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* ''Webcomic/AwkwardZombie'': In ''[[https://www.awkwardzombie.com/comic/the-ancient-tongue The Ancient Tongue]]'', [[VideoGame/ChronoTrigger Crono and Lucca]] suppose that Frog speaks in AntiquatedLinguistics because he comes from the Middle Ages. They quickly discover that he's the only one in that era who speaks that way.
-->'''Frog''': My lady... my breast swells with gaity to see thee unharmed.\\
'''Queen Leene''': Hi Frog! Thanks for rescuing me!
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[[folder:Video Games]]
* ''VideoGame/TheLegendOfZeldaTearsOfTheKingdom'': {{Downplayed}}, at least in the English translation. While they don't use outright slang, characters from TheTimeOfMyths don't use much particularly formal or old-fashioned language either (even when they're kings and priests), and describe each others' abilities as "powers" in a way that wasn't common before SuperHero comics. This is presumably to make them seem more humble and welcoming [[spoiler:when King Rauru and Queen Sonia begin caring for a time-displaced Zelda like family]].
[[/folder]]

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alphabetized folders


[[folder:Web Animation]]
* ''WebAnimation/RedVsBlueFamilyShatters'': In "Hard Boiled", West dreams about himself and the others in a FilmNoir story. While most of the characters use antiquated linguistics to match the setting, Tiny leans more into ValleyGirl-style speech.
-->'''Tiny:''' Like, I need your help, detective. [...] Whatever, Bruce. [...] Ew, I don't have it!
[[/folder]]



[[folder:Web Animation]]
* ''WebAnimation/RedVsBlueFamilyShatters'': In "Hard Boiled", West dreams about himself and the others in a FilmNoir story. While most of the characters use antiquated linguistics to match the setting, Tiny leans more into ValleyGirl-style speech.
-->'''Tiny:''' Like, I need your help, detective. [...] Whatever, Bruce. [...] Ew, I don't have it!
[[/folder]]
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* Parodied in a sketch on ''Series/ThatMitchellAndWebbLook'', in which a caveman crime scene investigator (whose most advanced technology is a rock) describes something as "a double-edged sword", then states that he has no idea what that phrase actually means.
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Period Piece, Modern Language is often an indication that the work indulges in AnachronismStew or a PurelyAestheticEra, and may be paired with AnachronisticSoundtrack (especially in musical examples). See also OrphanedEtymology (where the period characters use idiomatic language based on things from a more recent time period), NotEvenBotheringWithTheAccent (where the accents are out-of-place, not necessarily the speech patterns), TranslationConvention (where they may be speaking some foreign or ancient language, but it's translated into modern English for the audience's benefit), SophisticatedAsHell (contrasting poshness and vulgarity in dialogue), and ArtisticLicenseLinguistics.

to:

Period Piece, Modern Language is often an indication that the work indulges in AnachronismStew or a PurelyAestheticEra, and may be paired with AnachronisticSoundtrack (especially in musical examples). See also OrphanedEtymology (where the period characters use idiomatic language based on things from a more recent time period), modern concepts), NotEvenBotheringWithTheAccent (where the accents are out-of-place, not necessarily the speech patterns), TranslationConvention (where they may be speaking some foreign or ancient language, but it's translated into modern English for the audience's benefit), SophisticatedAsHell (contrasting poshness and vulgarity in dialogue), and ArtisticLicenseLinguistics.
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Period Piece, Modern Language is often an indication that the work indulges in AnachronismStew or a PurelyAestheticEra, and may be paired with AnachronisticSoundtrack (especially in musical examples). See also NotEvenBotheringWithTheAccent (where the accents are out-of-place, not necessarily the speech patterns), TranslationConvention (where they may be speaking some foreign or ancient language, but it's translated into modern English for the audience's benefit), OrphanedEtymology (where the period characters use idiomatic language based on things from a more recent time period), SophisticatedAsHell (contrasting poshness and vulgarity in dialogue), and ArtisticLicenseLinguistics.

to:

Period Piece, Modern Language is often an indication that the work indulges in AnachronismStew or a PurelyAestheticEra, and may be paired with AnachronisticSoundtrack (especially in musical examples). See also OrphanedEtymology (where the period characters use idiomatic language based on things from a more recent time period), NotEvenBotheringWithTheAccent (where the accents are out-of-place, not necessarily the speech patterns), TranslationConvention (where they may be speaking some foreign or ancient language, but it's translated into modern English for the audience's benefit), OrphanedEtymology (where the period characters use idiomatic language based on things from a more recent time period), SophisticatedAsHell (contrasting poshness and vulgarity in dialogue), and ArtisticLicenseLinguistics.
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None


Period Piece, Modern Language is often an indication that the work indulges in AnachronismStew or a PurelyAestheticEra, and may be paired with AnachronisticSoundtrack (especially in musical examples). See also NotEvenBotheringWithTheAccent (where the accents are out-of-place, not necessarily the speech patterns), TranslationConvention (where they may be speaking some foreign or ancient language, but it's translated into modern English for the audience's benefit), SophisticatedAsHell (contrasting poshness and vulgarity in dialogue), and ArtisticLicenseLinguistics.

to:

Period Piece, Modern Language is often an indication that the work indulges in AnachronismStew or a PurelyAestheticEra, and may be paired with AnachronisticSoundtrack (especially in musical examples). See also NotEvenBotheringWithTheAccent (where the accents are out-of-place, not necessarily the speech patterns), TranslationConvention (where they may be speaking some foreign or ancient language, but it's translated into modern English for the audience's benefit), OrphanedEtymology (where the period characters use idiomatic language based on things from a more recent time period), SophisticatedAsHell (contrasting poshness and vulgarity in dialogue), and ArtisticLicenseLinguistics.
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Of note is that most period works are at least ''a little'' anachronistic in their language -- a work faithful to the real English of the Middle Ages, for example, would be nigh-intelligible to a modern viewer. However, '''this trope is specifically about using informal 20th- and 21st-century language to create an obvious dissonance''': the language should visibly clash with the production to count.

to:

Of note is that most period works are at least ''a little'' anachronistic in their language -- a work faithful to the real English of the Middle Ages, for example, would be nigh-intelligible nigh-unintelligible to a modern viewer. However, '''this trope is specifically about using informal 20th- and 21st-century language to create an obvious dissonance''': the language should visibly clash with the production to count.
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->''"They said that back then? They said '[[YeOldeButcheredeEnglishe thy houth]]' and everything, but they still say 'vouch'? And on the seventh day, God said... 'Bet'."'''

to:

->''"They said that back then? They said '[[YeOldeButcheredeEnglishe thy houth]]' 'thy houth' and everything, but they still say 'vouch'? And on the seventh day, God said... 'Bet'."'''

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* Parodied in a sketch on ''Series/ThatMitchellAndWebbLook'', in which a caveman crime scene investigator (whose most advanced technology is a rock) describes something as "a double-edged sword", then states that he has no idea what that phrase actually means.


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* Parodied in a sketch on ''Series/ThatMitchellAndWebbLook'', in which a caveman crime scene investigator (whose most advanced technology is a rock) describes something as "a double-edged sword", then states that he has no idea what that phrase actually means.

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Alphabetization.


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%% The examples have been alphabetized. Please put any new example in its proper place in the folder rather than at the end.
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* ''Series/Merlin2008'': PlayedForLaughs in the [[Series/ChildrenInNeed 2009 Children in Need]] NegativeContinuity special. The medieval Camelot of Myth/ArthurianLegend is affected by a dark magical spell infecting the kingdom with... [[AnachronismStew modern conveniences]]. This results in the medieval characters peppering their speech with modern terms:
-->'''Uther:''' ''(picks up cell phone)'' Yes? Uther Pendragon. ''(pause)'' You were ''CC'ed'' on the ''email!''



* ''Series/{{Merlin|2008}}'': PlayedForLaughs in the [[Series/ChildrenInNeed 2009 Children in Need]] NegativeContinuity special. The medieval Camelot of Myth/ArthurianLegend is affected by a dark magical spell infecting the kingdom with... [[AnachronismStew modern conveniences]]. This results in the medieval characters peppering their speech with modern terms:
-->'''Uther:''' ''[picks up cell phone]'' Yes? Uther Pendragon. ''[pause]'' You were ''CC'ed'' on the ''email!''



* ''WebVideo/{{Broceliande}}'' being fan videos based on ''Series/{{Kaamelott}}'', it follows the same pattern of using very modern French in an Myth/ArthurianLegend setting.

to:

* ''WebVideo/{{Broceliande}}'' being a fan videos video based on ''Series/{{Kaamelott}}'', it follows the same pattern of using very modern French in an Myth/ArthurianLegend setting.



* ''WesternAnimation/DuckTales2017'': A brief example happens in "[[Recap/DuckTales2017S2E9TheOutlawScroogeMcDuck The Outlaw Scrooge McDuck]]". It's a WholeEpisodeFlashback where Scrooge is telling Louie about his exploits in the Old West. At one point, Louie asks Scrooge to cut down on the "old prospector slang", so he can understand what's going on better. However, Scrooge's new dialogue falls squarely under TotallyRadical and Louie concedes that actually sounds worse so he lets Scrooge go back to the previous dialogue.

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* ''WesternAnimation/DuckTales2017'': ''WesternAnimation/{{DuckTales|2017}}'': A brief example happens in "[[Recap/DuckTales2017S2E9TheOutlawScroogeMcDuck The Outlaw Scrooge McDuck]]". It's a WholeEpisodeFlashback where Scrooge is telling Louie about his exploits in the Old West. At one point, Louie asks Scrooge to cut down on the "old prospector slang", so he can understand what's going on better. However, Scrooge's new dialogue falls squarely under TotallyRadical and Louie concedes that actually sounds worse so he lets Scrooge go back to the previous dialogue.



-->'''Moe:''' (about Homer, in a retelling of the Mayflower voyage) Man! That guy sends my humors from sanguine to bilious! ''(To audience)'' That's how we talk. Weird, huh? Time to think of a plan most sneaky.

to:

-->'''Moe:''' (about ''[about Homer, in a retelling of the Mayflower voyage) voyage]'' Man! That guy sends my humors from sanguine to bilious! ''(To audience)'' ''[to audience]'' That's how we talk. Weird, huh? Time to think of a plan most sneaky.
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->''"They said that back then? They said '[[YeOldeButcheredeEnglishe thy houth]]' and everything, but they still say 'vouch'? And on the seventh day, God said... 'Bet'."'''
-->-- '''WebVideo/{{Alpharad}}''' on ''VideoGame/PokemonLegendsArceus''
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Most {{period piece}}s and HistoricalFiction make at least a surface effort at period-appropriate languages -- that's how we get YeOldeButcheredeEnglishe, FloweryElizabethanEnglish, and AntiquatedLinguistics. These works don't even bother, and utilize language patterns that were developed well after their settings. We don't mean using words that won't be invented for five years -- we mean that the manners of speaking in these works are off by ''centuries'', specifically by using casual modern speech in a historical work where you would expect them to speak formally.

to:

Most {{period piece}}s and HistoricalFiction make at least a surface effort at period-appropriate languages -- that's how we get YeOldeButcheredeEnglishe, FloweryElizabethanEnglish, and AntiquatedLinguistics. These works don't even bother, bother and utilize language patterns that were developed well after their settings. We don't mean using words that won't be invented for five years -- we mean that the manners of speaking in these works are off by ''centuries'', specifically by using casual modern speech in a historical work where you would expect them to speak formally.



Of note is that most period works are at least ''a little'' anachronistic in their language -- a work faithful to the real English of the Middle Ages, for example, would be nigh-intelligible to a modern viewer. However, '''this trope is specifically about using informal 20th and 21st century language to create an obvious dissonance''': the language should visibly clash with the production to count.

to:

Of note is that most period works are at least ''a little'' anachronistic in their language -- a work faithful to the real English of the Middle Ages, for example, would be nigh-intelligible to a modern viewer. However, '''this trope is specifically about using informal 20th 20th- and 21st century 21st-century language to create an obvious dissonance''': the language should visibly clash with the production to count.



* ''Fanfic/NotTheIntendedUseZantetsukenReverse'': In ''A Game of Cat and Cat'', Soma thinks to himself that a medieval movie where all the characters speak with modern accents (say Texan) instead of YeOldeButcheredeEnglishe [[ConversedTrope would sound very jarring]]. [[BrickJoke A few chapters later]], Leon, a ghost who was a Franc Crusader, reveals that he speaks modern English with an Texan accent.

to:

* ''Fanfic/NotTheIntendedUseZantetsukenReverse'': In ''A Game of Cat and Cat'', Soma thinks to himself that a medieval movie where all the characters speak with modern accents (say Texan) instead of YeOldeButcheredeEnglishe [[ConversedTrope would sound very jarring]]. [[BrickJoke A few chapters later]], Leon, a ghost who was a Franc Crusader, reveals that he speaks modern English with an a Texan accent.



'''Black Knight:''' Oh... had enough, eh?\\
'''Arthur:''' ''[beat]'' Look you stupid bastard, you've got no arms left!

to:

'''Black Knight:''' Oh... Oh, had enough, eh?\\
'''Arthur:''' ''[beat]'' Look Look, you stupid bastard, you've got no arms left!



* ''Film/{{Rosaline}}'': Renaissance Italy nobleman Romeo begins the film with a famous line from [[Theatre/RomeoAndJuliet the original Shakespearean English]]: "Forswear it, sight, I never saw true beauty until this night." Rosaline immediately questions why he's talking like that, setting the tone of the film. Characters speak in 21st century slang in [[NotEvenBotheringWithTheAccent their natural British or American accents]], and the CampGay Paris even speaks in modern vocal fry.
* Inverted in ''Film/WilliamShakespearesRomeoAndJuliet''. The film is set in the [=1990s=], but keeps [[Theatre/RomeoAndJuliet the original play]]'s dialogue down to the Elizabethan dialect, with only a few minor changes.

to:

* ''Film/{{Rosaline}}'': Renaissance Italy nobleman Romeo begins the film with a famous line from [[Theatre/RomeoAndJuliet the original Shakespearean English]]: "Forswear it, sight, I never saw true beauty until this night." Rosaline immediately questions why he's talking like that, setting the tone of the film. Characters speak in 21st century 21st-century slang in [[NotEvenBotheringWithTheAccent their natural British or American accents]], and the CampGay Paris even speaks in modern vocal fry.
* Inverted in ''Film/WilliamShakespearesRomeoAndJuliet''. The film is set in the [=1990s=], [=1990s=] but keeps [[Theatre/RomeoAndJuliet the original play]]'s dialogue down to the Elizabethan dialect, with only a few minor changes.



* ''Series/{{Dickinson}}'' establishes its irreverence in the first scene, where supposedly 19th century American gentlewoman Emily rages, "This is such bullshit." when asked to do a chore her brother is exempted from for being male. The rest of the show follows 21st century speech patterns. For example, their discussion on ''Literature/BleakHouse'''s ongoing plot developments[[note]]It was serialized from 1852-1853[[/note]] would not be out of place in a modern forum.

to:

* ''Series/{{Dickinson}}'' establishes its irreverence in the first scene, where supposedly 19th century 19th-century American gentlewoman Emily rages, "This is such bullshit." when asked to do a chore her brother is exempted from for being male. The rest of the show follows 21st century 21st-century speech patterns. For example, their discussion on ''Literature/BleakHouse'''s ongoing plot developments[[note]]It was serialized from 1852-1853[[/note]] would not be out of place in a modern forum.



* ''Series/{{Norsemen}}'' looks like a grim show about Vikings...until hear see 21st century slang and issues come out of the characters' mouths. They talk about and react as modern people would to Viking lifestyle, such as defending horned helmets as a fashion choice, complaining that a VikingFuneral is really difficult to do in the cold, and rallying the troops by telling them confidence is sexy.
* ''Series/OurFlagMeansDeath'' is a historical comedy set during UsefulNotes/TheGoldenAgeOfPiracy. While you have the occasional period-appropriate character and line of dialogue, most of the crew speak like 21st century millennials, and Spanish Jackie speaks like a SassyBlackWoman.

to:

* ''Series/{{Norsemen}}'' looks like a grim show about Vikings...until hear see 21st century 21st-century slang and issues come out of the characters' mouths. They talk about and react as modern people would to Viking lifestyle, such as defending horned helmets as a fashion choice, complaining that a VikingFuneral is really difficult to do in the cold, and rallying the troops by telling them confidence is sexy.
* ''Series/OurFlagMeansDeath'' is a historical comedy set during UsefulNotes/TheGoldenAgeOfPiracy. While you have the occasional period-appropriate character and line of dialogue, most of the crew speak like 21st century 21st-century millennials, and Spanish Jackie speaks like a SassyBlackWoman.

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[[folder:Films -- Live Action]]

to:

[[folder:Films -- Live Action]]Live-Action]]



--> '''Taggart:''' ''(finds his henchmen dancing and singing)'' What in the Wide Wide World of Sports is a-goin' on here?!

to:

--> '''Taggart:''' ''(finds -->'''Taggart:''' ''[finds his henchmen dancing and singing)'' singing]'' What in the Wide Wide World of Sports is a-goin' on here?!



-->'''Arthur:''' You are indeed brave, sir knight, but the fight is mine.
-->'''Black Knight:''' Oh... had enough, eh?
-->'''Arthur:''' (beat) Look you stupid bastard, you've got no arms left!

to:

-->'''Arthur:''' You are indeed brave, sir knight, but the fight is mine.
-->'''Black
mine.\\
'''Black
Knight:''' Oh... had enough, eh?
-->'''Arthur:''' (beat)
eh?\\
'''Arthur:''' ''[beat]''
Look you stupid bastard, you've got no arms left!



* ''Film/Persuasion2022'' leaves some of the Regency England language of [[Literature/{{Persuasion}} its source material]] intact, but Anne will occasionally spice it up with modern English terminology ("playlist", "We're worse than friends, we're exes".)
* As part of its AnachronismStew, the parody ''Film/RobinHoodMenInTights'' (ostensibly set during UsefulNotes/TheCrusades) mixes modern speech with the occasional older English line with the spoonerisms of the Sherriff of Rottingham. This is most obvious with [[BlackVikings Ahchoo]], who speaks like a modern black man.
-->'''Robin Hood:''' Fare thee well. I'll see thee upon my return.
-->'''Ahchoo:''' All right, man. Peace, bro.

to:

* ''Film/Persuasion2022'' ''Film/{{Persuasion|2022}}'' leaves some of the Regency England language of [[Literature/{{Persuasion}} its source material]] intact, but Anne will occasionally spice it up with modern English terminology ("playlist", "We're worse than friends, we're exes".)
* As part of its AnachronismStew, the parody ''Film/RobinHoodMenInTights'' (ostensibly set during UsefulNotes/TheCrusades) mixes modern speech with the occasional older English line with the spoonerisms of the Sherriff Sheriff of Rottingham. This is most obvious with [[BlackVikings Ahchoo]], who speaks like a modern black man.
-->'''Robin Hood:''' Fare thee well. I'll see thee upon my return. \n-->'''Ahchoo:''' \\
'''Ahchoo:'''
All right, man. Peace, bro.



-->'''Lavinia''': I'm honestly gonna die if we don't find out who Esther's mother is soon.
-->'''Austin:''' It's obviously Lady Dedlock.
-->'''Lavinia:''' Austin! No spoilers!

to:

-->'''Lavinia''': -->'''Lavinia:''' I'm honestly gonna die if we don't find out who Esther's mother is soon.
-->'''Austin:'''
soon.\\
'''Austin:'''
It's obviously Lady Dedlock.
-->'''Lavinia:'''
Dedlock.\\
'''Lavinia:'''
Austin! No spoilers!



-->'''Oluwande:''' What does a viceroy do?
-->'''Frenchie:''' Whatever the fuck he wants, babe.

to:

-->'''Oluwande:''' What does a viceroy do?
-->'''Frenchie:'''
do?\\
'''Frenchie:'''
Whatever the fuck he wants, babe.



[[folder:Web Video]]
* Often zig-zagged in ''WebVideo/EpicRapBattlesOfHistory''; for example, while "Theatre/RomeoAndJuliet vs Bonnie And Clyde" still shows Romeo using mostly Shakespearean English, Juliet leans more into modern slang, freely using words and phrases like "ass-ripping" and "put these bitches on blast!" Generally, ERB seems to alternate between somewhat-accurate speech and modern slang based on [[RuleOfCool which fits the rhythm of the rap battle better]] and [[RuleOfFunny which one sounds funnier.]]

to:

[[folder:Web Video]]
Videos]]
* ''WebVideo/{{Broceliande}}'' being fan videos based on ''Series/{{Kaamelott}}'', it follows the same pattern of using very modern French in an Myth/ArthurianLegend setting.
-->'''Odilon:''' Mother? I'm leaving! I'm going to war!\\
'''Mother:''' Why should I give a flying fuck!?
* Often zig-zagged in ''WebVideo/EpicRapBattlesOfHistory''; for example, while "Theatre/RomeoAndJuliet vs vs. Bonnie And and Clyde" still shows Romeo using mostly Shakespearean English, Juliet leans more into modern slang, freely using words and phrases like "ass-ripping" and "put these bitches on blast!" Generally, ERB seems to alternate between somewhat-accurate speech and modern slang based on [[RuleOfCool which fits the rhythm of the rap battle better]] and [[RuleOfFunny which one sounds funnier.]]



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* A German variation in the series ''Series/Barbarians'': where antiquity-era Germanic barbarians speak in modern-day German whereas Ancient Romans speak in Latin.

to:

* A German variation in the series ''Series/Barbarians'': ''Series/{{Barbarians}}'': where antiquity-era Germanic barbarians speak in modern-day German whereas Ancient Romans speak in Latin.
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* A German variation in the series ''Series/Barbarians'': where antiquity-era Germanic barbarians speak in modern-day German whereas Ancient Romans speak in Latin.
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* Inverted in ''Film/{{Brick}}'', a 2000s teen murder mystery staged as a 1940s FilmNoir, complete with its cast of modern-looking high school students speaking in vintage slang.
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Created from YKTTW

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Most {{period piece}}s and HistoricalFiction make at least a surface effort at period-appropriate languages -- that's how we get YeOldeButcheredeEnglishe, FloweryElizabethanEnglish, and AntiquatedLinguistics. These works don't even bother, and utilize language patterns that were developed well after their settings. We don't mean using words that won't be invented for five years -- we mean that the manners of speaking in these works are off by ''centuries'', specifically by using casual modern speech in a historical work where you would expect them to speak formally.

This serves two purposes. One is RuleOfFunny, especially in parodic works. Such dialogue immediately establishes these as not your grandma's period drama, and there's something inherently funny about seeing an actor dressed up in heavy period-appropriate garb complaining about his family like a modern teenager would, especially if he's doing it in TheQueensLatin. Another is to make the characters more relatable to the audience, which could be a barrier to overcome if they were speaking in posh, old-timey ways.

Of note is that most period works are at least ''a little'' anachronistic in their language -- a work faithful to the real English of the Middle Ages, for example, would be nigh-intelligible to a modern viewer. However, '''this trope is specifically about using informal 20th and 21st century language to create an obvious dissonance''': the language should visibly clash with the production to count.

Period Piece, Modern Language is often an indication that the work indulges in AnachronismStew or a PurelyAestheticEra, and may be paired with AnachronisticSoundtrack (especially in musical examples). See also NotEvenBotheringWithTheAccent (where the accents are out-of-place, not necessarily the speech patterns), TranslationConvention (where they may be speaking some foreign or ancient language, but it's translated into modern English for the audience's benefit), SophisticatedAsHell (contrasting poshness and vulgarity in dialogue), and ArtisticLicenseLinguistics.

Not to be confused with EternalEnglish, which assumes that our languages stay more or less the same through various time periods. If it's one modern character who gets TrappedInThePast and starts speaking casually, they're just a FishOutOfTemporalWater and not this trope.
----
!!Examples:

[[foldercontrol]]

[[folder:Fan Works]]
* ''Fanfic/NotTheIntendedUseZantetsukenReverse'': In ''A Game of Cat and Cat'', Soma thinks to himself that a medieval movie where all the characters speak with modern accents (say Texan) instead of YeOldeButcheredeEnglishe [[ConversedTrope would sound very jarring]]. [[BrickJoke A few chapters later]], Leon, a ghost who was a Franc Crusader, reveals that he speaks modern English with an Texan accent.
[[/folder]]

[[folder:Films -- Animation]]
* ''WesternAnimation/AmericaTheMotionPicture'' is essentially an AnachronismStew action movie parody take on the American Revolution, with dialogue and slang as out of place as Abraham Lincoln and George Washington existing in the same time period, Samuel Adams being a frat boy, or the British Army having giant robots.
[[/folder]]

[[folder:Films -- Live Action]]
* ''Film/BlazingSaddles'' is an anachronism-filled comedy set in the old west. While the dialogue is mostly period appropriate, there is the odd modern dialogue, mostly from the smooth, quick-witted Sheriff Bart, who talks like a contemporary African American man.
--> '''Taggart:''' ''(finds his henchmen dancing and singing)'' What in the Wide Wide World of Sports is a-goin' on here?!
* Inverted in the 2000 film adaptation of ''Theatre/{{Hamlet}}'', where the original Shakespearean dialogue is kept but the setting is moved up to the TurnOfTheMillennium.
* ''Film/HistoryOfTheWorldPartOne'' is a very unserious look at history, from the Stone Age to the French Revolution, and is full of anachronistic dialogue (for example, "philosopher" is considered another word for "bullshit artist").
* ''Film/TheLastTemptationOfChrist'': As part of the film's effort to move depictions of Literature/TheFourGospels away from the trappings of conventional retellings, the mostly-American cast speaks in their natural accents and speech patterns. These line up with the kind of dialogue that the film's audiences might hear on an everyday basis, rather than using [[TheQueensLatin the Received Pronunciation]] and FloweryElizabethanEnglish that are more typical of Biblical {{epic movie}}s.
* ''Film/TheLittleHours'' looks like a 14th-century Italian convent period piece, but has contemporary dialogue.
* ''Film/MontyPythonAndTheHolyGrail'': The characters will frequently switch from speaking in poetic, Shakespeare-esque dialogue to a more modern way of speaking to accentuate the absurdity of the setting and story.
-->'''Arthur:''' You are indeed brave, sir knight, but the fight is mine.
-->'''Black Knight:''' Oh... had enough, eh?
-->'''Arthur:''' (beat) Look you stupid bastard, you've got no arms left!
* ''Film/MontyPythonsLifeOfBrian'': The film takes place in the time of Jesus Christ, and all of the characters speak with modern English diction, which includes curse words and slurs.
-->'''All of the PFJ [[labelnote: Note]] Peoples Front of Judea [[/labelnote]]:''' Splitter!
* ''Film/Persuasion2022'' leaves some of the Regency England language of [[Literature/{{Persuasion}} its source material]] intact, but Anne will occasionally spice it up with modern English terminology ("playlist", "We're worse than friends, we're exes".)
* As part of its AnachronismStew, the parody ''Film/RobinHoodMenInTights'' (ostensibly set during UsefulNotes/TheCrusades) mixes modern speech with the occasional older English line with the spoonerisms of the Sherriff of Rottingham. This is most obvious with [[BlackVikings Ahchoo]], who speaks like a modern black man.
-->'''Robin Hood:''' Fare thee well. I'll see thee upon my return.
-->'''Ahchoo:''' All right, man. Peace, bro.
* ''Film/{{Rosaline}}'': Renaissance Italy nobleman Romeo begins the film with a famous line from [[Theatre/RomeoAndJuliet the original Shakespearean English]]: "Forswear it, sight, I never saw true beauty until this night." Rosaline immediately questions why he's talking like that, setting the tone of the film. Characters speak in 21st century slang in [[NotEvenBotheringWithTheAccent their natural British or American accents]], and the CampGay Paris even speaks in modern vocal fry.
* Inverted in ''Film/WilliamShakespearesRomeoAndJuliet''. The film is set in the [=1990s=], but keeps [[Theatre/RomeoAndJuliet the original play]]'s dialogue down to the Elizabethan dialect, with only a few minor changes.
[[/folder]]

[[folder:Literature]]
* Study guide website Website/SparkNotes has a line of ''No Fear Shakespeare'' books, which show modern translations of the works of Creator/WilliamShakespeare alongside the original verse to help them be more understandable to students.
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[[folder:Live-Action TV]]
* ''Series/{{Dickinson}}'' establishes its irreverence in the first scene, where supposedly 19th century American gentlewoman Emily rages, "This is such bullshit." when asked to do a chore her brother is exempted from for being male. The rest of the show follows 21st century speech patterns. For example, their discussion on ''Literature/BleakHouse'''s ongoing plot developments[[note]]It was serialized from 1852-1853[[/note]] would not be out of place in a modern forum.
-->'''Lavinia''': I'm honestly gonna die if we don't find out who Esther's mother is soon.
-->'''Austin:''' It's obviously Lady Dedlock.
-->'''Lavinia:''' Austin! No spoilers!
* Part of the premise of ''Series/DrunkHistory'', where contemporary actors and comedians get shitfaced and narrate historical events. These narrations are then acted and filmed in full historical regalia with the actors lipsyncing to the humorous drunken monologues.
* ''Series/{{Galavant}}'' takes place in the 1250s, but, being an AffectionateParody of chivalrous folk tales, a lot of humor derives from blatant anachronisms and the use of modern dialogue and slang.
* ''Series/Merlin2008'': PlayedForLaughs in the [[Series/ChildrenInNeed 2009 Children in Need]] NegativeContinuity special. The medieval Camelot of Myth/ArthurianLegend is affected by a dark magical spell infecting the kingdom with... [[AnachronismStew modern conveniences]]. This results in the medieval characters peppering their speech with modern terms:
-->'''Uther:''' ''(picks up cell phone)'' Yes? Uther Pendragon. ''(pause)'' You were ''CC'ed'' on the ''email!''
* ''Series/{{Kaamelott}}'': Much of the humor comes from seeing 5th century characters dressed in medieval(-ish) costumes speaking in modern (and disrespectful) language. One messenger manages to botch "he sends you an ultimatum to dismantle your troops" into "he sends you a nutritionist to dismember your troops".
* Parodied in a sketch on ''Series/ThatMitchellAndWebbLook'', in which a caveman crime scene investigator (whose most advanced technology is a rock) describes something as "a double-edged sword", then states that he has no idea what that phrase actually means.
* ''Series/{{Norsemen}}'' looks like a grim show about Vikings...until hear see 21st century slang and issues come out of the characters' mouths. They talk about and react as modern people would to Viking lifestyle, such as defending horned helmets as a fashion choice, complaining that a VikingFuneral is really difficult to do in the cold, and rallying the troops by telling them confidence is sexy.
* ''Series/OurFlagMeansDeath'' is a historical comedy set during UsefulNotes/TheGoldenAgeOfPiracy. While you have the occasional period-appropriate character and line of dialogue, most of the crew speak like 21st century millennials, and Spanish Jackie speaks like a SassyBlackWoman.
-->'''Oluwande:''' What does a viceroy do?
-->'''Frenchie:''' Whatever the fuck he wants, babe.
* ''Series/UpstartCrow'': The Shakespearean characters alternate between using flowery Shakespearean English and modern English phrases, purely for RuleOfFunny.
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[[folder:Theatre]]
* ''Theatre/{{Hamilton}}'' forgoes any attempt at properly capturing the language at the time of its [[UsefulNotes/TheAmericanRevolution American Revolutionary War setting]] by using modern rap, hip hop, R&B, and pop musical and sentence structure for its songs and script. The only character who speaks in period-appropriate language is Samuel Seabury in "Farmer Refuted", who is immediately owned by Hamilton's more complex verses in their CounterpointDuet.
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[[folder:Webcomics]]
* Much of the humor in ''Webcomic/HarkAVagrant'' is from the historical figures and fictional characters speaking very casually and humorously. For example, the [[http://www.harkavagrant.com/index.php?id=202 Brontës]] react to a [[AllGirlsWantBadBoys mean guy with "Nice" and "I know, right?"]] or [[http://www.harkavagrant.com/index.php?id=213 Jules Verne writing to Edgar Allan Poe like a fangirl]].
* Discussed in ''Webcomic/{{Subnormality}}'', which points out that all the characters in fantasy and historical films tend to speak in FloweryElizabethanEnglish... except the [[TokenMinority token black sidekick]], who always talks like they're from Atlanta circa 1995.
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[[folder:Web Animation]]
* ''WebAnimation/RedVsBlueFamilyShatters'': In "Hard Boiled", West dreams about himself and the others in a FilmNoir story. While most of the characters use antiquated linguistics to match the setting, Tiny leans more into ValleyGirl-style speech.
-->'''Tiny:''' Like, I need your help, detective. [...] Whatever, Bruce. [...] Ew, I don't have it!
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[[folder:Web Video]]
* Often zig-zagged in ''WebVideo/EpicRapBattlesOfHistory''; for example, while "Theatre/RomeoAndJuliet vs Bonnie And Clyde" still shows Romeo using mostly Shakespearean English, Juliet leans more into modern slang, freely using words and phrases like "ass-ripping" and "put these bitches on blast!" Generally, ERB seems to alternate between somewhat-accurate speech and modern slang based on [[RuleOfCool which fits the rhythm of the rap battle better]] and [[RuleOfFunny which one sounds funnier.]]
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[[folder:Western Animation]]
* ''WesternAnimation/DuckTales2017'': A brief example happens in "[[Recap/DuckTales2017S2E9TheOutlawScroogeMcDuck The Outlaw Scrooge McDuck]]". It's a WholeEpisodeFlashback where Scrooge is telling Louie about his exploits in the Old West. At one point, Louie asks Scrooge to cut down on the "old prospector slang", so he can understand what's going on better. However, Scrooge's new dialogue falls squarely under TotallyRadical and Louie concedes that actually sounds worse so he lets Scrooge go back to the previous dialogue.
* ''WesternAnimation/TheSimpsons'' has, on occasion, used its characters as a UniversalAdaptorCast, moving them from their contemporary setting to a period story where they will mix their modern dialogue with the linguistics of the time.
-->'''Moe:''' (about Homer, in a retelling of the Mayflower voyage) Man! That guy sends my humors from sanguine to bilious! ''(To audience)'' That's how we talk. Weird, huh? Time to think of a plan most sneaky.
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