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* MastersOfTheUniverse, mostly in the early minicomics where Eternia was an ScavengerWorld.
to:
* MastersOfTheUniverse, ''Franchise/MastersOfTheUniverse'', mostly in the early minicomics where Eternia was an ScavengerWorld.
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* A lot of the early, world-hopping stories in XMen and {{Excalibur}} are like this, usually written by Chris Claremont and/or Alan Davis, and of course usually centering around Nightcrawler (and sometimes Shadowcat or Wolverine).
to:
* A lot of the early, world-hopping stories in XMen and {{Excalibur}} ComicBook/{{Excalibur}} are like this, usually written by Chris Claremont and/or Alan Davis, and of course usually centering around Nightcrawler (and sometimes Shadowcat or Wolverine).
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* {{Pathfinder}}'s Golarion is set up to facilitate this. The elves left for another planet through portals. Some creatures such as nightgaunts can fly through space. Spells which allow this kind of travel are listed. The entire Distant Worlds source book was designed to facilitate this.
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** From the same writer: the ''Tom Rynosseros'' series, featuring a [[SandIsWater sandship]] captain is a far future Australia, reclaimed by the Aboriginal nations.
* ''Terminal World'' by Creator/Alastair Reynolds, is set in the far future on a planet hinted to be a terraformed Mars.
* ''Terminal World'' by Creator/Alastair Reynolds, is set in the far future on a planet hinted to be a terraformed Mars.
to:
** From the same writer: the ''Tom Rynosseros'' series, stories, featuring a [[SandIsWater sandship]] captain is in a far future Australia, reclaimed now [[PersecutionFlip reclaimed]] by the Aboriginal nations.
* ''Terminal World'' byCreator/Alastair Reynolds, Creator/AlastairReynolds, is set in the far future on a planet hinted to be a terraformed Mars.
* ''Terminal World'' by
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** From the same writer;: the ''Tom Rynosseros'' series, featuring a [[SandIsWater sandship]] captain is a far future Australia, reclaimed by the Aboriginal nations.
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** From the same writer;: writer: the ''Tom Rynosseros'' series, featuring a [[SandIsWater sandship]] captain is a far future Australia, reclaimed by the Aboriginal nations.
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** From the same writer;: the ''Tom Rynosseros'' series, featuring a [[SandIsWater sandship]] captain is a far future Australia, reclaimed by the Aboriginal nations.
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[[AC:Toys]]
* MastersOfTheUniverse, mostly in the early minicomics where Eternia was an ScavengerWorld.
* MastersOfTheUniverse, mostly in the early minicomics where Eternia was an ScavengerWorld.
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* Creator/SheriSTepper's ''True Game'' series.
to:
* Creator/SheriSTepper's ''True Game'' ''Literature/TheTrueGame'' series.
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* The original ''Film/{{Stargate}}'' film. The [[Series/StargateSG1 subsequent]] [[Series/StargateAtlantis television]] [[Series/StargateUniverse shows]], however, follow the WagonTrainToTheStars format pioneered by ''Series/StarTrekTheOriginalSeries'', exploring strange new worlds and seek out new life forms civilizations.
to:
* The original ''Film/{{Stargate}}'' film. The [[Series/StargateSG1 subsequent]] [[Series/StargateAtlantis television]] [[Series/StargateUniverse shows]], however, follow the WagonTrainToTheStars format pioneered by ''Series/StarTrekTheOriginalSeries'', exploring strange new worlds and seek out new life forms and new civilizations.
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to:
* A lot of the early, world-hopping stories in XMen and {{Excalibur}} are like this, usually written by Chris Claremont and/or Alan Davis, and of course usually centering around Nightcrawler (and sometimes Shadowcat or Wolverine).
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[[AC:LiveActionTV]]
* Some ''Series/DoctorWho'' stories have fit this genre, particularly in the early years when the show was more heavily influenced by Burroughs-like fiction:
** "The Daleks" - the crew land on the post-apocalyptic jungle planet Skaro, and go to explore the gleaming city in the distance to find a vital component for the TARDIS. They accidentally spark war between the NobleSavage Thal race, and the LittleGreenManInACan Dalek race, and lead the Thals into the Dalek city to attack them for good and get the TARDIS back.
** "The Keys of Marinus" - written by the same writer as "The Daleks". The crew land on the planet Marinus, with seas of acid and strange hostile aliens called the Voord. An old man blocks off the TARDIS and [[TheChooserOfTheOne tasks them as heroes destined]] to return four [[PlotCoupons Keys]], which they have to explore four different areas of the world to retrieve. There's a LotusEaterMachine city, an ice city, a jungle, and a KangarooCourt culture...
** "The Web Planet" - probably the most clear example of this. The TARDIS is ensnared in a web and when Ian and the Doctor leave to investigate, Barbara becomes possessed and the TARDIS console is stolen, seemingly by giant ant creatures the Zarbi [[BeePeople under the instructions of their Queen]]. The [[InsectoidAliens Menoptera]] save Barbara and befriend the rest of the crew, and they set off on a journey exploring their planet, encountering various different kinds of insect people, and battling the Animus (a sinister [[PlantAliens Plant Alien]] that has taken control of the Zarbi). Has lots of very dreamlike imagery such as the Menoptera flying in space through an AlienSky, the surreal sounds made by the Zarbi and their larva that they use as weapons.
* Some ''Series/DoctorWho'' stories have fit this genre, particularly in the early years when the show was more heavily influenced by Burroughs-like fiction:
** "The Daleks" - the crew land on the post-apocalyptic jungle planet Skaro, and go to explore the gleaming city in the distance to find a vital component for the TARDIS. They accidentally spark war between the NobleSavage Thal race, and the LittleGreenManInACan Dalek race, and lead the Thals into the Dalek city to attack them for good and get the TARDIS back.
** "The Keys of Marinus" - written by the same writer as "The Daleks". The crew land on the planet Marinus, with seas of acid and strange hostile aliens called the Voord. An old man blocks off the TARDIS and [[TheChooserOfTheOne tasks them as heroes destined]] to return four [[PlotCoupons Keys]], which they have to explore four different areas of the world to retrieve. There's a LotusEaterMachine city, an ice city, a jungle, and a KangarooCourt culture...
** "The Web Planet" - probably the most clear example of this. The TARDIS is ensnared in a web and when Ian and the Doctor leave to investigate, Barbara becomes possessed and the TARDIS console is stolen, seemingly by giant ant creatures the Zarbi [[BeePeople under the instructions of their Queen]]. The [[InsectoidAliens Menoptera]] save Barbara and befriend the rest of the crew, and they set off on a journey exploring their planet, encountering various different kinds of insect people, and battling the Animus (a sinister [[PlantAliens Plant Alien]] that has taken control of the Zarbi). Has lots of very dreamlike imagery such as the Menoptera flying in space through an AlienSky, the surreal sounds made by the Zarbi and their larva that they use as weapons.
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** Many of Vance's other works in these kinds of settings, in particular his ''Literature/PlanetOfAdventure'' series or the ''Big Planet'' series.
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* Many works by Creator/JackVance, in particular his ''Literature/PlanetOfAdventure'' series or the ''Big Planet'' series.
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*''Den'' by Creator/RichardCorben.
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* The ''Den'' and ''Taarna'' segments from ''WesternAnimation/HeavyMetal.''
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namespace
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* Paul Pope's version of ComicBook/AdamStrange in ''WednesdayComics''. (Not the mainstream version, whose Rann has too much high-tech stuff.) John Carter was his main inspiration for the series.
to:
* Paul Pope's version of ComicBook/AdamStrange in ''WednesdayComics''.''ComicBook/WednesdayComics''. (Not the mainstream version, whose Rann has too much high-tech stuff.) John Carter was his main inspiration for the series.
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Changed line(s) 40 (click to see context) from:
* Most of ''Literature/TheSpaceTrilogy'' by Creator/CSLewis, including ''Out of the Silent Planet'' and ''Perelandra'' but ''not'' ''That Hideous Strength''
to:
* Most of ''Literature/TheSpaceTrilogy'' by Creator/CSLewis, including ''Out of the Silent Planet'' (set on Mars) and ''Perelandra'' (set on Venus) but ''not'' not ''That Hideous Strength''Strength'', which takes place on Earth.
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Removing Nausicaa (reason in discussion)
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* ''Manga/NausicaaOfTheValleyOfTheWind''
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* The original ''Film/{{Stargate}}'' film. The [[Series/StargateSG1 subsequent]] [[Series/StargateAtlantis television]] [[Series/StargateUniverse shows]], however, follow the WagonTrainToTheStars format pioneered by ''Series/StarTrekTheOriginalSeries''.
to:
* The original ''Film/{{Stargate}}'' film. The [[Series/StargateSG1 subsequent]] [[Series/StargateAtlantis television]] [[Series/StargateUniverse shows]], however, follow the WagonTrainToTheStars format pioneered by ''Series/StarTrekTheOriginalSeries''.
''Series/StarTrekTheOriginalSeries'', exploring strange new worlds and seek out new life forms civilizations.
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* ''Literature/TheLordsOfCreation'' series by S.M. Stirling is set in a present day AlternateHistory where Mars and Venus, thanks to the intervention of AncientAstronauts, are similar to the worlds portrayed in Creator/EdgarRiceBurroughs novels.
to:
* ''Literature/TheLordsOfCreation'' series by S. M. Stirling is set in a present day AlternateHistory where Mars and Venus, thanks to the intervention of AncientAstronauts, are similar to the worlds portrayed in Creator/EdgarRiceBurroughs novels.
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* The ''Bunduki'' series by JTEdson.
to:
* The ''Bunduki'' series by JTEdson.Creator/JTEdson.
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* ''Jane Carver of Waar'', intended as a DistaffCounterpart to ''JohnCarterOfMars''.
to:
* ''Jane Carver of Waar'', intended as a DistaffCounterpart to ''JohnCarterOfMars''.''Literature/JohnCarterOfMars''.
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Changed line(s) 18,23 (click to see context) from:
* ''LastExile''
* ''NausicaaOfTheValleyOfTheWind''
* ''{{Simoun}}''
* ''{{Trigun}}''
* ''{{The Vision of Escaflowne}}'': Though it initially appears to be fantasy, all examples of "magic" in the series turn out to be highly advanced (read: reality-altering) technology, and no wizards or sorcerers appear, only super-scientists.
* ''NausicaaOfTheValleyOfTheWind''
* ''{{Simoun}}''
* ''{{Trigun}}''
* ''{{The Vision of Escaflowne}}'': Though it initially appears to be fantasy, all examples of "magic" in the series turn out to be highly advanced (read: reality-altering) technology, and no wizards or sorcerers appear, only super-scientists.
to:
* ''LastExile''
''Anime/LastExile''
*''NausicaaOfTheValleyOfTheWind''
''Manga/NausicaaOfTheValleyOfTheWind''
*''{{Simoun}}''
''Anime/{{Simoun}}''
*''{{Trigun}}''
''Manga/{{Trigun}}''
*''{{The Vision of Escaflowne}}'': ''Anime/TheVisionOfEscaflowne'': Though it initially appears to be fantasy, all examples of "magic" in the series turn out to be highly advanced (read: reality-altering) technology, and no wizards or sorcerers appear, only super-scientists.
*
*
*
*
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* Creator/EdgarRiceBurroughs's ''JohnCarterOfMars'' books were adapted into comics at one point.
* The ''PlanetHulk'' storyline was essentially a planetary romance, starring Comicbook/TheIncredibleHulk.
** After the Hulk returned to Earth for ''WorldWarHulk'', his son Skaar received his own title, also a planetary romance... at least until Galactus showed up to eat the planet.
* The ''PlanetHulk'' storyline was essentially a planetary romance, starring Comicbook/TheIncredibleHulk.
** After the Hulk returned to Earth for ''WorldWarHulk'', his son Skaar received his own title, also a planetary romance... at least until Galactus showed up to eat the planet.
to:
* Creator/EdgarRiceBurroughs's ''JohnCarterOfMars'' ''Literature/JohnCarterOfMars'' books were adapted into comics at one point.
* Comicbook/TheIncredibleHulk:
** The ''PlanetHulk'' storyline was essentially a planetaryromance, starring Comicbook/TheIncredibleHulk.
romance.
** After the Hulk returned to Earth for''WorldWarHulk'', ''ComicBook/WorldWarHulk'', his son Skaar received his own title, also a planetary romance... at least until Galactus showed up to eat the planet.
* Comicbook/TheIncredibleHulk:
** The ''PlanetHulk'' storyline was essentially a planetary
** After the Hulk returned to Earth for
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* ''TheWarlord''.
* Paul Pope's version of AdamStrange in ''WednesdayComics''. (Not the mainstream version, whose Rann has too much high-tech stuff.) John Carter was his main inspiration for the series.
* Paul Pope's version of AdamStrange in ''WednesdayComics''. (Not the mainstream version, whose Rann has too much high-tech stuff.) John Carter was his main inspiration for the series.
to:
* ''TheWarlord''.
''ComicBook/TheWarlord''.
* Paul Pope's version ofAdamStrange ComicBook/AdamStrange in ''WednesdayComics''. (Not the mainstream version, whose Rann has too much high-tech stuff.) John Carter was his main inspiration for the series.
* Paul Pope's version of
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* The two Ewok movies spun off from the ''StarWars'' franchise, which featured sci-fi versions of giants, orcs, and witches.
* The second half of ''AtlantisTheLostEmpire''.
* The second half of ''AtlantisTheLostEmpire''.
to:
* The two Ewok movies spun off from the ''StarWars'' ''Franchise/StarWars'' franchise, which featured sci-fi versions of giants, orcs, and witches.
* The second half of''AtlantisTheLostEmpire''.''Disney/AtlantisTheLostEmpire''.
* The second half of
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Changed line(s) 40 (click to see context) from:
* Most of ''TheSpaceTrilogy'' by Creator/CSLewis, including ''Out of the Silent Planet'' and ''Perelandra'' but ''not'' ''That Hideous Strength''
to:
* Most of ''TheSpaceTrilogy'' ''Literature/TheSpaceTrilogy'' by Creator/CSLewis, including ''Out of the Silent Planet'' and ''Perelandra'' but ''not'' ''That Hideous Strength''
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* Creator/EdgarRiceBurroughs's ''JohnCarterOfMars''. Between these and his ''CarsonOfVenus'' books, pretty much the TropeCodifier.
to:
* Creator/EdgarRiceBurroughs's ''JohnCarterOfMars''. ''Literature/JohnCarterOfMars''. Between these and his ''CarsonOfVenus'' ''Carson of Venus'' books, pretty much the TropeCodifier.
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* SheriSTepper's ''True Game'' series.
to:
* SheriSTepper's Creator/SheriSTepper's ''True Game'' series.
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* Leigh Brackett's Mars, Venus, and Skaith series, which are essentially LowFantasy DarkerAndEdgier versions of Burrough's series.
* ''TheLordsOfCreation'' series by S.M. Stirling is set in a present day AlternateHistory where Mars and Venus, thanks to the intervention of AncientAstronauts, are similar to the worlds portrayed in Creator/EdgarRiceBurroughs novels.
* Creator/UrsulaKLeGuin's [[ScienceFiction SF]] novels tend to steer this way: ''Left Hand Of Darkness'', ''Rocannon's World''...
** Perhaps in the sense of having the planets be a pseudo-feudal setting, but she generally avoided the more magical elements.
* ''TheLordsOfCreation'' series by S.M. Stirling is set in a present day AlternateHistory where Mars and Venus, thanks to the intervention of AncientAstronauts, are similar to the worlds portrayed in Creator/EdgarRiceBurroughs novels.
* Creator/UrsulaKLeGuin's [[ScienceFiction SF]] novels tend to steer this way: ''Left Hand Of Darkness'', ''Rocannon's World''...
** Perhaps in the sense of having the planets be a pseudo-feudal setting, but she generally avoided the more magical elements.
to:
* Leigh Brackett's Creator/LeighBrackett's Mars, Venus, and Skaith series, which are essentially LowFantasy DarkerAndEdgier versions of Burrough's series.
*''TheLordsOfCreation'' ''Literature/TheLordsOfCreation'' series by S.M. Stirling is set in a present day AlternateHistory where Mars and Venus, thanks to the intervention of AncientAstronauts, are similar to the worlds portrayed in Creator/EdgarRiceBurroughs novels.
* Creator/UrsulaKLeGuin's [[ScienceFiction SF]] novels tend to steer this way:''Left Hand Of Darkness'', ''Literature/TheLeftHandOfDarkness'', ''Rocannon's World''...
** PerhapsWorld'', etc. At least in the sense of having the planets be a pseudo-feudal setting, but setting -- she generally avoided avoids the more magical elements.
*
* Creator/UrsulaKLeGuin's [[ScienceFiction SF]] novels tend to steer this way:
** Perhaps
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Changed line(s) 70,76 (click to see context) from:
* ''EmpireOfThePetalThrone''
* ''SkyrealmsOfJorune'' had almost unplayable game mechanics, but an overwhelmingly complex and facinating alien world setting that also incorporated AfterTheEnd.
* "The Iron Lords of Jupiter" was a scenario published in ''Polyhedron'' magazine for ''D20Modern''; its rules could also be adapted to ''DungeonsAndDragons''. The setting posited that beneath Jupiter's cloud cover, the planet is solid just like Earth and home to hundreds of alien cultures with Iron Age-level technology, and the player characters are either natives or stranded humans. The reason for Jupiter having the same force of gravity as Earth was left as an exercise for the game-master.
* ''BluePlanet'' from Fantasy Flight Games is set on the [[SingleBiomePlanet water world]] of Poseidon and exploring it and surviving its inherent dangers are major parts of most campaigns. As a twist to its obvious "new colony" setting it's actually [[spoiler: inhabited by SufficientlyAdvancedAliens.]]
* ''{{Space 1889}}'' is [[VictorianBritain Victorian]] planetary romance with a hint of SteamPunk
* ''GURPS Planet Krishna'' adapts Creator/LSpragueDeCamp's ''Viagens Interplanetarias'' series, and ''GURPS Planet of Adventure'' is based on Creator/JackVance's ''Literature/PlanetOfAdventure'' series.
* ''SkyrealmsOfJorune'' had almost unplayable game mechanics, but an overwhelmingly complex and facinating alien world setting that also incorporated AfterTheEnd.
* "The Iron Lords of Jupiter" was a scenario published in ''Polyhedron'' magazine for ''D20Modern''; its rules could also be adapted to ''DungeonsAndDragons''. The setting posited that beneath Jupiter's cloud cover, the planet is solid just like Earth and home to hundreds of alien cultures with Iron Age-level technology, and the player characters are either natives or stranded humans. The reason for Jupiter having the same force of gravity as Earth was left as an exercise for the game-master.
* ''BluePlanet'' from Fantasy Flight Games is set on the [[SingleBiomePlanet water world]] of Poseidon and exploring it and surviving its inherent dangers are major parts of most campaigns. As a twist to its obvious "new colony" setting it's actually [[spoiler: inhabited by SufficientlyAdvancedAliens.]]
* ''{{Space 1889}}'' is [[VictorianBritain Victorian]] planetary romance with a hint of SteamPunk
* ''GURPS Planet Krishna'' adapts Creator/LSpragueDeCamp's ''Viagens Interplanetarias'' series, and ''GURPS Planet of Adventure'' is based on Creator/JackVance's ''Literature/PlanetOfAdventure'' series.
to:
* ''EmpireOfThePetalThrone''
''TabletopGame/EmpireOfThePetalThrone''
*''SkyrealmsOfJorune'' ''TabletopGame/SkyrealmsOfJorune'' had almost unplayable game mechanics, but an overwhelmingly complex and facinating alien world setting that also incorporated AfterTheEnd.
* "The Iron Lords of Jupiter" was a scenario published in ''Polyhedron'' magazine for''D20Modern''; ''TabletopGame/D20Modern''; its rules could also be adapted to ''DungeonsAndDragons''.''TabletopGame/DungeonsAndDragons''. The setting posited that beneath Jupiter's cloud cover, the planet is solid just like Earth and home to hundreds of alien cultures with Iron Age-level technology, and the player characters are either natives or stranded humans. The reason for Jupiter having the same force of gravity as Earth was left as an exercise for the game-master.
*''BluePlanet'' ''TabletopGame/BluePlanet'' from Fantasy Flight Games is set on the [[SingleBiomePlanet water world]] of Poseidon and exploring it and surviving its inherent dangers are major parts of most campaigns. As a twist to its obvious "new colony" setting it's actually [[spoiler: inhabited by SufficientlyAdvancedAliens.]]
*''{{Space ''TabletopGame/{{Space 1889}}'' is [[VictorianBritain Victorian]] planetary romance with a hint of SteamPunk
*''GURPS ''[[TabletopGame/GURPSSettings GURPS Planet Krishna'' Krishna]]'' adapts Creator/LSpragueDeCamp's ''Viagens Interplanetarias'' series, and ''GURPS ''[[TabletopGame/GURPSSettings GURPS Planet of Adventure'' Adventure]]'' is based on Creator/JackVance's ''Literature/PlanetOfAdventure'' series.
*
* "The Iron Lords of Jupiter" was a scenario published in ''Polyhedron'' magazine for
*
*
*
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* The ''VideoGame/StarOcean'' series.
to:
* The ''VideoGame/StarOcean'' ''Franchise/StarOcean'' series.
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* The ''StarOcean'' series.
to:
* The ''StarOcean'' ''VideoGame/StarOcean'' series.
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* The ''IronGrip'' series arguably counts, but is sort of a subversion, since it averts MedievalStasis (in favour of timeless SchizoTech) and combines PlanetaryRomance with the [[DuringTheWar War Drama]] genre.
* ''LesbianSpiderQueensOfMars''.
* ''{{Albion}}'' kicks off with the heroes crash landing on a planet. They first arrive in an alien world inhabited by cat people who use magic and OrganicTechnology, but later regions accessed in the game could easily look like medieval europe, complete with celts as inhabitants who worship ancient celtic deities.
* The first two "MetroidPrime" games have protagonist Samus exploring a single world each. She is tasked with saving each world from sheer destruction and can find in-depth information about the planets' rich history and wildlife through scanning lore, research and creatures. The third game becomes more of a space opera with the ability to explore and travel between multiple planets.
* ''StarFoxAdventures''
* ''LesbianSpiderQueensOfMars''.
* ''{{Albion}}'' kicks off with the heroes crash landing on a planet. They first arrive in an alien world inhabited by cat people who use magic and OrganicTechnology, but later regions accessed in the game could easily look like medieval europe, complete with celts as inhabitants who worship ancient celtic deities.
* The first two "MetroidPrime" games have protagonist Samus exploring a single world each. She is tasked with saving each world from sheer destruction and can find in-depth information about the planets' rich history and wildlife through scanning lore, research and creatures. The third game becomes more of a space opera with the ability to explore and travel between multiple planets.
* ''StarFoxAdventures''
to:
* The ''IronGrip'' ''VideoGame/IronGrip'' series arguably counts, but is sort of a subversion, since it averts MedievalStasis (in favour of timeless SchizoTech) and combines PlanetaryRomance with the [[DuringTheWar War Drama]] genre.
*''LesbianSpiderQueensOfMars''.
''VideoGame/LesbianSpiderQueensOfMars''.
*''{{Albion}}'' ''VideoGame/{{Albion}}'' kicks off with the heroes crash landing on a planet. They first arrive in an alien world inhabited by cat people who use magic and OrganicTechnology, but later regions accessed in the game could easily look like medieval europe, complete with celts as inhabitants who worship ancient celtic deities.
* The first two"MetroidPrime" ''VideoGame/MetroidPrime'' games have protagonist Samus exploring a single world each. She is tasked with saving each world from sheer destruction and can find in-depth information about the planets' rich history and wildlife through scanning lore, research and creatures. The third game becomes more of a space opera with the ability to explore and travel between multiple planets.
*''StarFoxAdventures''
''VideoGame/StarFoxAdventures''
*
*
* The first two
*
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* ''{{Pibgorn}}'' [[http://www.gocomics.com/pibgorn/2003/02/05/ Drue is dropped in one.]]
to:
* ''{{Pibgorn}}'' ''Webcomic/{{Pibgorn}}'' [[http://www.gocomics.com/pibgorn/2003/02/05/ Drue is dropped in one.]]
Changed line(s) 91,92 (click to see context) from:
* ''TheHerculoids''
* ''ThundarrTheBarbarian''
* ''ThundarrTheBarbarian''
to:
* ''TheHerculoids''
''WesternAnimation/TheHerculoids''
*''ThundarrTheBarbarian''''WesternAnimation/ThundarrTheBarbarian''
*
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Changed line(s) 90 (click to see context) from:
* ''FantasticPlanet'', the bizarre, surreal French animated film.
to:
* ''FantasticPlanet'', ''Animation/FantasticPlanet'' (''La Planète sauvage''), the bizarre, surreal French animated film.
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It would be nice if someone created the page. Meanwhile, let\'s link to the correct namespace.
Changed line(s) 58 (click to see context) from:
* Mary Gentle's ''{{Orthe}}'' series. Slightly different in that Orthe is an alien world, populated by a race who apparently destroyed the high-tech and highly advanced race who once ruled it, and deliberately regressed to a much less technologically advanced state.
to:
* Mary Gentle's ''{{Orthe}}'' ''Literature/{{Orthe}}'' series. Slightly different in that Orthe is an alien world, populated by a race who apparently destroyed the high-tech and highly advanced race who once ruled it, and deliberately regressed to a much less technologically advanced state.
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Uhhh, what? It\'s a book... so it\'s literature. Insulting it because it\'s not Lit Fic is kind of uncool.
Changed line(s) 56 (click to see context) from:
* Gary Poulsen's ''Literature/TheTransallSaga'', although it has no magic and is not literature in any reasonable meaning of the term.
to:
* Gary Poulsen's ''Literature/TheTransallSaga'', although it has no magic and is not literature in any reasonable meaning of the term.magic.
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Changed line(s) 66,67 (click to see context) from:
* ''Terminal World'' by Creator/Alastair Reynolds, is set in the far future on a planet hinted to be a terra formed Mars
to:
* ''Terminal World'' by Creator/Alastair Reynolds, is set in the far future on a planet hinted to be a terra formed Mars
terraformed Mars.
* ''Old Mars'' and ''Old Venus'' are two (forthcoming) anthologies edited by Creator/GeorgeRRMartin and Gardner Dozois homaging old planetary romance stories set on Mars and Venus.
* ''Old Mars'' and ''Old Venus'' are two (forthcoming) anthologies edited by Creator/GeorgeRRMartin and Gardner Dozois homaging old planetary romance stories set on Mars and Venus.
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Changed line(s) 83,84 (click to see context) from:
* ''StarFox Adventures''
to:
* ''StarFox Adventures''
''StarFoxAdventures''
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*''StarFox Adventures''