company and chairman Wrestling/VinceMcMahon was temporarily ousted from the company after a sex scandal. Vince would later return, and sell the company to UsefulNotes/{{UFC}}'s parent company, but as of this writing Triple H is still in charge of creative.

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** Triple H was of course ''married'' to the "director", as Wrestling/StephanieMcMahon was "Head of Creative" for most of the 2000s and 2010s, and would eventually himself be named Head of Creative after Stephanie resigned from the company and chairman Wrestling/VinceMcMahon was temporarily ousted from the company after a sex scandal. Vince would later return, and sell the company to UsefulNotes/{{UFC}}'s parent company, but as of this writing Triple H is still in charge remained as head of creative.creative until a second scandal would oust Vince McMahon yet again.
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* Creator/RegVarney insisted that Stan should have a girl in ''Film/MutinyOnTheBuses'' and had it written into his contract. Initially, writers Ronald Chesney and Ronald Wolfe had decided during ''Series/OnTheBuses'' that Jack would always get the girl, whereas Stan would come up short.
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** ''Film/HudsonHawk'' was Bruce Willis' vanity project, and he battled throughout with director Michael Lehmann and producer Joel Silver. Richard E. Grant devoted an entire chapter of his memoir to the ugly production.
** After the success of ''Film/PulpFiction'', Willis went on to star in a film called ''Broadway Brawler.'' Never heard of it? That's because it was never finished. Twenty days into filming, Willis (who was a producer) fired the director, the other producer, the cinematographer, and several other crew members. Another director was brought in but the studio shut down the production instead, an extremely rare move for an expensive film. To avoid a lawsuit, Willis agreed to star in three movies of the studio's choice. Those three movies: ''Film/Armageddon1998'', ''Film/TheSixthSense'', and ''Film/TheKid2000''. All three together grossed over $1.3 billion dollars, restoring Willis' status in Hollywood and making the studio very happy.
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* Holly from ''Series/RedDwarf'' was originally intended to simply be a voice-over role, [[EarlyInstallmentWeirdness as can be seen in some scenes in Series 1]] and was turned into a face on a screen at the request of actor Creator/NormanLovett, partly out of a sense of ego.
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* The music video for the Music/BeastieBoys' "No Sleep 'Til Brooklyn" was originally supposed to feature [[Music/{{Slayer}} Kerry King]] (who performed the guitar solo) getting knocked offstage by a gorilla. King's response was "If there's gonna be anyone knocking anyone offstage, it'll be me knocking the gorilla", which is what subsequently happened.

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* The music video for the Music/BeastieBoys' "No Sleep 'Til Brooklyn" was originally supposed to feature [[Music/{{Slayer}} Kerry King]] (who performed the guitar solo) getting knocked offstage by a gorilla. King's response was "If there's gonna be anyone knocking anyone offstage, it'll be me knocking the gorilla", which is what subsequently happened.
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* Parodied in a ''Cinema Classics'' skit on ''Series/SaturdayNightLive'' where film historian Reese De'What (Kenan Thompson) analyzes a movie called "Unwanted Movie." He explains the director was blackmailed by his mistress into hiring her brother to work on the film. Said brother just happened to be a mentally-challenged taxidermist, leading to various scenes with utterly hideous stuffed animals getting a lot of focus for no reason. De'What then reveals the screenwriter had the same mistress, which led to the characters openly promoting the brother's taxidermy business when their car gets hijacked by a stuffed squirrel.

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* Parodied in a ''Cinema Classics'' skit on ''Series/SaturdayNightLive'' where film historian Reese De'What (Kenan Thompson) analyzes a movie called "Unwanted Movie.Woman." He explains the director was blackmailed by his mistress into hiring her brother to work on the film. Said brother just happened to be a mentally-challenged taxidermist, leading to various scenes with utterly hideous stuffed animals getting a lot of focus for no reason. De'What then reveals the screenwriter had the same mistress, which led to the characters openly promoting the brother's taxidermy business when their car gets hijacked by a stuffed squirrel.
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-->'''Reese De'What''': [[NotMakingItUpDisclaimer You can't write this stuff!]]

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-->'''Reese De'What''': [[NotMakingItUpDisclaimer [[NotMakingThisUpDisclaimer You can't write this stuff!]]
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* Parodied in a ''Cinema Classics'' skit on ''Series/SaturdayNightLive'' where film historian Reese De'What (Kenan Thompson) analyzes a movie called "Unwanted Movie." He explains the director was blackmailed by his mistress into hiring her brother to work on the film. Said brother just happened to be a mentally-challenged taxidermist, leading to various scenes with utterly hideous stuffed animals getting a lot of focus for no reason. De'What then reveals the screenwriter had the same mistress, which led to the characters openly promoting the brother's taxidermy business when their car gets hijacked by a stuffed squirrel.
-->'''Reese De'What''': [[NotMakingItUpDisclaimer You can't write this stuff!]]
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** Brando did not appear on the first day of filming ''Christopher Columbus: The Discovery''. Perhaps due to their prior experience working with Brando on ''Superman'', producers Alexander and Ilya Salkind hired an understudy of sorts to play Brando's part if he didn't show. Creator/TomSelleck, who only agreed to do the film just to work with the legendary actor, threatened to quit the film if they didn't manage to get Brando on the set. Brando came to work the next day, but ultimately threatened to walk off the movie because his demands to have the script rewritten to acknowledge Columbus' ethnic cleansing of Native Americans weren't met; [[ContractualObligationProject contractual obligations forced him to stay.]] Brando tried to take his name off the picture, but he was unsuccessful at that also (and he ended up with above-the-title billing on top of that).

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** Brando did not appear on the first day of filming ''Christopher Columbus: The Discovery''.''Film/ChristopherColumbusTheDiscovery''. Perhaps due to their prior experience working with Brando on ''Superman'', producers Alexander and Ilya Salkind hired an understudy of sorts to play Brando's part if he didn't show. Creator/TomSelleck, who only agreed to do the film just to work with the legendary actor, threatened to quit the film if they didn't manage to get Brando on the set. Brando came to work the next day, but ultimately threatened to walk off the movie because his demands to have the script rewritten to acknowledge Columbus' ethnic cleansing of Native Americans weren't met; [[ContractualObligationProject contractual obligations forced him to stay.]] Brando tried to take his name off the picture, but he was unsuccessful at that also (and he ended up with above-the-title billing on top of that).



* Another positive example comes from ''All the Right Moves'', where Lisa is nude during the two sex scenes she has with Stef. Creator/LeaThompson, being young at the time, was nervous and apprehensive about being nude in front of the camera, so Creator/TomCruise talked to the producers and convinced them to only have one sex scene, and was naked as well in the remaining scene to ease her worries. Thompson said in an interview in 2018 that she was still grateful to Cruise for standing up for her, even three decades after the film was shot.

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* Another positive example comes from ''All the Right Moves'', ''Film/AllTheRightMoves'', where Lisa is nude during the two sex scenes she has with Stef. Creator/LeaThompson, being young at the time, was nervous and apprehensive about being nude in front of the camera, so Creator/TomCruise talked to the producers and convinced them to only have one sex scene, and was naked as well in the remaining scene to ease her worries. Thompson said in an interview in 2018 that she was still grateful to Cruise for standing up for her, even three decades after the film was shot.



* Creator/JeanneMoreau did it in Creator/FrancoisTruffaut's ''The Bride Wore Black'' enough for him to never work with her again.

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* Creator/JeanneMoreau did it in Creator/FrancoisTruffaut's ''The Bride Wore Black'' ''Film/TheBrideWoreBlack'' enough for him to never work with her again.



** Seagal pushed to rewrite ''Out for a Kill'' to make his character a professor of archeology at Yale, despite everyone else in production believing it to be a stupid idea.
** The 2005 film ''Submerged'' was written as a horror science-fiction story about a submarine captain dealing with invading alien crab-like monsters. Seagal originally purported to like the script, but decided at the last minute he didn't like starring in a movie with monster and aliens, so he had the entire story thrown-out and rewritten into a plot about a team of mercenaries hunting down the inventor of a mind-control device. He threw in other demands like including an opera scene. The only thing preventing the movie's name from being an EarlyDraftTieIn is a short sequence where the characters hijack a submarine.
** ''Attack Force'' was originally written as an AlienInvasion movie titled ''Harvester''. For the same reason as ''Submerged'', Steven Seagal didn't like the original premise and pushed to make the story about European gangsters manufacturing a drug that give its users super-human power. The production compromised by filming the movie for both storylines, with Seagal's take eventually winning out. This shows in the movie's rather incoherent storyline and odd editing choices (TheReveal is repeated multiple times, presumably because different versions of it were filmed for the separate versions of the story, and Seagal is noticeably overdubbed at multiple points by an actor who sounds nothing like him) and it [[NoEnding concluding abruptly with no resolution]].

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** Seagal pushed to rewrite ''Out for a Kill'' ''Film/OutForAKill'' to make his character a professor of archeology at Yale, despite everyone else in production believing it to be a stupid idea.
** The 2005 film ''Submerged'' ''Submerged2005'' was written as a horror science-fiction story about a submarine captain dealing with invading alien crab-like monsters. Seagal originally purported to like the script, but decided at the last minute he didn't like starring in a movie with monster and aliens, so he had the entire story thrown-out and rewritten into a plot about a team of mercenaries hunting down the inventor of a mind-control device. He threw in other demands like including an opera scene. The only thing preventing the movie's name from being an EarlyDraftTieIn is a short sequence where the characters hijack a submarine.
** ''Attack Force'' ''Film/AttackForce'' was originally written as an AlienInvasion movie titled ''Harvester''. For the same reason as ''Submerged'', Steven Seagal didn't like the original premise and pushed to make the story about European gangsters manufacturing a drug that give its users super-human power. The production compromised by filming the movie for both storylines, with Seagal's take eventually winning out. This shows in the movie's rather incoherent storyline and odd editing choices (TheReveal is repeated multiple times, presumably because different versions of it were filmed for the separate versions of the story, and Seagal is noticeably overdubbed at multiple points by an actor who sounds nothing like him) and it [[NoEnding concluding abruptly with no resolution]].

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