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* "You're Going to Be Okay" from [[MusicalEpisode "My Musical"]] in ''{{Scrubs}}''.
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* "Not While I'm Around" from SweeneyTodd.
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Changed line(s) 75,76 (click to see context) from:
* "Edelweiss" from ''TheSoundOfMusic''.
* "Hh! Cha Cha!" (sic) from ''The Cat and the Fiddle'', which reused part of "Why Do I Love You?" as a countermelody.
* "Hh! Cha Cha!" (sic) from ''The Cat and the Fiddle'', which reused part of "Why Do I Love You?" as a countermelody.
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* The concert sequence from ''TheSoundOfMusic'', which has "Edelweiss" from ''TheSoundOfMusic''.
in between an elaborate reprise of "Do-Re-Mi" and a plain repetition of "So Long, Farewell."
* "Hh! Cha Cha!" (sic) from ''The Cat and the Fiddle'', which reused part of the aforementioned "Why Do I LoveYou?" You" as a countermelody.
* "Hh! Cha Cha!" (sic) from ''The Cat and the Fiddle'', which reused part of the aforementioned "Why Do I Love
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* "Edelweiss" from ''TheSoundOfMusic''.
* "Hh! Cha Cha!" (sic) from ''The Cat and the Fiddle'', which reused part of "Why Do I Love You?" as a countermelody.
* "Hh! Cha Cha!" (sic) from ''The Cat and the Fiddle'', which reused part of "Why Do I Love You?" as a countermelody.
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Removed duplicate from \"In the Heights\"
Deleted line(s) 74 (click to see context) :
* "Champagne" and "When The Sun Goes Down" from ''InTheHeights''.
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So you're almost at the end of the show, and things are looking very uncertain. But you know the show's about to end. That's when you know this trope is about to kick in. TheElevenOClockNumber is a song in [[TheMusical a musical]] placed near the end of the second act, before the plot's loose ends are tied up. The song usually represents an emotional turning point or revelation for the main character(s) and is almost always the last number in the show that isn't a reprise of an earlier song. The term is a holdover from the days when all musicals started at 8:30 PM and had to have a climactic song around 11:00, because it was preferable to have audiences out shortly afterwards.
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So you're almost at the end of the show, and things are looking very uncertain. But you know the show's about to end. That's when you know this trope is about to kick in. TheElevenOClockNumber is a song in [[TheMusical a musical]] placed near the end of the second act, before the plot's loose ends are tied up. The song usually represents an emotional turning point or revelation for the main character(s) and is almost always the last number in the show that isn't a reprise of an earlier song or the absolute final song. The term is a holdover from the days when all musicals started at 8:30 PM and had to have a climactic song around 11:00, because it was preferable to have audiences out shortly afterwards.
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Changed line(s) 75 (click to see context) from:
* Stephen Sondheim's ''Follies'' has not one but four 11 o'clock numbers, one for each of the principal characters: the comic patter song "Buddy's Blues," the torch ballad "Losing My Mind," the Star Lady turn "The Story of Lucy and Jessie," and, finally, the top-hat-and-tails ditty "Live, Laugh, Love," which features a twist ending: [[spoiler:as debonair Ben realizes that the words he's singing are a horrible lie, he repeatedly blubs the lyrics and finally has a breakdown onstage.]]
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* Stephen Sondheim's ''Follies'' has not one but four 11 o'clock numbers, one for each of the principal characters: the comic patter song "Buddy's Blues," the torch ballad "Losing My Mind," the Star Lady turn "The Story of Lucy and Jessie," and, finally, the top-hat-and-tails ditty "Live, Laugh, Love," which features a twist ending: [[spoiler:as debonair Ben realizes that the cheery words he's singing are a horrible lie, he repeatedly blubs flubs the lyrics and finally has a breakdown onstage.]]
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* "Champagne" and "When The Sun Goes Down" from ''InTheHeights''.
* Stephen Sondheim's ''Follies'' has not one but four 11 o'clock numbers, one for each of the principal characters: the comic patter song "Buddy's Blues," the torch ballad "Losing My Mind," the Star Lady turn "The Story of Lucy and Jessie," and, finally, the top-hat-and-tails ditty "Live, Laugh, Love," which features a twist ending: [[spoiler:as debonair Ben realizes that the words he's singing are a horrible lie, he repeatedly blubs the lyrics and finally has a breakdown onstage.]]
* Stephen Sondheim's ''Follies'' has not one but four 11 o'clock numbers, one for each of the principal characters: the comic patter song "Buddy's Blues," the torch ballad "Losing My Mind," the Star Lady turn "The Story of Lucy and Jessie," and, finally, the top-hat-and-tails ditty "Live, Laugh, Love," which features a twist ending: [[spoiler:as debonair Ben realizes that the words he's singing are a horrible lie, he repeatedly blubs the lyrics and finally has a breakdown onstage.]]
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Changed line(s) 73 (click to see context) from:
* "The Show Must Go On" from ''MoulinRouge'', which also doubles as TheSongBeforeTheStorm.
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* "The Show Must Go On" from ''MoulinRouge'', which also doubles as TheSongBeforeTheStorm. Appropriately, it is both [[{{Queen}} operatic]] and [[{{Foreshadowing}} rather]] [[DownerEnding funereal]].
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* "The Show Must Go On" from ''MoulinRouge'', which also doubles as TheSongBeforeTheStorm.
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Changed line(s) 14 (click to see context) from:
* "For Good" from ''{{Wicked}}''.
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* [[BSODSong "No Good Deed,"]] [[MobSong "March Of The Witch Hunters,"]] and [[AwardBaitSong "For Good" Good"]] from ''{{Wicked}}''.''{{Wicked}}''. Notable for all taking place [[MoodWhiplash within moments of each other.]]
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Added Betrayed
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* "Betrayed" from ''{{The Producers}}'' is not only a classic 11 o'clock number, but also a five-minute, one-man summary of the ''entire show'' to that point.
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* "It Only Takes A Moment" from ''{{Hello Dolly}}'' is a ''{{Most Triumphant Example}}'' of this trope.
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* "Rose's Turn" from ''Gypsy''.
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* "Rose's Turn" from ''Gypsy''.''{{Gypsy}}''.
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* "I'm Going Back" from ''Bells Are Ringing''.
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* "I'm Going Back" from ''Bells Are Ringing''.''BellsAreRinging''.
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* "With So Little To Be Sure Of" from ''Anyone Can Whistle''.
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* "With So Little To Be Sure Of" from ''Anyone Can Whistle''.''AnyoneCanWhistle''.
Changed line(s) 55,57 (click to see context) from:
* "The Meek Shall Inherit" from LittleShopOfHorrors.
* "All The Wasted Time" from '' {{Parade}}'' .
* "Reviewing the Situation" from Oliver!.
* "All The Wasted Time" from '' {{Parade}}'' .
* "Reviewing the Situation" from Oliver!.
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* "The Meek Shall Inherit" from LittleShopOfHorrors.
''LittleShopOfHorrors''.
* "All The Wasted Time" from'' {{Parade}}'' .
''{{Parade}}''.
* "Reviewing the Situation" fromOliver!.''Oliver!''.
* "All The Wasted Time" from
* "Reviewing the Situation" from
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* "So Long, Dearie" from ''[[HelloDolly Hello, Dolly!]]''.
* "I Guess I'll Miss The Man" from ''{{Pippin}}'' is an understated version.
* "I Guess I'll Miss The Man" from ''{{Pippin}}'' is an understated version.
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* "Wrong Note Rag" from ''Wonderful Town''.
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Changed line(s) 68,69 (click to see context) from:
* "Empty Chairs at Empty Tables" from ''LesMiserables''.
* "The Garden Path to Hell" from ''Drood''.
* "The Garden Path to Hell" from ''Drood''.
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* "Empty Chairs at Empty Tables" from ''LesMiserables''.
* "The Garden Path to Hell" from ''Drood''.The murderer's confession in ''{{Drood}}''.
* "The Garden Path to Hell" from ''Drood''.
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Changed line(s) 64 (click to see context) from:
* "Poor Jack" from ''TheNightmareBeforeChristmas".
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* "Poor Jack" from ''TheNightmareBeforeChristmas".''TheNightmareBeforeChristmas''.
* "Duel Duet" from ''ShockTreatment''.
* "One Rock And Roll Too Many" from ''StarlightExpress''.
* "One Of Those Nights" from the musical of ''Metropolis''.
* "Empty Chairs at Empty Tables" from ''LesMiserables''.
* "The Garden Path to Hell" from ''Drood''.
* "Duel Duet" from ''ShockTreatment''.
* "One Rock And Roll Too Many" from ''StarlightExpress''.
* "One Of Those Nights" from the musical of ''Metropolis''.
* "Empty Chairs at Empty Tables" from ''LesMiserables''.
* "The Garden Path to Hell" from ''Drood''.
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* "Poor Jack" from ''TheNightmareBeforeChristmas".
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* "Brotherhood Of Man" from ''HowToSucceedInBusinessWithoutReallyTrying''.
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* "It Only Takes A Moment" from ''{{Hello Dolly}}'' is a ''{{Most Triumphant Example}}'' of this trope.
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* "Champagne" and "When The Sun Goes Down" from ''InTheHeights''.
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Changed line(s) 58 (click to see context) from:
* "Getting Tall" from [[Theatre/{{Nine}} Nine]]
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* "Getting Tall" from [[Theatre/{{Nine}} Nine]]''[[Theatre/{{Nine}} Nine]]''
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Changed line(s) 38 (click to see context) from:
* "What You Own" from ''{{Rent}}''
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* "Your Eyes" from ''{{Rent}}'' is technically the Eleven O'Clock Number, but something must be said for "What You Own" from ''{{Rent}}''Own".
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* "Funny" from ''CityOfAngels'' fits, albeit a little snugly.
* "Getting Tall" from [[Theatre/{{Nine}} Nine]]
* "Getting Tall" from [[Theatre/{{Nine}} Nine]]
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Last time I checked "The More You Ruv Someone" is near the beginning of Act Two. Hence, it's not it. Really there's no clear cut 11:00 number in Avenue Q.
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* Either "No Good Deed" or "For Good" from ''{{Wicked}}''.
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* Either "No Good Deed" or "For Good" from ''{{Wicked}}''.
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* "The More You Ruv Someone" from ''AvenueQ'' is a spoof of the Eleven O' Clock Number.
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** In the movie (and other productions), it's "Sit Down, You're Rocking the Boat".
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** In the movie (and other productions), it's movie, "Sit Down, You're Rocking the Boat". Boat" is the closest thing.
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* "The Mob Song" from ''{{Beauty And The Beast}}'', in the film and the stage version.
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* The Meek Shall Inherit from LittleShopOfHorrors.
* All The Wasted Time from '' {{Parade}}'' .
* Reviewing the Situation from Oliver!.
* All The Wasted Time from '' {{Parade}}'' .
* Reviewing the Situation from Oliver!.
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* The "The Meek Shall Inherit Inherit" from LittleShopOfHorrors.
*All "All The Wasted Time Time" from '' {{Parade}}'' .
*Reviewing "Reviewing the Situation Situation" from Oliver!.
*
*
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* "How Could I Ever Know?" from ''TheSecretGarden''.
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* "Bet On It" from ''High School Musical 2''?
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"The More You Ruv Someone" is much more of an 11:00 number than "The Money Song."
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* "The Money Song" from ''AvenueQ''.
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* "The Money Song" More You Ruv Someone" from ''AvenueQ''.''AvenueQ'' is a spoof of the Eleven O' Clock Number.
* "When It Ends" from Michael John LaChiusa's ''TheWildParty''.
* "When It Ends" from Michael John LaChiusa's ''TheWildParty''.
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* All The Wasted Time from '' {{Parade}}'' .
* Reviewing the Situation from Oliver!.
* Reviewing the Situation from Oliver!.
