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* Music/{{Blink 182}} (mixed with more traditional AlternativeRock since the self-titled album. Also the [[TropeCodifier Trope Codifiers]] for the very glossy and even more pop-friendly side of the genre that would dominate the 2000s)

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* Music/{{Blink 182}} (mixed with more traditional AlternativeRock since the self-titled album. Also the [[TropeCodifier Trope Codifiers]] for the very glossy and even much more overtly pop-friendly side of the genre that would dominate the 2000s)
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* Music/MaisiePeters (some of her work)
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Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album ''Music/{{Dookie}}''. Later on, Music/Blink182's push into modern rock superstars with ''Enema of the State'' would further cement the genre's mainstream success, with their ultra-glossy production style and sugary-sweet melodies being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.

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Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album ''Music/{{Dookie}}''. Later on, Music/Blink182's push into modern rock superstars with ''Enema of the State'' would further cement the genre's mainstream success, with their ultra-glossy production style and sugary-sweet melodies songwriting being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.
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Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album ''Music/{{Dookie}}''. Later on, Music/Blink182's push into modern rock superstars with ''Enema of the State'' would further cement the genre's mainstream success, with their ultra-glossy production style and sugarcoated melodies being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.

to:

Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album ''Music/{{Dookie}}''. Later on, Music/Blink182's push into modern rock superstars with ''Enema of the State'' would further cement the genre's mainstream success, with their ultra-glossy production style and sugarcoated sugary-sweet melodies being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.
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Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album ''Music/{{Dookie}}''. Later on, Music/Blink182's push into modern rock superstars with ''Enema of the State'' would further cement the genre's mainstream success, with their ultra-glossy production and bubblegum infused emphasis on the 'pop' being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.

to:

Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album ''Music/{{Dookie}}''. Later on, Music/Blink182's push into modern rock superstars with ''Enema of the State'' would further cement the genre's mainstream success, with their ultra-glossy production style and bubblegum infused emphasis on the 'pop' sugarcoated melodies being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.
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Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album ''Music/{{Dookie}}''. Later on, Music/Blink182's breakthrough with ''Enema of the State'' would bring the genre even more mainstream success, with their ultra-glossy production and bubblegum infused emphasis on the 'pop' being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.

to:

Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album ''Music/{{Dookie}}''. Later on, Music/Blink182's breakthrough push into modern rock superstars with ''Enema of the State'' would bring further cement the genre even more genre's mainstream success, with their ultra-glossy production and bubblegum infused emphasis on the 'pop' being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.
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* Music/RedHook

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* Music/BrandNew (first two albums; completely moved away from the genre from ''The Devil and God Are Raging Inside Me'' onwards)

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* Music/BrandNew (first two albums; (early work; started becoming less prominent on ''Deja entendu'' before they completely moved away from the genre from starting with ''The Devil and God Are Raging Inside Me'' onwards)Me'')
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* Music/BrandNew (first two albums; later completely moved away from the genre from ''The Devil and God Are Raging Inside Me'' onwards)

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* Music/BrandNew (first two albums; later completely moved away from the genre from ''The Devil and God Are Raging Inside Me'' onwards)
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* Music/BrandNew

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* Music/BrandNewMusic/BrandNew (first two albums; later completely moved away from the genre from ''The Devil and God Are Raging Inside Me'' onwards)
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Merged back, considering it's the only output so far


** 2021 - ''Music/{{SOUR}}''
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Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album ''Music/{{Dookie}}''. Later on, Music/Blink182's breakthrough success with ''Enema of the State'' would bring the genre even more mainstream success, with their ultra-glossy production and bubblegum infused emphasis on the 'pop' being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.

to:

Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album ''Music/{{Dookie}}''. Later on, Music/Blink182's breakthrough success with ''Enema of the State'' would bring the genre even more mainstream success, with their ultra-glossy production and bubblegum infused emphasis on the 'pop' being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.
Is there an issue? Send a MessageReason:
None


Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album ''Music/{{Dookie}}''. Later on, Music/Blink182's breakthrough success with ''Enema of the State'' would bring the genre even more mainstream success, with their ultra-glossy production and heavier emphasis on the 'pop' being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.

to:

Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album ''Music/{{Dookie}}''. Later on, Music/Blink182's breakthrough success with ''Enema of the State'' would bring the genre even more mainstream success, with their ultra-glossy production and heavier bubblegum infused emphasis on the 'pop' being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.
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Tertiary Stylistic Influences (on the 2010s/2020s Pop Punk revival):

to:

Tertiary Stylistic Influences (on the late 2010s/2020s Pop Punk revival):
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Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album ''Music/{{Dookie}}''. Later on, Music/Blink182's breakthrough success with ''Enema of the State'' would bring the genre even more mainstream success, with their ultra-glossy production and heavy emphasis on the 'pop' being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.

to:

Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album ''Music/{{Dookie}}''. Later on, Music/Blink182's breakthrough success with ''Enema of the State'' would bring the genre even more mainstream success, with their ultra-glossy production and heavy heavier emphasis on the 'pop' being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.
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None


Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album Music/{{Dookie}}. Later on, Music/Blink182's breakthrough success with ''Enema of the State'' would bring the genre even more mainstream success, with their ultra-glossy production and heavy emphasis on the 'pop' being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.

to:

Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue, and went on to break the genre into the mainstream with their signature album Music/{{Dookie}}.''Music/{{Dookie}}''. Later on, Music/Blink182's breakthrough success with ''Enema of the State'' would bring the genre even more mainstream success, with their ultra-glossy production and heavy emphasis on the 'pop' being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.
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Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue. Before long, the radio was full of bands like Music/{{Blink 182}} and Music/{{Sum 41}}. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk.

to:

Bands like this played a large part in influencing Music/GreenDay, who premiered at 924 Gilman Street, Oakland, a renowned all ages venue. Before long, venue, and went on to break the radio was full genre into the mainstream with their signature album Music/{{Dookie}}. Later on, Music/Blink182's breakthrough success with ''Enema of bands like Music/{{Blink 182}} the State'' would bring the genre even more mainstream success, with their ultra-glossy production and Music/{{Sum 41}}. heavy emphasis on the 'pop' being widely imitated by the artists who came after. After the mainstream success of Pop Punk, certain parts of the punk subculture started applying a "[[NoTrueScotsman Pop Punk, not Punk]]" mentality to the genre, claiming that putting the style of music for sale was an anti-punk action and therefore not "true" punk.
punk, a mentality that would become especially pronounced after the release of ''Enema of the State''.
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* Music/MckennaGrace

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* Music/MckennaGraceCreator/MckennaGrace
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* Music/MckennaGrace
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Might make this page someday.

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* Music/{{Bunkface}}
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+ PunkRock, PowerPop, {{Pop}}, AlternativeRock

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+ PunkRock, PowerPop, {{Pop}}, AlternativeRockAlternativeRock (since 1990s)
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* Music/TheGetUpKids (also falls into second wave EmoMusic, being the TropeMakers for the 'emo-pop' subgenre)

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* Music/TheGetUpKids (also falls into second wave EmoMusic, being one of the TropeMakers for the 'emo-pop' subgenre)

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* Music/TheGetUpKids (considered to fall into second wave EmoMusic as well)

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* Music/TheGetUpKids (considered to fall (also falls into second wave EmoMusic as well)EmoMusic, being the TropeMakers for the 'emo-pop' subgenre)

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* Music/{{Blink 182}} (mixed with more traditional AlternativeRock since the self-titled album)

to:

* Music/{{Blink 182}} (mixed with more traditional AlternativeRock since the self-titled album)album. Also the [[TropeCodifier Trope Codifiers]] for the very glossy and even more pop-friendly side of the genre that would dominate the 2000s)

Changed: 69

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* Music/TravisBarker, best-known as the drummer for Music/Blink182 but also in his own right a significant figure in the genre's [[TheNewTwenties New Twenties]] revival as a record producer.

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* Music/TravisBarker, best-known Music/TravisBarker (best-known as the drummer for Music/Blink182 but also in his own right a significant figure in the genre's [[TheNewTwenties New Twenties]] revival as a record producer.producer)



* Music/{{Buzzcocks}}

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* Music/{{Buzzcocks}}Music/{{Buzzcocks}} (one of the key TropeMakers for the genre alongside the Ramones)

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Removed: 212

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* Music/TravisBarker, best-known as the drummer for Music/Blink182 but also in his own right a significant figure in the genre's [[TheNewTwenties New Twenties]] revival as a record producer.



* Music/TravisBarker, best-known as the drummer for the aforementioned Music/Blink182 but is also in his own right a significant figure in the genre's [[TheNewTwenties New Twenties]] revival as a record producer.
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Bands generally agreed to be pop-punk include:

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Bands and artists generally agreed to be pop-punk include:

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Changed: 5

Removed: 18

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* Music/{{Area 11}}

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* Music/{{Area 11}}Music/Area11
* Music/KenAshcorp



* Music/{{Jhariah}}



* Music/KenAshcorp
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Perhaps the [[UrExample first ever]] Pop Punk band were Music/{{The Ramones}}, who melded the simplicity of rock'n'roll with breakneck speed, but maintained enough pop sensibilities to achieve great acclaim and cult status.

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Perhaps the [[UrExample first ever]] Pop Punk band were Music/{{The Ramones}}, the Music/{{Ramones}}, who melded the simplicity of rock'n'roll with breakneck speed, but maintained enough pop sensibilities to achieve great acclaim and cult status.



''The Sundae'' has divided pop-punk into [[https://thesundae.net/2022/04/24/seven-ages-of-pop-punk/ seven ages]]: The Blueprint (0-1993 - melodic punk like Music/TheRamones, Music/{{Buzzcocks}}); The Big Bang (1994-1999 - formative music like Music/{{Weezer}}, Music/GreenDay); [=Y2K=] (2000-2003 - ''TRL''-bait commercial punk like Music/Blink182, Music/Sum41); the Emo era (2004-2008 - post-''American Idiot'' conceptual fare like Music/PanicAtTheDisco, Music/MyChemicalRomance); the New Administration/Retreat (2009-2012 - a last hurrah for the style, Music/{{Paramore}}, Music/TheWonderYears); "Pop Punk Is Over" (2013-2018 - existing bands diversify from the style) and the Pop-Punk Revival (2019-present - Millennial/Zoomer pastiche of the genre, Music/OliviaRodrigo, Music/MachineGunKelly).

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''The Sundae'' has divided pop-punk into [[https://thesundae.net/2022/04/24/seven-ages-of-pop-punk/ seven ages]]: The Blueprint (0-1993 - melodic punk like Music/TheRamones, the Music/{{Ramones}}, Music/{{Buzzcocks}}); The Big Bang (1994-1999 - formative music like Music/{{Weezer}}, Music/GreenDay); [=Y2K=] (2000-2003 - ''TRL''-bait commercial punk like Music/Blink182, Music/Sum41); the Emo era (2004-2008 - post-''American Idiot'' conceptual fare like Music/PanicAtTheDisco, Music/MyChemicalRomance); the New Administration/Retreat (2009-2012 - a last hurrah for the style, Music/{{Paramore}}, Music/TheWonderYears); "Pop Punk Is Over" (2013-2018 - existing bands diversify from the style) and the Pop-Punk Revival (2019-present - Millennial/Zoomer pastiche of the genre, Music/OliviaRodrigo, Music/MachineGunKelly).



* Music/TheRamones (well, [[TropeMaker they started it]])
** 1976 - ''Music/{{Ramones}}''

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* Music/TheRamones Music/{{Ramones}} (well, [[TropeMaker they started it]])
** 1976 - ''Music/{{Ramones}}''''Music/{{Ramones|Album}}''
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** 2021 - ''Music/{{SOUR}}''

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