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-->'''Agent Smith:''' It seems that you've been living two lives. In one life you're Thomas A. Anderson, program writer for a respectable software company. You have a Social Security number, you pay your taxes, and you help your landlady carry out her garbage. The other life is lived in computers where you go by the hacker alias "Neo", and are guilty of virtually every computer crime we have a law for. One of these lives has a future, and one of them does not.
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* In the [[Literature/Dragonlance]] novel "Dragons of Winter Night" the wizard Fizban uses a dragon orb to peer into the future, describing it to Tasselhoff Burrfoot as "two paths before us", the first of which is tranquil and well-lit, but will lead to ruin. The second of which, which he later confirms to Tasselhoff they are on, is "the dark path, that ''may'' lead to salvation."
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* In the final arc of ''Manga/FairyTail'', Natsu Dragneel [[spoiler:is in a near-death as is body is in between changing into either a dragon or a demon. In his mind, mental constructs of his love ones tell him that his only chance of survival is to choose one transformation over the other]]. Natsu chooses [[spoiler:[[TakeAThirdOption to be a human as he always know he is]], causing both seeds to break down]].
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* In the final arc of ''Manga/FairyTail'', Natsu Dragneel [[spoiler:is in a near-death state as is his body is in trapped between changing into either a dragon or a demon. In his mind, mental constructs of his love loved ones tell him that his only chance of survival is to choose one transformation over the other]]. Natsu chooses [[spoiler:[[TakeAThirdOption to be a human as he always know he is]], causing both seeds to break down]].
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* In the final arc of ''Manga/FairyTail'', Natsu Dragneel [[spoiler:is in a near-death as is body is in between changing into either a dragon or a demon. In his mind, mental constructs of his love ones tell him that his only chance of survival is to choose one transformation over the other]]. Natsu chooses [[spoiler:[[TakeAThirdOption to be a human as he always know he is]], causing both seeds to break down]].
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* ''VideoGame/TheStanleyParable'', an EnvironmentalNarrativeGame exploring the concepts of choice and freedoms in video game storytelling, uses a version of this trope with two doors as a central motif. The BigFirstChoice features Stanley (and conversely you, the player) approaching a room with two doors, with the narrator saying "When Stanley came to a set of two open doors, he entered the door on his left." The game's developers have revealed that they spent a lot of time designing the layout of the otherwise plain, generic room just to communicate to the player that the choice of which door to take is critical, yet valid with either decision.
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* ''VideoGame/TheStanleyParable'', an EnvironmentalNarrativeGame exploring the concepts of choice and freedoms in video game storytelling, uses a version of this trope with two doors as a central motif. The BigFirstChoice features Stanley (and conversely consequently you, the player) approaching a room with two doors, with the narrator saying "When Stanley came to a set of two open doors, he entered the door on his left." The game's developers have revealed that they spent a lot of time designing the layout of the otherwise plain, generic room just to communicate to the player that the choice of which door to take is critical, yet valid with either decision.
