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* Music/DelAmitri
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* Music/SpinDoctors
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+ RockAndRoll, UsefulNotes/TheBritishInvasion (both the Merseybeat and the Mod aspects of it), PopMusic, ProtoPunk, HardRock
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+ RockAndRoll, UsefulNotes/TheBritishInvasion (both the Merseybeat and the Mod aspects of it), PopMusic, {{Pop}}, ProtoPunk, HardRock
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* Music/TheClick5
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* Music/TheClick5Music/TheClickFive
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* Music/TheClickFive
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* Music/TheClickFiveMusic/TheClick5
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* Music/Supergrass
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* Music/SupergrassMusic/{{Supergrass}}
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a number of sources describe them as partly power pop
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* Music/ThirdEyeBlind
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blank edit so that Sloan recognizes it's on this index
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TheSeventies represented the decade where Power pop came into its own as a genre, represented by artists like Badfinger (who enjoyed the patronage of Music/TheBeatles), The Raspberries, famous [[CultClassic cult band]] Music/BigStar, NRBQ, [[ToddRundgren Nazz and Todd Rundgren]]. The genre also reached the peak of its mainstream popularity in the late seventies, represented chiefly by Music/CheapTrick and others like 20/20, Music/TheCars, and The Knack. The Knack provided the genre's biggest hit with "My Sharona", but they suffered a huge backlash and a "Knuke the Knack" campaign over the perceived misogyny of their lyrics. Thanks to dumb British journalists who tended to use "power pop" as a catchall term, lots of bands that weren't really power pop got lumped into the genre, such as Music/TheJam, Music/{{Squeeze}}, the Music/{{Buzzcocks}}, Music/ElvisCostello, Music/{{Blondie}}, Music/{{XTC}}, and Music/NickLowe (most of these bands were [[NewWaveMusic New Wave]], PunkRock or early AlternativeRock, with Squeeze and Nick Lowe being the closest to bona-fide Power Pop).
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TheSeventies represented the decade where Power pop came into its own as a genre, represented by artists like Badfinger (who enjoyed the patronage of Music/TheBeatles), The Raspberries, famous [[CultClassic cult band]] Music/BigStar, NRBQ, [[ToddRundgren [[Music/ToddRundgren Nazz and Todd Rundgren]]. The genre also reached the peak of its mainstream popularity in the late seventies, represented chiefly by Music/CheapTrick and others like 20/20, Music/TheCars, and The Knack. The Knack provided the genre's biggest hit with "My Sharona", but they suffered a huge backlash and a "Knuke the Knack" campaign over the perceived misogyny of their lyrics. Thanks to dumb British journalists who tended to use "power pop" as a catchall term, lots of bands that weren't really power pop got lumped into the genre, such as Music/TheJam, Music/{{Squeeze}}, the Music/{{Buzzcocks}}, Music/ElvisCostello, Music/{{Blondie}}, Music/{{XTC}}, and Music/NickLowe (most of these bands were [[NewWaveMusic New Wave]], PunkRock or early AlternativeRock, with Squeeze and Nick Lowe being the closest to bona-fide Power Pop).
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PowerPop is Music/TheBeatles [[JustForFun/XMeetsY meets]] Music/TheWho.
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TheSeventies represented the decade where PowerPop came into its own as a genre, represented by artists like Badfinger (who enjoyed the patronage of Music/TheBeatles), The Raspberries, famous [[CultClassic cult band]] Music/BigStar, NRBQ, [[ToddRundgren Nazz and Todd Rundgren]]. The genre also reached the peak of its mainstream popularity in the late seventies, represented chiefly by Music/CheapTrick and others like 20/20, Music/TheCars, and The Knack. The Knack provided the genre's biggest hit with "My Sharona", but they suffered a huge backlash and a "Knuke the Knack" campaign over the perceived misogyny of their lyrics. Thanks to dumb British journalists who tended to use "power pop" as a catchall term, lots of bands that weren't really power pop got lumped into the genre, such as Music/TheJam, Music/{{Squeeze}}, the Music/{{Buzzcocks}}, Music/ElvisCostello, Music/{{Blondie}}, Music/{{XTC}}, and Music/NickLowe (most of these bands were [[NewWaveMusic New Wave]], PunkRock or early AlternativeRock, with Squeeze and Nick Lowe being the closest to bona-fide Power Pop).
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TheSeventies represented the decade where PowerPop Power pop came into its own as a genre, represented by artists like Badfinger (who enjoyed the patronage of Music/TheBeatles), The Raspberries, famous [[CultClassic cult band]] Music/BigStar, NRBQ, [[ToddRundgren Nazz and Todd Rundgren]]. The genre also reached the peak of its mainstream popularity in the late seventies, represented chiefly by Music/CheapTrick and others like 20/20, Music/TheCars, and The Knack. The Knack provided the genre's biggest hit with "My Sharona", but they suffered a huge backlash and a "Knuke the Knack" campaign over the perceived misogyny of their lyrics. Thanks to dumb British journalists who tended to use "power pop" as a catchall term, lots of bands that weren't really power pop got lumped into the genre, such as Music/TheJam, Music/{{Squeeze}}, the Music/{{Buzzcocks}}, Music/ElvisCostello, Music/{{Blondie}}, Music/{{XTC}}, and Music/NickLowe (most of these bands were [[NewWaveMusic New Wave]], PunkRock or early AlternativeRock, with Squeeze and Nick Lowe being the closest to bona-fide Power Pop).
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* Music/TheCars (straddling the line between PowerPop and [[NewWaveMusic New Wave]])
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* Music/TheCars (straddling the line between PowerPop Power pop and [[NewWaveMusic New Wave]]){{New Wave|Music}})
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+ RockAndRoll, BritishInvasion (both the Merseybeat and the Mod aspects of it), PopMusic, ProtoPunk, HardRock
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+ RockAndRoll, BritishInvasion UsefulNotes/TheBritishInvasion (both the Merseybeat and the Mod aspects of it), PopMusic, ProtoPunk, HardRock
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Fittingly, the term "power pop" was coined by Pete Townshend in a 1967 interview (quoted above) to describe his band's style. Their early singles like "I Can't Explain", "The Kids Are Alright" and "Substitute", helped [[TropeCodifier codify]] the genre, merging strong Beatle-ish melodies wivth driving R&B-inspired rhythms and massive Marshall-stacked guitars. The Beatles themselves released harder-edged singles that helped inspire the genre, such as "Day Tripper" and "Paperback Writer", and Music/TheKinks pretty much invented the style with the {{epic riff}}y "You Really Got Me" and "All Day and All of the Night".
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Fittingly, the term "power pop" was coined by Pete Townshend in a 1967 interview (quoted above) to describe his band's style. Their early singles like "I Can't Explain", "The Kids Are Alright" and "Substitute", helped [[TropeCodifier codify]] the genre, merging strong Beatle-ish melodies wivth driving R&B-inspired rhythms and massive Marshall-stacked guitars. The Beatles themselves released harder-edged singles that helped inspire the genre, such as "Day Tripper" and "Paperback Writer", and Music/TheKinks pretty much invented the style with the {{epic riff}}y "You Really Got Me" and "All Day and All of the Night".
Night", which were the template for "I Can't Explain".
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Fittingly, the term "power pop" was coined by Pete Townshend in a 1967 interview (quoted above) to describe his band's style. Their early singles like "I Can't Explain", "The Kids Are Alright" and "Substitute", helped [[TropeCodifier codify]] the genre, merging strong Beatle-ish melodies with driving R&B-inspired rhythms and massive Marshall-stacked guitars. The Beatles themselves released harder-edged singles that helped inspire the genre, such as "Day Tripper" and "Paperback Writer", and Music/TheKinks joined in the fun with the {{epic riff}}y "You Really Got Me" and "All Day and All of the Night".
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Fittingly, the term "power pop" was coined by Pete Townshend in a 1967 interview (quoted above) to describe his band's style. Their early singles like "I Can't Explain", "The Kids Are Alright" and "Substitute", helped [[TropeCodifier codify]] the genre, merging strong Beatle-ish melodies with wivth driving R&B-inspired rhythms and massive Marshall-stacked guitars. The Beatles themselves released harder-edged singles that helped inspire the genre, such as "Day Tripper" and "Paperback Writer", and Music/TheKinks joined in pretty much invented the fun style with the {{epic riff}}y "You Really Got Me" and "All Day and All of the Night".
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* Music/TheEyes
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+ RockAndRoll, BritishInvasion (both the Merseybest and the Mod aspects of it), PopMusic, ProtoPunk, HardRock
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+ RockAndRoll, BritishInvasion (both the Merseybest Merseybeat and the Mod aspects of it), PopMusic, ProtoPunk, HardRock
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* [[Music/EnuffZNuff Enuff Z'Nuff]] (although they had the misfortune of being labeled as a HairMetal band because [[ExecutiveMeddling that's what Music/AtcoRecords said they were]].)
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* [[Music/EnuffZNuff Enuff Z'Nuff]] (although they had the misfortune of being labeled as a HairMetal band because [[ExecutiveMeddling that's what Music/AtcoRecords their label]] Creator/AtcoRecords said they were]].were.)
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-->''Power pop is what we play — what Music/TheSmallFaces used to play, and the kind of pop Music/TheBeachBoys played in the days of "Fun, Fun, Fun" which I preferred.''
-->'''[[Music/TheWho Pete Townshend]]'''
-->'''[[Music/TheWho Pete Townshend]]'''
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-->'''[[Music/TheWho
-->--'''[[Music/TheWho Pete Townshend]]'''
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* [[Music/EnuffZNuff Enuff Z'Nuff]] (although they had the misfortune of being labeled as a HairMetal band because [[ExecutiveMeddling that's what Atco said they were]].)
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* [[Music/EnuffZNuff Enuff Z'Nuff]] (although they had the misfortune of being labeled as a HairMetal band because [[ExecutiveMeddling that's what Atco Music/AtcoRecords said they were]].)
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* Nazz and ToddRundgren solo
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* The Nazz and ToddRundgren Music/ToddRundgren solo
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* Music/{{Weezer}} (also Alternative Rock, PopPunk, and [at least on ''Music/{{Pinkerton}}''] [[EmoMusic Emo]])
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* Music/{{Weezer}} (also Alternative Rock, PopPunk, and [at least on ''Music/{{Pinkerton}}''] ''Music/WeezerTheBlueAlbum'' and''Music/{{Pinkerton}}''] [[EmoMusic Emo]])
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PowerPop is Music/TheBeatles [[XMeetsY meets]] Music/TheWho.
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PowerPop is Music/TheBeatles [[XMeetsY [[JustForFun/XMeetsY meets]] Music/TheWho.
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PopPunk bands often [[BlatantLies claim to be]] power pop. Considering TheWho inspired many of the first punk bands, this may not be surprising.
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PopPunk bands often [[BlatantLies claim to be]] power pop. Considering TheWho Music/TheWho inspired many of the first punk bands, this may not be surprising.
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[floatboxright:
Primary Stylistic Influences:
+ RockAndRoll, BritishInvasion (both the Merseybest and the Mod aspects of it), PopMusic, ProtoPunk, HardRock
]
[floatboxright:
Secondary Stylistic Influences:
+ ArenaRock, FolkRock, GarageRock, later bands often influenced by PunkRock, NewWaveMusic and AlternativeRock
]
Primary Stylistic Influences:
+ RockAndRoll, BritishInvasion (both the Merseybest and the Mod aspects of it), PopMusic, ProtoPunk, HardRock
]
[floatboxright:
Secondary Stylistic Influences:
+ ArenaRock, FolkRock, GarageRock, later bands often influenced by PunkRock, NewWaveMusic and AlternativeRock
]
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Added namespaces.
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Power pop dropped out of the spotlight after the end of the seventies but continued to thrive underground and proved to be an important influence on AlternativeRock bands - many of the early alt-rock bands, such as {{REM}}, played JanglePop and owed a massive debt to power pop, especially Music/BigStar. The genre has still had its occasional moments of mainstream success, such as MatthewSweet's "Girlfriend", GinBlossoms' "Hey Jealousy", {{Weezer}}'s "Buddy Holly", and Walk the Moon's "Shut Up and Dance".
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Power pop dropped out of the spotlight after the end of the seventies but continued to thrive underground and proved to be an important influence on AlternativeRock bands - many of the early alt-rock bands, such as {{REM}}, Music/{{REM}}, played JanglePop and owed a massive debt to power pop, especially Music/BigStar. The genre has still had its occasional moments of mainstream success, such as MatthewSweet's Music/MatthewSweet's "Girlfriend", GinBlossoms' Music/GinBlossoms' "Hey Jealousy", {{Weezer}}'s Music/{{Weezer}}'s "Buddy Holly", and Walk the Moon's "Shut Up and Dance".
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* Music/BradJones (No, not that Creator/BradJones)
* Music/DirtyLooks (not the glam metal band)
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* Music/{{Weezer}} (also [[EmoMusic Emo]] and PopPunk)
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* Music/{{Weezer}} (also Alternative Rock, PopPunk, and [at least on ''Music/{{Pinkerton}}''] [[EmoMusic Emo]] and PopPunk)Emo]])
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* Music/MaterialIssue
* Music/ThePoohSticks
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* Music/{{Ramones}}
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* Music/{{Ramones}}Music/{{Ramones}} (though more often recognized as a PunkRock band)
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* Music/WalkTheMoon (especially amplified on ''Talking is Hard'')
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* Music/UrgeOverkill
* Music/WalkTheMoon (especially amplified on ''Talking isHard'')Hard''; also DancePunk and [[NewWaveMusic New Wave Revival]])
* Music/WalkTheMoon (especially amplified on ''Talking is
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* Music/{{Zumpano}} (a precursor to The New Pornographers)
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* 20/20
* Music/ArtfulDodger (not the British Garage producer, the 70s American band)
* Music/ArtfulDodger (not the British Garage producer, the 70s American band)
* Music/BayCityRollers
* Music/TheBeat (Paul Collins' band, not to be confused with the British Music/TwoTone band, called The English Beat in the US)
* Music/TheBeat (Paul Collins' band, not to be confused with the British Music/TwoTone band, called The English Beat in the US)
* Music/BlueAsh
* Music/BrendanBenson
* Music/BrotherKite
* Music/BrendanBenson
* Music/BrotherKite
* Music/TheClickFive
* Music/CottonMather
* Music/CottonMather
* The dBs (also JanglePop)
* Music/{{Fastball}}
* Music/ModFun
* Music/ThePlimsouls
* Music/TheSpongetones
* Music/DwightTwiley
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* Music/{{Weezer}}
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* Music/{{Weezer}}Music/{{Weezer}} (also [[EmoMusic Emo]] and PopPunk)
* Music/{{Wheatus}}
* Music/{{Wheatus}}
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The term "power pop" was, perhaps fittingly enough, coined by Pete Townshend in a 1967 interview (quoted above) to describe his band's style. Their early singles like "I Can't Explain", "The Kids Are Alright" and "Substitute", helped [[TropeCodifier codify]] the genre, merging strong Beatle-ish melodies with driving R&B-inspired rhythms and massive Marshall-stacked guitars. The Beatles themselves released harder-edged singles that helped inspire the genre, such as "Day Tripper" and "Paperback Writer", and Music/TheKinks joined in the fun with the {{Epic Riff}}y "You Really Got Me" and "All Day and All of the Night".
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