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* ''Anime/HanaukyoMaidTai La Verite'' episode 9. Taro is standing on the ground with Mariel and looking through a fence. Taro wishes they could get a good view of the sunset. We lose sight of Mariel, and four seconds later she calls out to Taro from the roof of a nearby building.

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* ''Anime/HanaukyoMaidTai ''Manga/HanaukyoMaidTeam La Verite'' episode 9. Taro is standing on the ground with Mariel and looking through a fence. Taro wishes they could get a good view of the sunset. We lose sight of Mariel, and four seconds later she calls out to Taro from the roof of a nearby building.
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[[folder:Asian Animation]]
* In the ''Animation/{{Lamput}}'' episode "Boxing", after the boxing match, Slim Doc waves to the arena spectators and the frame cuts to a closer shot of him, causing his hand to go off-screen. When his hand is on-screen again, Lamput, who was shaped as boxing gloves on his hands, has already disappeared; he's at the arena's exit.
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* ''TabletopGame/Pathfinder'' has the ''Implacable Stalker'' template which turns anything with 3 or more base Intelligence into a SlasherMovie villain (a pastiche of Jason Voorhees and Freddy Krueger). Of course, it adds the ability "Right Behind You," which teleports the Stalker, well, directly behind its target for throat slittin' time.

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* ''TabletopGame/Pathfinder'' ''TabletopGame/{{Pathfinder}}'' has the ''Implacable Stalker'' template which turns anything with 3 or more base Intelligence into a SlasherMovie villain (a pastiche of Jason Voorhees and Freddy Krueger). Of course, it adds the ability "Right Behind You," which teleports the Stalker, well, directly behind its target for throat slittin' time.
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* ''TabletopGame/Pathfinder'' has the ''Implacable Stalker'' template which turns anything with 3 or more base Intelligence into a SlasherMovie villain (a pastiche of Jason Voorhees and Freddy Krueger). Of course, it adds the ability "Right Behind You," which teleports the Stalker, well, directly behind its target for throat slittin' time.
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* ''Manga/{{Naruto}}'': very nearly the beginning of the first episode/chapter, Naruto is being chased by two ninjas because he vandalized the Hokage stone faces, he goes off-screen in one shot followed by the two guys, and appears shortly after camouflaged in a fence in the same shot, with no explanation of how he got there, since at this point he didn't know kage bunshin yet, and had poor basic bunshin skills.
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Natter. Unrelated to whether the commercial is an example (it is).


* There was a ''[[https://www.youtube.com/watch?v=xJw7yTEKb2U&feature=related/ Nike commercial]]'' where a woman in her bra and panties (and running shoes) actually outruns the Jason Myers-esque serial killer. He'd offscreen teleport behind a tree, only to realize that she had left that spot far behind. Eventually he gave up. MoralGuardians, decrying the commercial as sexist, got it canceled.

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* There was a ''[[https://www.youtube.com/watch?v=xJw7yTEKb2U&feature=related/ Nike commercial]]'' where a woman in her bra and panties (and running shoes) actually outruns the Jason Myers-esque serial killer. He'd offscreen teleport behind a tree, only to realize that she had left that spot far behind. Eventually he gave up. MoralGuardians, decrying the commercial as sexist, got it canceled.
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-->-- ''Disney/TheEmperorsNewGroove''

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-->-- ''Disney/TheEmperorsNewGroove''
''WesternAnimation/TheEmperorsNewGroove''



* {{Lampshade|Hanging}}d in ''Disney/TheEmperorsNewGroove'', when villains Yzma and Kronk are chasing Kuzco and Pacha, only to get hit by a lightning bolt and plunge into a chasm. But when the heroes reach their (mountain-top) destination, they find both villains there waiting for them.

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* {{Lampshade|Hanging}}d in ''Disney/TheEmperorsNewGroove'', ''WesternAnimation/TheEmperorsNewGroove'', when villains Yzma and Kronk are chasing Kuzco and Pacha, only to get hit by a lightning bolt and plunge into a chasm. But when the heroes reach their (mountain-top) destination, they find both villains there waiting for them.
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** More than one of their respective masters (or "marthterths") has tested just how far this ability extends. Reacher Gilt in ''Discworld/GoingPostal'' tries a bear trap. It doesn't work; his Igor hands him the (harmlessly sprung) bear trap and says one of his previous employers would stand with his back to a giant pit and call Igor "for a joke".

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** More than one of their respective masters (or "marthterths") has tested just how far this ability extends. Reacher Gilt in ''Discworld/GoingPostal'' ''Literature/GoingPostal'' tries a bear trap. It doesn't work; his Igor hands him the (harmlessly sprung) bear trap and says one of his previous employers would stand with his back to a giant pit and call Igor "for a joke".



** In ''Discworld/{{Hogfather}}'' (and the Sky One production; see Film), Mr. Teatime does this numerous times, often while [[FlashStep in full view]] of the people in the room. Naturally, it freaks them out. There's a very subtle implication that he's able to do this because of the [[CrystalBall glass orb]] in his eye socket.
** Lord Vetinari uses this to worry [[spoiler: Lupine Wonse]] in ''Discworld/GuardsGuards''. The villain is particularly unnerved since he had the palace ''checked'' for secret passages and didn't find any, but Lord V observes later that the man had failed to understand the nature of secret passages (presumably, that they're ''secret'').
** In a scarier version, at the beginning of ''Discworld/TheFifthElephant'' when we first experience the [[strike:Hunt]] Game, the [[strike:quarry]] player runs to a boat, with cargo covered in tarpaulins, to escape the werewolves by river. ''Guess where they are''. However, this is later revealed to be due to the fact that Wolfgang cheats - the theory is that the human runs away and the werewolves hunt them, while Wolfgang, as soon as or before the Game starts, sends werewolves to lie in wait in places people are likely to flee to.

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** In ''Discworld/{{Hogfather}}'' ''Literature/{{Hogfather}}'' (and the Sky One production; see Film), Mr. Teatime does this numerous times, often while [[FlashStep in full view]] of the people in the room. Naturally, it freaks them out. There's a very subtle implication that he's able to do this because of the [[CrystalBall glass orb]] in his eye socket.
** Lord Vetinari uses this to worry [[spoiler: Lupine Wonse]] in ''Discworld/GuardsGuards''.''Literature/GuardsGuards''. The villain is particularly unnerved since he had the palace ''checked'' for secret passages and didn't find any, but Lord V observes later that the man had failed to understand the nature of secret passages (presumably, that they're ''secret'').
** In a scarier version, at the beginning of ''Discworld/TheFifthElephant'' ''Literature/TheFifthElephant'' when we first experience the [[strike:Hunt]] Game, the [[strike:quarry]] player runs to a boat, with cargo covered in tarpaulins, to escape the werewolves by river. ''Guess where they are''. However, this is later revealed to be due to the fact that Wolfgang cheats - the theory is that the human runs away and the werewolves hunt them, while Wolfgang, as soon as or before the Game starts, sends werewolves to lie in wait in places people are likely to flee to.
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* Sun Qian has this ability in ''Fanfic/FarceOfTheThreeKingdoms.'' This is not explained, but none of the other characters seem to find it strange.
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[[quoteright:250:[[Webcomic/AwkwardZombie https://static.tvtropes.org/pmwiki/pub/images/dequestrian2.png]]]]

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Renamed as per TRS


Though possible in a multitude of genres, {{Horror}} movies are particularly prone to playing this one straight - the killer will know exactly where his victim is running to and be waiting for him before he even gets there, obviously because it lends itself so well to alarming the audience. This is especially common when the victim was ExploringTheEvilLair. This is one of those powers that the horror villain [[LoweredMonsterDifficulty loses]] as he goes through victims and starts to approach the final characters. Perhaps he's losing his [[TheScourgeOfGod Scourge Of God]] advantage? It's all covered by the RuleOfScary. For further examples done in the name of horror, see also FlashStep, VillainTeleportation and MobileMenace. Compare AlreadyUndoneForYou.

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Though possible in a multitude of genres, {{Horror}} movies are particularly prone to playing this one straight - the killer will know exactly where his victim is running to and be waiting for him before he even gets there, obviously because it lends itself so well to alarming the audience. This is especially common when the victim was ExploringTheEvilLair. This is one of those powers that the horror villain [[LoweredMonsterDifficulty [[MonsterThreatExpiration loses]] as he goes through victims and starts to approach the final characters. Perhaps he's losing his [[TheScourgeOfGod Scourge Of God]] advantage? It's all covered by the RuleOfScary. For further examples done in the name of horror, see also FlashStep, VillainTeleportation and MobileMenace. Compare AlreadyUndoneForYou.

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* In ''Literature/HarryPotterAndThePrisonerOfAzkaban'', Hermione seems to suddenly arrive at her classes when nobody is looking, which Ron finds spooky. This carries across in the film adaptation, where she appears between camera cuts, to the same reaction. [[spoiler: Turns out she's using TimeTravel to take more classes simultaneously.]]

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* ''Franchise/HarryPotter''
** In ''Literature/HarryPotterAndThePhilosophersStone'' when wizards congratulate child Harry in public, they've usually disappeared by the time he turns to look at them again.
**
In ''Literature/HarryPotterAndThePrisonerOfAzkaban'', Hermione seems to suddenly arrive at her classes when nobody is looking, which Ron finds spooky. This carries across in the film adaptation, where she appears between camera cuts, to the same reaction. [[spoiler: Turns out she's using TimeTravel to take more classes simultaneously.]]
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* In ''Webcomic/{{Rain}}'', Ana goes from sitting at one end of a table to standing at the other end between [[http://rainlgbt.smackjeeves.com/comics/2396024/misfits/ the end of one strip]] and [[http://rainlgbt.smackjeeves.com/comics/2397427/blue-or-pink/ the beginning of the next]].

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* In ''Webcomic/{{Rain}}'', Ana goes from sitting at one end of a table to standing at the other end between [[http://rainlgbt.smackjeeves.com/comics/2396024/misfits/ [[https://www.deviantart.com/jocelynsamara/art/RAIN-p874-875-Misfits-664090426 the end of one strip]] and [[http://rainlgbt.smackjeeves.com/comics/2397427/blue-or-pink/ [[https://www.deviantart.com/jocelynsamara/art/RAIN-p876-Blue-or-Pink-664788857 the beginning of the next]].
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* ''Webcomic/AwkwardZombie'' has [[http://www.awkwardzombie.com/index.php?page=0&comic=072808 a parody]] of the "teleporting steed" in many video games (''VideoGame/ShadowOfTheColossus'', in this case).
** ...And Roy demonstrates this ability [[http://www.awkwardzombie.com/index.php?page=0&comic=102008 here.]]

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* ''Webcomic/AwkwardZombie'' has [[http://www.awkwardzombie.com/index.php?page=0&comic=072808 com/comic/dequestrian a parody]] of the "teleporting steed" in many video games (''VideoGame/ShadowOfTheColossus'', in this case).
** ...And Roy demonstrates this ability [[http://www.awkwardzombie.com/index.php?page=0&comic=102008 com/comic/the-one-where-roy-comes-back-part1 here.]]
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* In ''Webcomic/{{Rain}}'', Ana goes from sitting at one end of a table to standing at the other end between [[http://rain.thecomicseries.com/comics/915 the end of one strip]] and [[http://rain.thecomicseries.com/comics/916 the beginning of the next]].

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* In ''Webcomic/{{Rain}}'', Ana goes from sitting at one end of a table to standing at the other end between [[http://rain.thecomicseries.com/comics/915 [[http://rainlgbt.smackjeeves.com/comics/2396024/misfits/ the end of one strip]] and [[http://rain.thecomicseries.com/comics/916 [[http://rainlgbt.smackjeeves.com/comics/2397427/blue-or-pink/ the beginning of the next]].
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Compare TravellingAtTheSpeedOfPlot, a usually less blatant situation in which characters make it to a location much faster or slower than expected. See also CeilingCling (a character somehow always finds time to hide before a person enters a room and usually hides offscreen). Contrast HeWasRightThereAllAlong.

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Compare TravellingAtTheSpeedOfPlot, a usually less blatant situation in which characters make it to a location much faster or slower than expected. See also CeilingCling (a character somehow FakeoutEscape (characters usually always finds find time to hide before a person enters a room and usually hides tend to do it offscreen). Contrast HeWasRightThereAllAlong.
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Compare TravellingAtTheSpeedOfPlot, a usually less blatant situation in which characters make it to a location much faster or slower than expected.

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Compare TravellingAtTheSpeedOfPlot, a usually less blatant situation in which characters make it to a location much faster or slower than expected.
expected. See also CeilingCling (a character somehow always finds time to hide before a person enters a room and usually hides offscreen). Contrast HeWasRightThereAllAlong.
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A character who goes offscreen for even a second can instantly appear anywhere else, usually as long as the camera shot doesn't include them or they're obscured by something in the scenery from a certain camera angle. Nevertheless, extreme cases will be able to switch position even when all that's happened is that the camera changed shots and we're looking at the same scene from a new angle, like a deliberate technical goof. No matter how impossible it is for them to go from Point A to Point B in the time given, much less doing so without crossing the camera's field of view or making a sound, they will get there. This is sometimes justified by having the character be supernatural, but this is often done even by an otherwise mundane character with no in-universe explanation given.

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A character who goes offscreen for even a second can instantly appear anywhere else, usually as long as the camera shot doesn't include them or they're obscured by something in the scenery from a certain camera angle. Nevertheless, extreme cases will be able to switch position even when all that's happened is that the camera changed shots and we're looking at the same scene from a new angle, like a deliberate technical goof. No matter how impossible it is for them to go from Point A to Point B in the time given, much less doing so without crossing the camera's field of view or making a sound, they will get there. This is sometimes justified by having It's almost as if ''everyone'' in fiction has the character be supernatural, but this is often done even by an otherwise mundane character with no in-universe explanation given.
power of {{Teleportation}}, as long as they only use it when the audience isn't looking.

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[[folder:Films -- Animation]]

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[[folder:Films -- Animation]]— Animation]]
* ''WesternAnimation/TheAngryBirdsMovie'': When the birds at anger management go to the beach to see the pigs arriving, Chuck uses his SuperSpeed. To his surprise, Terence is already there.
* In ''WesternAnimation/BatmanMaskOfThePhantasm'', the eponymous character, Phantasm appears to rely a lot on this trope to get around. A ''lot'' of [[SmokeOut Smoke outs]] were involved though. NINJA VANISH!
* Used when Victor flees from Emily in ''WesternAnimation/CorpseBride''.
* In ''WesternAnimation/DespicableMe2'', Gru takes advantage of flashes of blinding light to sneak up on Antonio when he's dancing with Margo. He starts out staring from afar; after one flash, he's suddenly dancing with a man who was next to the Antonio; after another flash, he's directly behind Antonio, and he pounces; after the next flash, both have disappeared; after another flash, it's Gru now dancing beside Margo... at least until Antonio returns with a GroinAttack.



* A rather amusing version is done in ''WesternAnimation/KungFuPanda2'': Shifu pulls this off by stepping out from behind Po when in the immediately preceding shot he had been standing in front of Po. He was out of the audience's view, but ''not'' out of Po's view. Then, when the shot changes (and, again, with Po watching the whole time), Shifu has teleported ''again''. Po is a bit freaked out by this.
* Amusingly done in ''WesternAnimation/MonstersInc'' between Sully and Boo, the latter being a cute little girl who reappears out of nowhere like something out of a horror movie whenever he's got his back turned. Of course, to Sulley it ''is'' exactly like being inside a horror movie considering he believes that her presence is deadly to him.
* Then ''WesternAnimation/MonstersUniversity'' plays with this a few times, particularly with the character Squishy, who is so quiet that he often unintentionally sneaks up and startles people. And he does learn to use that to his advantage.
-->'''Mike:''' We gotta put a bell around you.
* Arguably used in ''WesternAnimation/TheNightmareBeforeChristmas'' when Jack goes to rescue Sally and Santa from Oogie Boogie. Last we see Jack before the FinalBattle, he was [[MeaningfulBackgroundEvent sneaking in behind Oogie's back]], quite a bit aways from the platform where Santa and Sally was. With the way the scene is set up, it would have been ''impossible'' for Jack to get to the platform without Oogie seeing him, no matter ''what'' sneaking skills being the Pumpkin King would get you.



* Used when Victor flees from Emily in ''WesternAnimation/CorpseBride''.
* In ''WesternAnimation/BatmanMaskOfThePhantasm'', the eponymous character, Phantasm appears to rely a lot on this trope to get around. A ''lot'' of [[SmokeOut Smoke outs]] were involved though. NINJA VANISH!

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* Used Ruth the sheep from ''WesternAnimation/TheStar'' is apparently so agile that it looks like she does this, which is seen when Victor flees from Emily in ''WesternAnimation/CorpseBride''.
Bo encounters her on his journey to Bethlehem.
* In ''WesternAnimation/BatmanMaskOfThePhantasm'', ''WesternAnimation/StevenUniverseTheMovie'': There's a montage where Steven and [[spoiler:Spinel]], riding Lion, teleport around Beach City looking for an amnesiac [[spoiler:Amethyst]]. [[AmbiguouslyHuman Onion]] is somehow at ''every'' location they visit... except for the eponymous character, Phantasm appears to rely a lot on this trope to get around. A ''lot'' of [[SmokeOut Smoke outs]] were involved though. NINJA VANISH!last one, [[spoiler:Onion's house]].



* Amusingly done in ''WesternAnimation/MonstersInc'' between Sully and Boo, the latter being a cute little girl who reappears out of nowhere like something out of a horror movie whenever he's got his back turned. Of course, to Sulley it ''is'' exactly like being inside a horror movie considering he believes that her presence is deadly to him.
* Then ''WesternAnimation/MonstersUniversity'' plays with this a few times, particularly with the character Squishy, who is so quiet that he often unintentionally sneaks up and startles people. And he does learn to use that to his advantage.
-->'''Mike:''' We gotta put a bell around you.
* Arguably used in ''WesternAnimation/TheNightmareBeforeChristmas'' when Jack goes to rescue Sally and Santa from Oogie Boogie. Last we see Jack before the FinalBattle, he was [[MeaningfulBackgroundEvent sneaking in behind Oogie's back]], quite a bit aways from the platform where Santa and Sally was. With the way the scene is set up, it would have been ''impossible'' for Jack to get to the platform without Oogie seeing him, no matter ''what'' sneaking skills being the Pumpkin King would get you.
* In ''WesternAnimation/DespicableMe2'', Gru takes advantage of flashes of blinding light to sneak up on Antonio when he's dancing with Margo. He starts out staring from afar; after one flash, he's suddenly dancing with a man who was next to the Antonio; after another flash, he's directly behind Antonio, and he pounces; after the next flash, both have disappeared; after another flash, it's Gru now dancing beside Margo... at least until Antonio returns with a GroinAttack.
* A rather amusing version is done in ''WesternAnimation/KungFuPanda2'': Shifu pulls this off by stepping out from behind Po when in the immediately preceding shot he had been standing in front of Po. He was out of the audience's view, but ''not'' out of Po's view. Then, when the shot changes (and, again, with Po watching the whole time), Shifu has teleported ''again''. Po is a bit freaked out by this.
* ''WesternAnimation/TheAngryBirdsMovie'': When the birds at anger management go to the beach to see the pigs arriving, Chuck uses his SuperSpeed. To his surprise, Terence is already there.
* Ruth the sheep from ''WesternAnimation/TheStar'' is apparently so agile that it looks like she does this, which is seen when Bo encounters her on his journey to Bethlehem.



[[folder:Theater]]

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[[folder:Web Comics]][[folder:Webcomics]]
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* Small dogs can ''also'' do this, too.
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Compare TravellingAtTheSpeedOfPlot, a usually less blatant situation in which characters make it to a location much faster or slower than expected.
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* In ''Webcomic/{{Rain}}'', Ana goes from sitting at one end of a table to standing at the other end between [[http://rain.thecomicseries.com/comics/915 the end of one strip]] and [[http://rain.thecomicseries.com/comics/916 the beginning of the next]].
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Added another example,

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** Taken ''UpToEleven'' in “Old vs. New: Cinderella” where Benny teleports out of Devil Boner’s line of sight as he’s looking at him.
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** Lucky Roux the constantly-eating pirate does this in the first chapter to move up and shoot a bandit who had his captain at gunpoint, leading some fans to speculate that he has super-speed.
** Kizaru did this once in Chapter 507 (manga) and Episode 401 (anime) to 2 pirates. He was able to do it, because he ate the [[LightEmUp Glint-Glint]] Fruit, which allows him to travel at the speed of light. It should be noted that the nature of his powers weren't revealed yet when he performed this trope.

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** Lucky Roux In the first chapter, a bandit holds Shanks at gunpoint. Between panels, Shanks' constantly-eating pirate does this in crewmate Lucky Roux is suddenly [[NoRangeLikePointBlankRange firing a gun point-blank]] into the first chapter to move up and shoot a bandit who had his captain at gunpoint, leading some bandit's head. Some fans to speculate that [[{{Acrofatic}} he has super-speed.
super-speed]].
** Kizaru did this once in Chapter 507 (manga) and Episode 401 (anime) to 2 pirates. He [[SubvertedTrope We later see]] this was able to do it, because he ate the [[LightEmUp Glint-Glint]] Fruit, which allows him to travel at the speed of light. It should be noted that the nature of his powers weren't revealed yet when he performed this trope.
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* This occurring in real life is why motorists should keep their eyes on the road. A road safety video depicted this by having a camera in a car driving down a suburban street turn away for three seconds. When it turns back, a ‘’camel’’ is walking halfway across the street and right in the car’s path. The lesson being that conditions on the road can change much faster than you’d think.
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* Ruth the sheep from ''WesternAnimation/TheStar'' is apparently so agile that it looks like she does this, which is seen when Bo encounters her on his journey to Bethlehem.
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* ''Manga/SeitokaiYakuindomo'' has a scene where Hata is on the roof of the school while the StudentCouncil watches her from the only entrance. When they turn around to leave, they find that she's suddenly behind her.
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Doesn't count as this trope.


* ''Fanfic/ChildOfTheStorm'' has Doctor Strange, who can teleport. He's a wizard, and an extremely powerful one, so nothing strange there - save for his habit of appearing in deeply unexpected places, at deeply unexpected times. However, he can also teleport into, out of, and around Hogwarts, which is supposed to be impossible, and is a rule that even Loki seems to abide by. Strange? Not so much. Everyone else puts it down to 'Strange being Strange in every sense of the phrase', and Hermione has mild hysterics.

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* ''Fanfic/ChildOfTheStorm'' has Doctor Strange, who can teleport. He's a wizard, and an extremely powerful one, so nothing strange [[{{Pun}} strange]] there - save for his habit of appearing in deeply unexpected places, at deeply unexpected times. However, For example, at one point he can also teleport into, out of, and around Hogwarts, which is supposed teleports from one room to be impossible, and is a rule that even Loki seems to abide by. Strange? Not so much. Everyone else puts it down to 'Strange being Strange in every sense of another [[TheGadfly for the phrase', and Hermione has mild hysterics.sole purpose]] [[StealthHiBye of sneaking up on the Avengers.]]
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* ''Fanfic/ChildOfTheStorm'' has Doctor Strange, who can teleport. He's a wizard, and an extremely powerful one, so nothing strange there - save for his habit of appearing in deeply unexpected places, at deeply unexpected times. However, he can also teleport into, out of, and around Hogwarts, which is supposed to be impossible, and is a rule that even Loki seems to abide by. Strange? Not so much. Everyone else puts it down to 'Strange being Strange in every sense of the phrase', and Hermione has mild hysterics.

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