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* In the ''Labyrinth of Reflections'' novels by SergeyLukyanenko, all scenes taking place in RealLife are narrated in the past tense, while all scenes inside the local {{Cyberspace}} are in the present tense. [[spoiler:This is also the first clue that the ending of the first novel never happened in reality.]]

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* In the ''Labyrinth of Reflections'' novels by SergeyLukyanenko, Creator/SergeyLukyanenko, all scenes taking place in RealLife are narrated in the past tense, while all scenes inside the local {{Cyberspace}} are in the present tense. [[spoiler:This is also the first clue that the ending of the first novel never happened in reality.]]

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Stories which use the present tense sometimes take the form of a journal or ApocalypticLog, but when not, and written entirely in FirstPersonNarrative, a Present Tense story can feel whiplash fast, with the sometimes jarring feeling of the reader being right there, seeing through the main character's eyes and thinking their thoughts. It also leaves the reader with the question of whether the narrating character will even survive, whereas if the story was implied to be the recollections of the character [[IShouldWriteABookAboutThis written after the fact]], we could reasonably assume [[DidYouDie they did]].

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Stories which use the present tense sometimes take the form of a journal or ApocalypticLog, but when not, and written entirely in FirstPersonNarrative, a Present Tense story can feel whiplash fast, with the sometimes jarring feeling of the reader being right there, seeing through the main character's eyes and thinking knowing their thoughts.thoughts and opinions. It also leaves the reader with the question of whether the narrating character will even survive, whereas if the story was implied to be the recollections of the character [[IShouldWriteABookAboutThis written after the fact]], we could reasonably assume [[DidYouDie they did]].


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However, Third Person Narrative can also be written in the Present Tense; the story is still fast but the reader gets the sensation of being right there, ''following'' the characters in their adventure. Done badly it evokes frustration and a sense of helplessness, done well the reader cares deeply and fears for the character's lives.
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* The second half of ''The Ones Who Walk Away from Omelas'' by UrsulaKLeGuin.
* Parts of ''TheTomorrowSeries'' are written in the present tense; the whole thing is Ellie's diary of what's happened, which she's writing in big chunks at a time, so most of the action is past tense but a lot of the reflective passages describe what's going on amongst the group in the present tense.

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* The second half of ''The Ones Who Walk Away from Omelas'' by UrsulaKLeGuin.
Creator/UrsulaKLeGuin.
* Parts of ''TheTomorrowSeries'' ''Literature/TheTomorrowSeries'' are written in the present tense; the whole thing is Ellie's diary of what's happened, which she's writing in big chunks at a time, so most of the action is past tense but a lot of the reflective passages describe what's going on amongst the group in the present tense.
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* Creator/GeneWolfe frequently uses this technique, often requiring the reader to piece together the real story from fragments of a journal. In the Literature/BookOfTheShortSun, the narrator switches between present and past tense depending on whether he is describing his past adventures, or the ones occurring as he is writing. Even the BookOfTheNewSun, which is almost entirely written in the past tense, pauses occasionally to describe what is occurring as the narrator is writing.

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* Creator/GeneWolfe frequently uses this technique, often requiring the reader to piece together the real story from fragments of a journal. In the Literature/BookOfTheShortSun, ''Literature/BookOfTheShortSun'', the narrator switches between present and past tense depending on whether he is describing his past adventures, or the ones occurring as he is writing. Even the BookOfTheNewSun, ''Literature/BookOfTheNewSun'', which is almost entirely written in the past tense, pauses occasionally to describe what is occurring as the narrator is writing.
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* ''Literature/SecondApocalypse'': Some chapters are written in present tense, but others are written in past tense.
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* ''Literature/AllTheLightWeCannotSee'', a novel that follows a French and a German teenager through UsefulNotes/WorldWarII, is told in present tense, even when the story skips backwards ten years after the first chapter.
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* Literature/HyperionCantos, in particular The Fall of Hyperion, uses this during John's dreams of the pilgrims.
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* Some of the work by [[Website/ThingsOfInterest Sam Hughes]], including ''Literature/FineStructure'' and ''Literature/{{Ra}}''.
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* Creator/GeneWolfe frequently uses this technique, often requiring the reader to piece together the real story from fragments of a journal. In the BookOfTheShortSun, the narrator switches between present and past tense depending on whether he is describing his past adventures, or the ones occurring as he is writing. Even the BookOfTheNewSun, which is almost entirely written in the past tense, pauses occasionally to describe what is occurring as the narrator is writing.

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* Creator/GeneWolfe frequently uses this technique, often requiring the reader to piece together the real story from fragments of a journal. In the BookOfTheShortSun, Literature/BookOfTheShortSun, the narrator switches between present and past tense depending on whether he is describing his past adventures, or the ones occurring as he is writing. Even the BookOfTheNewSun, which is almost entirely written in the past tense, pauses occasionally to describe what is occurring as the narrator is writing.
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The present tense tends to give a work a sense of urgency and immediacy, and as such is often used to increase tension in the story. The narration may switch from past to present- with or without explanation- to fulfil this end.

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The present tense tends to give a work a sense of urgency and immediacy, and as such is often used to increase tension in the story. The narration may switch from past to present- present -- with or without explanation- explanation -- to fulfil this end.
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* ''AllQuietOnTheWesternFront'' is written entirely in present tense first person, with the exception of the very last lines.

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* ''AllQuietOnTheWesternFront'' ''Literature/AllQuietOnTheWesternFront'' is written entirely in present tense first person, with the exception of the very last lines.
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* ''AllQuietOnTheWesternFront'' is written entirely in present tense first person, with the exception of the very last lines.
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* Matthew Stover sometimes uses the present tense in his {{Novelization}} of ''Literature/RevengeOfTheSith'', often accompanied by SecondPersonNarration.
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* ComicBooks using {{Thought Caption}}s naturally have PresentTenseNarrative, since the "narration" is the character's thoughts. ''SpiderGirl'' combines it with SecondPersonNarration: "You are Spider-Girl!"

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* ComicBooks using {{Thought Caption}}s naturally have PresentTenseNarrative, since the "narration" is the character's thoughts. ''SpiderGirl'' ''ComicBook/SpiderGirl'' combines it with SecondPersonNarration: "You are Spider-Girl!"
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* A trope often found in Creator/ChuckPalahniuk's work, such as ''Literature/{{Haunted 2005}}'', ''{{Rant}}'', or ''Literature/FightClub''.
* The novel ''{{Elsewhere}}'' by Gabrielle Zevin is entirely written in the present tense. YMMV as to whether or not it works well, or makes the book sound stilted and awkward.

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* A trope often found in Creator/ChuckPalahniuk's work, such as ''Literature/{{Haunted 2005}}'', ''{{Rant}}'', ''Literature/{{Rant}}'', or ''Literature/FightClub''.
* The novel ''{{Elsewhere}}'' ''Literature/{{Elsewhere}}'' by Gabrielle Zevin is entirely written in the present tense. YMMV as to whether or not it works well, or makes the book sound stilted and awkward.

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Stories which use the present tense sometimes take the form of a journal or ApocalypticLog, but when not, and written entirely in FirstPersonNarrative, a Present Tense story can feel whiplash fast, with the intention of giving the reader the feeling that they are right there, seeing through the main character's eyes and thinking their thoughts. It also leaves the reader with the question of whether the narrating character will even survive, whereas if the story was implied to be the recollections of the character [[IShouldWriteABookAboutThis written after the fact]], we could reasonably assume [[DidYouDie they did]].

Overlaps in many cases with SecondPersonNarration. See also HowDoIUsedTense, for when this is done by accident.

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Stories which use the present tense sometimes take the form of a journal or ApocalypticLog, but when not, and written entirely in FirstPersonNarrative, a Present Tense story can feel whiplash fast, with the intention sometimes jarring feeling of giving the reader the feeling that they are being right there, seeing through the main character's eyes and thinking their thoughts. It also leaves the reader with the question of whether the narrating character will even survive, whereas if the story was implied to be the recollections of the character [[IShouldWriteABookAboutThis written after the fact]], we could reasonably assume [[DidYouDie they did]].

Overlaps in many cases When used with SecondPersonNarration. SecondPersonNarration, the reader has more distance from the narrator, but now the story can legitimately [[BreakingTheFourthWall trample all over the Fourth Wall,]] and the story still maintains a distinct sense of urgency and the question of actual survival.

See also HowDoIUsedTense, for when this is done by accident.accident.
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Stories which use the present tense sometimes take the form of a journal or ApocalypticLog, which creates the somewhat jarring impression of a character recording his dramatic experiences ''while they are happening''. However, it does leave open the question of whether the narrating character will survive, whereas if the story was implied to be the recollections of the character [[IShouldWriteABookAboutThis written after the fact]], we could reasonably assume [[DidYouDie they did]].

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Stories which use the present tense sometimes take the form of a journal or ApocalypticLog, which creates but when not, and written entirely in FirstPersonNarrative, a Present Tense story can feel whiplash fast, with the somewhat jarring impression intention of a character recording his dramatic experiences ''while giving the reader the feeling that they are happening''. However, it does leave open right there, seeing through the main character's eyes and thinking their thoughts. It also leaves the reader with the question of whether the narrating character will even survive, whereas if the story was implied to be the recollections of the character [[IShouldWriteABookAboutThis written after the fact]], we could reasonably assume [[DidYouDie they did]].
did]].
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* The DoctorWhoExpandedUniverse novel ''Tomb of Valdemar'' also does this.

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* The DoctorWhoExpandedUniverse ''Franchise/DoctorWhoExpandedUniverse'' novel ''Tomb of Valdemar'' also does this.is framed as a tavern story, told by someone who met the Fourth Doctor.
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* ''Literature/AnOfficerAndASpy'', a HistoricalFiction novel about the Dreyfus Affair, is told this way. This proves effective as Col. Picquart, the narrator, investigates the Affair and discovers to his horror that Dreyfus is innocent and the real spy is still free.
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* GeneWolfe frequently uses this technique, often requiring the reader to piece together the real story from fragments of a journal. In the BookOfTheShortSun, the narrator switches between present and past tense depending on whether he is describing his past adventures, or the ones occurring as he is writing. Even the BookOfTheNewSun, which is almost entirely written in the past tense, pauses occasionally to describe what is occurring as the narrator is writing.

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* GeneWolfe Creator/GeneWolfe frequently uses this technique, often requiring the reader to piece together the real story from fragments of a journal. In the BookOfTheShortSun, the narrator switches between present and past tense depending on whether he is describing his past adventures, or the ones occurring as he is writing. Even the BookOfTheNewSun, which is almost entirely written in the past tense, pauses occasionally to describe what is occurring as the narrator is writing.
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* A trope often found in ChuckPalahniuk's work, such as ''Literature/{{Haunted 2005}}'', ''{{Rant}}'', or ''Literature/FightClub''.

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* A trope often found in ChuckPalahniuk's Creator/ChuckPalahniuk's work, such as ''Literature/{{Haunted 2005}}'', ''{{Rant}}'', or ''Literature/FightClub''.
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* DamonRunyon notoriously wrote most of his stories in present tense.

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* DamonRunyon Creator/DamonRunyon notoriously wrote most of his stories in present tense.



* A trope often found in ChuckPalahniuk's work, such as Literature/{{Haunted 2005}}, {{Rant}}, or FightClub.
* The novel {{Elsewhere}} by Gabrielle Zevin is entirely written in the present tense. YMMV as to whether or not it works well, or makes the book sound stilted and awkward.

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* A trope often found in ChuckPalahniuk's work, such as Literature/{{Haunted 2005}}, {{Rant}}, ''Literature/{{Haunted 2005}}'', ''{{Rant}}'', or FightClub.
''Literature/FightClub''.
* The novel {{Elsewhere}} ''{{Elsewhere}}'' by Gabrielle Zevin is entirely written in the present tense. YMMV as to whether or not it works well, or makes the book sound stilted and awkward.
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* GeneWolfe frequently uses this technique, often requiring the reader to piece together the real story from fragments of a journal. In the BookOfTheShortSun, the narrator switches between present and past tense depending on whether he is describing his past adventures, or the ones occurring as he is writing. Even the BookOfTheNewSun, which is almost entirely written in the past tense, pauses occasionally to describe what is occurring as the narrator is writing.
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* ''Halting State'' by Charles Stross is written in present tense and ''second person''. As in "You turn on your computer and check your email". With multiple viewpoint characters all referred to as 'you'. Since it's all about video games, the effect is to create the feel of a text adventure or RPG.
* ''IfOnAWintersNightATraveler'' by Italo Calvino is written in present tense, and second person in the chapters where the reader is the main character.

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* ''Halting State'' ''Literature/HaltingState'' by Charles Stross is written in present tense and ''second person''. As in "You turn on your computer and check your email". With multiple viewpoint characters all referred to as 'you'. Since it's all about video games, the effect is to create the feel of a text adventure or RPG.
* ''IfOnAWintersNightATraveler'' ''Literature/IfOnAWintersNightATraveler'' by Italo Calvino is written in present tense, and second person in the chapters where the reader is the main character.



* ''HardBoiledWonderlandAndTheEndOfTheWorld'' by Haruki Murakami, the [[EpiphanicPrison "End of the World"]] parts are written in present tense in the English translation.

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* ''HardBoiledWonderlandAndTheEndOfTheWorld'' ''Literature/HardBoiledWonderlandAndTheEndOfTheWorld'' by Haruki Murakami, the [[EpiphanicPrison "End of the World"]] parts are written in present tense in the English translation.



* [[PlayingWithATrope Played with]] in ''[[WarchildSeries Warchild]]''. Parts of the narrative are written in second person and past tense, parts in first person and past tense, and parts in first person with the present tense. The shifts come as a result of the narrator's psyche. The parts in second person recount traumatic abuse that he's trying to disassociate from himself. Those in first person/past tense are events he's lived through and largely coped with. When the narrative switches to present tense, it's to emphasize the immediacy of the situation and the uncertainty of the future.

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* [[PlayingWithATrope Played with]] in ''[[WarchildSeries Warchild]]''.the ''Literature/WarchildSeries''. Parts of the narrative are written in second person and past tense, parts in first person and past tense, and parts in first person with the present tense. The shifts come as a result of the narrator's psyche. The parts in second person recount traumatic abuse that he's trying to disassociate from himself. Those in first person/past tense are events he's lived through and largely coped with. When the narrative switches to present tense, it's to emphasize the immediacy of the situation and the uncertainty of the future.
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* L.E. Modesitt is fond of this narrative style, and uses it throughout the ''SagaOfRecluce''.

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* L.E. Modesitt is fond of this narrative style, and uses it throughout the ''SagaOfRecluce''.''Literature/TheSagaOfRecluce''.
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added entry for Curveball

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* ''Literature/{{Curveball}}'' is written in third person present tense to more closely simulate the feel of comic book narration.
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* Larry Milne's {{novelisation}} of Film/{{Ghostbusters}} is written in the present tense. It was the first work this troper had read that was written like this, and it was rather a disconcerting experience...
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* ''TheHungerGames'' is written in present tense.

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* ''TheHungerGames'' ''Literature/TheHungerGames'' is written in present tense.
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changing namespace.


* Larry Milne's {{novelisation}} of {{Ghostbusters}} is written in the present tense. It was the first work this troper had read that was written like this, and it was rather a disconcerting experience...

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* Larry Milne's {{novelisation}} of {{Ghostbusters}} Film/{{Ghostbusters}} is written in the present tense. It was the first work this troper had read that was written like this, and it was rather a disconcerting experience...
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fixed namespace


* TerryPratchett does this a lot, particularly to create a cinematic vibe when describing a scene. He also occasionally uses the future tense during such descriptions.

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* TerryPratchett Creator/TerryPratchett does this a lot, particularly to create a cinematic vibe when describing a scene. He also occasionally uses the future tense during such descriptions.

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