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* ''WesternAnimation/{{Shrek}}'' and Fiona riding off in their Onion Coach turns into a drawing with "... And they lived ugly ever after" as the last page of the fairy tale story.

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* ''WesternAnimation/{{Shrek}}'' ''WesternAnimation/Shrek1'' and Fiona riding off in their Onion Coach turns into a drawing with "... And they lived ugly ever after" as the last page of the fairy tale story.
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[[caption-width-right:279:[-Even in the 1600s, image optimization grows strong.-]]]
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* At one point in ''Anime/{{Tekkonkinkreet}}'' an aerial shot of Treasure City dissolves into a map of said location at the yakuza's office.

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* At one point in ''Anime/{{Tekkonkinkreet}}'' ''Manga/{{Tekkonkinkreet}}'' an aerial shot of Treasure City dissolves into a map of said location at the yakuza's office.
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* In ''WesternAnimation/TurningRed'', a drawing of Ming dissolves into a shot of her on the phone in a similar pose.
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* ''Series/{{CSINY}}'': In "The Ripple Effect," orange zip ties are a vital clue. At one point, Sheldon shows Mac a picture on his phone that Flack had sent him of a large piece of artwork made from the ties. The camera zooms very close in on the picture, then immediately out again, revealing Flack standing beside the actual sculpture telling Mac all about how one of his subordinates found it.
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SisterTrope to IdiosyncraticWipes, and can be combined with {{Flashback}}. Compare AgeCut, MatchCut, MediumBlending, and ThisIsWhatTheBuildingWillLookLike. See also PastelChalkedFreezeFrame. Not to be confused with PortalPicture.

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SisterTrope to IdiosyncraticWipes, and can be combined with {{Flashback}}. Compare AgeCut, MatchCut, MediumBlending, and ThisIsWhatTheBuildingWillLookLike. See also RealFootageRecreation
and
PastelChalkedFreezeFrame. Not to be confused with PortalPicture.
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* Film/LumiereFilms: According to Creator/GeorgesMelies, this trope is as old as film screenings themselves. He reported that when he went to his first Lumière screening, it began with a still image like a projected slide, and he was just complaining to his neighbor that this was nothing new—when suddenly, to everyone's amazement, the image to life.

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* Film/LumiereFilms: According to Creator/GeorgesMelies, this trope is as old as film screenings themselves. He reported that when he went to his first Lumière screening, it began with a still image like a projected slide, and he was just complaining to his neighbor that this was nothing new—when suddenly, to everyone's amazement, the image came to life.
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[[quoteright:280:[[WesternAnimation/{{Pocahontas}} https://static.tvtropes.org/pmwiki/pub/images/painting_transition.jpg]]]]

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[[quoteright:280:[[WesternAnimation/{{Pocahontas}} [[quoteright:279:[[WesternAnimation/{{Pocahontas}} https://static.tvtropes.org/pmwiki/pub/images/painting_transition.jpg]]]]
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* Examples where an ArtisticTitle fades into the live-action equivalent are so common we may as well list them all here:

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* Examples where an ArtisticTitle fades into the live-action equivalent are so were surprisingly common we may as well list them all here:in the mid-20th-century:
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* Film/LumiereFilms: According to Creator/GeorgesMelies, this trope is as old as film screenings themselves. He reported that when he went to his first Lumière screening, it began with a still image like a projected slide, and he was just complaining to his neighbor that this was nothing new?when suddenly, to everyone's amazement, the image to life.

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* Film/LumiereFilms: According to Creator/GeorgesMelies, this trope is as old as film screenings themselves. He reported that when he went to his first Lumière screening, it began with a still image like a projected slide, and he was just complaining to his neighbor that this was nothing new?when new—when suddenly, to everyone's amazement, the image to life.



** ''Film/SeventeenSeventySix'': The movie's final shot melts slowly into a version on canvas, recalling the various paintings of the moment as seen in history books. The inscribed Declaration itself also gradually burns through.

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** * ''Film/SeventeenSeventySix'': The movie's final shot melts slowly into a version on canvas, recalling the various paintings of the moment as seen in history books. The inscribed Declaration itself also gradually burns through.

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** ''Film/SeventeenSeventySix'': The movie's final shot melts slowly into a version on canvas, recalling the various paintings of the moment as seen in history books. The inscribed Declaration itself also gradually burns through.



* Film/LumiereFilms: According to Creator/GeorgesMelies, this trope is as old as film screenings themselves. He reported that when he went to his first Lumière screening, it began with a still image like a projected slide, and he was just complaining to his neighbor that this was nothing new?when suddenly, to everyone's amazement, the image to life.
* An early example can be seen in the 1933 movie ''Film/HeroesForSale'' where a scene transitions from a newspaper photograph to the real location at a laundromat.
* In the Creator/LaurenceOlivier adaptation of ''[[Film/HenryV1944 Henry V]]'', the filmed-play opening scenes give way to the more cinematic rest of the movie when a painted background transitions to an actual background.

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* Film/LumiereFilms: According to Creator/GeorgesMelies, this trope is as old as film screenings themselves. He reported that when he went to his first Lumière screening, it began with ''Film/CitizenKane'': A photo showing a still image like a projected slide, and he was just complaining to his neighbor that this was nothing new?when suddenly, to everyone's amazement, Board of Directors becomes the image to life.
* An early example can be seen in the 1933 movie ''Film/HeroesForSale'' where a scene transitions from a newspaper photograph to the real location at a laundromat.
* In the Creator/LaurenceOlivier adaptation of ''[[Film/HenryV1944 Henry V]]'', the filmed-play opening scenes give way to the more cinematic rest of the movie when a painted background transitions to an
actual background.Board posing for that photo.



* The 2004 movie version of ''Theatre/ThePhantomOftheOpera'' has this at the beginning and the end of the movie -- probably an example of BookEnds as well.
* ''Film/SkyHigh2005'' has this in the opening credits. Will's narration explains his life, and is shown in comic book pages. The panel focuses on the Stronghold house, then dissolves into the live-action image of the house. The ending changes a live shot of Will and friends to a comic panel of them.
* The Director's Cut of ''Film/TheWarriors'' features several instances of freeze frames which turn into comic book panels.

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* The 2004 movie version of ''Theatre/ThePhantomOftheOpera'' has this at In the beginning and Creator/LaurenceOlivier adaptation of ''[[Film/HenryV1944 Henry V]]'', the end filmed-play opening scenes give way to the more cinematic rest of the movie -- probably when a painted background transitions to an actual background.
* An early
example of BookEnds as well.
* ''Film/SkyHigh2005'' has this
can be seen in the opening credits. Will's narration explains his life, and is shown in comic book pages. 1933 movie ''Film/HeroesForSale'' where a scene transitions from a newspaper photograph to the real location at a laundromat.
* ''Film/IndianaJonesAndTheKingdomOfTheCrystalSkull'':
The panel focuses on the Stronghold house, Paramount logo turns into a prairie dog mound, which is then dissolves run over by a car.
* In ''Film/KingsmanTheSecretService'', a black & white headshot of some girl that the three remaining candidates have to seduce transitions
into the a color live-action image of the house. The ending changes a live shot of Will and friends to a comic panel of them.
* The Director's Cut of ''Film/TheWarriors'' features several instances of freeze frames which turn into comic book panels.
scene with said girl. Watch it [[https://www.youtube.com/watch?v=cGko_VdS9G0 here]].



* Film/LumiereFilms: According to Creator/GeorgesMelies, this trope is as old as film screenings themselves. He reported that when he went to his first Lumière screening, it began with a still image like a projected slide, and he was just complaining to his neighbor that this was nothing new?when suddenly, to everyone's amazement, the image to life.



* In ''Film/KingsmanTheSecretService'', a black & white headshot of some girl that the three remaining candidates have to seduce transitions into a color live-action scene with said girl. Watch it [[https://www.youtube.com/watch?v=cGko_VdS9G0 here]].
* ''Film/IndianaJonesAndTheKingdomOfTheCrystalSkull'': The Paramount logo turns into a prairie dog mound, which is then run over by a car.

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* In ''Film/KingsmanTheSecretService'', a black & white headshot The 2004 movie version of some girl that ''Theatre/ThePhantomOftheOpera'' has this at the three remaining candidates have to seduce transitions beginning and the end of the movie -- probably an example of BookEnds as well.
** ''Film/SeventeenSeventySix'': The movie's final shot melts slowly
into a color version on canvas, recalling the various paintings of the moment as seen in history books. The inscribed Declaration itself also gradually burns through.
* ''Film/SkyHigh2005'' has this in the opening credits. Will's narration explains his life, and is shown in comic book pages. The panel focuses on the Stronghold house, then dissolves into the
live-action scene with said girl. Watch it [[https://www.youtube.com/watch?v=cGko_VdS9G0 here]].
* ''Film/IndianaJonesAndTheKingdomOfTheCrystalSkull'':
image of the house. The Paramount logo turns into ending changes a prairie dog mound, live shot of Will and friends to a comic panel of them.
* The Director's Cut of ''Film/TheWarriors'' features several instances of freeze frames
which is then run over by a car.turn into comic book panels.
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** ''Film/AlicesAdventuresInWonderland1972'': A pencil sketch of a river becomes the river.

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** ''Film/AlicesAdventuresInWonderland1972'': ''[[Film/AlicesAdventuresInWonderland1972 Alice's Adventures in Wonderland (1972)]]'': A pencil sketch of a river becomes the river.
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** ''Film/AlicesAdventuresinWonderland1972'': A pencil sketch of a river becomes the river.

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** ''Film/AlicesAdventuresinWonderland1972'': ''Film/AlicesAdventuresInWonderland1972'': A pencil sketch of a river becomes the river.



* Film/LumiereFilms: According to Creator/GeorgesMéliès, this trope is as old as film screenings themselves. He reported that when he went to his first Lumière screening, it began with a still image like a projected slide, and he was just complaining to his neighbor that this was nothing new?when suddenly, to everyone's amazement, the image to life.

to:

* Film/LumiereFilms: According to Creator/GeorgesMéliès, Creator/GeorgesMelies, this trope is as old as film screenings themselves. He reported that when he went to his first Lumière screening, it began with a still image like a projected slide, and he was just complaining to his neighbor that this was nothing new?when suddenly, to everyone's amazement, the image to life.

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A SceneTransition trope. A character (or the audience) is looking at a pictorial rendering of a location or scene. The camera lingers on the image, and then the scene transition happens -- the photo {{dissolve}}s into a view of the spot identical in arrangement to the photo, painting or drawing from the previous scene.

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A SceneTransition trope. A character (or the audience) is looking at a pictorial rendering of a location or scene. The camera lingers on the image, and then the scene transition happens -- the happens—the photo {{dissolve}}s into a view of the spot identical in arrangement to the photo, painting or drawing from the previous scene.



Common parodies, tweaks and variations to the trope result in the real location looking much worse than the image, or being dilapidated from neglect.

SisterTrope to IdiosyncraticWipes, and can be combined with {{Flashback}}. Compare AgeCut, MatchCut, and ThisIsWhatTheBuildingWillLookLike. See also PastelChalkedFreezeFrame. Not to be confused with PortalPicture.

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This gimmick was particularly common in mid-twentieth-century Hollywood, usually as a stylish way of going smoothly from an ArtisticTitle sequence to the actual movie, but it still pops up pretty frequently. Common parodies, tweaks and variations to the trope result in the real location looking much worse than the image, or being dilapidated from neglect.

SisterTrope to IdiosyncraticWipes, and can be combined with {{Flashback}}. Compare AgeCut, MatchCut, MediumBlending, and ThisIsWhatTheBuildingWillLookLike. See also PastelChalkedFreezeFrame. Not to be confused with PortalPicture.


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* Examples where an ArtisticTitle fades into the live-action equivalent are so common we may as well list them all here:
** ''Film/TheAdventuresOfBullwhipGriffin'': A 19th-century-style engraving of a stately house becomes the house.
** ''Film/AlicesAdventuresinWonderland1972'': A pencil sketch of a river becomes the river.
** ''Film/TheChargeOfTheLightBrigade'': A nice variation. The titles feature animated versions of Victorian engravings, the final one of which turns into live action ''while moving''.
** ''Film/{{Cleopatra}}'': An ancient-looking fresco of a battlefield becomes the battlefield.
** ''Film/{{Grease}}'': An animated-cartoon background of Rydell High School becomes the school.
** ''Film/TheGreatRace'': A magic-lantern slide of a balloon launch becomes the balloon launch.
** ''Film/TheHappiestMillionaire'': A painting of a Philadelphia street, in 1910s magazine art style, becomes the street.
** ''Film/ManOfLaMancha'': A small detail in the stylized portrait of Don Quixote turns into a piece of festival paraphernalia.
** ''Film/{{Oliver}}'': A pencil sketch of a workhouse becomes the workhouse.
** ''Film/SeventeenSeventySix'': The movie's final shot melts slowly into a version on canvas, recalling the various paintings of the moment as seen in history books. The inscribed Declaration itself also gradually burns through.
** ''Film/Scrooge1970'': A painting of a London street, vaguely in the Ronald Searle style of the other titles, becomes the street.
* Film/LumiereFilms: According to Creator/GeorgesMéliès, this trope is as old as film screenings themselves. He reported that when he went to his first Lumière screening, it began with a still image like a projected slide, and he was just complaining to his neighbor that this was nothing new?when suddenly, to everyone's amazement, the image to life.


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* ''Film/AFunnyThingHappenedOnTheWayToTheForum'': The very last shot in the film, Senex running, becomes an animated fresco version of Senex running, leading us into the CreativeClosingCredits by Creator/RichardWilliams.


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* ''Film/IndianaJonesAndTheKingdomOfTheCrystalSkull'': The Paramount logo turns into a prairie dog mound, which is then run over by a car.


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[[folder:Theatre]]
* ''Theatre/SundayInTheParkWithGeorge'': The first act ends with a tableau recreating ''A Sunday Afternoon on the Island of La Grande Jatte''.
* ''Theatre/SeventeenSeventySix'': The script instructs the actors to end in a formation evoking [[https://www.loc.gov/item/2008678323/ the Pine-Savage engraving of the scene]].
[[/folder]]
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SisterTrope to IdiosyncraticWipes, and can be combined with {{Flashback}}. Compare AgeCut, MatchCut, and ThisIsWhatTheBuildingWillLookLike. See also PastelChalkedFreezeFrame.

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SisterTrope to IdiosyncraticWipes, and can be combined with {{Flashback}}. Compare AgeCut, MatchCut, and ThisIsWhatTheBuildingWillLookLike. See also PastelChalkedFreezeFrame.
PastelChalkedFreezeFrame. Not to be confused with PortalPicture.
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** This happens when Marge looks at the painting above the family's couch in order to get inspiriation for a book to write.

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** This happens in "Diatribe Of A Mad Housewife", when Marge looks at the painting above the family's couch in order to get inspiriation for a book to write.



** Also subverted when Homer tries to construct a grill. Lacking the manual, he tries to build it without it, and seems to get off to a bad start. The scene cuts to the completed grill.

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** Also subverted in "Mom And Pop Art", when Homer tries to construct a grill. Lacking the manual, he tries to build it without it, and seems to get off to a bad start. The scene cuts to the completed grill.
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* Used to bookend every chapter of ''VideoGame/EternalDarkness: Sanity's Requiem'', appropriately enough by using an illustration in a book (a TomeOfEldritchLore, to be precise) to segue into real historical events, and then back into an illustration once the chapter is concluded.
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* ''Film/SkyHigh2005'' has this in the opening credits. Will's narration explains his life, and is shown in comic book pages. The panel focuses on the Stronghold house, then dissolves into the live-action image of the house.

to:

* ''Film/SkyHigh2005'' has this in the opening credits. Will's narration explains his life, and is shown in comic book pages. The panel focuses on the Stronghold house, then dissolves into the live-action image of the house. The ending changes a live shot of Will and friends to a comic panel of them.
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Added DiffLines:

* ''WesternAnimation/AChristmasCarol2009'' takes the shot of Scrooge and Tiny Tim and turns it into a colored ink drawing on the last page of the book.
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* ''WesternAnimation/{{Shrek}}'' and Fiona riding off in their Onion Coach turns into a drawing with "... And they lived ugly ever after" as the last page of the fairy tale story.
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* In the Creator/LaurenceOlivier adaptation of ''[[Film/HenryV1944]]'', the filmed-play opening scenes give way to the more cinematic rest of the movie when a painted background transitions to an actual background.

to:

* In the Creator/LaurenceOlivier adaptation of ''[[Film/HenryV1944]]'', ''[[Film/HenryV1944 Henry V]]'', the filmed-play opening scenes give way to the more cinematic rest of the movie when a painted background transitions to an actual background.
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* In the Creator/LaurenceOlivier adaptation of ''Theatre/HenryV'', the filmed-play opening scenes give way to the more cinematic rest of the movie when a painted background transitions to an actual background.

to:

* In the Creator/LaurenceOlivier adaptation of ''Theatre/HenryV'', ''[[Film/HenryV1944]]'', the filmed-play opening scenes give way to the more cinematic rest of the movie when a painted background transitions to an actual background.
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SisterTrope to IdiosyncraticWipes, and can be combined with {{Flashback}}. Compare MatchCut, ThisIsWhatTheBuildingWillLookLike. See also PastelChalkedFreezeFrame.

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SisterTrope to IdiosyncraticWipes, and can be combined with {{Flashback}}. Compare AgeCut, MatchCut, and ThisIsWhatTheBuildingWillLookLike. See also PastelChalkedFreezeFrame.
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* ''[[Film/TheLordOfTheRings The Return of the King]]'' uses the reverse version, where the camera pulls away from the city of Minas Tirith and the picture slowly fades into a drawing of the city on a map. The camera then pans across the map to represent the characters' return journey.

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* ''[[Film/TheLordOfTheRings The Return of the King]]'' ''Film/TheLordOfTheRingsTheReturnOfTheKing'' uses the reverse version, where the camera pulls away from the city of Minas Tirith and the picture slowly fades into a drawing of the city on a map. The camera then pans across the map to represent the characters' return journey.



* Done in reverse in ''[[Film/TheLordOfTheRings The Two Towers]]'', where film footage transitions into gameplay footage at the beginning of each stage.

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* Done in reverse in ''[[Film/TheLordOfTheRings The Two Towers]]'', ''VideoGame/TheLordOfTheRingsTheTwoTowers'', where film footage transitions into gameplay footage at the beginning of each stage.
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[[folder:Western Animation]]

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[[folder:Western [[folder:Web Animation]]

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[[quoteright:280:[[Disney/{{Pocahontas}} https://static.tvtropes.org/pmwiki/pub/images/painting_transition.jpg]]]]

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[[quoteright:280:[[Disney/{{Pocahontas}} [[quoteright:280:[[WesternAnimation/{{Pocahontas}} https://static.tvtropes.org/pmwiki/pub/images/painting_transition.jpg]]]]



** ''Disney/BeautyAndTheBeast'' has the ball celebrating the breaking of the curse. The scene transitions to a stained glass window rendering (no cameras — it was the 1700s).

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** ''Disney/BeautyAndTheBeast'' ''WesternAnimation/BeautyAndTheBeast'' has the ball celebrating the breaking of the curse. The scene transitions to a stained glass window rendering (no cameras — it was the 1700s).



** ''Disney/ThePrincessAndTheFrog'' has several, going from grayscale newspaper photos to shots of the action.
** ''Disney/{{Pocahontas}}'' transitions from a woodcut of London Harbor at the time to London Harbor in gloriously rendered colour, zooming in on the Virginia Company ship as it prepares for departure. [[BookEnds It ends with]] a shot of Pocahontas on the cliff, watching John Smith's ship heading back to England, transitioning back into a woodcut.

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** ''Disney/ThePrincessAndTheFrog'' ''WesternAnimation/ThePrincessAndTheFrog'' has several, going from grayscale newspaper photos to shots of the action.
** ''Disney/{{Pocahontas}}'' ''WesternAnimation/{{Pocahontas}}'' transitions from a woodcut of London Harbor at the time to London Harbor in gloriously rendered colour, zooming in on the Virginia Company ship as it prepares for departure. [[BookEnds It ends with]] a shot of Pocahontas on the cliff, watching John Smith's ship heading back to England, transitioning back into a woodcut.



* In "Perfect Day for Fun" (a short released before ''WesternAnimation/MyLittlePonyEquestriaGirlsRainbowRocks''), there is a zoom on a poster announcing the Rainbooms performing, which transition to the band actually on stage. Inverted with the ending shot, with the group picture zooming out to show it is on the screen of Twilight's phone while the girls are on the ferris wheel.



* ''Series/ThePrisoner1967'' episode "The Girl Who Was Death" is an atypical loopy cliffhanger story - when it breaks for commercials it transitions into illustrations similar to the action, but in an Edwardian style and setting...it turns out these are [[spoiler: illustrations in a storybook Number Six is reading to children.]]

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* ''Series/ThePrisoner1967'' ''Series/{{The Prisoner|1967}}'' episode "The Girl Who Was Death" is an atypical loopy cliffhanger story - -- when it breaks for commercials it transitions into illustrations similar to the action, but in an Edwardian style and setting...setting... it turns out these are [[spoiler: illustrations [[spoiler:illustrations in a storybook Number Six is reading to children.]]



* In "[[WebAnimation/MyLittlePonyEquestriaGirlsRainbowRocksShorts Perfect Day for Fun]]" (a short released before ''WesternAnimation/MyLittlePonyEquestriaGirlsRainbowRocks''), there is a zoom on a poster announcing the Rainbooms performing, which transition to the band actually on stage. Inverted with the ending shot, with the group picture zooming out to show it is on the screen of Twilight's phone while the girls are on the ferris wheel.
[[/folder]]

[[folder:Western Animation]]



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[[folder:Music Videos]]
* The Music/LindseyStirling for [[https://www.youtube.com/watch?v=jvipPYFebWc "Roundtable Rival"]] introduces the villain Durango Black with a WantedPoster immediately transitioning to the real guy with a zoom.
[[/folder]]
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* ''Series/BlakesSeven''. In "Star One", President Servalan is studying the personnel files of a secret Federation base. After a female technician called Lurena is projected on the screen, we cut to Lurena at the base, standing in the same position. [[RefugeeFromTime Unfortunately she's the same age as well.]]

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* ''Series/BlakesSeven''. In "Star One", President Servalan is studying the personnel files of a secret Federation base. After a female technician called Lurena is projected on the screen, we cut to Lurena at the base, standing in the same position. [[RefugeeFromTime Unfortunately she's the same age as well.age]], despite [[FridgeLogic having been on the base for years.]]
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SisterTrope to IdiosyncraticWipes, and can be combined with {{Flashback}}. Compare MatchCut. See also PastelChalkedFreezeFrame.

to:

SisterTrope to IdiosyncraticWipes, and can be combined with {{Flashback}}. Compare MatchCut.MatchCut, ThisIsWhatTheBuildingWillLookLike. See also PastelChalkedFreezeFrame.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ''Series/BlakesSeven''. In "Star One", President Servalan is studying the personnel files of a secret Federation base. After a female technician called Lurena is projected on the screen, we cut to Lurena at the base, standing in the same position. [[RefugeeFromTime Unfortunately she's the same age as well.]]

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