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* ''VideoGame/MrNutz'' (SNES, Mega Drive) had different music when it was ported to the GBA.
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* ''VideoGame/MrNutz'' (SNES, Mega Drive) The GBA port had different music when it was ported to than the GBA.original SNES and Sega versions.
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[[folder:Films]]
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* ''Film/TopDog'': In a scene where a group of clowns terrorize Jake's house, some over-the-top circus music plays. In the DVD release, this is replaced with generic music from composer George S. Clinton.
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* ''Film/TopDog'': In ''Film/Dracula1931'': Besides the Music/PhilipGlass string quartet version, there was also a scene where a group of clowns terrorize Jake's house, some over-the-top circus version found on the ''Dracula'' Blu-ray disc that took '40s and '50s stock music plays. In and made a new score out of it (or more accurately, ''a'' score, since the DVD release, this is replaced original film was mostly score-free aside from the intro and the concert scene). This score can be found on the French audio track, and strangely was mixed with generic music from composer George S. Clinton.the English audio when it was shown on a 2015 ''Series/{{Svengoolie}}'' airing.
* ''Film/TopDog'': The DVD release largely keeps the original score intact, but two scenes feature new pieces:
** The action sequence with the gun-firing clowns. In the theatrical cut, it's accompanied by a traditional orchestral score. In the TV edit, it's replaced by demented circus music, which arguably makes the scene much funnier.
** When Jake goes to a house and beats up a criminal (to which Reno gets the credit), the theatrical cut is accompanied by an orchestral piece. The TV edit replaces it with a country/rock piece.
** The action sequence with the gun-firing clowns. In the theatrical cut, it's accompanied by a traditional orchestral score. In the TV edit, it's replaced by demented circus music, which arguably makes the scene much funnier.
** When Jake goes to a house and beats up a criminal (to which Reno gets the credit), the theatrical cut is accompanied by an orchestral piece. The TV edit replaces it with a country/rock piece.
* ''Series/TheTonightShowStarringJohnnyCarson'':
** The Antenna TV reruns feature a different ending instrumental than the original airings. Thankfully, the iconic opening theme is intact (albeit with different visuals).
** Speaking of the Antenna TV reruns, the music coming back from commercials has been replaced by various stock music pieces. Once you know that, it's a little weird seeing Ed praise Doc and the NBC Orchestra, since they didn't actually play the songs.
** The Antenna TV reruns feature a different ending instrumental than the original airings. Thankfully, the iconic opening theme is intact (albeit with different visuals).
** Speaking of the Antenna TV reruns, the music coming back from commercials has been replaced by various stock music pieces. Once you know that, it's a little weird seeing Ed praise Doc and the NBC Orchestra, since they didn't actually play the songs.
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* ''Radio/TheHitchHikersGuideToTheGalaxy'' and its two soundtrack LP's present an interesting aversion. Creator/DouglasAdams and Creator/JohnLloyd made no secret of "sampling" lots of named music for the show. Sampling recorded music to add to the stereo soundscape was another of those innovations that made the radio series a ground-breaker in 1979; this includes the iconic theme tune, Music/TheEagles' ''Journey Of The Sorceror'' which is still there, [[ArcNumber 42 years after inception]]. Other sampled music used includes Music/PinkFloyd, [[ItMakesSenseInContext and]] Music/TheBeeGees.[[note]]The published scripts have a full and meticulous listing of all copyright music sampled for the series[[/note]] The only real trouble Adams and Lloyd got was when Trillian quotes - and does not even sing - Music/TheBeatles' ''A Day in the Life''. A punitive demand for royalties ensued, leading to a combination of RunningGag and TakeThat in ''Life, The Universe and Everything'' about Paul [=MacCartney=]'s rapacious greed. The offending Beatles song appears to have been edited out of the franchise.
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* ''Radio/TheHitchHikersGuideToTheGalaxy'' ''Radio/TheHitchhikersGuideToTheGalaxy'' and its two soundtrack LP's present an interesting aversion. Creator/DouglasAdams and Creator/JohnLloyd made no secret of "sampling" lots of named music for the show. Sampling recorded music to add to the stereo soundscape was another of those innovations that made the radio series a ground-breaker in 1979; this includes the iconic theme tune, Music/TheEagles' ''Journey Of The Sorceror'' which is still there, [[ArcNumber 42 years after inception]]. Other sampled music used includes Music/PinkFloyd, [[ItMakesSenseInContext and]] Music/TheBeeGees.[[note]]The published scripts have a full and meticulous listing of all copyright music sampled for the series[[/note]] The only real trouble Adams and Lloyd got was when Trillian quotes - and does not even sing - Music/TheBeatles' ''A Day in the Life''. A punitive demand for royalties ensued, leading to a combination of RunningGag and TakeThat in ''Life, The Universe and Everything'' about Paul [=MacCartney=]'s rapacious greed. The offending Beatles song appears to have been edited out of the franchise.
* ''VideoGame/BombJack'': Due to the use of copyrighted songs, the port featured on the Xbox-exclusive ''Tecmo Classic Arcade'' mostly uses music from the NES version instead (which itself had different music from the arcade).
* ''VideoGame/BrutalPawsOfFury'': Notable in that all three console versions (SNES, Genesis, Sega CD) have unique soundtracks.
* ''VideoGame/ChuckRock'': The Sega CD version has tunes not heard in the SNES and Genesis versions.
* ''VideoGame/BrutalPawsOfFury'': Notable in that all three console versions (SNES, Genesis, Sega CD) have unique soundtracks.
* ''VideoGame/ChuckRock'': The Sega CD version has tunes not heard in the SNES and Genesis versions.
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* ''VideoGame/SonicTheHedgehogCD'': The original Japanese soundtrack was kept for the European release, but the American version replaced it with a whole new soundtrack for some reason. However, some of the original tunes were kept, which led to a rather jarring problem: each stage had its main theme and three remixed versions, but the American soundtrack only replaced the main version and two of the remixes, leaving the remaining one sounding nothing like its accompanying tracks. When the game was rereleased in 2011, all regions used the original Japanese soundtrack by default, but included the option to use the American tracks.
* ''VideoGame/TeenageMutantNinjaTurtlesTurtlesInTime'': The original arcade and SNES music was replaced with a new soundtrack on the ''Mutant Nightmare'' version, and the HD remake ''Re-Shelled'' also featured a brand new soundtrack.
* When ''The Simpsons: Bart vs. the Space Mutants'' was re-released on Sega Genesis, it had a completely new soundtrack. Notably, it didn't feature ''The Simpsons'' theme song like the NES version did.
* ''VideoGame/TeenageMutantNinjaTurtlesTurtlesInTime'': The original arcade and SNES music was replaced with a new soundtrack on the ''Mutant Nightmare'' version, and the HD remake ''Re-Shelled'' also featured a brand new soundtrack.
* When ''The Simpsons: Bart vs. the Space Mutants'' was re-released on Sega Genesis, it had a completely new soundtrack. Notably, it didn't feature ''The Simpsons'' theme song like the NES version did.
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* ''VideoGame/SonicTheHedgehogCD'': ''VideoGame/CrashBandicootTheWrathOfCortex'': The original Japanese soundtrack was kept Xbox and [=GameCube=] versions play the music from "The Gauntlet" on the "Medieval Madness" level, whereas the [=PS2=] had a unique tune for "Medieval Madness".
* ''VideoGame/FatalFury'': The ''Fatal Fury Battle Archives'' collections had the option to turn on new remixed soundtracks.
* ''VideoGame/{{Frogger}}'': The 2006 re-release forthe European release, but the American version Xbox Live replaced it the music from the arcade with a whole new tunes. Most versions do, in fact, due to the copyrighted music used without permission.
* ''VideoGame/MeatBoy'': Made for most console releases in 2015, and featuring Ridiculon (composer of ''[[VideoGame/TheBindingOfIsaac The Binding of Isaac: Rebirth]]''[='=]s soundtrack), SCATTLE (composer of ''VideoGame/HotlineMiami''[='=]s soundtrack), and Laura Shigihara (composer of ''VideoGame/PlantsVsZombies''[='=]s soundtrack). This came about when Danny Baranowsky refused to extend the license Team Meat had on his soundtrack forsome reason. However, some of the original tunes were kept, which led to a rather jarring problem: each stage had future usage, and its main theme and three remixed versions, but the American soundtrack only replaced the main version and two of the remixes, leaving the remaining one sounding nothing like its accompanying tracks. When the game was rereleased in 2011, all regions used the original Japanese soundtrack by default, but included the option to use the American tracks.
* ''VideoGame/TeenageMutantNinjaTurtlesTurtlesInTime'': The original arcade and SNES music was replaced withpresence inevitably caused a new soundtrack on the ''Mutant Nightmare'' version, and the HD remake ''Re-Shelled'' also featured a brand new soundtrack.
* When ''The Simpsons: Bart vs. the Space Mutants'' was re-released on Sega Genesis, it had a completely new soundtrack. Notably, it didn't feature ''The Simpsons'' theme song like the NES version did.BrokenBase.
* ''VideoGame/FatalFury'': The ''Fatal Fury Battle Archives'' collections had the option to turn on new remixed soundtracks.
* ''VideoGame/{{Frogger}}'': The 2006 re-release for
* ''VideoGame/MeatBoy'': Made for most console releases in 2015, and featuring Ridiculon (composer of ''[[VideoGame/TheBindingOfIsaac The Binding of Isaac: Rebirth]]''[='=]s soundtrack), SCATTLE (composer of ''VideoGame/HotlineMiami''[='=]s soundtrack), and Laura Shigihara (composer of ''VideoGame/PlantsVsZombies''[='=]s soundtrack). This came about when Danny Baranowsky refused to extend the license Team Meat had on his soundtrack for
* ''VideoGame/TeenageMutantNinjaTurtlesTurtlesInTime'': The original arcade and SNES music was replaced with
* When ''The Simpsons: Bart vs. the Space Mutants'' was re-released on Sega Genesis, it had a completely new soundtrack. Notably, it didn't feature ''The Simpsons'' theme song like the NES version did.
* When ''VideoGame/TheSimpsonsBartVsTheSpaceMutants'' was re-released on Sega Genesis, it had a completely new soundtrack. Notably, it didn't feature ''The Simpsons'' theme song like the NES version did.
* ''VideoGame/SonicCD'': The original Japanese soundtrack was kept for the European release, but the American version replaced it with a whole new soundtrack. However, some of the original tunes were kept, which led to a rather jarring problem: each stage had its main theme and three remixed versions, but the American soundtrack only replaced the main version and two of the remixes, leaving the remaining one sounding nothing like its accompanying tracks. When the game was re-released in 2011, all regions used the original Japanese soundtrack by default, but included the option to use the American tracks.
* ''VideoGame/TeenageMutantNinjaTurtlesTurtlesInTime'': The original arcade and SNES music was replaced with a new soundtrack on the ''Mutant Nightmare'' version, and the HD remake ''Re-Shelled'' also featured a brand new soundtrack.
* ''VideoGame/VoodooVince'': The "Remastered" port contains a different music piece for the "Earth, Water and Wood" stage. It's a lot more upbeat and faster-paced, which ties in better with the "Sausage Factory" sub-level.
* ''VideoGame/SonicCD'': The original Japanese soundtrack was kept for the European release, but the American version replaced it with a whole new soundtrack. However, some of the original tunes were kept, which led to a rather jarring problem: each stage had its main theme and three remixed versions, but the American soundtrack only replaced the main version and two of the remixes, leaving the remaining one sounding nothing like its accompanying tracks. When the game was re-released in 2011, all regions used the original Japanese soundtrack by default, but included the option to use the American tracks.
* ''VideoGame/TeenageMutantNinjaTurtlesTurtlesInTime'': The original arcade and SNES music was replaced with a new soundtrack on the ''Mutant Nightmare'' version, and the HD remake ''Re-Shelled'' also featured a brand new soundtrack.
* ''VideoGame/VoodooVince'': The "Remastered" port contains a different music piece for the "Earth, Water and Wood" stage. It's a lot more upbeat and faster-paced, which ties in better with the "Sausage Factory" sub-level.
* ''WesternAnimation/GoldDiggerTimeRaft'': When the three episodes were edited together into TheMovie, certain music pieces were replaced with different ones. Most of the music remained the same, though.
* ''WesternAnimation/LooneyTunes'':
** "To Beep or Not to Beep" was made of footage originally used in the ''Adventures of the Road Runner'' pilot. Rather than re-use the soundtrack by Milt Franklyn, though, Bill Lava created an entirely new score for the cartoon. A fan video comparing the two soundtracks can be found on [=YouTube=].
** Similarly, the footage in "Devil's Feud Cake" was almost entirely culled from earlier shorts, but the music by Bill Lava was brand new.
** "Freudy Cat" is a ClipShow cartoon. For the older film clips that it uses, some (though, oddly, not all) of the music by Carl Stalling was replaced with new music by Bill Lava.
** The 1951 short "Rabbit Every Monday" contained a scene where Bugs pretended a party was happening in the oven, and jazzy music is heard every time the oven door is open. The short was included as part of the TV special "Bugs Bunny's Thanksgiving Diet"; the oven music was replaced with something more contemporary (specifically, disco music).
* ''WesternAnimation/StressedEric'': The U.S. theme music is completely different from the original U.K. theme.
** "To Beep or Not to Beep" was made of footage originally used in the ''Adventures of the Road Runner'' pilot. Rather than re-use the soundtrack by Milt Franklyn, though, Bill Lava created an entirely new score for the cartoon. A fan video comparing the two soundtracks can be found on [=YouTube=].
** Similarly, the footage in "Devil's Feud Cake" was almost entirely culled from earlier shorts, but the music by Bill Lava was brand new.
** "Freudy Cat" is a ClipShow cartoon. For the older film clips that it uses, some (though, oddly, not all) of the music by Carl Stalling was replaced with new music by Bill Lava.
** The 1951 short "Rabbit Every Monday" contained a scene where Bugs pretended a party was happening in the oven, and jazzy music is heard every time the oven door is open. The short was included as part of the TV special "Bugs Bunny's Thanksgiving Diet"; the oven music was replaced with something more contemporary (specifically, disco music).
* ''WesternAnimation/StressedEric'': The U.S. theme music is completely different from the original U.K. theme.
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* A frequent victim is Top Gear. The original BBC run contains a running gag in which whenever the guys are given the task of making over their cars, it will be accompanied by the A-Team theme. Due presumably to costs, the repeats on the Dave channel replace this theme with a variety of mediocre tunes.
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* A frequent victim is Top Gear.''Series/TopGearUK''. The original BBC run contains a running gag in which whenever the guys are given the task of making over their cars, it will be accompanied by the A-Team theme. Due presumably to costs, the repeats on the Dave channel replace this theme with a variety of mediocre tunes.
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no creator page for Macca? just as well as on this showing he'd bill TVT for royalties for any song lyrics quoted...
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* ''Radio/TheHitchHikersGuideToTheGalaxy'' and its two soundtrack LP's present an interesting aversion. Creator/DouglasAdams and Creator/JohnLloyd made no secret of "sampling" lots of named music for the show. Sampling recorded music to add to the stereo soundscape was another of those innovations that made the radio series a ground-breaker in 1979; this includes the iconic theme tune, Music/TheEagles' ''Journey Of The Sorceror'' which is still there, [[ArcNumber 42 years after inception]]. Other sampled music used includes Music/PinkFloyd, [[ItMakesSenseInContext and]] Music/TheBeeGees.[[note]]The published scripts have a full and meticuluos listing of all copyright music sampled for the series[[/note]] The only real trouble Adams and Lloyd got was when Trillian quotes - and does not even sing - Music/TheBeatles' ''A Day in the Life''. A punitive demand for royalties ensued, leading to a combination of RunningGag and TakeThat in ''Life, The Universe and Everything'' about Paul [=MacCartney]='s rapacious greed. The offending Beatles song appears to have been edited out of the franchise.
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* ''Radio/TheHitchHikersGuideToTheGalaxy'' and its two soundtrack LP's present an interesting aversion. Creator/DouglasAdams and Creator/JohnLloyd made no secret of "sampling" lots of named music for the show. Sampling recorded music to add to the stereo soundscape was another of those innovations that made the radio series a ground-breaker in 1979; this includes the iconic theme tune, Music/TheEagles' ''Journey Of The Sorceror'' which is still there, [[ArcNumber 42 years after inception]]. Other sampled music used includes Music/PinkFloyd, [[ItMakesSenseInContext and]] Music/TheBeeGees.[[note]]The published scripts have a full and meticuluos meticulous listing of all copyright music sampled for the series[[/note]] The only real trouble Adams and Lloyd got was when Trillian quotes - and does not even sing - Music/TheBeatles' ''A Day in the Life''. A punitive demand for royalties ensued, leading to a combination of RunningGag and TakeThat in ''Life, The Universe and Everything'' about Paul [=MacCartney]='s [=MacCartney=]'s rapacious greed. The offending Beatles song appears to have been edited out of the franchise.
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adding note, tidying
Changed line(s) 27 (click to see context) from:
* ''Radio/TheHitchHikersGuideToTheGalaxy'' and its two soundtrack LP's present an interesting aversion. Creator/DouglasAdams and Creator/JohnLloyd made no secret of "sampling" lots of named music for the show. Sampling recorded music to add to the stereo soundscape was another of those innovations that made the radio series a ground-breaker in 1979; this includes the iconic theme tune, Music/TheEagles' ''Journey Of The Sorceror'' which is still there, [[ArcNumber 42 years after inception]]. Other sampled music used includes Music/PinkFloyd, [[ItMakesSenseInContext and]] Music/TheBeeGees. The only real trouble Adams and Lloyd got was when Trillian quotes - and does not even sing - Music/TheBeatles' ''A Day in the Life''. A punitive demand for royalties ensued, leading to a combination of RunningGag and TakeThat in ''Life, The Universe and Everything'' about Creator/PaulMacCartney's rapacious greed. The offending Beatles song appears to have been edited out of the franchise.
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* ''Radio/TheHitchHikersGuideToTheGalaxy'' and its two soundtrack LP's present an interesting aversion. Creator/DouglasAdams and Creator/JohnLloyd made no secret of "sampling" lots of named music for the show. Sampling recorded music to add to the stereo soundscape was another of those innovations that made the radio series a ground-breaker in 1979; this includes the iconic theme tune, Music/TheEagles' ''Journey Of The Sorceror'' which is still there, [[ArcNumber 42 years after inception]]. Other sampled music used includes Music/PinkFloyd, [[ItMakesSenseInContext and]] Music/TheBeeGees. [[note]]The published scripts have a full and meticuluos listing of all copyright music sampled for the series[[/note]] The only real trouble Adams and Lloyd got was when Trillian quotes - and does not even sing - Music/TheBeatles' ''A Day in the Life''. A punitive demand for royalties ensued, leading to a combination of RunningGag and TakeThat in ''Life, The Universe and Everything'' about Creator/PaulMacCartney's Paul [=MacCartney]='s rapacious greed. The offending Beatles song appears to have been edited out of the franchise.
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* ''Radio/TheHitchHikersGuideToTheGalaxy'' and its two soundtrack LP's present an interesting aversion. Creator/DouglasAdams and Creator/JohnLloyd made no secret of "sampling" lots of named music for the show. Sampling recorded music to add to the stereo soundscape was another of those innovations that made the radio series a ground-breaker in 1979; this includes the iconic theme tune, Music/TheEagles' ''Journey Of The Sorceror'' which is still there, [[ArcNumber 42 years after inception]]. Other sampled music used includes Music/PinkFloyd, [[ItMakesSenseInContext and]] Music/TheBeeGees. The only real trouble Adams and Lloyd got was when Trillian quotes - and does not even sing - Music/TheBeatles' ''A Day in the Life''. A punitive demand for royalties ensued, leading to a combination of RunningGag and TakeThat in ''Life, The Universe and Everything'' about Creator/PaulMcCartney's rapacious greed. The offending Beatles song appears to have been edited out of the franchise.
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* ''Radio/TheHitchHikersGuideToTheGalaxy'' and its two soundtrack LP's present an interesting aversion. Creator/DouglasAdams and Creator/JohnLloyd made no secret of "sampling" lots of named music for the show. Sampling recorded music to add to the stereo soundscape was another of those innovations that made the radio series a ground-breaker in 1979; this includes the iconic theme tune, Music/TheEagles' ''Journey Of The Sorceror'' which is still there, [[ArcNumber 42 years after inception]]. Other sampled music used includes Music/PinkFloyd, [[ItMakesSenseInContext and]] Music/TheBeeGees. The only real trouble Adams and Lloyd got was when Trillian quotes - and does not even sing - Music/TheBeatles' ''A Day in the Life''. A punitive demand for royalties ensued, leading to a combination of RunningGag and TakeThat in ''Life, The Universe and Everything'' about Creator/PaulMcCartney's Creator/PaulMacCartney's rapacious greed. The offending Beatles song appears to have been edited out of the franchise.
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* ''Radio/TheHitchHikersGuideToTheGalaxy'' and its two soundtrack LP's present an interesting aversion. Creator/DouglasAdams and Creator/JohnLloyd made no secret of "sampling" lots of named music for the show. Sampling recorded music to add to the stereo soundscape was another of those innovations that made the radio series a ground-breaker in 1979; this includes the iconic theme tune, Music/TheEagles' ''Journey Of The Sorceror'' which is still there, [[ArcNumber 42 years after inception]]. Other sampled music used includes Music/PinkFloyd, [[ItMakesSenseInContext and]] Music/TheBeeGees. The only real trouble Adams and Lloyd got was when Trillian quotes - and does not even sing - Music/TheBeatles' ''A Day in the Life''. A punitive demand for royalties ensued, leading to a combination of RunningGag and TakeThat in ''life, The Universe and Everything'' about Paul McCartney's rapacious greed.
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* ''Radio/TheHitchHikersGuideToTheGalaxy'' and its two soundtrack LP's present an interesting aversion. Creator/DouglasAdams and Creator/JohnLloyd made no secret of "sampling" lots of named music for the show. Sampling recorded music to add to the stereo soundscape was another of those innovations that made the radio series a ground-breaker in 1979; this includes the iconic theme tune, Music/TheEagles' ''Journey Of The Sorceror'' which is still there, [[ArcNumber 42 years after inception]]. Other sampled music used includes Music/PinkFloyd, [[ItMakesSenseInContext and]] Music/TheBeeGees. The only real trouble Adams and Lloyd got was when Trillian quotes - and does not even sing - Music/TheBeatles' ''A Day in the Life''. A punitive demand for royalties ensued, leading to a combination of RunningGag and TakeThat in ''life, ''Life, The Universe and Everything'' about Paul McCartney's Creator/PaulMcCartney's rapacious greed.greed. The offending Beatles song appears to have been edited out of the franchise.
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Radio example
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[[folder:Radio]]
* ''Radio/TheHitchHikersGuideToTheGalaxy'' and its two soundtrack LP's present an interesting aversion. Creator/DouglasAdams and Creator/JohnLloyd made no secret of "sampling" lots of named music for the show. Sampling recorded music to add to the stereo soundscape was another of those innovations that made the radio series a ground-breaker in 1979; this includes the iconic theme tune, Music/TheEagles' ''Journey Of The Sorceror'' which is still there, [[ArcNumber 42 years after inception]]. Other sampled music used includes Music/PinkFloyd, [[ItMakesSenseInContext and]] Music/TheBeeGees. The only real trouble Adams and Lloyd got was when Trillian quotes - and does not even sing - Music/TheBeatles' ''A Day in the Life''. A punitive demand for royalties ensued, leading to a combination of RunningGag and TakeThat in ''life, The Universe and Everything'' about Paul McCartney's rapacious greed.
[[/folder]]
* ''Radio/TheHitchHikersGuideToTheGalaxy'' and its two soundtrack LP's present an interesting aversion. Creator/DouglasAdams and Creator/JohnLloyd made no secret of "sampling" lots of named music for the show. Sampling recorded music to add to the stereo soundscape was another of those innovations that made the radio series a ground-breaker in 1979; this includes the iconic theme tune, Music/TheEagles' ''Journey Of The Sorceror'' which is still there, [[ArcNumber 42 years after inception]]. Other sampled music used includes Music/PinkFloyd, [[ItMakesSenseInContext and]] Music/TheBeeGees. The only real trouble Adams and Lloyd got was when Trillian quotes - and does not even sing - Music/TheBeatles' ''A Day in the Life''. A punitive demand for royalties ensued, leading to a combination of RunningGag and TakeThat in ''life, The Universe and Everything'' about Paul McCartney's rapacious greed.
[[/folder]]
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* ''Mr. Nutz'' (SNES, Genesis) had different music when it was ported to the GBA.
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* ''Mr. Nutz'' ''VideoGame/MrNutz'' (SNES, Genesis) Mega Drive) had different music when it was ported to the GBA.
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* ''Mr. Nutz'' (SNES, Genesis) had different music when it was ported to the GBA.
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* ''Anime/CastleInTheSky'' is both an example and a subversion; when it was initially released in North America, it had an entirely different score than the original version. When it was re-released in 2010, the original Japanese score was reinstated. [[TakeAThirdOption The 2017 re-release allows the viewer to choose either score.]]
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* ''VideoGame/SonicCD'': The original Japanese soundtrack was kept for the European release, but the American version replaced it with a whole new soundtrack for some reason. However, some of the original tunes were kept, which led to a rather jarring problem: each stage had its main theme and three remixed versions, but the American soundtrack only replaced the main version and two of the remixes, leaving the remaining one sounding nothing like its accompanying tracks. When the game was rereleased in 2011, all regions used the original Japanese soundtrack by default, but included the option to use the American tracks.
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* ''VideoGame/SonicCD'': ''VideoGame/SonicTheHedgehogCD'': The original Japanese soundtrack was kept for the European release, but the American version replaced it with a whole new soundtrack for some reason. However, some of the original tunes were kept, which led to a rather jarring problem: each stage had its main theme and three remixed versions, but the American soundtrack only replaced the main version and two of the remixes, leaving the remaining one sounding nothing like its accompanying tracks. When the game was rereleased in 2011, all regions used the original Japanese soundtrack by default, but included the option to use the American tracks.
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* When ''The Simpsons: Bart vs. the Space Mutants'' was re-released on Sega Genesis, it had a completely new soundtrack. Notably, it didn't feature ''The Simpsons'' theme song like the NES version did.
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* Inevitable for silent movies, as the film stock doesn't have a soundtrack to begin with.
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* Inevitable for silent movies, as the film stock doesn't have a soundtrack to begin with. Many of them did have custom musical scores provided for the live musical accompanists to play along the movie as a soundtrack of sorts, but most of those have been [[MissingEpisode lost to time]].
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** ''Anime/DragonBallKai'' is another example, with Kenji Yamamoto (who did the music for the ''DBZ'' video games) composing a replacement soundtrack. However, during the Android Saga it was discovered that Yamamoto had [[UsefulNotes/Plagiarism plagiarized]] music from other sources (and had been doing so for years), he was fired and the original Shunsuke Kikuchi soundtrack from ''DBZ'' was reinstated for the rest of ''Kai''.
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** ''Anime/DragonBallKai'' is another example, with Kenji Yamamoto (who did the music for the ''DBZ'' video games) composing a replacement soundtrack. However, during the Android Saga it was discovered that Yamamoto had [[UsefulNotes/Plagiarism [[UsefulNotes/{{Plagiarism}} plagiarized]] music from other sources (and had been doing so for years), he was fired and the original Shunsuke Kikuchi soundtrack from ''DBZ'' was reinstated for the rest of ''Kai''.
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** ''Anime/DragonBallKai'' is another example, with Kenji Yamamoto (who did the music for the ''DBZ'' video games) composing a replacement soundtrack. However, during the Android Saga it was discovered that Yamamoto had [[UsefulNotes/Plagiarism plagiarized]] music from other sources (and had been doing so for years), he was fired and the original Shunsuke Kikuchi soundtrack from ''DBZ'' was reinstated for the rest of ''Kai''.
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* Common for anime which is made for a younger audience; western composers will often create their own soundtrack for the series, throwing out the Japanese soundtrack. ''Anime/OnePiece'' is a controversial example.
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* Common for anime which is made for a younger audience; western composers will often create their own soundtrack for the series, throwing out the Japanese soundtrack. ''Anime/OnePiece'' is a controversial example.example, though Bruce Faulconer's 1999 score for ''Anime/DragonBallZ'' has its fans.
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* ''Film/HappyBirthdayToMe'''s original DVD from Sony Pictures had a completely different, disco-inspired, soundtrack, to the annoyance of fans. It was later revealed that the film's temp soundtrack was used accidentally. Anchor Bay's DVD reissue and Mill Creek's Blu-ray have the original audio.
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* A frequent victim is Top Gear. The original BBC run contains a running gag in which whenever the guys are given the task of making over their cars, it will be accompanied by the A-Team theme. Due presumably to costs, the repeats on the Dave channel replace this theme with a variety of mediocre tunes.
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* A frequent victim is Top Gear. The original BBC run contains a running gag in which whenever the guys are given the task of making over their cars, it will be accompanied by the A-Team theme. Due presumably to costs, the repeats on the Dave channel replace this theme with a variety of mediocre tunes.
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* ''VideoGame/DonkeyKongCountry3'': The original SNES game was composed by Eveline Fischer; when re-released for the GBA, David Wise created an entirely new soundtrack.
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* ''VideoGame/DonkeyKongCountry3'': The original SNES game version of ''VideoGame/DonkeyKongCountry3DixieKongsDoubleTrouble'' was composed by Eveline Fischer; when re-released for the GBA, David Wise Creator/DavidWise created an entirely new soundtrack.
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* ''VideoGame/SonicCD'': The original soundtrack was kept for the European release, but the American version replaced it with a whole new soundtrack. However, some of the original tunes were kept, which led to a rather jarring problem: each stage had its main theme and three remixed versions, but the American soundtrack only replaced the main version and two of the remixes, leaving the remaining one sounding nothing like its accompanying tracks. When the game was rereleased in 2011, all regions used the original Japanese soundtrack by default, but included the option to use the American tracks.
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* ''VideoGame/SonicCD'': The original Japanese soundtrack was kept for the European release, but the American version replaced it with a whole new soundtrack.soundtrack for some reason. However, some of the original tunes were kept, which led to a rather jarring problem: each stage had its main theme and three remixed versions, but the American soundtrack only replaced the main version and two of the remixes, leaving the remaining one sounding nothing like its accompanying tracks. When the game was rereleased in 2011, all regions used the original Japanese soundtrack by default, but included the option to use the American tracks.
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* ''VideoGame/SonicCD''
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* ''VideoGame/SonicCD''''VideoGame/SonicCD'': The original soundtrack was kept for the European release, but the American version replaced it with a whole new soundtrack. However, some of the original tunes were kept, which led to a rather jarring problem: each stage had its main theme and three remixed versions, but the American soundtrack only replaced the main version and two of the remixes, leaving the remaining one sounding nothing like its accompanying tracks. When the game was rereleased in 2011, all regions used the original Japanese soundtrack by default, but included the option to use the American tracks.
Is there an issue? Send a MessageReason:
None
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to:
* A frequent victim is Top Gear. The original BBC run contains a running gag in which whenever the guys are given the task of making over their cars, it will be accompanied by the A-Team theme. Due presumably to costs, the repeats on the Dave channel replace this theme with a variety of mediocre tunes.
Is there an issue? Send a MessageReason:
None
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* ''VideoGame/DonkeyKongCountry3'': The original SNES game was composed by Eveline Fischer; when re-released for the GBA, David Wise created an entirely new soundtrack.
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* ''Bill Cosby: Himself'' featured a different opening (and thus, different song) when released on DVD.
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* ''Film/TopDog'': In a scene where a group of clowns terrorize Jake's house, some over-the-top circus music plays. In the DVD release, this is replaced with generic music from composer George S. Clinton.
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* When the first three syndicated seasons of ''Series/{{Baywatch}}'' was released by Fremantle/First Look, all the licensed music (including the iconic theme song) was thrown out and replaced by other songs.
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* When the first three syndicated seasons of ''Series/{{Baywatch}}'' was were released by Fremantle/First Look, all the licensed music (including the iconic theme song) was thrown out and replaced by other songs.
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* ''WesternAnimation/{{Gumby}}''
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* ''WesternAnimation/{{Gumby}}''''WesternAnimation/{{Gumby}}'': The Capitol Records stock music was replaced by synthesized music for the '80s re-runs.
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* ''WesternAnimation/{{Gumby}}
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* ''WesternAnimation/{{Gumby}}''WesternAnimation/{{Gumby}}''
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* A few ''WesternAnimation/LooneyTunes'' shorts fell into this:
** "Trip For Tat": Milt Franklyn scored all new music for the old film clips/re-purposed animation.
** "To Beep or Not to Beep", which was mostly made up of old footage from the ''Adventures of the Road Runner'' pilot, was re-scored from scratch by Bill Lava.
** "Devil's Feud Cake": All the old clips from cartoons scored by Carl Stalling or Milt Franklyn were replaced with new music from Bill Lava.
** "Freudy Cat": A weird one. Some scenes kept the old Carl Stalling soundtracks, while others (such as the flashback to "Cats a-Weigh") used new music by Bill Lava.
** "Trip For Tat": Milt Franklyn scored all new music for the old film clips/re-purposed animation.
** "To Beep or Not to Beep", which was mostly made up of old footage from the ''Adventures of the Road Runner'' pilot, was re-scored from scratch by Bill Lava.
** "Devil's Feud Cake": All the old clips from cartoons scored by Carl Stalling or Milt Franklyn were replaced with new music from Bill Lava.
** "Freudy Cat": A weird one. Some scenes kept the old Carl Stalling soundtracks, while others (such as the flashback to "Cats a-Weigh") used new music by Bill Lava.
to:
* A few ''WesternAnimation/LooneyTunes'' shorts fell into this:
** "Trip For Tat": Milt Franklyn scored all new music for the old film clips/re-purposed animation.
** "To Beep or Not to Beep", which was mostly made up of old footage from the ''Adventures of the Road Runner'' pilot, was re-scored from scratch by Bill Lava.
** "Devil's Feud Cake": All the old clips from cartoons scored by Carl Stalling or Milt Franklyn were replaced with new music from Bill Lava.
** "Freudy Cat": A weird one. Some scenes kept the old Carl Stalling soundtracks, while others (such as the flashback to "Cats a-Weigh") used new music by Bill Lava.''WesternAnimation/{{Gumby}}
** "Trip For Tat": Milt Franklyn scored all new music for the old film clips/re-purposed animation.
** "To Beep or Not to Beep", which was mostly made up of old footage from the ''Adventures of the Road Runner'' pilot, was re-scored from scratch by Bill Lava.
** "Devil's Feud Cake": All the old clips from cartoons scored by Carl Stalling or Milt Franklyn were replaced with new music from Bill Lava.
** "Freudy Cat": A weird one. Some scenes kept the old Carl Stalling soundtracks, while others (such as the flashback to "Cats a-Weigh") used new music by Bill Lava.
Is there an issue? Send a MessageReason:
None
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* ''WesternAnimation/Duckman'': On the seasons 3 & 4 DVD set, during "Aged Heat 2: Women in Heat", Raymond Scott's "Powerhouse" was replaced with a stock music piece called "Wow!".
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* ''WesternAnimation/Duckman'': ''WesternAnimation/{{Duckman}}'': On the seasons 3 & 4 DVD set, during "Aged Heat 2: Women in Heat", Raymond Scott's "Powerhouse" was replaced with a stock music piece called "Wow!".
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This practice occurs when the soundtrack to a movie, TV show, or video game is different when re-released. This can be due to numerous factors, though [[ClumsyCopyrightCensorship licensing costs is often a big reason.]]
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!!Examples:
[[foldercontrol]]
[[folder:Anime]]
* Common for anime which is made for a younger audience; western composers will often create their own soundtrack for the series, throwing out the Japanese soundtrack. ''Anime/OnePiece'' is a controversial example.
[[/folder]]
[[folder:Films]]
* Inevitable for silent movies, as the film stock doesn't have a soundtrack to begin with.
[[/folder]]
[[folder:Live Action TV]]
* When the first three syndicated seasons of ''Series/{{Baywatch}}'' was released by Fremantle/First Look, all the licensed music (including the iconic theme song) was thrown out and replaced by other songs.
[[/folder]]
[[folder:Video Games]]
* ''VideoGame/SonicCD''
* ''VideoGame/TeenageMutantNinjaTurtlesTurtlesInTime'': The original arcade and SNES music was replaced with a new soundtrack on the ''Mutant Nightmare'' version, and the HD remake ''Re-Shelled'' also featured a brand new soundtrack.
[[/folder]]
[[folder:Western Animation]]
* ''WesternAnimation/Duckman'': On the seasons 3 & 4 DVD set, during "Aged Heat 2: Women in Heat", Raymond Scott's "Powerhouse" was replaced with a stock music piece called "Wow!".
* A few ''WesternAnimation/LooneyTunes'' shorts fell into this:
** "Trip For Tat": Milt Franklyn scored all new music for the old film clips/re-purposed animation.
** "To Beep or Not to Beep", which was mostly made up of old footage from the ''Adventures of the Road Runner'' pilot, was re-scored from scratch by Bill Lava.
** "Devil's Feud Cake": All the old clips from cartoons scored by Carl Stalling or Milt Franklyn were replaced with new music from Bill Lava.
** "Freudy Cat": A weird one. Some scenes kept the old Carl Stalling soundtracks, while others (such as the flashback to "Cats a-Weigh") used new music by Bill Lava.
[[/folder]]
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!!Examples:
[[foldercontrol]]
[[folder:Anime]]
* Common for anime which is made for a younger audience; western composers will often create their own soundtrack for the series, throwing out the Japanese soundtrack. ''Anime/OnePiece'' is a controversial example.
[[/folder]]
[[folder:Films]]
* Inevitable for silent movies, as the film stock doesn't have a soundtrack to begin with.
[[/folder]]
[[folder:Live Action TV]]
* When the first three syndicated seasons of ''Series/{{Baywatch}}'' was released by Fremantle/First Look, all the licensed music (including the iconic theme song) was thrown out and replaced by other songs.
[[/folder]]
[[folder:Video Games]]
* ''VideoGame/SonicCD''
* ''VideoGame/TeenageMutantNinjaTurtlesTurtlesInTime'': The original arcade and SNES music was replaced with a new soundtrack on the ''Mutant Nightmare'' version, and the HD remake ''Re-Shelled'' also featured a brand new soundtrack.
[[/folder]]
[[folder:Western Animation]]
* ''WesternAnimation/Duckman'': On the seasons 3 & 4 DVD set, during "Aged Heat 2: Women in Heat", Raymond Scott's "Powerhouse" was replaced with a stock music piece called "Wow!".
* A few ''WesternAnimation/LooneyTunes'' shorts fell into this:
** "Trip For Tat": Milt Franklyn scored all new music for the old film clips/re-purposed animation.
** "To Beep or Not to Beep", which was mostly made up of old footage from the ''Adventures of the Road Runner'' pilot, was re-scored from scratch by Bill Lava.
** "Devil's Feud Cake": All the old clips from cartoons scored by Carl Stalling or Milt Franklyn were replaced with new music from Bill Lava.
** "Freudy Cat": A weird one. Some scenes kept the old Carl Stalling soundtracks, while others (such as the flashback to "Cats a-Weigh") used new music by Bill Lava.
[[/folder]]
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