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* A trademark of Music/ThePianoGuys, who combine classical motifs with the contemporary. [[https://www.youtube.com/watch?v=qDsfou6UfjU Their version of "Mission Impossible"]] with Music/LindseyStirling features a bit of Mozart's Piano Sonata No. 16 ([[UncommonTime performed in 5/4 time]] in a minor [[{{Tonality}} key]]), [[https://www.youtube.com/watch?v=mJ_fkw5j-t0 "Beethoven's Five Secrets"]] mixes elements of Beethoven's Symphony 5 into One Republic's "Secrets", and [[https://www.youtube.com/watch?v=NCaH-qqTWpk "Kung Fu Piano: Cello Ascends"]] combines Chopin's Prelude Opus 28 with "Oogway Ascends" from ''WesternAnimation/KungFuPanda''.
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* A trademark of Music/ThePianoGuys, who combine classical motifs with the contemporary. [[https://www.youtube.com/watch?v=qDsfou6UfjU Their version of "Mission Impossible"]] with Music/LindseyStirling features a bit of Mozart's Piano Sonata No. 16 ([[UncommonTime performed in 5/4 time]] in a minor [[{{Tonality}} key]]), [[https://www.youtube.com/watch?v=mJ_fkw5j-t0 "Beethoven's Five Secrets"]] mixes elements of Beethoven's Symphony 5 into One Republic's "Secrets", and [[https://www.youtube.com/watch?v=NCaH-qqTWpk "Kung Fu Piano: Cello Ascends"]] combines Chopin's Prelude Opus 28 with "Oogway Ascends" from ''WesternAnimation/KungFuPanda''.''WesternAnimation/KungFuPanda1''.
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* The ''Anime/RanmaOneHalf'' opening theme song "Zettai! Part 2" uses the intro to Mozart's ''Eine Kleine Nachtmusik'' to open and end the song.
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* The ''Anime/RanmaOneHalf'' ''Manga/RanmaOneHalf'' opening theme song "Zettai! Part 2" uses the intro to Mozart's ''Eine Kleine Nachtmusik'' to open and end the song.
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Changed line(s) 273 (click to see context) from:
* The March from Henry Purcell's ''Music For The Funeral of Queen Mary'', best known for Wendy Carlos's rendition as the main theme to the aforementioned ''Film/AClockWorkOrange'', was in turn reinterpreted by Cygnus X as "The Orange Theme", by Music/{{deadmau5}} as "Clockwork", and by Laserdance as "Mission Hyperdrive".
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* The March from Henry Purcell's ''Music For The Funeral of Queen Mary'', best known for Wendy Carlos's rendition as the main theme to the aforementioned ''Film/AClockWorkOrange'', was in turn reinterpreted by Cygnus X as "The Orange Theme", by Rank 1 as "Black Snow", by Music/{{deadmau5}} as "Clockwork", and by Laserdance as "Mission Hyperdrive".
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Changed line(s) 273 (click to see context) from:
* The March from Henry Purcell's ''Music For The Funeral of Queen Mary'', best known for Wendy Carlos's rendition as the main theme to the aforementioned ''Film/AClockWorkOrange'', was also reinterpreted by Cygnus X as "The Orange Theme", and by Laserdance as "Mission Hyperdrive".
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* The March from Henry Purcell's ''Music For The Funeral of Queen Mary'', best known for Wendy Carlos's rendition as the main theme to the aforementioned ''Film/AClockWorkOrange'', was also in turn reinterpreted by Cygnus X as "The Orange Theme", by Music/{{deadmau5}} as "Clockwork", and by Laserdance as "Mission Hyperdrive".
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* The March from Henry Purcell's ''Music For The Funeral of Queen Mary'', best known for Wendy Carlos's rendition as the main theme to the aforementioned ''Film/AClockWorkOrange'', was also reinterpreted by Cygnus X as "The Orange Theme", and by Laserdance as "Mission Hyperdrive".
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** Music/DuranDuran's "Tel Aviv" interpolates the bassline of "Habanera".
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Changed line(s) 271 (click to see context) from:
* Olivia Rodrigo's "Lacy" quotes "Farandole" from Georges Bizet's ''L'Arlésienne''.
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* Olivia Rodrigo's "Lacy" quotes Impromptu No. 2 “Allegretto” in A-flat major, Op. 142, D. 935 by Music/FranzSchubert and "Farandole" from Georges Bizet's ''L'Arlésienne''.
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* Olivia Rodrigo's "Lacy" quotes "Farandole" from Georges Bizet's ''L'Arlésienne''.
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** "News Series 2000" is an {{Aversion}}, as it was based on Lalo Schifrin's "Tar Sequence" from ''Film/CoolHandLuke'' rather than a public-domain melody.
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** "News Series 2000" is an {{Aversion}}, as it was based on Lalo Schifrin's Music/LaloSchifrin's "Tar Sequence" from ''Film/CoolHandLuke'' rather than a public-domain melody.
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** "It's All Right Here" took inspiration from Bedrich Smetana's "Die Moldau".
** "News Series 2000" is an {{Aversion}}, as it was based on Lalo Schifrin's "Tar Sequence" from ''Film/CoolHandLuke'' rather than a public-domain melody.
** "News Series 2000" is an {{Aversion}}, as it was based on Lalo Schifrin's "Tar Sequence" from ''Film/CoolHandLuke'' rather than a public-domain melody.
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** The third movement was adapted for Geoff Gill and Cliff Wade into "Heartbreaker", first recorded by Jenny Darren, but better known as being CoveredUp by Music/PatBenatar.
** It also forms the basis of Music/OliviaRodrigo's "Vampire".
** It also forms the basis of Music/OliviaRodrigo's "Vampire".
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* ''VideoGame/SpaceQuestVIRogerWilcoInTheSpinalFrontier'', as a ShoutOut to ''Film/TwoThousandOneASpaceOdyssey'', interpolates J. Strauss's "On The Beautiful Blue Danube" in "[[https://youtu.be/7s4PneXmwQ0?si=NvXiKesA8X4qVDwV Hero's Waltz]]".
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** David Bromberg's "Sharon" has the instrumental introduction (which was SampledUp by the Music/TheBeastieBoys for "Johnny Ryall" from ''Music/PaulsBoutique'') include a violin solo which begins by quoting "The Streets of Cairo".
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** David Bromberg's "Sharon" has the instrumental introduction (which was SampledUp by the Music/TheBeastieBoys Music/BeastieBoys for "Johnny Ryall" from ''Music/PaulsBoutique'') include a violin solo which begins by quoting "The Streets of Cairo".
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* "Ten out of Ten" by Louchie Lou and Michie One uses the tune of Mozart's ''Symphony No. 40: Molto allegro'' for its verses and pre-chorus.
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* "Ten out of Ten" by Louchie Lou and Michie One uses the tune of Mozart's ''Symphony No. 40: Molto allegro'' note for note during its verses and pre-chorus.
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* "Ten out of Ten" by Louchie Lou and Michie One uses the tune of Mozart's ''Symphony No. 40: Molto allegro'' for its verses and pre-chorus.
* The chorus of "Up" by Music/{{Inna}} and Music/SeanPaul interpolates a melodic line from the aforementioned ''Symphony no. 40''.
* The chorus of "Up" by Music/{{Inna}} and Music/SeanPaul interpolates a melodic line from the aforementioned ''Symphony no. 40''.
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->''For Franz music was the art that comes closest to Dionysian beauty in the sense of intoxication. No one can get really drunk on a novel or a painting, but who can help getting drunk on Beethoven's Ninth, Bartok's Sonata for Two Pianos and Percussion, or the Beatles' White Album? Franz made no distinction between "classical" music and "pop." He found the distinction old-fashioned and hypocritical. He loved rock as much as Mozart.''
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->''For Franz music was the art that comes closest to Dionysian beauty in the sense of intoxication. No one can get really drunk on a novel or a painting, {{painting|s}}, but who can help getting drunk on Beethoven's Ninth, Bartok's Sonata for Two Pianos and Percussion, or the Beatles' White Album? Franz made no distinction between "classical" music and "pop." He found the distinction old-fashioned and hypocritical. He loved rock as much as Mozart.''
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* Love Sculpture had a 1968 UK hit with their rocked-up version of the Sabre Dance from ''Gayane'' by Aram Khachaturian (who was still alive at the time, though there seems to be no public record of his reaction).
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* Love Sculpture {{Sculpture|s}} had a 1968 UK hit with their rocked-up version of the Sabre Dance from ''Gayane'' by Aram Khachaturian (who was still alive at the time, though there seems to be no public record of his reaction).
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* Art of Trance reinterpreted Music/ErikSatie's "Gymnopedie No. 1" as "Panorama".
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* Art of Trance reinterpreted Music/ErikSatie's "Gymnopedie No. 1" as "Panorama". Music/JanetJackson also interpolated it in "Someone To Call My Lover".
