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*** "Mother Love" samples Freddie Mercury's call-and-response chant from the band's 1986 Wembley Stadium concert (as documented in the 1992 LiveAlbum ''Live at Wembley '86''), with the synth string intro to [[Music/AKindOfMagic "One Vision"]] playing in the background.

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*** "Mother Love" samples Freddie Mercury's call-and-response chant from the band's 1986 Wembley Stadium concert (as documented in the 1992 LiveAlbum ''Live at Wembley '86''), with the synth string intro to [[Music/AKindOfMagic "One Vision"]] playing in the background. The last lines of the song are additionally lifted from Mercury's 1973 solo cover of [[Music/DustySpringfield "Goin' Back"]], which was included as the B-side to Mercury's debut solo single (released under the pseudonym Larry Lurex), a rendition of the Ronettes' "I Can Hear Music".
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** The interjection of "gentlemen, testify!" in [[Music/FablesOfTheReconstruction "Cant Get There from Here"]] nods back to the band's cover of "Tighten Up" by Archie Bell & the Drells (which features several yelps of "testify!" throughout and its own "gentlemen, testify!" at the end), tying in with the former song's {{soul}} influences.
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** Some sound equipment in the opening scene of ''Film/BackToTheFuture''.

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** Some sound equipment in the opening scene of ''Film/BackToTheFuture''.''Film/BackToTheFuture1''.
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** ''Music/{{Green}}:

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** ''Music/{{Green}}:''Music/{{Green}}'':
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** ''Music/{{Green}}:
*** "Pop Song 89" reprises the lead riff of "Feeling Gravitys Pull" off of ''Music/FablesOfTheReconstruction'', albeit in a major key and faster-paced this time around.
*** "Turn You Inside-Out" is more or less a remake of "Finest Worksong" off of ''Music/{{Document}}'', just with the chord progression reversed; the lyrics also act as a thematic continuation.
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** In ''WesternAnimation/TheIncredibles'', the call-sign of Helen's plane is "India Golf Niner-Niner", or "IG-99", in reference to writer/director Creator/BradBird's previous film ''WesternAnimation/TheIronGiant'' (I.G.), which was released in 1999 (99).

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** In ''WesternAnimation/TheIncredibles'', ''WesternAnimation/TheIncredibles1'', the call-sign of Helen's plane is "India Golf Niner-Niner", or "IG-99", in reference to writer/director Creator/BradBird's previous film ''WesternAnimation/TheIronGiant'' (I.G.), which was released in 1999 (99).
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* Music/GeorgeHarrison's ''Music/AllThingsMustPass'' features a few:
** The first version of "Isn't It a Pity" reprises the ending melody of "[[Music/PastMasters Hey Jude]]" in a minor key, making it feel like a DarkReprise. It's also just a second shorter than the earlier song.
** "Ballad of Sir Frankie Crisp" makes a nod to "The Inner Light".
--->My eyes are shining, full of inner light
** The music video for "My Sweet Lord" (released in 2021) features a brief sequence where a man in the movie theater imitates Harrison's dance moves from the "dancing furniture" music video for "Got My Mind Set On You" (released in 1987), complete with a recreation of his leather chair.
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* At one point in ''Fanfic/VowOfNudity'' (which [[LitRPG runs on 5th edition]] ''TabletopGame/DungeonsAndDragons'' rules), Kay'la goes back in time and finds the world running on 1st edition (OD&D) rules.

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** In some parts of the music video for [[Music/BlackstarAlbum "Lazarus"]], Bowie wears a striped jumpsuit identical to the one he was pictured in on the back cover of the Creator/{{Rykodisc}} CD reissue of ''Music/StationToStation''.

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** ''Music/BlackstarAlbum'':
***
In some parts of the music video for [[Music/BlackstarAlbum "Lazarus"]], "Lazarus", Bowie wears a striped jumpsuit identical to the one he was pictured in on the back cover of the Creator/{{Rykodisc}} CD reissue of ''Music/StationToStation''.''Music/StationToStation''.
*** The harmonica on the closing track "I Can't Give Everything Away" plays the same tune as the harmonica on "A New Career in a New Town" from Bowie's 1977 album ''Music/{{Low|DavidBowieAlbum}}''; fans have also cited similarities to "Music/NeverLetMeDown", "[[Music/TheRiseAndFallOfZiggyStardustAndTheSpidersFromMars Soul Love]]", and "[[Music/HoursDavidBowieAlbum Thursday's Child]]". The music also becomes more reminiscent of Bowie's old styles towards the end of the album.
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* ''Webcomic/MSPaintAdventures'' has jokes from earlier adventures in the same series as well as [[MythologyGag unrelated old webcomics by the same author]]. Thus, in ''Webcomic/{{Homestuck}}'', you have allusions to pumpkins disappearing and retrieval of arms from the author's first experiments with the format. Much later on, a plot development where one character is thrown in jail is clearly imitating the style of ''Jailbreak'', the first comic on the MSPA website.

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* ''Webcomic/MSPaintAdventures'' has jokes from earlier adventures in the same series as well as [[MythologyGag unrelated old webcomics by the same author]]. Thus, in ''Webcomic/{{Homestuck}}'', you have allusions to pumpkins disappearing and retrieval of arms from the author's first experiments with the format. Much later on, a plot development where one character is thrown in jail is clearly imitating the style of ''Jailbreak'', ''Webcomic/{{Jailbreak}}'', the first comic on the MSPA website.
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* Music/PhilCollins: [[Music/FaceValue "In the Air Tonight"]] reuses the gated reverb drum sound previously heard on Music/PeterGabriel's "Intruder"; Collins had previously served as a session drummer on the song and [[Music/{{Melt}} its parent album]], and while "Intruder" is credited with inventing the drum sound, "In the Air Tonight" is widely considered the song that ''popularized'' it.
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* The ''Literature/EromangaSensei'' anime features multiple cameos from ''LightNovel/{{Oreimo}}'', since they both share the same authors. Episode 8 features Kuroneko and her sister as passerbys interviewed on TV, and another episode haves Kyosuke, Kirino, Kuroneko and Saori appear in the background.

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* The ''Literature/EromangaSensei'' anime features multiple cameos from ''LightNovel/{{Oreimo}}'', ''Literature/{{Oreimo}}'', since they both share the same authors. Episode 8 features Kuroneko and her sister as passerbys interviewed on TV, and another episode haves Kyosuke, Kirino, Kuroneko and Saori appear in the background.
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* In ''Animation/PleasantGoatAndBigBigWolf: Great War in the Bizarre World'' episode 25, one of the merchants is selling plush toys of the characters from Huang Weiming's previous series, ''Animation/HappyFamily''.
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[[folder:Asian Animation]]
* ''Animation/BhaagamBhaag'': Sunny owns a ''Animation/SimpleSamosa'' backpack, going back to Sanjiv Waeerkar's previous Disney Channel India show.
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Cameo is a disambig. Not wicking to The Cameo in order to remove a chained sinkhole.


The reuse of characters or items from a previous work in EasterEgg {{cameo}}s in a newer one (similar to a fictional ProductionPosse or metafictional ContinuityCameo). In some cases, this lays down the basis of a [[TheVerse Verse]].

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The reuse of characters or items from a previous work in EasterEgg {{cameo}}s cameos in a newer one (similar to a fictional ProductionPosse or metafictional ContinuityCameo). In some cases, this lays down the basis of a [[TheVerse Verse]].


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* ''Manga/{{AKIRA}}'': In the manga, when the agent is hospitalized and being debriefed, the painting of the bed deliberately mimics the cover of one of Otomo's other works, ''Domu'', which shares themes with ''AKIRA'' and came out before Otomo started working on ''AKIRA''.
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* The arcade version of ''VideoGame/DoubleDragon'' features the red sports car from Data East's FMV game ''Road Blaster'' (a.k.a. ''Road Avenger'') inside Billy and Jimmy's garage, as well as a billboard advertising ''[[VideoGame/KunioKun Nekketsu Koha Kunio-kun]]'' (the Japanese version of ''Renegade'') just before the first boss battle. Both were games previously directed by Yoshihisa Kishimoto, the director of ''Double Dragon''. In the arcade version of ''Double Dragon II'', the helicopter from ''Cobra Command'' (Kishimoto's other FMV game he did for Data East) appears in the garage at the beginning as well.

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* The arcade version of ''VideoGame/DoubleDragon'' features the red sports car from Data East's FMV game ''Road Blaster'' (a.k.a. ''Road Avenger'') ''VideoGame/RoadBlaster'' inside Billy and Jimmy's garage, as well as a billboard advertising ''[[VideoGame/KunioKun Nekketsu Koha Kunio-kun]]'' (the Japanese version of ''Renegade'') just before the first boss battle. Both were games previously directed by Yoshihisa Kishimoto, the director of ''Double Dragon''. In the arcade version of ''Double Dragon II'', the helicopter from ''Cobra Command'' (Kishimoto's other FMV game he did for Data East) appears in the garage at the beginning as well.
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* Music/MikeOldfield:
** [[Music/{{Crises}} "Foreign Affair"]] reprises the synth xylophone arpeggios from [[Music/FiveMilesOut "Mount Teidi"]].
** Multiple appear in ''Music/TubularBellsIII'', tying in with its celebration of the 25th anniversary of the original ''Music/TubularBells'':
*** Samples from many of Oldfield's prior albums feature throughout ''Tubular Bells III'': "Man in the Rain" features sampled drums from [[Music/{{Crises}} "Moonlight Shadow"]], "Outcast" features sampled drums from [[Music/{{Crises}} "Shadow on the Wall"]], and "Far Above the Clouds" features sampled drums from the end of "Ommadawn (Part One)". "Far Above the Clouds" also samples the rhythm guitar from the "Finale" section of "Tubular Bells (Part One)".
*** "Man in the Rain" repeats the structure of "Moonlight Shadow" from his 1983 album ''Music/{{Crises}}''; the song was first penned shortly after "Moonlight Shadow", which explains the similarities. The song also reprises elements of the TitleTrack to Oldfield's 1991 album ''Heaven's Open'', also an aftereffect of its prolonged development (as a 1987 demo of "Man in the Rain" was used as the basis for "Heaven's Open").
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* Music/{{REM}}:
** ''Music/AutomaticForThePeople'':
*** Mike Mills and Bill Berry's backing vocals on "Find the River" hark back to a similar technique on [[Music/{{Reckoning}} "Harborcoat"]] nearly a decade prior, a similarity that Mills confirmed to be an intentional creative decision in an interview with ''Melody Maker''.
*** The verses of "Try Not to Breathe" reprise the melody and rhythm of [[Music/LifesRichPageant "Swan Swan H"]].
** ''Music/{{Accelerate}}'':
*** "Sing for the Submarine" name-checks [[Music/FablesofTheReconstruction "Feeling Gravitys Pull"]], [[Music/{{Document}} "It's the End of the World as We Know It (And I Feel Fine)"]], and ''Music/AroundTheSun''[='s=] "Electron Blue" and "High-Speed Train". The song also quotes phrases from [[Music/{{Green}} "You Are the Everything", "World Leader Pretend"]], [[Music/LifesRichPageant "Begin the Begin"]], [[Music/{{Reveal}} "Beat a Drum", "I'll Take the Rain"]], and [[Music/OutOfTime "Losing My Religion"]].
*** The TitleTrack mentions a "cartoon escape hatch" in its chorus, nodding back to the use of "cartoon" as an {{arc word|s}} on ''Music/{{Monster|REMAlbum}}'' (itself a similarly loud and distorted-sounding album). The same song reprises melodic elements of the ''Monster'' track "Circus Envy", especially in the choruses.
*** "Horse to Water" features the lines "Bantamweight with a mouth full of feathers/Don't you know that what comes around goes around," nodding back to the similar lines "I say that I'm a bantam lightweight/I say that I'm a phantom airplane/That never left the ground" in [[Music/NewAdventuresInHiFi "Leave"]].
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* A couple appear in Music/ThePolice's ''Music/{{Synchronicity}}'':
** The mention of "Spiritus Mundi" in "Synchronicity I" nods back to "Spirits in the Material World" off of the band's previous album.
** The line "they say the meek shall inherit the Earth" in "Walking in Your Footsteps", in addition to being a ShoutOut to [[Literature/TheBible the Beatitudes]], recalls an identical line from the 1979 BSide "Visions of the Night" (included on "Walking on the Moon" in the UK and "Bring On the Night" in the US).
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* ''Webcomic/AHeartfeltAndante'': An ad for the author's prior webcomic, ''Webcomic/WhaleStarTheGyeongseongMermaid'', is briefly seen as Da-ul browses the internet in the first chapter.
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* The ''LightNovel/EromangaSensei'' anime features multiple cameos from ''LightNovel/{{Oreimo}}'', since they both share the same authors. Episode 8 features Kuroneko and her sister as passerbys interviewed on TV, and another episode haves Kyosuke, Kirino, Kuroneko and Saori appear in the background.

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* The ''LightNovel/EromangaSensei'' ''Literature/EromangaSensei'' anime features multiple cameos from ''LightNovel/{{Oreimo}}'', since they both share the same authors. Episode 8 features Kuroneko and her sister as passerbys interviewed on TV, and another episode haves Kyosuke, Kirino, Kuroneko and Saori appear in the background.
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** ''[[Music/HeroesDavidBowieAlbum "Heroes"]]'':
*** The cover art is partly a nod to Music/IggyPop's album ''Music/TheIdiot'' (which Bowie had produced and co-written a number of tracks on) from earlier in the year, right down to featuring the same photographer. The reference is more than fitting, as ''The Idiot'' was more or less a prelude to the Berlin Trilogy.
*** The title track features the synthesized train sounds that previously opened the title track to ''Music/StationToStation''.
*** The closing track "The Secret Life of Arabia" opens with the line "I was running at the speed of life," harking back to the opening track on ''[[Music/LowDavidBowieAlbum Low]]'', "Speed of Life".
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** ''Music/ScaryMonstersAndSuperCreeps'':
*** The back cover references the covers of Bowie's "Berlin Trilogy": ''[[Music/LowDavidBowieAlbum Low]]'', ''[[Music/HeroesDavidBowieAlbum "Heroes"]]'' and ''Music/{{Lodger}}'', as well as the much earlier ''Music/AladdinSane''. Bowie's Pierrot getup on the front cover also harks back to the back cover of ''Music/SpaceOddity'', which featured a Pierrot leading away an old woman among the cavalcade of surreal imagery on the back cover; the ending of the "Ashes to Ashes" video recreates this, albeit with the roles reversed.
*** "Teenage Wildlife" prominently interpolates the TitleTrack to ''[[Music/HeroesDavidBowieAlbum "Heroes"]]''.

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* Music/KingCrimson: Several tracks on ''Music/InTheWakeOfPoseidon'' are written as direct counterparts to pieces from ''Music/InTheCourtOfTheCrimsonKing'' the previous year. "Pictures of a City" recalls "21st Century Schizoid Man", "Cadence and Cascade" nods back to "I Talk to the Wind", the TitleTrack homages "Epitaph", and "The Devil's Triangle" reprises the formatting of "Moonchild".

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* Music/KingCrimson: Music/KingCrimson:
**
Several tracks on ''Music/InTheWakeOfPoseidon'' are written as direct counterparts to pieces from ''Music/InTheCourtOfTheCrimsonKing'' the previous year. "Pictures of a City" recalls "21st Century Schizoid Man", "Cadence and Cascade" nods back to "I Talk to the Wind", the TitleTrack homages "Epitaph", and "The Devil's Triangle" reprises the formatting of "Moonchild"."Moonchild".
** ''Music/{{Beat}}'':
*** The album cover directly nods back to that of ''Music/{{Discipline}}'', replacing the Celtic knotwork with an eighth note.
*** "Neal and Jack and Me" reprises the technique used on both "Frame by Frame" and "Discipline" where Music/RobertFripp and Adrian Belew's guitars weave in and out of sync with one another.
*** The Frippertronics piece that forms the intro of "Neurotica" is directly lifted from "Hååden Two" off of Music/RobertFripp's debut solo album ''Exposure''.
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** Right before the above-mentioned BilingualBonus of "Not Now John", Waters chants, "One, Two, Free, Four!", as a reference to the band's earlier single "Free Four" (from ''Music/ObscuredByClouds'').

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** Right before During the above-mentioned BilingualBonus outro of "Not Now John", Waters chants, "One, Two, Free, Four!", as a reference to the band's earlier single "Free Four" (from ''Music/ObscuredByClouds'').
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* A couple appear in Music/PinkFloyd's ''Music/TheFinalCut'':
** The line "Do you remember me? How we used to be?" in the chorus of "Your Possible Pasts" quotes the line "Do you remember me? How we used to be helpless and happy and blind?" in "Incarceration of a Flower Child", a song that Roger Waters wrote shortly after Music/SydBarrett's ousting but never released; the piece would ultimately be given to Music/MarianneFaithfull in 1999.
** Right before the above-mentioned BilingualBonus of "Not Now John", Waters chants, "One, Two, Free, Four!", as a reference to the band's earlier single "Free Four" (from ''Music/ObscuredByClouds'').
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If it's something the actor did rather than the production team, it's an ActorAllusion. If the work in question is an unreleased earlier version of the same work, it's a DevelopmentGag.

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If it's something the actor did rather than the production team, it's an ActorAllusion. If the work in question is an unreleased earlier version of the same work, it's a DevelopmentGag.
DevelopmentGag. See also CompanyCrossReferences, which this trope often overlaps with.
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** The music video for [[Music/LowDavidBowieAlbum "Be My Wife"]] recalls that for [[Music/HunkyDory "Life on Mars?"]] six years prior. Both videos feature Bowie in makeup, performing to the camera while alone in a WhiteVoidRoom.

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* Music/DavidBowie: ''Music/TheNextDay'' features copious amounts of it, partly because it was Bowie's first album since ''Music/{{Reality}}'' ten years prior, partly to tie in with the thematic ruminations on his advancing age (being 66 when the album released).
** "Love is Lost" re-used puppets that had planned to be used for the filmed-but-unreleased ConceptVideo for [[Music/HoursDavidBowieAlbum "The Pretty Things Are Going to Hell"]]. The remix of the same song also samples the piano lick from [[Music/ScaryMonstersAndSuperCreeps "Ashes to Ashes"]].
** The percussion on "Love is Lost" recreates the hollow drum sound that served as a crucial part of ''Music/{{Low|DavidBowieAlbum}}''[='s=] sonic aesthetic.
** The lead single, "Where Are We Now?", references several UsefulNotes/{{Berlin}} landmarks (Potsdamer Platz, Nürnberger Straße, [=KaDeWe,=] etc.), nodding back to the trilogy of albums that Bowie recorded while residing in Berlin during the late '70s.
** In the video for "The Stars (Are Out Tonight)", one of the new neighbors looks and sometimes dresses like [[Film/TheManWhoFellToEarth Thomas Jerome Newton]]/[[Music/StationToStation the Thin White Duke]] and the cover of one of the tabloid magazines uses Newton's alien form as [[http://cyoulateralligator.com/wp-content/uploads/2013/02/03-bowie-stars-are-out-tonight.jpg an image]] with the caption "Woman Goes To Oscars Without Makeup On".
** The penultimate track, "You Feel So Lonely You Could Die", ends with the opening drums from [[Music/TheRiseAndFallOfZiggyStardustAndTheSpidersFromMars "Five Years"]].
** The director of the videos for "The Stars (Are Out Tonight)" and "The Next Day" is Floria Sigismondi, who also did two of his ''Music/{{Earthling}}''-era videos: "Little Wonder" and "Dead Man Walking".
** The cover is a modified version of the cover of ''[[Music/HeroesDavidBowieAlbum "Heroes"]]'', which has that album's title removed and a large portion of the picture of Bowie covered by a blank white square with this album's title on it.

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* Music/DavidBowie: Music/DavidBowie:
**
''Music/TheNextDay'' features copious amounts of it, partly because it was Bowie's first album since ''Music/{{Reality}}'' ten years prior, partly to tie in with the thematic ruminations on his advancing age (being 66 when the album released).
** *** "Love is Lost" re-used puppets that had planned to be used for the filmed-but-unreleased ConceptVideo for [[Music/HoursDavidBowieAlbum "The Pretty Things Are Going to Hell"]]. The remix of the same song also samples the piano lick from [[Music/ScaryMonstersAndSuperCreeps "Ashes to Ashes"]].
** *** The percussion on "Love is Lost" recreates the hollow drum sound that served as a crucial part of ''Music/{{Low|DavidBowieAlbum}}''[='s=] sonic aesthetic.
** *** The lead single, "Where Are We Now?", references several UsefulNotes/{{Berlin}} landmarks (Potsdamer Platz, Nürnberger Straße, [=KaDeWe,=] etc.), nodding back to the trilogy of albums that Bowie recorded while residing in Berlin during the late '70s.
** *** In the video for "The Stars (Are Out Tonight)", one of the new neighbors looks and sometimes dresses like [[Film/TheManWhoFellToEarth Thomas Jerome Newton]]/[[Music/StationToStation the Thin White Duke]] and the cover of one of the tabloid magazines uses Newton's alien form as [[http://cyoulateralligator.com/wp-content/uploads/2013/02/03-bowie-stars-are-out-tonight.jpg an image]] with the caption "Woman Goes To Oscars Without Makeup On".
** *** The penultimate track, "You Feel So Lonely You Could Die", ends with the opening drums from [[Music/TheRiseAndFallOfZiggyStardustAndTheSpidersFromMars "Five Years"]].
** *** The director of the videos for "The Stars (Are Out Tonight)" and "The Next Day" is Floria Sigismondi, who also did two of his ''Music/{{Earthling}}''-era videos: "Little Wonder" and "Dead Man Walking".
** *** The cover is a modified version of the cover of ''[[Music/HeroesDavidBowieAlbum "Heroes"]]'', which has that album's title removed and a large portion of the picture of Bowie covered by a blank white square with this album's title on it.it.
** In some parts of the music video for [[Music/BlackstarAlbum "Lazarus"]], Bowie wears a striped jumpsuit identical to the one he was pictured in on the back cover of the Creator/{{Rykodisc}} CD reissue of ''Music/StationToStation''.
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* Music/TobyFox has included remixes of his song "Megalovania" in various projects of his, most notably video games. First appearing as the final boss theme for ''VideoGame/TheHalloweenHack'', it later appeared in ''Webcomic/{{Homestuck}}'' (which he contributed music to), and its latest appearance being ''VideoGame/{{Undertale}}'', where it plays during the boss fight with [[spoiler: Sans, during the Genocide route.]] ''Undertale'', particularly the endings and final bosses of its multiple routes, contains plenty of references to ''The Halloween Hack'', including [[spoiler:the Game Over screen during the Flowey boss fight being similar to Dr. Andonuts's, Sans claiming he's simply leaving when you mortally wound him being exactly what Andonuts did, and the final set of minibosses being called Amalgamates]].

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* Music/TobyFox Creator/TobyFox has included remixes of his song "Megalovania" in various projects of his, most notably video games. First appearing as the final boss theme for ''VideoGame/TheHalloweenHack'', it later appeared in ''Webcomic/{{Homestuck}}'' (which he contributed music to), and its latest appearance being ''VideoGame/{{Undertale}}'', where it plays during the boss fight with [[spoiler: Sans, during the Genocide route.]] ''Undertale'', particularly the endings and final bosses of its multiple routes, contains plenty of references to ''The Halloween Hack'', including [[spoiler:the Game Over screen during the Flowey boss fight being similar to Dr. Andonuts's, Sans claiming he's simply leaving when you mortally wound him being exactly what Andonuts did, and the final set of minibosses being called Amalgamates]].

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