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* In the ''WesternAnimation/BlueEyeSamurai'' episode "[[Recap/BlueEyeSamuraiS01E05TheTaleOfTheRoninAndTheBride The Tale Of The Ronin And The Bride]]", there are 3 plot lines, and two of them parallel each other. In one plot line, parts of Mizu's past is told through flashbacks, while in another an audoence watches a performance about how an ancient {{Ronin}} went on a murderous quest for revenge against the clan that killed his lord. Mizu's past has a very significant overlap of themes with the tale of the ronin, although the section of Mizu's life seen in the flashbacks can be seen as something of a combination of the life of the ronin and his wife.
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** ''Film/KongSkullIsland'': For most of the middle part of the film; Conrad, Weaver, Brooks and San's group coming across the Iwi and Marlow, and gaining a greater understanding of Kong as the island's necessary guardian [[spoiler:who only attacked the Sky Devils because they bombed his home first]]; is paralleled by Packard leading his remaining men and Randa on the hunt for the missing Chapman, and for weapons which Packard has every intention of using to kill Kong, setting Packard up as the antagonist who is ultimately furthering the conflict instead of resolving it.
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* ''VideoGame/MetalGear'' is so built on this sort of storytelling that virtually nothing happens only once.
* ''VideoGame/Persona3'': Yukari's father died before the events of the game to save humanity from [[TheEndOfTheWorldAsWeKnowIt the Fall]], but from his family's point of view, he died in an accident that left more questions than answers. Yukari's mother fell apart emotionally, and went on to neglect her daughter in favor of other men, causing more issues for Yukari herself. This gets resolved through her Social Link, where Yukari opens up about this to the protagonist, admitting that she now understands why her mother acted the way she did as a LoveConfession of sorts. Then, [[spoiler:the protagonist dies to stop the Fall the second time it happens, and the PlayableEpilogue reveals that from Yukari's point of view, he died just as unexpectedly as her father did, and left her with just as much answers, causing her to fall apart just like her mother did (minus the other men part).]]

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* ''VideoGame/MetalGear'' is so built on this sort of storytelling that virtually nothing happens only once.
once. The biggest example is [[spoiler:''VideoGame/{{Metal Gear Solid 2|SonsOfLiberty}}'', where it's revealed that the entirety of the Plant chapter has been an intentional recreation of the Shadow Moses incident from ''VideoGame/MetalGearSolid'', only doing anything that hasn't already been done after the simulation has gone OffTheRails]].
* ''VideoGame/Persona3'': Yukari's father died before the events of the game to save humanity from [[TheEndOfTheWorldAsWeKnowIt the Fall]], but from his family's point of view, he died in an accident that left more questions than answers. Yukari's mother fell apart emotionally, and went on to neglect her daughter in favor of other men, causing more issues for Yukari herself. This gets resolved through her Social Link, where Yukari opens up about this to the protagonist, admitting that she now understands why her mother acted the way she did as a LoveConfession of sorts. Then, [[spoiler:the protagonist dies to stop the Fall the second time it happens, and the PlayableEpilogue reveals that from Yukari's point of view, he died just as unexpectedly as her father did, and left her with just as much few answers, causing her to fall apart just like her mother did (minus the other men part).]]
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* ''VideoGame/MetalGear'' is so built on this sort of storytelling that virtually nothing happens only once.
* ''VideoGame/Persona3'': Yukari's father died before the events of the game to save humanity from [[TheEndOfTheWorldAsWeKnowIt the Fall]], but from his family's point of view, he died in an accident that left more questions than answers. Yukari's mother fell apart emotionally, and went on to neglect her daughter in favor of other men, causing more issues for Yukari herself. This gets resolved through her Social Link, where Yukari opens up about this to the protagonist, admitting that she now understands why her mother acted the way she did as a LoveConfession of sorts. Then, [[spoiler:the protagonist dies to stop the Fall the second time it happens, and the PlayableEpilogue reveals that from Yukari's point of view, he died just as unexpectedly as her father did, and left her with just as much answers, causing her to fall apart just like her mother did (minus the other men part).]]

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* ''VideoGame/MetalGear'' is so built on this sort of storytelling that virtually nothing happens only once.
once. The biggest example is [[spoiler:''VideoGame/{{Metal Gear Solid 2|SonsOfLiberty}}'', where it's revealed that the entirety of the Plant chapter has been an intentional recreation of the Shadow Moses incident from ''VideoGame/MetalGearSolid'', only doing anything that hasn't already been done after the simulation has gone OffTheRails]].
* ''VideoGame/Persona3'': Yukari's father died before the events of the game to save humanity from [[TheEndOfTheWorldAsWeKnowIt the Fall]], but from his family's point of view, he died in an accident that left more questions than answers. Yukari's mother fell apart emotionally, and went on to neglect her daughter in favor of other men, causing more issues for Yukari herself. This gets resolved through her Social Link, where Yukari opens up about this to the protagonist, admitting that she now understands why her mother acted the way she did as a LoveConfession of sorts. Then, [[spoiler:the protagonist dies to stop the Fall the second time it happens, and the PlayableEpilogue reveals that from Yukari's point of view, he died just as unexpectedly as her father did, and left her with just as much few answers, causing her to fall apart just like her mother did (minus the other men part).]]
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* One of the minor characters in ''VideoGame/HypnospaceOutlaw'' is Rebekah Ruth Pinson, a teenage girl who connects with people on Hypnospace and concentrates her effort on an online art contest, only to be disappointed when she is forced off the internet by her conservative parents come the TurnOfTheMillennium. Her story arc has heavy parallels with [[spoiler:Dylan Merchant's, as he also enjoys the glory days of Hypnospace and puts a lot of effort into developing his video game ''Outlaw'', only to face disappointment as ''Outlaw'' causes several fatalities and shuts down the Sleeptime industry for good.]] WordOfGod states the ending credits are set from Rebekah's perspective, but it's worth noting the lyrics could also easily apply to [[spoiler:Dylan]].
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Trope was cut/disambiguated due to cleanup


** [[Recap/DoctorWhoS12E1Robot "Robot"]] has an A-plot about an insane, childlike, potentially dangerous but by nature benevolent robot being forced to kill its creator and [[ThreeLawsCompliant go against its basic peaceful, humanitarian nature]] by a rigorous, militaristic unit obsessed with science and reason, which drives it AxeCrazy and leaves it convinced it needs to kill all of humanity apart from Sarah Jane. The B-plot is about the Doctor, who has recently regenerated into an insane, childlike, potentially dangerous but by nature benevolent personality, who attempts to abandon his friend Sarah in his confusion, and is forced to go against his basic freedom-loving nature by the rigorous, militaristic unit who use him as a scientific advisor. The Doctor happily (if a bit flakily) helps defeat the robot, but in the ScriptWank scene at the end he convinces Sarah that he won't, won't, won't behave like the refined and social person UNIT needs him to be and it's time for he and she to run off and explore the universe.

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** [[Recap/DoctorWhoS12E1Robot "Robot"]] has an A-plot about an insane, childlike, potentially dangerous but by nature benevolent robot being forced to kill its creator and [[ThreeLawsCompliant go against its basic peaceful, humanitarian nature]] by a rigorous, militaristic unit obsessed with science and reason, which drives it AxeCrazy and leaves it convinced it needs to kill all of humanity apart from Sarah Jane. The B-plot is about the Doctor, who has recently regenerated into an insane, childlike, potentially dangerous but by nature benevolent personality, who attempts to abandon his friend Sarah in his confusion, and is forced to go against his basic freedom-loving nature by the rigorous, militaristic unit who use him as a scientific advisor. The Doctor happily (if a bit flakily) helps defeat the robot, but in the ScriptWank scene LessonOfTheDaySpeech at the end he convinces Sarah that he won't, won't, won't behave like the refined and social person UNIT needs him to be and it's time for he and she to run off and explore the universe.
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* In ''Literature/TheHitchhikersGuideToTheGalaxy'', the book begins with the main character waking up to see that his house is being demolished without proper notice. The demolisher then states that he did have proper notice, but it is revealed that there was no way he could have actually known about, or seen the notice. Then, spaceships appear all over the earth and it is revealed that the earth is scheduled for demolition and that they were given "proper notice..." Luckily, the main character survives.

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* In ''Literature/TheHitchhikersGuideToTheGalaxy'', the book begins with the main character character, Arthur Dent, waking up to see that his house is being demolished without proper notice. The demolisher then states that he did have proper notice, but it is revealed that there was no way he Arthur could have actually known about, or seen the notice.notice ("It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying 'Beware of the Leopard'.”). Then, spaceships appear all over the earth and it is revealed that the earth is scheduled for demolition and that they were given "proper notice..." ("All the planning charts and demolition orders have been on display at your local planning department in Alpha Centauri for 50 of your Earth years, so you’ve had plenty of time to lodge any formal complaint and it’s far too late to start making a fuss about it now.") Luckily, the main character survives.Arthur survives both demolitions.
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* Alexis Series/{{Castle}} and her problems normally parallel some aspect of the case her father and Beckett are working, or some aspect of their budding relationship. Leads to many a EurekaMoment.

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* Alexis Series/{{Castle}} Series/{{Castle|2009}} and her problems normally parallel some aspect of the case her father and Beckett are working, or some aspect of their budding relationship. Leads to many a EurekaMoment.
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* In ''Literature/{{Dracula}}'', the Count lives in a huge old house in a remote location, is accused by the three vampire women who live with him that he is incapable of love, and keeps Jonathan Harker imprisoned while playing a range of cruel games with him. We are then introduced to the young Dr. Seward, who also lives in a huge old house in a remote location, has just been rejected by the woman he loves, and keeps his mentally ill patient Renfield imprisoned while treating him, in his own words, cruelly. Seward is ultimately a good person, and over the course of the novel finds a FoundFamily in the [[TrueCompanions Crew of Light]] and becomes more well-adjusted. The Count... [[ForegoneConclusion does not.]]
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->'''Ron:''' Senor Señor sounds like a certain soccer coach I know.\\

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->'''Ron:''' Senor Señor Senior sounds like a certain soccer coach I know.\\
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* ''Film/{{Godmothered}}'': Near the end of the film, [[spoiler:Mackenzie stands up to Grant for his desire to take advantage of Eleanor, while Eleanor stands up to Moira for her insistence that there is only one way to be a fairy godmother.]]
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* Both ''VideoGame/AnotherCode'' installments pair Ashley with someone whose plight mirrors her own.
** In the first game, Ashley's goal is to find out about her family's history and how it lead to their current situation, while D's goal is to find out more about his family's past and use it to regain his own memories.
** For the second game, Ashley is learning about what happened to her mother while Matthew is trying to find out what happened to his father.
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* ''WesternAnimation/MyLittlePonyFriendshipisMagic'':

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* ''WesternAnimation/MyLittlePonyFriendshipisMagic'':''WesternAnimation/MyLittlePonyFriendshipIsMagic'':
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Disambiguation


* ''Series/{{Degrassi}}'' did this a lot, especially in the earlier seasons. The English teacher would have them read a story in which the plot was strikingly similarly to the episode's events.

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* ''Series/{{Degrassi}}'' ''Series/{{Degrassi|TheNextGeneration}}'' did this a lot, especially in the earlier seasons. The English teacher would have them read a story in which the plot was strikingly similarly to the episode's events.

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* ''Film/{{Signs}}'', where the "miraculous" defeat of the aliens helps the protagonist to overcome his crisis of faith.
* In ''Film/TheFall'', the fairytale that Roy tells Alexandria have many parallels with past and present events in the lives of the two main characters.
* ''Film/InHarmsWay'' is an A, B and C. It follows three couples falling in love: Admiral and Nurse; Ensign and Ensign, and Lieutenant and wife, during World War 2.
* In the 2003 Korean film ''The Classic'', the love situation that the daughter Ji-hye goes through has several parallels to her mother Joo-hee's situation when she was younger, which is told through flashbacks as the daughter reads her mother's old letters and diary. Both fall in love with a boy (Sang-min/Joo-haa respectively) and end up in a LoveTriangle. Joo-haa's friend helped their relationship while Ji-hye had a friend who interfered with their relationship. Whereas [[spoiler: Joo-hee]]'s situation eventually ended [[DidNotGetTheGirl badly]], [[spoiler: Ji-hye]]'s situation ended on a much happier note.
* ''Film/RevengeOfTheSith'':
** Grievous is partly removed from a mechanical suit and [[spoiler:set on fire]]. Anakin is [[spoiler:set on fire]] and put ''into'' a mechanical suit.
** Anakin kills Dooku at Palpatine's behest on the grounds that he's too dangerous to be left alive. Later, Mace Windu tries to do the same thing to Palpatine.
** The critical scene where Anakin's fall to the Dark Side hinges upon a SadisticChoice is also a CallForward to [[BookEnds the finale]] of ''Return of the Jedi'': here, Anakin agonizes as he watches Windu kill the man he believes can save Padmé, and must decide who to help as the victim pleads with him to be saved; in ''Return of the Jedi'', he has to do the same thing when watching the Emperor try to kill his own son.
** {{Deleted Scene}}s show that there was going to be a subplot of Padmé getting involved with a group of senators that quietly opposed Palpatine and would eventually go on to form the Rebel Alliance, and this would be juxtaposed with Anakin's alienation from the Jedi Council, growing mistrust on the rest of the senate and him becoming more dependent on Palpatine's advices.



* ''Film/K2SirenOfTheHimalayas'': The modern climbers are shown interspersed with accounts from an expedition a hundred years before, as they have some of the exact same experiences, [[spoiler:up to having to turn back before summiting]].
* Played creepily in ''Film/ADoubleLife'': the protagonist is an actor performing in ''Theatre/{{Othello}}'', and as production drags on and [[SanitySlippage his sanity degrades]], his real life more and more resembles the play's plot. [[spoiler:Complete with murdering his mistress and committing suicide out of guilt.]]


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* In the 2003 Korean film ''The Classic'', the love situation that the daughter Ji-hye goes through has several parallels to her mother Joo-hee's situation when she was younger, which is told through flashbacks as the daughter reads her mother's old letters and diary. Both fall in love with a boy (Sang-min/Joo-haa respectively) and end up in a LoveTriangle. Joo-haa's friend helped their relationship while Ji-hye had a friend who interfered with their relationship. Whereas [[spoiler: Joo-hee]]'s situation eventually ended [[DidNotGetTheGirl badly]], [[spoiler: Ji-hye]]'s situation ended on a much happier note.
* Played creepily in ''Film/ADoubleLife'': the protagonist is an actor performing in ''Theatre/{{Othello}}'', and as production drags on and [[SanitySlippage his sanity degrades]], his real life more and more resembles the play's plot. [[spoiler:Complete with murdering his mistress and committing suicide out of guilt.]]
* In ''Film/TheFall'', the fairytale that Roy tells Alexandria have many parallels with past and present events in the lives of the two main characters.
* ''Film/InHarmsWay'' is an A, B and C. It follows three couples falling in love: Admiral and Nurse; Ensign and Ensign, and Lieutenant and wife, during World War 2.
* ''Film/K2SirenOfTheHimalayas'': The modern climbers are shown interspersed with accounts from an expedition a hundred years before, as they have some of the exact same experiences, [[spoiler:up to having to turn back before summiting]].
* Franchise/MonsterVerse:
** ''Film/Godzilla2014'': In the final act, Ford Brody entering San Francisco to combat the threat of apocalyptic destruction [[spoiler:by [[MilitariesAreUseless the military's nuclear warhead]]]] is paralleled by Godzilla entering San Fran to combat the threat of apocalyptic destruction by the [[ExplosiveBreeders MUTOs]], and Ford's efforts [[spoiler:and his post-victory collapse]] are juxtaposed with Godzilla's own during the climax. Tellingly, this isn't the only time in the film that Godzilla and Ford are in the same location while Godzilla fights the [=MUTOs=]. The film hints that just as Ford fights to defend his family and also people like [[KidAmidTheChaos Akio]]; Godzilla, [[GaiasVengeance in his own way]], fights to defend the world's balance.
** ''Film/GodzillaKingOfTheMonsters2019'':
*** Godzilla and Mothra coming to humanity's aid when we need them most despite our species' alienated feelings toward the [[TheOldGods Titans]] we once worshipped, [[spoiler:and Mothra giving her life against [[BigBad King Ghidorah]] to that end]]; parallels Mark and Emma Russell coming to save their daughter when she needs them most despite her alienated feelings towards her once-happy parents, [[spoiler:and Emma giving her life to help stop Ghidorah to that end]].
*** Dr. Serizawa's brief, tentative direct interaction with Godzilla [[spoiler:during his HeroicSacrifice]] can be construed as Japan symbolically coming to terms with atomic weapons after being traumatized and haunted by the WWII atomic bombings for years. Just minutes later, Mark finally comes to terms with Godzilla and the death of his son after being traumatized and haunted by them for years.
* ''Film/RevengeOfTheSith'':
** Grievous is partly removed from a mechanical suit and [[spoiler:set on fire]]. Anakin is [[spoiler:set on fire]] and put ''into'' a mechanical suit.
** Anakin kills Dooku at Palpatine's behest on the grounds that he's too dangerous to be left alive. Later, Mace Windu tries to do the same thing to Palpatine.
** The critical scene where Anakin's fall to the Dark Side hinges upon a SadisticChoice is also a CallForward to [[BookEnds the finale]] of ''Return of the Jedi'': here, Anakin agonizes as he watches Windu kill the man he believes can save Padmé, and must decide who to help as the victim pleads with him to be saved; in ''Return of the Jedi'', he has to do the same thing when watching the Emperor try to kill his own son.
** {{Deleted Scene}}s show that there was going to be a subplot of Padmé getting involved with a group of senators that quietly opposed Palpatine and would eventually go on to form the Rebel Alliance, and this would be juxtaposed with Anakin's alienation from the Jedi Council, growing mistrust on the rest of the senate and him becoming more dependent on Palpatine's advices.
* ''Film/{{Signs}}'', where the "miraculous" defeat of the aliens helps the protagonist to overcome his crisis of faith.
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[[folder:Puppet shows]]
* Done frequently in ''Series/FraggleRock'', where the A-plot with the Fraggles is sometimes reflected in the various B-plots featuring the Gorgs, the Doozers, Doc and Sprocket, and Uncle Travelling Matt. Thus, each episode has a single theme, often with different characters in different settings experiencing the same problems.
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* Several ''WesternAnimation/KimPossible'' episodes have such parallels between the "basic average girl" plot and the "here to save the world" plot. For instance, in "Coach Possible", from which the above page quote comes from, observing Señor Senior Senior's overly controlling attitude toward Junior helps Kim realize that she's being [[DrillSergeantNasty overly perfectionistic and demanding]] in coaching the soccer team.

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* Several ''WesternAnimation/KimPossible'' episodes have such parallels between the "basic average girl" plot and the "here to save the world" plot. For instance, in "Coach Possible", from which provides the above current page quote comes from, quote, observing Señor Senior Senior's overly controlling attitude toward Junior helps Kim realize that she's being [[DrillSergeantNasty overly perfectionistic and demanding]] in coaching the soccer team.
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Renamed, cutting ZCE and low-context potholes.


** [[Recap/DoctorWhoS1E1AnUnearthlyChild "An Unearthly Child"]] parallels the leadership struggles between two [[OneMillionBC cavemen]] — Za, an older established leader in way over his head and willing to resort to brutality to keep his leadership, and Kal, a young outsider trying to sow dissent and usurp Za — with the struggles between the Doctor, an old time traveller in way over his head and willing to resort to brutality to survive, and Ian, a young outsider trying to save Susan and Barbara from the Doctor and take control of the situation.
** [[Recap/DoctorWhoS4E9TheEvilOfTheDaleks "The Evil of the Daleks"]] parallels [[UsefulNotes/{{Alchemy}} the alchemist]] Maxtible's obsession with turning lead into gold with the Daleks' obsession with turning Daleks into humanlike beings. (Note that Maxtible is not interested in turning lead into gold for the money — he already has a very lucrative money-making scam involving time travel abuse — but because it would allow him to know the secret of spiritual purification.)

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** [[Recap/DoctorWhoS1E1AnUnearthlyChild "An Unearthly Child"]] parallels the leadership struggles between two [[OneMillionBC cavemen]] — cavemen -- Za, an older established leader in way over his head and willing to resort to brutality to keep his leadership, and Kal, a young outsider trying to sow dissent and usurp Za -- with the struggles between the Doctor, an old time traveller in way over his head and willing to resort to brutality to survive, and Ian, a young outsider trying to save Susan and Barbara from the Doctor and take control of the situation.
** [[Recap/DoctorWhoS4E9TheEvilOfTheDaleks "The Evil of the Daleks"]] parallels [[UsefulNotes/{{Alchemy}} the alchemist]] Maxtible's obsession with turning lead into gold with the Daleks' obsession with turning Daleks into humanlike beings. (Note that Maxtible is not interested in turning lead into gold for the money -- he already has a very lucrative money-making scam involving time travel abuse — but because it would allow him to know the secret of spiritual purification.)

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