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* Music/TravisBarker, best-known as the drummer for the aforementioned Music/Blink182 but also in his own right a significant figure in the genre's [[TheNewTwenties New Twenties]] revival as a record producer.
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* Music/TravisBarker, best-known as the drummer for the aforementioned Music/Blink182 but is also in his own right a significant figure in the genre's [[TheNewTwenties New Twenties]] revival as a record producer.
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* Music/{{YUNGBLUD}}
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In the 2010's, Pop Punk had passed its peak in terms of commercial success, though was still fairly active in the underground. Pop punk acts such as Man Overboard are insistent that pop punk is required to be defended at all times, mainly from jerky hipsters and elitist hardcore punkers, as part of a larger scene termed DefendPopPunk, incorporating elements of melodic hardcore and emo. "Easycore" is another development that fuses the genre with melodic hardcore and metalcore; the genre was largely created by A Day to Remember and Chunk! No, Captain Chunk!, and while the former has since grown into a major act, the easycore genre itself largely fizzled out by the mid-2010s, with only I Prevail finding anywhere close to the success of A Day to Remember. In TheNewTwenties, however, a significant revival movement cropped up through social media platforms such as [=TikTok=], and artists such as Music/MachineGunKelly and Music/OliviaRodrigo started incorporating pop punk into their music.
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In the 2010's, Pop Punk had passed its peak in terms of commercial success, though was still fairly active in the underground. Pop punk acts such as Man Overboard are insistent that pop punk is required to be defended at all times, mainly from jerky hipsters and elitist hardcore punkers, as part of a larger scene termed DefendPopPunk, incorporating elements of melodic hardcore and emo. "Easycore" is another development that fuses the genre with melodic hardcore and metalcore; the genre was largely created by A Day to Remember and Chunk! No, Captain Chunk!, and while the former has since grown into a major act, the easycore genre itself largely fizzled out by the mid-2010s, with only I Prevail finding anywhere close to the success of A Day to Remember. In TheNewTwenties, however, a significant revival movement cropped up through social media platforms such as [=TikTok=], Website/{{TikTok}}, and artists such as Music/MachineGunKelly and Music/OliviaRodrigo started incorporating pop punk into their music.
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** Music/{{Miserable}}
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** Music/{{Miserable}}
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* Music/MaggieLindemann
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+ HipHop, TurnOfTheMillennium TeenPop, {{Hyperpop}}, EmoMusic, NuMetal
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+ HipHop, EmoRap, TurnOfTheMillennium TeenPop, {{Hyperpop}}, EmoMusic, NuMetal
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Primary Stylistic Influences (70s Punk):
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Primary Stylistic Influences (70s Punk):Influences:
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Secondary Stylistic Influences (70s Punk):
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Secondary Stylistic Influences (70s Punk):Influences:
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[floatboxright:
Tertiary Stylistic Influences (on the 2010s/2020s Pop Punk revival):
+ HipHop, TurnOfTheMillennium TeenPop, {{Hyperpop}}, EmoMusic, NuMetal
]
Tertiary Stylistic Influences (on the 2010s/2020s Pop Punk revival):
+ HipHop, TurnOfTheMillennium TeenPop, {{Hyperpop}}, EmoMusic, NuMetal
]
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* Music/SincereEngineer (a prime example of the "Pop-Punk Revival" in the Chicago scene)
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* Creator/TylerPosey
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* Creator/WillowSmith (starting with ''lately I feel EVERYTHING'')
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** Music/TravisBarker, best-known as the band's drummer but a significant figure in the genre's [[TheNewTwenties New Twenties]] revival as a record producer.
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* Music/TravisBarker, best-known as the drummer for the aforementioned Music/Blink182 but also in his own right a significant figure in the genre's [[TheNewTwenties New Twenties]] revival as a record producer.
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* [[Music/FiveSecondsOfSummer 5 Seconds of Summer]] (the most successful pop punk band in the 2010's, though that's largely due to them being photogenic young men playing for female listeners. Note that they aren't ''technically'' a BoyBand, but their marketing targets largely the same demographic for the same reasons.)
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* [[Music/FiveSecondsOfSummer 5 Seconds of Summer]] (the most successful pop punk band in the 2010's, 2010s, though that's largely due to them being photogenic young men playing for female listeners. Note that they aren't ''technically'' a BoyBand, but their marketing targets largely the same demographic for the same reasons.)
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** Music/TravisBarker, best-known as the band's drummer but a significant figure in the genre's [[TheNewTwenties New Twenties]] revival as a record producer.
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** 2020 - ''Music/TicketsToMyDownfall''
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Up To Eleven is a defunct trope
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During the mid-2000s, Pop Punk largely supplanted the late '90s-to-early '00s BoyBand craze. Young female listeners flocked to pop punk bands for [[MrFanservice largely the]] [[PrettyBoy same reasons]] why they were into boy bands. They weren't without detractors, but since they were formed organically, not by a label, and actually wrote their own songs and played their own instruments, they had much more artistic credibility than boy bands ever did, and were ''much'' more appealing to males.[[note]] there was also "neon pop punk", or just neon-pop if you prefer, as exemplified by bands like Cute Is What We Aim For and early All Time Low, which had even poppier sensibilities and "girl-crazy" lyrics and thus could be considered to have taken the BoyBand aspect UpToEleven[[/note]]
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During the mid-2000s, Pop Punk largely supplanted the late '90s-to-early '00s BoyBand craze. Young female listeners flocked to pop punk bands for [[MrFanservice largely the]] [[PrettyBoy same reasons]] why they were into boy bands. They weren't without detractors, but since they were formed organically, not by a label, and actually wrote their own songs and played their own instruments, they had much more artistic credibility than boy bands ever did, and were ''much'' more appealing to males.[[note]] there was also "neon pop punk", or just neon-pop if you prefer, as exemplified by bands like Cute Is What We Aim For and early All Time Low, which had even poppier sensibilities and "girl-crazy" lyrics and thus could be considered to have taken the BoyBand aspect UpToEleven[[/note]]
up a notch[[/note]]
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* Music/MachineGunKelly
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* Music/MachineGunKellyMusic/MachineGunKelly (starting with ''Tickets To My Downfall'')
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* Music/PaleWaves (starting with ''Who Am I?'')
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''The Sundae'' has divided pop-punk into [[https://thesundae.net/2022/04/24/seven-ages-of-pop-punk/ seven ages]]: The Blueprint (0-1993 - melodic punk like Music/TheRamones, Music/{{Buzzcocks}}); The Big Bang (1994-1999 - formative music like Music/{{Weezer}}, Music/GreenDay); [=Y2K=] (2000-2003 - ''TRL''-bait commercial punk like Music/Blink182, Music/Sum41); the Emo era (2004-2008 - post-''American Idiot'' conceptual fare like Music/PanicAtTheDisco, Music/MyChemicalRomance); the New Administration/Retreat (2009-2012 - a last hurrah for the style, Music/{{Paramore}}, Music/TheWonderYears); "Pop Punk Is Over" (2013-2018 - existing bands diversify from the style) and the Pop-Punk Revival (2019-present - Millennial/Zoomer pastiche of the genre, Music/OliviaRodrigo, Music/MachineGunKelly).
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** 1994 - ''[[Music/SmashAlbum Smash]]''
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** 1994 - ''[[Music/SmashAlbum Smash]]''''Music/{{Smash|Album}}''
* Music/{{Pain}}
* Music/{{Pain}}
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* Music/{{Neck Deep}}
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* Music/{{Neck Deep}}Music/NeckDeep
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* Music/NewPolitics
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* Music/SmokingPopes
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* Music/StoryUntold