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link to A Storm Is Coming
Changed line(s) 7 (click to see context) from:
Frequently overlaps with MassiveMultiplayerEnsembleNumber, which can be about a wider range of subjects, but must include counterpoint and various character perspectives. Not to be confused with TheElevenOClockNumber, which is sung near the end of a musical to initiate the climax.
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Frequently overlaps with MassiveMultiplayerEnsembleNumber, which can be about a wider range of subjects, but must include counterpoint and various character perspectives. Not to be confused with TheElevenOClockNumber, which is sung near the end of a musical to initiate the climax. Thematically related to AStormIsComing.
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Deleted line(s) 29 (click to see context) :
* In ''Film/{{Hairspray}}'', before the main characters crash the set of The Corny Collins Show, Motormouth Maybelle sings "I Know Where I've Been" as a reminder of how much is at stake.
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* In ''Theatre/{{Hairspray}}'', before the main characters crash the set of The Corny Collins Show, Motormouth Maybelle sings "I Know Where I've Been" as a reminder of how much is at stake.
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Changed line(s) 5,6 (click to see context) from:
So the Climax of the musical is about to begin. Something may happen {{At The Opera Tonight}}, or fate and destiny could be working to bring the characters together for some sort of final showdown. Either way, the writers find it that it's important to remind us just how important what is happening is. So they introduce a song to bring everything dramatically together. A classic example of this type of song seems to be cutting between the heroes doing a Hero Song and the villains doing their VillainSong, as they each do their own particular preparations.
to:
So the Climax TheClimax of the musical is about to begin. Something may happen {{At The Opera Tonight}}, or fate and destiny could be working to bring the characters together for some sort of final showdown. Either way, the writers find it that it's important to remind us just how important what is happening is. So they introduce a song to bring everything dramatically together. A classic example of this type of song seems to be cutting between the heroes doing a Hero Song and the villains doing their VillainSong, as they each do their own particular preparations.
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* ''Series/{{Galavant}} has "A Good Day to Die" and its reprise. Though the title sounds tough and militaristic, all the lines other than the TitleDrop discuss how everyone would rather this day ''not'' be for dying in the Battle of the Three Armies.
to:
* ''Series/{{Galavant}} ''Series/{{Galavant}}'' has "A Good Day to Die" and its reprise. Though the title sounds tough and militaristic, all the lines other than the TitleDrop discuss how everyone would rather this day ''not'' be for before dying in the Battle of the Three Armies.
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Changed line(s) 104,105 (click to see context) from:
* "This Day Aria" from the Season Two finale of ''WesternAnimation/MyLittlePonyFriendshipIsMagic''.
** "The Ballad of the Crystal Empire" from the Season 3 premiere.
** "The Ballad of the Crystal Empire" from the Season 3 premiere.
to:
* ''WesternAnimation/MyLittlePonyFriendshipIsMagic'':
** "This Day Aria" from the SeasonTwo finale of ''WesternAnimation/MyLittlePonyFriendshipIsMagic''.
2 finale, sung by Princess Cadance and the imposter Cadance (Queen Chrysalis in disguise) just before the big confrontation.
** "The Ballad of the Crystal Empire" from the Season 3premiere.premiere, as the Mane Six prepare the Crystal Fair prior to learning the truth of the Crystal Heart.
** "This Day Aria" from the Season
** "The Ballad of the Crystal Empire" from the Season 3
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adding
Changed line(s) 38 (click to see context) from:
[[folder:Live Action Television]]
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* ''Series/{{Galavant}} has "A Good Day to Die" and its reprise. Though the title sounds tough and militaristic, all the lines other than the TitleDrop discuss how everyone would rather this day ''not'' be for dying in the Battle of the Three Armies.
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Changed line(s) 64 (click to see context) from:
* Appropriately enough, the song in ''Theatre/{{Hamilton}}'' just before the Reynolds Pamphlet is released is called Hurricane and perfectly fits this.
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* Appropriately enough, the song in ''Theatre/{{Hamilton}}'' just before the Reynolds Pamphlet is released is called Hurricane "Hurricane" and perfectly fits this.
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** "Savages" from ''WesternAnimation/{{Pocahontas}}''. Even overlaps with MassiveMultiplayerEnsembleNumber.
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** "Savages" from ''WesternAnimation/{{Pocahontas}}''. Even overlaps with MassiveMultiplayerEnsembleNumber.
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Changed line(s) 102 (click to see context) from:
* ''WesternAnimation/IHeartArlo'': "Back To You", Arlo's SettingOffSong from the S1 finale sung just before arriving at the swamp to find it turned into TheHedgeOfThorns by the BigBad.
to:
* ''WesternAnimation/IHeartArlo'': "Back To You", Arlo's SettingOffSong from the S1 finale sung just before arriving at the swamp to find it turned into TheHedgeOfThorns by the BigBad. It is then followed by the WarningSong sung by Ruff and Stucky just before Arlo encounters the Bog Lady which in turn leads to the episode's DarkestHour.
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Changed line(s) 17 (click to see context) from:
** "Savages" from ''WesternAnimation/{{Pocahontas}}''. Even overlaps with MassiveMultiplayerEnsembleNumber.
to:
** "Savages" from ''WesternAnimation/{{Pocahontas}}''. Even overlaps with MassiveMultiplayerEnsembleNumber.
Deleted line(s) 100 (click to see context) :
* The title song aka "Helping Twilight Win the Crown" from ''WesternAnimation/EquestriaGirls''.
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* ''WesternAnimation/IHeartArlo'': "Back To You", Arlo's SettingOffSong from the S1 finale sung just before arriving at the swamp to find it turned into TheHedgeOfThorns by the BigBad.
Added DiffLines:
** "Through it All" from the GrandFinale, as Rapunzel rallies up all of Corona to take down Cassandra and Zhan Tiri once and for all.
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Changed line(s) 98 (click to see context) from:
* ''WesternAnimation/{{Amphibia}}'' has "No Big Deal" for the second-to-last episode of its second season, giving the viewers one last time to chill and have fun before things go off the rails in the finale.
to:
* ''WesternAnimation/{{Amphibia}}'' has "No Big Deal" for the second-to-last episode of its second season, giving the viewers one last time to chill and have fun before things go [[DarkerAndEdgier off the rails rails]] [[WhamEpisode in the finale.finale]].
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Changed line(s) 13,15 (click to see context) from:
[[folder:Film]]
* The song "At the Opera Tonight" from ''Film/RepoTheGeneticOpera'' is a pretty clear-cut example.
* In ''Film/{{Hairspray}}'', before the main characters crash the set of The Corny Collins Show, Motormouth Maybelle sings "I Know Where I've Been" as a reminder of how much is at stake.
* The song "At the Opera Tonight" from ''Film/RepoTheGeneticOpera'' is a pretty clear-cut example.
* In ''Film/{{Hairspray}}'', before the main characters crash the set of The Corny Collins Show, Motormouth Maybelle sings "I Know Where I've Been" as a reminder of how much is at stake.
to:
*
* In ''Film/{{Hairspray}}'',
Changed line(s) 19,20 (click to see context) from:
* ''Film/MoulinRouge'' has [[Music/{{Queen}} "The Show Must Go On".]]
* ''Film/NotAnotherTeenMovie'' parodies this trope with the song "Prom Tonight".
* ''Film/NotAnotherTeenMovie'' parodies this trope with the song "Prom Tonight".
to:
* ''Film/MoulinRouge'' has [[Music/{{Queen}} "The Show Must Go On".]]
* ''Film/NotAnotherTeenMovie'' parodies this trope with"We Got This Together" from ''WesternAnimation/MyLittlePonyTheMovie2017'', as the song "Prom Tonight".mane cast prepare for the friendship festival just mere moments before the Storm King's army invades Canterlot.
* ''Film/NotAnotherTeenMovie'' parodies this trope with
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[[folder:Film -- Live-Action]]
* The song "At the Opera Tonight" from ''Film/RepoTheGeneticOpera'' is a pretty clear-cut example.
* In ''Film/{{Hairspray}}'', before the main characters crash the set of The Corny Collins Show, Motormouth Maybelle sings "I Know Where I've Been" as a reminder of how much is at stake.
* ''Film/MoulinRouge'' has [[Music/{{Queen}} "The Show Must Go On".]]
* ''Film/NotAnotherTeenMovie'' parodies this trope with the song "Prom Tonight".
[[/folder]]
* The song "At the Opera Tonight" from ''Film/RepoTheGeneticOpera'' is a pretty clear-cut example.
* In ''Film/{{Hairspray}}'', before the main characters crash the set of The Corny Collins Show, Motormouth Maybelle sings "I Know Where I've Been" as a reminder of how much is at stake.
* ''Film/MoulinRouge'' has [[Music/{{Queen}} "The Show Must Go On".]]
* ''Film/NotAnotherTeenMovie'' parodies this trope with the song "Prom Tonight".
[[/folder]]
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Changed line(s) 100 (click to see context) from:
* The TriumphantReprise of "Royal Prep" from the ''WesternAnimation/SofiaTheFirst GrandFinale, "Forever Royal", just before Vor's attack.
to:
* The TriumphantReprise of "Royal Prep" from the ''WesternAnimation/SofiaTheFirst ''WesternAnimation/SofiaTheFirst'' GrandFinale, "Forever Royal", just before Vor's attack.
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Changed line(s) 102 (click to see context) from:
* ''WesternAnimation/TangledTheSeries'' has "[[https://www.youtube.com/watch?v=r-PYYaoq0fY Ready As I'll Ever Be]]," with both the villain, [[spoiler:Varian]], and the heroes preparing for the first season's big finale battle.
to:
* ''WesternAnimation/TangledTheSeries'' has ''WesternAnimation/TangledTheSeries'':
** "I've Got This" from "Queen For a Day", as Rapunzel struggles to adjust to her ShortLivedLeadership just before Zhan Tiri's blizzard hits.
** "[[https://www.youtube.com/watch?v=r-PYYaoq0fY Ready As I'll EverBe]]," Be]]" from "Secret of the Sundrop", with both the villain, [[spoiler:Varian]], and the heroes preparing for the first season's big finale battle.
** "I've Got This" from "Queen For a Day", as Rapunzel struggles to adjust to her ShortLivedLeadership just before Zhan Tiri's blizzard hits.
** "[[https://www.youtube.com/watch?v=r-PYYaoq0fY Ready As I'll Ever
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Added DiffLines:
* ''WesternAnimation/{{Amphibia}}'' has "No Big Deal" for the second-to-last episode of its second season, giving the viewers one last time to chill and have fun before things go off the rails in the finale.
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None
Added DiffLines:
* The TriumphantReprise of "Royal Prep" from the ''WesternAnimation/SofiaTheFirst GrandFinale, "Forever Royal", just before Vor's attack.
Added DiffLines:
* "You're the Greatest" from the ''WesternAnimation/WanderOverYonder'' episode "My Fair Hatey", just before Lord Dominator reveals her true motives.
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Changed line(s) 94 (click to see context) from:
* The title song from ''WesternAnimation/EquestriaGirls''.
to:
* The title song aka "Helping Twilight Win the Crown" from ''WesternAnimation/EquestriaGirls''.
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Changed line(s) 46,47 (click to see context) from:
* ''Theatre/{{Anastasia}}'' has "Quartet at the Ballet" where Anya, Dmitri, and Grandmama prepare to meet each other, and Gleb prepares to confront Anya for the last time.
** "We'll Go From There" has Anya, Dmitry, and Vlad each muse on what awaits them and what they wish to happen most once they get to Paris.
** "We'll Go From There" has Anya, Dmitry, and Vlad each muse on what awaits them and what they wish to happen most once they get to Paris.
to:
* ''Theatre/{{Anastasia}}'' ''Theatre/{{Anastasia}}'':
** In act 1, "We'll Go From There" has Anya, Dmitry, and Vlad each muse on what awaits them and what they wish to happen most once they get to Paris.
** Act 2 has "Quartet at the Ballet" where Anya, Dmitri, and Grandmama prepare to meet each other, and Gleb prepares to confront Anya for the lasttime.
** "We'll Go From There" has Anya, Dmitry, and Vlad each muse on what awaits them and what they wish to happen most once they get to Paris.time.
** In act 1, "We'll Go From There" has Anya, Dmitry, and Vlad each muse on what awaits them and what they wish to happen most once they get to Paris.
** Act 2 has "Quartet at the Ballet" where Anya, Dmitri, and Grandmama prepare to meet each other, and Gleb prepares to confront Anya for the last
** "We'll Go From There" has Anya, Dmitry, and Vlad each muse on what awaits them and what they wish to happen most once they get to Paris.
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Changed line(s) 15 (click to see context) from:
* In ''Film/{{Hairspray}}'', before the main characters crash the set of the nicest kids in town, Motormouth Maybelle sings "I Know Where I've Been" as a reminder of how much is at stake.
to:
* In ''Film/{{Hairspray}}'', before the main characters crash the set of the nicest kids in town, The Corny Collins Show, Motormouth Maybelle sings "I Know Where I've Been" as a reminder of how much is at stake.
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Added DiffLines:
* "For Just One Day Let's Only Think About (Love)" from the ''WesternAnimation/StevenUniverse'' episode "Reunited" has Steven prepping for [[spoiler: Ruby and Sapphire's wedding]] and also references events throughout the series that still haven't been resolved and will come to a head soon like [[spoiler: the Cluster still yet to have emerged, that Rose Quartz was really Pink Diamond, and that the other Diamonds are still unaware of this and want revenge]].
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Added DiffLines:
* "No Good Can Come From Bad" from ''Theatre/{{Drood}}'' has all the major players (and Edwin) get together for dinner during a storm, and all leave some incriminating thought or action about themselves that could prove that they were the one to murder Edwin that night.
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Added DiffLines:
** "We'll Go From There" has Anya, Dmitry, and Vlad each muse on what awaits them and what they wish to happen most once they get to Paris.
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Changed line(s) 63 (click to see context) from:
* "Preparations" from ''Theatre/NatashaPierreAndTheGreatCometOf1812'' where Anatole and Dolokhov prepare for Natasha's abduction.
to:
* "Preparations" from ''Theatre/NatashaPierreAndTheGreatCometOf1812'' ''Theatre/NatashaPierreAndTheGreatCometOf1812'':
** "The Opera", where Natasha meets [[AltoVillainess Hélène]] and sees Anatole for the first time, as well as making her first official appearance in Moscow society.
**"Preparations", where Anatole and Dolokhov prepare for Natasha's abduction.
** "The Opera", where Natasha meets [[AltoVillainess Hélène]] and sees Anatole for the first time, as well as making her first official appearance in Moscow society.
**"Preparations", where Anatole and Dolokhov prepare for Natasha's abduction.
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* ''Brigadoom'' from ''Series/{{Lexx}}''. It's really almost more of a Backstory Musical, but it does also fill this role because it sort of pumps them up as well, by showing them the history of how Kai fought so hard in the past and how he shouldn't let that go to waste, and that they all must once again struggle valiantly to defeat new Big Bad Mantrid rather than running.
Deleted line(s) 36 (click to see context) :
* ''Brigadoom'' from ''Series/{{Lexx}}''. It's really almost more of a Backstory Musical, but it does also fill this role because it sort of pumps them up as well, by showing them the history of how Kai fought so hard in the past and how he shouldn't let that go to waste, and that they all must once again struggle valiantly to defeat new Big Bad Mantrid rather than running.
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* On ''WesternAnimation/{{Daria}},'' "What If the Town Blew Away" is {{literal|Minded}}ly this--the characters are singing about the hurricane that's about to hit Lawndale.
* The title song from ''WesternAnimation/EquestriaGirls''.
* The title song from ''WesternAnimation/EquestriaGirls''.
Deleted line(s) 91 (click to see context) :
** The title song from ''WesternAnimation/EquestriaGirls''.
Deleted line(s) 93 (click to see context) :
* On ''WesternAnimation/{{Daria}},'' "What If the Town Blew Away" is {{literal|Minded}}ly this--the characters are singing about the hurricane that's about to hit Lawndale.
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* ''Theatre/{{Anastasia}}'' has "Quartet at the Ballet" where Anya, Dmitri, and Grandmama prepare to meet each other, and Gleb prepares to confront Anya for the last time.
* "Comfort and Joy" from ''Theatre/BatBoyTheMusical''
* The reprise of "Checkmate" in ''Manga/BlackButler Musical II: A Thousand Souls and a Fallen {{Shinigami}}''. All of the characters sing about what will happen AtTheOperaTonight, ending with a dramatic [[CatchPhrase "Yes, My Lord"]] from Sebastian.
* "I Hope I Get It" from ''Theatre/AChorusLine''.
* "It's Time" from ''Theatre/EvilDeadTheMusical''. The gist of the song is that Ash has decided it's time to man-up and kick a whole mess of ass. In the next few scenes, he kills things that are immortal.
* "A New Argentina" from ''Theatre/{{Evita}}'', depicting the build-up to the 1946 Argentinian presidential election. It closes the first act, while the second act picks up right after the election, with Juan and Eva giving their victory speeches from the balcony of the Casa Rosada.
* "Comfort and Joy" from ''Theatre/BatBoyTheMusical''
* The reprise of "Checkmate" in ''Manga/BlackButler Musical II: A Thousand Souls and a Fallen {{Shinigami}}''. All of the characters sing about what will happen AtTheOperaTonight, ending with a dramatic [[CatchPhrase "Yes, My Lord"]] from Sebastian.
* "I Hope I Get It" from ''Theatre/AChorusLine''.
* "It's Time" from ''Theatre/EvilDeadTheMusical''. The gist of the song is that Ash has decided it's time to man-up and kick a whole mess of ass. In the next few scenes, he kills things that are immortal.
* "A New Argentina" from ''Theatre/{{Evita}}'', depicting the build-up to the 1946 Argentinian presidential election. It closes the first act, while the second act picks up right after the election, with Juan and Eva giving their victory speeches from the balcony of the Casa Rosada.
Changed line(s) 47,51 (click to see context) from:
* "One Day More" from ''Theatre/LesMiserables'', in which one of Enjolras' lines is literally: "One more day before the storm"
* "Tonight" (the "Quintet" version with Tony/Maria/Anita/The Jets/The Sharks, even though the last two are actually groups) from ''Theatre/WestSideStory'' is one of the classics, setting up for the big rumble that changes everything.
* ''Theatre/ThePhantomOfTheOpera'':
** "Prima Donna" qualifies, certainly in the stage production.
** "Notes (Reprise) - Twisted Every Way" could apply as well (this song is called "We Have All Been Blind - Twisted Every Way in the movie version, as "Notes (Reprise)" was cut from this version).
* "Tonight" (the "Quintet" version with Tony/Maria/Anita/The Jets/The Sharks, even though the last two are actually groups) from ''Theatre/WestSideStory'' is one of the classics, setting up for the big rumble that changes everything.
* ''Theatre/ThePhantomOfTheOpera'':
** "Prima Donna" qualifies, certainly in the stage production.
** "Notes (Reprise) - Twisted Every Way" could apply as well (this song is called "We Have All Been Blind - Twisted Every Way in the movie version, as "Notes (Reprise)" was cut from this version).
to:
* "One Day More" from ''Theatre/LesMiserables'', in ''Theatre/{{Godspell}}'' subverts it with "On the Willows"[[note]]Based on Psalm 137[[/note]], which is light and soft, but the lyrics talk about the coming sacrifice as one of Enjolras' lines is literally: "One more day before by one the storm"
* "Tonight" (the "Quintet" version with Tony/Maria/Anita/The Jets/The Sharks, even though the last two are actually groups) from ''Theatre/WestSideStory'' is one of the classics, setting up for the big rumble that changes everything.
* ''Theatre/ThePhantomOfTheOpera'':
** "Prima Donna" qualifies, certainly in the stage production.
** "Notes (Reprise) - Twisted Every Way" could apply as well (this song is called "We Have All Been Blind - Twisted Every Way in the movie version, as "Notes (Reprise)" was cut from this version).apostles say goodbye to Jesus after Judas has been exposed. Heartwrenching if done properly.
* "Tonight" (the "Quintet" version with Tony/Maria/Anita/The Jets/The Sharks, even though the last two are actually groups) from ''Theatre/WestSideStory'' is one of the classics, setting up for the big rumble that changes everything.
* ''Theatre/ThePhantomOfTheOpera'':
** "Prima Donna" qualifies, certainly in the stage production.
** "Notes (Reprise) - Twisted Every Way" could apply as well (this song is called "We Have All Been Blind - Twisted Every Way in the movie version, as "Notes (Reprise)" was cut from this version).
Changed line(s) 53,55 (click to see context) from:
* "A New Argentina" from ''Theatre/{{Evita}}'', depicting the build-up to the 1946 Argentinian presidential election. It closes the first act, while the second act picks up right after the election, with Juan and Eva giving their victory speeches from the balcony of the Casa Rosada.
* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'' has the Fogg's Asylum sequence. As the final confrontation looms, the chorus asks "Who could see how the road would twist?" as the lunatics escape to echo the Beggar Woman's CassandraTruth across the city.
* "I Hope I Get It" from ''Theatre/AChorusLine''.
* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'' has the Fogg's Asylum sequence. As the final confrontation looms, the chorus asks "Who could see how the road would twist?" as the lunatics escape to echo the Beggar Woman's CassandraTruth across the city.
* "I Hope I Get It" from ''Theatre/AChorusLine''.
to:
* Appropriately enough, the song in ''Theatre/{{Hamilton}}'' just before the Reynolds Pamphlet is released is called Hurricane and perfectly fits this.
* ''Theatre/JekyllAndHyde'': "This is the Moment", sung right before Jekyll's first transformation into Hyde, and "Confrontation", sung right before the show's finale [[spoiler: where Hyde comes out at Jekyll's wedding, leading to his death]].
* In the stage version of ''WesternAnimation/TheLittleMermaid1989'', "Fathoms Below" is a literal example, with the bridge section telling of the storms that occur when King Triton gets mad, which happens shortly afterwards.
* A light-hearted, waltzy version appears in ''Theatre/ALittleNightMusic'': "ANew Argentina" from ''Theatre/{{Evita}}'', depicting Weekend in the build-up to the 1946 Argentinian presidential election. It closes the first act, while the second act picks up right after the election, with Juan and Eva giving their victory speeches from the balcony of the Casa Rosada.
* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'' has the Fogg's Asylum sequence. As the final confrontation looms, the chorus asks "Who could see how the road would twist?" as the lunatics escape to echo the Beggar Woman's CassandraTruth across the city.
* "I Hope I Get It" from ''Theatre/AChorusLine''.Country".'
* ''Theatre/JekyllAndHyde'': "This is the Moment", sung right before Jekyll's first transformation into Hyde, and "Confrontation", sung right before the show's finale [[spoiler: where Hyde comes out at Jekyll's wedding, leading to his death]].
* In the stage version of ''WesternAnimation/TheLittleMermaid1989'', "Fathoms Below" is a literal example, with the bridge section telling of the storms that occur when King Triton gets mad, which happens shortly afterwards.
* A light-hearted, waltzy version appears in ''Theatre/ALittleNightMusic'': "A
* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'' has the Fogg's Asylum sequence. As the final confrontation looms, the chorus asks "Who could see how the road would twist?" as the lunatics escape to echo the Beggar Woman's CassandraTruth across the city.
* "I Hope I Get It" from ''Theatre/AChorusLine''.
* "One Day More" from ''Theatre/LesMiserables'', in which one of Enjolras' lines is literally: "One more day before the storm"
* "Preparations" from ''Theatre/NatashaPierreAndTheGreatCometOf1812'' where Anatole and Dolokhov prepare for Natasha's abduction.
* ''Theatre/ThePhantomOfTheOpera'':
** "Prima Donna" qualifies, certainly in the stage production.
** "Notes (Reprise) - Twisted Every Way" could apply as well (this song is called "We Have All Been Blind - Twisted Every Way in the movie version, as "Notes (Reprise)" was cut from this version).
* ''Theatre/SeraMyu: Transylvania no Mori'' and it's revised version have "We'll Be The Last Victory" which is basically both the heroes and villains declaring what they're fighting for and end with what "group" they belong to, even if that group is themselves.
* ''Theatre/TheSpongeBobMusical'' has "Tomorrow Is" where the citizens of Bikini Bottom sing about what they hope to accomplish before Mt. Humongus erupts.
* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'' has the Fogg's Asylum sequence. As the final confrontation looms, the chorus asks "Who could see how the road would twist?" as the lunatics escape to echo the Beggar Woman's CassandraTruth across the city.
* "Preparations" from ''Theatre/NatashaPierreAndTheGreatCometOf1812'' where Anatole and Dolokhov prepare for Natasha's abduction.
* ''Theatre/ThePhantomOfTheOpera'':
** "Prima Donna" qualifies, certainly in the stage production.
** "Notes (Reprise) - Twisted Every Way" could apply as well (this song is called "We Have All Been Blind - Twisted Every Way in the movie version, as "Notes (Reprise)" was cut from this version).
* ''Theatre/SeraMyu: Transylvania no Mori'' and it's revised version have "We'll Be The Last Victory" which is basically both the heroes and villains declaring what they're fighting for and end with what "group" they belong to, even if that group is themselves.
* ''Theatre/TheSpongeBobMusical'' has "Tomorrow Is" where the citizens of Bikini Bottom sing about what they hope to accomplish before Mt. Humongus erupts.
* ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'' has the Fogg's Asylum sequence. As the final confrontation looms, the chorus asks "Who could see how the road would twist?" as the lunatics escape to echo the Beggar Woman's CassandraTruth across the city.
Deleted line(s) 60,63 (click to see context) :
* ''Theatre/{{Godspell}}'' subverts it with "On the Willows"[[note]]Based on Psalm 137[[/note]], which is light and soft, but the lyrics talk about the coming sacrifice as one by one the apostles say goodbye to Jesus after Judas has been exposed. Heartwrenching if done properly.
* "It's Time" from ''Theatre/EvilDeadTheMusical''. The gist of the song is that Ash has decided it's time to man-up and kick a whole mess of ass. In the next few scenes, he kills things that are immortal.
* A light-hearted, waltzy version appears in ''Theatre/ALittleNightMusic'': "A Weekend in the Country".
* "Comfort and Joy" from ''Theatre/BatBoyTheMusical''
* "It's Time" from ''Theatre/EvilDeadTheMusical''. The gist of the song is that Ash has decided it's time to man-up and kick a whole mess of ass. In the next few scenes, he kills things that are immortal.
* A light-hearted, waltzy version appears in ''Theatre/ALittleNightMusic'': "A Weekend in the Country".
* "Comfort and Joy" from ''Theatre/BatBoyTheMusical''
Changed line(s) 68,74 (click to see context) from:
* ''Theatre/JekyllAndHyde'': "This is the Moment", sung right before Jekyll's first transformation into Hyde, and "Confrontation", sung right before the show's finale [[spoiler: where Hyde comes out at Jekyll's wedding, leading to his death]].
* ''Theatre/SeraMyu: Transylvania no Mori'' and it's revised version have "We'll Be The Last Victory" which is basically both the heroes and villains declaring what they're fighting for and end with what "group" they belong to, even if that group is themselves.
* The reprise of "Checkmate" in ''Manga/BlackButler Musical II: A Thousand Souls and a Fallen {{Shinigami}}''. All of the characters sing about what will happen AtTheOperaTonight, ending with a dramatic [[CatchPhrase "Yes, My Lord"]] from Sebastian.
* In the stage version of ''WesternAnimation/TheLittleMermaid1989'', "Fathoms Below" is a literal example, with the bridge section telling of the storms that occur when King Triton gets mad, which happens shortly afterwards.
* Appropriately enough, the song in ''Theatre/{{Hamilton}}'' just before the Reynolds Pamphlet is released is called Hurricane and perfectly fits this.
* ''Theatre/TheSpongeBobMusical'' has "Tomorrow Is" where the citizens of Bikini Bottom sing about what they hope to accomplish before Mt. Humongus erupts.
* ''Theatre/{{Anastasia}}'' has "Quartet at the Ballet" where Anya, Dmitri, and Grandmama prepare to meet each other, and Gleb prepares to confront Anya for the last time.
* ''Theatre/SeraMyu: Transylvania no Mori'' and it's revised version have "We'll Be The Last Victory" which is basically both the heroes and villains declaring what they're fighting for and end with what "group" they belong to, even if that group is themselves.
* The reprise of "Checkmate" in ''Manga/BlackButler Musical II: A Thousand Souls and a Fallen {{Shinigami}}''. All of the characters sing about what will happen AtTheOperaTonight, ending with a dramatic [[CatchPhrase "Yes, My Lord"]] from Sebastian.
* In the stage version of ''WesternAnimation/TheLittleMermaid1989'', "Fathoms Below" is a literal example, with the bridge section telling of the storms that occur when King Triton gets mad, which happens shortly afterwards.
* Appropriately enough, the song in ''Theatre/{{Hamilton}}'' just before the Reynolds Pamphlet is released is called Hurricane and perfectly fits this.
* ''Theatre/TheSpongeBobMusical'' has "Tomorrow Is" where the citizens of Bikini Bottom sing about what they hope to accomplish before Mt. Humongus erupts.
* ''Theatre/{{Anastasia}}'' has "Quartet at the Ballet" where Anya, Dmitri, and Grandmama prepare to meet each other, and Gleb prepares to confront Anya for the last time.
to:
* ''Theatre/JekyllAndHyde'': "This is the Moment", sung right before Jekyll's first transformation into Hyde, and "Confrontation", sung right before the show's finale [[spoiler: where Hyde comes out at Jekyll's wedding, leading to his death]].
* ''Theatre/SeraMyu: Transylvania no Mori'' and it's revised"Tonight" (the "Quintet" version have "We'll Be The Last Victory" which is basically both the heroes and villains declaring what they're fighting for and end with what "group" they belong to, Tony/Maria/Anita/The Jets/The Sharks, even if that group is themselves.
* The reprise of "Checkmate" in ''Manga/BlackButler Musical II: A Thousand Souls and a Fallen {{Shinigami}}''. All of the characters sing about what will happen AtTheOperaTonight, ending with a dramatic [[CatchPhrase "Yes, My Lord"]] from Sebastian.
* In the stage version of ''WesternAnimation/TheLittleMermaid1989'', "Fathoms Below" is a literal example, with the bridge section telling of the storms that occur when King Triton gets mad, which happens shortly afterwards.
* Appropriately enough, the song in ''Theatre/{{Hamilton}}'' just before the Reynolds Pamphlet is released is called Hurricane and perfectly fits this.
* ''Theatre/TheSpongeBobMusical'' has "Tomorrow Is" where the citizens of Bikini Bottom sing about what they hope to accomplish before Mt. Humongus erupts.
* ''Theatre/{{Anastasia}}'' has "Quartet at the Ballet" where Anya, Dmitri, and Grandmama prepare to meet each other, and Gleb prepares to confront Anya forthough the last time.two are actually groups) from ''Theatre/WestSideStory'' is one of the classics, setting up for the big rumble that changes everything.
* ''Theatre/SeraMyu: Transylvania no Mori'' and it's revised
* The reprise of "Checkmate" in ''Manga/BlackButler Musical II: A Thousand Souls and a Fallen {{Shinigami}}''. All of the characters sing about what will happen AtTheOperaTonight, ending with a dramatic [[CatchPhrase "Yes, My Lord"]] from Sebastian.
* In the stage version of ''WesternAnimation/TheLittleMermaid1989'', "Fathoms Below" is a literal example, with the bridge section telling of the storms that occur when King Triton gets mad, which happens shortly afterwards.
* Appropriately enough, the song in ''Theatre/{{Hamilton}}'' just before the Reynolds Pamphlet is released is called Hurricane and perfectly fits this.
* ''Theatre/TheSpongeBobMusical'' has "Tomorrow Is" where the citizens of Bikini Bottom sing about what they hope to accomplish before Mt. Humongus erupts.
* ''Theatre/{{Anastasia}}'' has "Quartet at the Ballet" where Anya, Dmitri, and Grandmama prepare to meet each other, and Gleb prepares to confront Anya for
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Changed line(s) 55 (click to see context) from:
* "I Hope I Get It" from ''Theatre/AChorusline''.
to:
* "I Hope I Get It" from ''Theatre/AChorusline''.''Theatre/AChorusLine''.
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Added DiffLines:
* ''Theatre/{{Anastasia}}'' has "Quartet at the Ballet" where Anya, Dmitri, and Grandmama prepare to meet each other, and Gleb prepares to confront Anya for the last time.
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Changed line(s) 7 (click to see context) from:
Frequently overlaps with MassiveMultiplayerEnsembleNumber, which can be about a wider range of subjects, but must include counterpoint and various character perspectives.
to:
Frequently overlaps with MassiveMultiplayerEnsembleNumber, which can be about a wider range of subjects, but must include counterpoint and various character perspectives. Not to be confused with TheElevenOClockNumber, which is sung near the end of a musical to initiate the climax.
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Changed line(s) 71 (click to see context) from:
* In the stage version of ''Disney/TheLittleMermaid'', "Fathoms Below" is a literal example, with the bridge section telling of the storms that occur when King Triton gets mad, which happens shortly afterwards.
to:
* In the stage version of ''Disney/TheLittleMermaid'', ''WesternAnimation/TheLittleMermaid1989'', "Fathoms Below" is a literal example, with the bridge section telling of the storms that occur when King Triton gets mad, which happens shortly afterwards.