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* ''Webcomic/{{EVIL}}'': Panels are very frequently crooked, jagged, or warped in some way.
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* ''Webcomic/{{EVIL}}'': ''Webcomic/{{EVIL|2016}}'': Panels are very frequently crooked, jagged, or warped in some way.
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-->-- '''Thog''', ''Webcomic/TheOrderOfTheStick'' [[http://www.giantitp.com/comics/oots0788.html #788]], referring to strip [[https://www.giantitp.com/comics/oots0051.html #51]]
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-->-- '''Thog''', ''Webcomic/TheOrderOfTheStick'' [[http://www.giantitp.com/comics/oots0788.html #788]], #788,]] referring to strip [[https://www.giantitp.com/comics/oots0051.html #51]]
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* ComicBook/TheDeathOfSuperman comics, in 1992, has a very interesting example. It starts by the wake of Doomsday, who then starts attacking everything in sight, until {{Superman}} arrives. Then Doomsday focus on him only, and they start fighting, without dialogue (since Doomsday can't talk at all and [[ImplacableMan won't stop its attacks]]), each page having 8 panels. The next issue was more pure fight, with each page having 7 panels. Then 6, then 5, and so on. The last issue, then, is composed only of single-panel pages of Supes and Dooms beating the crap out of each other, and in the last one ''both of them die''.
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* ComicBook/TheDeathOfSuperman comics, in 1992, has a very interesting example. It starts by the wake of Doomsday, who then starts attacking everything in sight, until {{Superman}} Superman arrives. Then Doomsday focus on him only, and they start fighting, without dialogue (since Doomsday can't talk at all and [[ImplacableMan won't stop its attacks]]), each page having 8 panels. The next issue was more pure fight, with each page having 7 panels. Then 6, then 5, and so on. The last issue, then, is composed only of single-panel pages of Supes and Dooms beating the crap out of each other, and in the last one ''both of them die''.
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* [[Webcomic/DresdenCodak Aaron Diaz]] doesn't seem to like even rectangular layouts. He frequently uses circles or cuts the page into triangular shapes.
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* [[Webcomic/DresdenCodak Aaron Diaz]] doesn't seem to like even ''Webcomic/DresdenCodak'' frequently eschews rectangular layouts. He frequently uses layouts for circles or cuts the page into triangular shapes.
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-->-- '''Thog''', ''Webcomic/TheOrderOfTheStick'' [[http://www.giantitp.com/comics/oots0788.html #788]]
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-->-- '''Thog''', ''Webcomic/TheOrderOfTheStick'' [[http://www.giantitp.com/comics/oots0788.html #788]]
#788]], referring to strip [[https://www.giantitp.com/comics/oots0051.html #51]]
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[[folder:Web Comics]]
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* ''Webcomic/SleeplessDomain'': Partway into Chapter 12, the panels begin to [[http://www.sleeplessdomain.com/comic/chapter-12-page-19 crack around the edges]] whenever Tessa is on panel, reflecting her stressed mental state and growing worse as she continues to spiral. Some panels also have a rough brush stroke effect around the edges to reinforce this. It returns to normal when she visits the Memorial, reflecting how she wants to be alone. The effect shows up again periodically, such as during her tense conversation with Undine at the graveyard, and [[spoiler:her confrontation with the Purple One that finally pushes her to the DespairEventHorizon]].
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* Sounds as panels also appear in Frank Miller's work, for example when Marv shoots a corrupt preist in ComicBook/SinCity.
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* Sounds as panels also appear in Frank Miller's work, for example when Marv shoots a corrupt preist priest in ComicBook/SinCity.''ComicBook/SinCity''.
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* [[http://www.giantitp.com/comics/oots0051.html This]] ''[[Webcomic/TheOrderOfTheStick Order of the Stick]]'' strip organizes panels along a twisty tunnel, with the bumpy sides being two sides of the panel. [[http://www.giantitp.com/comics/oots0788.html Thog lampshades this in a much later strip.]]
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* ''Webcomic/TheOrderOfTheStick''
** [[http://www.giantitp.com/comics/oots0051.html This]]''[[Webcomic/TheOrderOfTheStick Order of the Stick]]'' strip organizes panels along a twisty tunnel, with the bumpy sides being two sides of the panel. [[http://www.giantitp.com/comics/oots0788.html Thog lampshades this in a much later strip.]]
** [[http://www.giantitp.com/comics/oots0051.html This]]
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* Plenty of these in ''Webcomic/CarawayTalesOfLucidity''.
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*''WesternAnimation/TheGrimAdventuresOfBillyAndMandy'' story "Time Waits For No Mandy" has Mandy tricking Father Time into going on vacation permanently so time will stand still and pre-empt her future birthdays. A spiral panel shows instances of how the stoppage of time has affected their circumstances, not needlessly for the good.
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* ''WesternAnimation/TheGrimAdventuresOfBillyAndMandy'' story "Time Waits For No Mandy" has Mandy tricking Father Time into going on vacation permanently so time will stand still and pre-empt her future birthdays. A spiral panel shows instances of how the stoppage of time has affected their circumstances, not needlessly for the good.
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* ''WesternAnimation/TheGrimAdventuresOfBillyAndMandy'' story "Time Waits For No Mandy" has Mandy tricking Father Time into going on vacation permanently so time will stand still and pre-empt her future birthdays. A spiral panel shows instances of how the stoppage of time has affected their circumstances, not needlessly for the good.
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* Franchise/ArchieComics did this routinely in the 1970s.
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* Franchise/ArchieComics ComicBook/ArchieComics did this routinely in the 1970s.
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[[folder:Newspaper Comics]]
* ComicStrip/PearlsBeforeSwine does this a lot.
** Normally the strip uses square panels -- but when it parodies/references ''ComicStrip/TheFamilyCircus'', it often switches to that strip's circle panels.
** Because of the strip's propensity for BreakingTheFourthWall, characters often step outside the panels, damage the panels, etc.
[[/folder]]
* ComicStrip/PearlsBeforeSwine does this a lot.
** Normally the strip uses square panels -- but when it parodies/references ''ComicStrip/TheFamilyCircus'', it often switches to that strip's circle panels.
** Because of the strip's propensity for BreakingTheFourthWall, characters often step outside the panels, damage the panels, etc.
[[/folder]]
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* In ''Webcomic/YokokasQuest'', every two-page spread features at least one borderless panel[[note]]This is a lot more apparent in book form than when viewing only one page at a time online[[/note]]. The exception to this is when Yokoka is [[https://yokokasquest.com/comic/chapter-1-page-66/ passing through Betel's barrier]], to represent that she is literally inside a border.
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* In ''Webcomic/YokokasQuest'', every two-page spread features at least one borderless panel[[note]]This is a lot more apparent in book form than when viewing only one page at a time online[[/note]]. The exception to this is when Yokoka is [[https://yokokasquest.com/comic/chapter-1-page-66/ passing through Betel's barrier]], to represent that she is [[VisualPun literally inside a border.border]].
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* In ''Webcomic/YokokasQuest'', every two-page spread features at least one borderless panel[[note]]This is a lot more apparent in book form than when viewing only one page at a time online[[/note]]. The exception to this is when Yokoka is [[https://yokokasquest.com/comic/chapter-1-page-66/ passing through Betel's barrier]], to represent that she is literally inside a border.
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[[folder:Comics]]
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[[folder:Webcomics]]
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* ''Webcomic/CucumberQuest'''s panels are usually rectangular, occasionally angled if there's a ReactionCut or something dynamic. However, certain characters (like Glitchmaster and the Nightmare Knight) can warp or break the panel edges. [[http://cucumber.gigidigi.com/cq/page-571/ Like this]].
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* ''Webcomic/CucumberQuest'''s panels are usually rectangular, occasionally angled if there's a ReactionCut ReactionShot or something dynamic. However, certain characters (like Glitchmaster and the Nightmare Knight) can warp or break the panel edges. [[http://cucumber.gigidigi.com/cq/page-571/ Like this]].
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* The Golden Age ''ComicBook/WonderWoman'' comics would occasionally have a circular panel, generally with just the bust of a single character being focused on inside.
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How To Write An Example - Don't Write Reviews
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* One issue of Creator/JohnByrne's run on ''ComicBook/AlphaFlight'' featured Snowbird facing one of the Great Beasts, Komolaq, described as "the living embodiment of winter". The battle featured a number of unusual frame shapes and placements, made all the more noticeable in that the frames were all blank(the idea was to depict the battle taking place within a severe blizzard, with nothing but flying snow visible). Only the frame shapes and locations, along with dialogue, provided any clues to the action. A CrowningMomentOfAwesome for John Byrne, in that he made the fight work on the page.
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* One issue of Creator/JohnByrne's run on ''ComicBook/AlphaFlight'' featured Snowbird facing one of the Great Beasts, Komolaq, described as "the living embodiment of winter". The battle featured a number of unusual frame shapes and placements, made all the more noticeable in that the frames were all blank(the idea was to depict the battle taking place within a severe blizzard, with nothing but flying snow visible). Only the frame shapes and locations, along with dialogue, provided any clues to the action. A CrowningMomentOfAwesome for John Byrne, in that he made the fight work on the page.
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* Ang Lee used these in [[Film/{{Hulk}} his 2003 adaptation of]] ''[[ComicBook/IncredibleHulk]]''.
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* Ang Lee used these in [[Film/{{Hulk}} his 2003 adaptation of]] ''[[ComicBook/IncredibleHulk]]''.
''[[ComicBook/IncredibleHulk The Incredible Hulk]]''.
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* Ang Lee used these in his 2003 adaptation of ''[[TheHulk The Incredible Hulk]]''.
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* Ang Lee used these in [[Film/{{Hulk}} his 2003 adaptation of ''[[TheHulk The Incredible Hulk]]''.
of]] ''[[ComicBook/IncredibleHulk]]''.
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* In the GraphicNovel ''ComicBook/{{Joker}}'', a crash involving SelfDemonstrating/TheJoker and the protagonist shows the characters' reactions to the impact drawn inside of the word "CRASH" as if the word was a panel. It also uses the "Broken Glass" effect mentioned above, as if the reader is watching the characters' reaction through the breaking windshield of the car.
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* In the GraphicNovel ''ComicBook/{{Joker}}'', a crash involving SelfDemonstrating/TheJoker ComicBook/TheJoker and the protagonist shows the characters' reactions to the impact drawn inside of the word "CRASH" as if the word was a panel. It also uses the "Broken Glass" effect mentioned above, as if the reader is watching the characters' reaction through the breaking windshield of the car.
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** The first several comics have crooked divider lines than run past each other, as though they were sloppily drawn in freehand. These were abandoned fairly early, and changed to a traditional form in the print version with an author's note that he has no idea what he was thinking when he used them.
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* When he draws ''Creator/DetectiveComics'', JH Williams III divides the ComicBook/{{Batwoman}} segments from the ones focusing on [[SecretIdentity Kate Kane]] by giving Kate standard panel layouts while Batwoman's scenes feature all manner of {{Odd Shaped Panel}}s, from jagged-edged starbursts to fight scenes shown entirely in panels shaped like lightning bolts.
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* When he draws ''Creator/DetectiveComics'', ''ComicBook/DetectiveComics'', JH Williams III divides the ComicBook/{{Batwoman}} segments from the ones focusing on [[SecretIdentity Kate Kane]] by giving Kate standard panel layouts while Batwoman's scenes feature all manner of {{Odd Shaped Panel}}s, from jagged-edged starbursts to fight scenes shown entirely in panels shaped like lightning bolts.
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* ''Webcomic/RiversideExtras'': Frequently. [[http://www.riversidecomics.co/comics/1929736/behind-the-eight-page-28/ Here]] is just one of many, many examples.
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* ''Webcomic/CurseQuest'' When Requiem and Avalon find Walrus at the convention he is drunk and the panel surrounding him also bubbles up.
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* In ''Webcomic/StandStillStaySilent'', dreamworld panels are drawn with curvy lines, while the real-world ones have straight lines.
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* ''ComicStrip/TheWackyAdventuresOfPedro'' doesn't have a standard panel layout.
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* ''Webcomic/{{EVIL}}'': Panels are very frequently crooked, jagged, or warped in some way.
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* ArchieComics did this routinely in the 1970s.
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* ArchieComics Franchise/ArchieComics did this routinely in the 1970s.
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** In ''ComicBook/DetectiveComicsRebirth'', both Eddie Barrows and Alvaro Martínez use such panelling as an homage to Williams, since Batwoman is a starring character in the series.