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* When the ''Film/SgtPeppersLonelyHeartsClubBand'' movie and subsequent soundtrack album with the Bee Gees and Peter Frampton came out in 1978, Capitol Records re-released Music/TheBeatles' original 1967 album with a decal reading "the original classic." United Artists put ''WesternAnimation/YellowSubmarine'' (with the credit "starring Sgt. Pepper's Lonely Hearts Club Band") back into the TV syndication circuit.

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* When the ''Film/SgtPeppersLonelyHeartsClubBand'' movie and subsequent soundtrack album with the Bee Gees and Peter Frampton came out in 1978, Capitol Records re-released Music/TheBeatles' original 1967 album with a decal reading "the original classic." This was due to teenagers of the time mistakenly thinking that Frampton and the Bee Gees created the music in it. United Artists would subsequently put ''WesternAnimation/YellowSubmarine'' (with the credit "starring Sgt. Pepper's Lonely Hearts Club Band") back into the TV syndication circuit.
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* When the ''Film/SgtPeppersLonelyHeartsClubBand'' movie and subsequent soundtrack album with the Bee Gees and Peter Frampton came out in 1978, Capitol Records re-released Music/TheBeatles' original 1967 album with a decal reading "the original classic." United Artists put ''WesternAnimation/YellowSubmarine'' (with the credit "starring Sgt. Pepper's Lonely Hearts Club Band") back into the TV syndication circuit.
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* By the end of 1993, the promotional campaign for Music/DReam's debut album ''D:ream On, Vol. 1'' had pretty much run its course, yielding a handful of midtable chart singles. Then first single "Things Can Only Get Better" (which had originally peaked at #24) was reissued - in the week after Christmas, when there is traditionally a lack of big releases. This time round, the single caught fire, going to number one, becoming their SignatureSong, and belatedly making the parent album a hit too. The follow-up single "U R The Best Thing" was also a reissue - already the most successful of the original run of singles, having made #19, the second time round it climbed to #4.
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* From 1986 to 1992 there was a major trend of rereleased songs becoming big hits in the US, including three that hit [=#1=] (the aforementioned "When I'm With You", "At This Moment" by Billy Vera & The Beaters, and "Red Red Wine" by [=UB40=]). They generally fell into two groups: RevivalByCommercialization ("[[Series/FamilyTies At This Moment]]", "Film/StandByMe" by Ben E. King, "[[Film/FerrisBuellersDayOff Twist & Shout]]" by the Beatles, "[[Film/DirtyDancing Do You Love Me?]]" by the Contours, "[[Film/GoodMorningVietnam What a Wonderful World]]" by Louis Armstrong, "[[Film/{{Ghost}} Unchained Melody"]] by the Righteous Brothers, "[[Film/WaynesWorld Bohemian Rhapsody]]" by Queen), and Top 40 stations putting older songs into their rotation ("Red Red Wine", "When I'm With You", "Where Are You Now?" by Synch, "Into The Night" by Benny Mardones).

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* From 1986 to 1992 there was a major trend of rereleased songs becoming big hits in the US, including three that hit [=#1=] (the aforementioned "When I'm With You", "At This Moment" by Billy Vera & The Beaters, and "Red Red Wine" by [=UB40=]). They generally fell into two groups: RevivalByCommercialization ("[[Series/FamilyTies At This Moment]]", "Film/StandByMe" by Ben E. King, "[[Film/FerrisBuellersDayOff Twist & Shout]]" by the Beatles, "[[Film/DirtyDancing Do You Love Me?]]" by the Contours, "[[Film/GoodMorningVietnam What a Wonderful World]]" by Louis Armstrong, "[[Film/{{Ghost}} Unchained Melody"]] by the Righteous Brothers, "[[Film/WaynesWorld Bohemian Rhapsody]]" by Queen), and Top 40 stations putting older songs that weren't big hits the first time around into their rotation ("Red Red Wine", "When I'm With You", "Where Are You Now?" by Synch, "Into The Night" by Benny Mardones).
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* Along with his 1989 live album ''Jarre Live'', Music/JeanMichelJarre re-released his 1976 hit single "[[Music/{{Oxygene}} Oxygène 4]]" -- not the Docklands live version on the album, but the proper studio recording from 1976 -- with a new music video (the one with the penguins).
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* Similarly to the above, Chris Young released "Voices" in 2008. It barely made the top 40, but the next two singles after it went to #1. Based on the momentum of those two, he asked to re-release "Voices" in 2010... and in February 2011, it became his third #1.

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* Similarly to the above, Chris Young Music/ChrisYoung released "Voices" in 2008. It barely made the top 40, but the next two singles after it went to #1. Based on the momentum of those two, he asked to re-release "Voices" in 2010... and in February 2011, it became his third #1.
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* The second single from Mark Chesnutt's sixth album ''Thank God for Believers'' was "It's Not Over", which originally appeared on his second album, ''Longnecks & Short Stories.'' He didn't even re-record it -- it was the original version, re-appearing on an album released over six years later.

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* The second single from Mark Chesnutt's Music/MarkChesnutt's sixth album ''Thank God for Believers'' was "It's Not Over", which originally appeared on his second album, ''Longnecks & Short Stories.'' He didn't even re-record it -- it was the original version, re-appearing on an album released over six years later.
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* Music/AlanJackson wanted to release "Home" from his debut album, but decided against it because Joe Diffie [[NamesTheSame had a song called "Home" out at the same time]]. Alan later included the original on a GreatestHitsAlbum and released it as a single in 1996.

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* Music/AlanJackson wanted to release "Home" from his debut album, but decided against it because Joe Diffie Music/JoeDiffie [[NamesTheSame had a song called "Home" out at the same time]]. Alan later included the original on a GreatestHitsAlbum and released it as a single in 1996.
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* After ''The Human League'' became a {{Synthpop}} success with "Don't You Want Me," their record company re-released "Being Boiled", a single previously released by the group's earlier, and very different, {{Industrial}} music incarnation. It still reached the top ten.

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* After ''The Human League'' Music/TheHumanLeague became a {{Synthpop}} success with "Don't You Want Me," their record company re-released "Being Boiled", a single previously released by the group's earlier, and very different, {{Industrial}} music incarnation. It still reached the top ten.
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* Music/KennyChesney re-recorded his 1994 single "The Tin Man" for his first GreatestHitsAlbum and released the new version in 2001. The re-release has the distinction of being his only single release of the 2000s not to reach Top 10.

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* Music/KennyChesney re-recorded his 1994 single "The Tin Man" for his first GreatestHitsAlbum and released the new version in 2001. The re-release has the distinction of being his only single release of the 2000s not to reach Top 10.
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* Music/{{Suffocation}} has been rerecording older material almost continuously ''since their first full-length release'', 1991's ''Effigy of the Forgotten'', which featured three re-recordings of songs from their 1991 EP ''Human Waste'' ("Infecting the Crypts", "Mass Obliteration" and "Jesus Wept") and two songs from their 1990 demo ''Reincremated'' ("Reincremation" and "Involuntary Slaughter"), balanced against four new songs. 1995's ''Pierced From Within'' included rerecordings of "Synthetically Revived" (from ''Human Waste'') and "Breeding the Spawn" (the title track from their production-challenged 1993 effort, one of only two full albums to contain no rerecords). 1998's ''Despise the Sun'' EP (their last recording before breaking up for five years) featured their final ''Human Waste'' rerecord, "Catatonia". After reuniting in 2003, they forewent any rerecordings on their comeback album, 2004's ''Souls to Deny'', then resumed rerecording ''Breeding the Spawn'' songs on their self-titled 2006 album ("Prelude to Repulsion" and "Anomalistic Offerings", the latter of which [[NoExportForYou only saw rerelease in Japan]]), 2009's ''Blood Oath'' ("Marital Decimation") and 2013's ''Pinnacle of Bedlam'' ("Beginning of Sorrow").

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* Music/{{Suffocation}} has been rerecording older material almost continuously ''since their first full-length release'', 1991's ''Effigy of the Forgotten'', which featured three re-recordings of songs from their 1991 EP ''Human Waste'' ("Infecting the Crypts", "Mass Obliteration" and "Jesus Wept") and two songs from their 1990 demo ''Reincremated'' ("Reincremation" and "Involuntary Slaughter"), balanced against four new songs. 1995's ''Pierced From Within'' included rerecordings of "Synthetically Revived" (from ''Human Waste'') and "Breeding the Spawn" (the title track from their production-challenged 1993 effort, one of only two full albums to contain no rerecords). 1998's ''Despise the Sun'' EP (their last recording before breaking up for five years) featured their final ''Human Waste'' rerecord, "Catatonia". After reuniting in 2003, they forewent any rerecordings on their comeback album, 2004's ''Souls to Deny'', then resumed rerecording ''Breeding the Spawn'' songs on their self-titled 2006 album ("Prelude to Repulsion" and "Anomalistic Offerings", the latter of which [[NoExportForYou only saw rerelease in Japan]]), 2009's ''Blood Oath'' ("Marital Decimation") and Decimation"), 2013's ''Pinnacle of Bedlam'' ("Beginning of Sorrow").Sorrow") and 2017's ''...Of The Dark Light'' ("Epitaph Of The Credulous").
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* AlanJackson wanted to release "Home" from his debut album, but decided against it because Joe Diffie [[NamesTheSame had a song called "Home" out at the same time]]. Alan later included the original on a GreatestHitsAlbum and released it as a single in 1996.

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* AlanJackson Music/AlanJackson wanted to release "Home" from his debut album, but decided against it because Joe Diffie [[NamesTheSame had a song called "Home" out at the same time]]. Alan later included the original on a GreatestHitsAlbum and released it as a single in 1996.
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* Canadian country group High Valley released "Make You Mine" and "She's with Me" in their home country in 2014. Between 2016 and 2017, Creator/WarnerBrosRecords re-released both songs in the States.
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* Music/TheHives' "Hate To Say I Told You So" and "Main Offender", alongside their parent album ''Veni Vidi Vicious'', were released in 2000 by Swedish independent label Burning Heart Records. Neither song charted, but the 2001 compilation ''Your New Favorite Band'' (which also included both songs) hit the UK charts at number 7, so they re-released the singles and the album itself in 2002.
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* After Music/DavidBowie became a GlamRock star, his former record company re-released both his first major hit "Space Oddity", and OldShame comedy number "The Laughing Gnome."

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* After Music/DavidBowie became a GlamRock star, his former record company re-released both his first major hit "Space Oddity", Oddity" (first in 1973 in the US and then in 1975 in the UK, both times it was a bigger hit than when it was first released in 1969), and OldShame comedy number "The Laughing Gnome."
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* The Australian synthpop band Empire of the Sun had a hit across Europe in 2009 with their song "Walking on a Dream". While well regarded by critics, it really didn't catch on in the United States at the time. In 2016, the song was used in a Honda commercial and became a worldwide hit all over again, this time in America, where it made it to #65 on the pop chart and #3 on the alternative chart.
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* Indie band The Bluebells took a country-tinged cover of Bananarama's "Young at Heart" to #8 on the UK singles chart in 1984. In 1993, the song was re-issued after being used in [[RevivalByCommercialization a popular Volkswagen commercial]] and it shot to #1. The band had actually disbanded in 1986, but reunited to perform the song a few times on ''Series/TopOfThePops''.
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* Dog Days Are Over by Music/FlorenceAndTheMachine got re-released in early 2010 with a new more to theme video.

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* Dog "Dog Days Are Over Over" by Music/FlorenceAndTheMachine got re-released in early 2010 with a new more to theme video.
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* Music/SavageGarden originally released "To the Moon and Back" in 1997 as the followup to their Top 10 hit "I Want You", but the song failed to get higher than #37 in the US. When their third single "Truly Madly Deeply" became an international #1 hit, they decided to follow it up by releasing "To the Moon and Back" once more. It didn't get much higher in the US, only getting as far as #24, but it made it to #3 in the UK and became their highest charting single there.

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* Music/SavageGarden originally released "To the Moon and Back" in 1997 as the followup to their Top 10 hit "I Want You", but the song failed to get higher than #37 in the US. When US and #55 in the UK. One year later, when their third single "Truly Madly Deeply" became an international #1 hit, they decided to follow it up by releasing "To the Moon and Back" once more. It didn't get much higher performed marginally better in the US, only getting as far as US the second time out and peaked at #24, but it made it to #3 actually outpeaked "Truly Madly Deeply" in the UK and became their highest charting single there.by making it to #3.
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* Music/SavageGarden originally released "To the Moon and Back" in 1997 as the followup to their Top 10 hit "I Want You", but the song failed to get higher than #37 in the US. When their third single "Truly Madly Deeply" became an international #1 hit, they decided to follow it up by releasing "To the Moon and Back" once more. It didn't get much higher in the US, only getting as far as #24, but it made it to #3 in the UK and became their highest charting single there.
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* Obscure 80s band Sheriff made "When I'm With You" in 1983; it flopped and the band broke up. A DJ started playing the song again in 1988 and it shot to [=#1=]. Two of the former members were promoting a new band at the time called Frozen Ghost, and they declined to reunite with the other members of Sheriff to promote the song.

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* Obscure 80s The rock band Sheriff made recorded "When I'm With You" in 1983; it flopped and the band broke up. A DJ started playing the song again in 1988 and it shot to [=#1=]. Two of the former members were promoting a new band at the time called Frozen Ghost, and they declined to reunite with the other members of Sheriff to promote the song. Instead, the members of Sheriff that decided they wanted to play together again reunited under the new name Alias, and had a couple hits in the early 90s.
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* From 1986 to 1992 there was a major trend of rereleased songs becoming big hits in the US, including three that hit [=#1=] (the aforementioned "When I'm With You", "At This Moment" by Billy Vera & The Beaters, and "Red Red Wine" by [=UB40=]). They generally fell into two groups: RevivalByCommercialization ("[[Series/FamilyTies At This Moment]]", "Film/StandByMe" by Ben E. King, "[[Film/FerrisBuellersDayOff Twist & Shout]]" by the Beatles, "[[Film/DirtyDancing Do You Love Me?]]" by the Contours, "[[Film/GoodMorningVietnam What a Wonderful World]]" by Louis Armstrong, "[[Film/{{Ghost}} Unchained Melody" by the Righteous Brothers, "[[Film/WaynesWorld Bohemian Rhapsody]]" by Queen), and Top 40 stations putting older songs into their rotation ("Red Red Wine", "When I'm With You", "Where Are You Now?" by Synch, "Into The Night" by Benny Mardones).

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* From 1986 to 1992 there was a major trend of rereleased songs becoming big hits in the US, including three that hit [=#1=] (the aforementioned "When I'm With You", "At This Moment" by Billy Vera & The Beaters, and "Red Red Wine" by [=UB40=]). They generally fell into two groups: RevivalByCommercialization ("[[Series/FamilyTies At This Moment]]", "Film/StandByMe" by Ben E. King, "[[Film/FerrisBuellersDayOff Twist & Shout]]" by the Beatles, "[[Film/DirtyDancing Do You Love Me?]]" by the Contours, "[[Film/GoodMorningVietnam What a Wonderful World]]" by Louis Armstrong, "[[Film/{{Ghost}} Unchained Melody" Melody"]] by the Righteous Brothers, "[[Film/WaynesWorld Bohemian Rhapsody]]" by Queen), and Top 40 stations putting older songs into their rotation ("Red Red Wine", "When I'm With You", "Where Are You Now?" by Synch, "Into The Night" by Benny Mardones).



* Music/DollyParton released "I Will Always Love You" twice: in 1974 and again in 1982. Both versions went to #1 on the country charts. She recorded a third version in 1995 as a duet with Music/VinceGill, which got to #15 despite not being released as a single.

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* Music/DollyParton released "I Will Always Love You" twice: in 1974 and again in 1982. Both versions went to #1 on the country charts. She recorded a third version in 1995 as a duet with Music/VinceGill, which got to #15 despite not being released as a single.#15.



* Countless Christmas songs in the CountryMusic genre were re-released several times, thus causing them to re-chart for several years in a row. Among them were "Christmas in Dixie" and "Angels Among Us" by Music/{{Alabama}} (the former was first released in the early '80s, but began re-charting in the late '90s), "All I Want for Christmas Is You" by Vince Vance and the Valiants, "Here's Your Sign Christmas" by Creator/BillEngvall, and "Redneck 12 Days of Christmas" by Creator/JeffFoxworthy. After said songs were wrecking the charts every year with their re-entries, ''Billboard'' finally changed the chart methodology around Christmas 2000 to stop Christmas songs from re-entering. However, this still hasn't stopped ''new'' Christmas releases from clogging up the Country Airplay charts every year...

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* Countless Christmas songs in the CountryMusic genre were re-released several times, thus causing them to re-chart for several years in a row. Among them were "Christmas in Dixie" and "Angels Among Us" by Music/{{Alabama}} (the former was first released in the early '80s, but began re-charting in the late '90s), "All I Want for Christmas Is You" by Vince Vance and the Valiants, "Here's Your Sign Christmas" by Creator/BillEngvall, and "Redneck 12 Days of Christmas" by Creator/JeffFoxworthy. After said songs were wrecking the charts every year with their re-entries, ''Billboard'' finally changed the chart methodology around Christmas 2000 to stop Christmas songs from re-entering. However, this still hasn't stopped ''new'' Christmas releases from clogging up the Country Airplay charts every year...
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* Lee Greenwood re-released his SignatureSong "God Bless the USA" after 9/11. The re-release actually ''debuted'' at #16 on the ''pop'' charts, an exorbitantly high debut on that chart, before falling back down again.

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* Lee Greenwood re-released his SignatureSong "God Bless the USA" after 9/11. The re-release actually ''debuted'' at #16 on the ''pop'' charts, country ''and'' pop charts (then an exorbitantly unusually high debut on that chart, before falling back down again.the former chart).

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* From 1986 to 1992 there was a major trend of rereleased songs becoming big hits in the US, including three that hit [=#1=] (the aforementioned "When I'm With You", "At This Moment" by Billy Vera & The Beaters, and "Red Red Wine" by [=UB40=]). They generally fell into two groups: RevivalByCommercialization ("At This Moment", "Stand By Me"-Ben E. King, "Twist & Shout"-Beatles, "Do You Love Me?"-Contours, "What a Wonderful World"-Louis Armstrong, "Unchained Melody"-Righteous Brothers, "Bohemian Rhapsody"-Queen), and Top 40 stations putting older songs into their rotation ("Red Red Wine", "When I'm With You", "Where Are You Now?"-Synch, "Into The Night"-Benny Mardones).

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* From 1986 to 1992 there was a major trend of rereleased songs becoming big hits in the US, including three that hit [=#1=] (the aforementioned "When I'm With You", "At This Moment" by Billy Vera & The Beaters, and "Red Red Wine" by [=UB40=]). They generally fell into two groups: RevivalByCommercialization ("At ("[[Series/FamilyTies At This Moment", "Stand By Me"-Ben Moment]]", "Film/StandByMe" by Ben E. King, "Twist "[[Film/FerrisBuellersDayOff Twist & Shout"-Beatles, "Do Shout]]" by the Beatles, "[[Film/DirtyDancing Do You Love Me?"-Contours, "What Me?]]" by the Contours, "[[Film/GoodMorningVietnam What a Wonderful World"-Louis World]]" by Louis Armstrong, "Unchained Melody"-Righteous "[[Film/{{Ghost}} Unchained Melody" by the Righteous Brothers, "Bohemian Rhapsody"-Queen), "[[Film/WaynesWorld Bohemian Rhapsody]]" by Queen), and Top 40 stations putting older songs into their rotation ("Red Red Wine", "When I'm With You", "Where Are You Now?"-Synch, Now?" by Synch, "Into The Night"-Benny Night" by Benny Mardones).



* Dog Days Are Over by Music/FlorenceAndTheMachine got re-released in early 2010 with a new more to theme video. * Music/KellyClarkson re-recorded her 2005 single "Because of You" as a duet with Music/RebaMcEntire. The duet version was sent to country radio in 2007.

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* Dog Days Are Over by Music/FlorenceAndTheMachine got re-released in early 2010 with a new more to theme video. video.
* Music/KellyClarkson re-recorded her 2005 single "Because of You" as a duet with Music/RebaMcEntire. The duet version was sent to country radio in 2007.



* Modern English re-recorded its 1982 song "I Melt With You" for a 1990 album.
* Moving Pictures' 1982 "What About Me" was re-released in 1989.

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* Modern English re-recorded its 1982 song SignatureSong "I Melt With You" for a 1990 album.
album. (The original is the best-known version)
* Moving Pictures' 1982 hit "What About Me" was re-released in 1989.



* Lee Greenwood re-released his SignatureSong "God Bless the USA" after 9/11. The re-release actually ''debuted'' at #16, an exorbitantly high debut on that chart, before falling back down again.

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* Lee Greenwood re-released his SignatureSong "God Bless the USA" after 9/11. The re-release actually ''debuted'' at #16, #16 on the ''pop'' charts, an exorbitantly high debut on that chart, before falling back down again.
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* Music/{{Suffocation}} has been rerecording older material almost continuously ''since their first full-length release'', 1991's ''Effigy of the Forgotten'', which featured three re-recordings of songs from their 1991 EP ''Human Waste'' ("Infecting the Crypts", "Mass Obliteration" and "Jesus Wept") and two songs from their 1990 demo ''Reincremated'' ("Reincremated" and "Involuntary Slaughter"), balanced against four new songs. 1995's ''Pierced From Within'' included rerecordings of "Synthetically Revived" (from ''Human Waste'') and "Breeding the Spawn" (the title track from their production-challenged 1993 effort, one of only two full albums to contain no rerecords). 1998's ''Despise the Sun'' EP (their last recording before breaking up for five years) featured their final ''Human Waste'' rerecord, "Catatonia". After reuniting in 2003, they forewent any rerecordings on their comeback album, 2004's ''Souls to Deny'', then resumed rerecording ''Breeding the Spawn'' songs on their self-titled 2006 album ("Prelude to Repulsion" and "Anomalistic Offerings", the latter of which [[NoExportForYou only saw rerelease in Japan]]), 2009's ''Blood Oath'' ("Marital Decimation") and 2013's ''Pinnacle of Bedlam'' ("Beginning of Sorrow").

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* Music/{{Suffocation}} has been rerecording older material almost continuously ''since their first full-length release'', 1991's ''Effigy of the Forgotten'', which featured three re-recordings of songs from their 1991 EP ''Human Waste'' ("Infecting the Crypts", "Mass Obliteration" and "Jesus Wept") and two songs from their 1990 demo ''Reincremated'' ("Reincremated" ("Reincremation" and "Involuntary Slaughter"), balanced against four new songs. songs. 1995's ''Pierced From Within'' included rerecordings of "Synthetically Revived" (from ''Human Waste'') and "Breeding the Spawn" (the title track from their production-challenged 1993 effort, one of only two full albums to contain no rerecords). rerecords). 1998's ''Despise the Sun'' EP (their last recording before breaking up for five years) featured their final ''Human Waste'' rerecord, "Catatonia". "Catatonia". After reuniting in 2003, they forewent any rerecordings on their comeback album, 2004's ''Souls to Deny'', then resumed rerecording ''Breeding the Spawn'' songs on their self-titled 2006 album ("Prelude to Repulsion" and "Anomalistic Offerings", the latter of which [[NoExportForYou only saw rerelease in Japan]]), 2009's ''Blood Oath'' ("Marital Decimation") and 2013's ''Pinnacle of Bedlam'' ("Beginning of Sorrow").
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* Music/{{Suffocation}} has been rerecording older material almost continuously ''since their first full-length release'', 1991's ''Effigy of the Forgotten'', which featured three re-recordings of songs from their 1991 EP ''Human Waste'' ("Infecting the Crypts", "Mass Obliteration" and "Jesus Wept") and two songs from their 1990 demo ''Reincremated'' ("Reincremated" and "Involuntary Slaughter"), balanced against four new songs. 1995's ''Pierced From Within'' included rerecordings of "Synthetically Revived" (from ''Human Waste'') and "Breeding the Spawn" (the title track from their production-challenged 1993 effort, one of only two full albums to contain no rerecords). 1998's ''Despise the Sun'' EP (their last recording before breaking up for five years) featured their final ''Human Waste'' rerecord, "Catatonia". After reuniting in 2003, they forewent any rerecordings on their comeback album, 2004's ''Souls to Deny'', then resumed rerecording ''Breeding the Spawn'' songs on their self-titled 2006 album ("Prelude to Repulsion" and "Anomalistic Offerings", the latter of which [[NoExportForYou only saw rerelease in Japan]]), 2009's ''Blood Oath'' ("Marital Decimation") and 2013's ''Pinnacle of Bedlam'' ("Beginning of Sorrow").
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* Music/KaceyMusgraves' 2015 single "Dime Store Cowgirl" was released twice, due to it failing to enter the charts on its original release. [[StatusQuoIsGod It failed to chart the second time around, either.]]
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* Two of {{Music/Feeder}} 's hits, "Just A Day" and "Shatter", were originally released as B-Sides, but then released as singles in their own right for the "Gran Turismo 3 Soundtrack" and "The Singles" respectively. At the time of their B-Side releases, fans regarded them as Wasted Song s and though unrelated, there were band petitions asking for them to be singles.
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* Easton Corbin had this happen in an unusual way. "Are You with Me", an album cut off his second album ''All Over the Road'', enjoyed success in Europe in 2014 when Belgian DJ Lost Frequencies remixed it as a dance track. The song's success there led to Corbin also including his version of the song on his third album, ''About to Get Real'', and releasing it as a single in 2016.

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* Easton Corbin had this happen in an unusual way. "Are You with Me", an album cut off his second album ''All Over the Road'', enjoyed success in Europe in 2014 when Belgian DJ Lost Frequencies remixed it as a dance track. The song's success there led to Corbin also including his version of the song on his third album, ''About to Get Real'', and releasing it as a single in 2016.2016.
* For some reason, John Wesley Ryles' 1968 debut single "Kay" was re-released via a different label than the original a decade later.
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