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Elder Scrolls cleanup


* The developers of ''VideoGame/TheElderScrollsIVOblivion'' wanted to do a story about a character with a troubled past who had to grow up and accept his responsibility as the heir of the Septim line and save Tamriel from Mehrunes Dagon. However this sort of linear storytelling didn't fit in with the play style of ''Franchise/TheElderScrolls'' series. So they made the hero of the story an NPC, and you're [[HypercompetentSidekick the person who runs errands for him]]. [[WideOpenSandbox When you aren't too busy doing other things.]]

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* The developers of ''VideoGame/TheElderScrollsIVOblivion'' For ''VideoGame/TheElderScrollsIVOblivion'', the writers/developers originally wanted to do a have the story about focus on a character with a troubled past DarkAndTroubledPast who had to grow up and accept his responsibility as [[HiddenBackupPrince the heir of the Septim line and line]] in order to save Tamriel from [[DestroyerDeity Mehrunes Dagon. However Dagon]]. This being ''The Elder Scrolls'' series, with it's propensity for {{Featureless Protagonist}}s in a WideOpenSandbox world, this sort of linear storytelling simply didn't fit in with the play style of ''Franchise/TheElderScrolls'' series. So fit. Instead, they made transferred this role onto the NPC Martin Septim, who from a wider perspective, is really TheHero and TheChosenOne of the main storyline. The PlayerCharacter, meanwhile, serves as Martin's HypercompetentSidekick and [[TheLancer Lancer]], doing much of the heavy lifting in the plot so that Martin can save the world. (Most [[SidequestSidestory Guild and Faction questlines]] as well as both major expansions, ''Knights of the Nine'' and ''The Shivering Isles'', make the PC the undisputed hero of the story an NPC, and you're [[HypercompetentSidekick the person who runs errands for him]]. [[WideOpenSandbox When you aren't too busy doing other things.]]their storylines instead.)
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* ''Literature/ThePoisonwoodBible'' alternates POV between all the members of the Price family ''except'' the patriarch, Nathan. Given that Nathan's impenetrability and single-mindedness are the catalyst for most of the book's drama and conflict, it makes sense that the reader is alienated from him just like everyone else.
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* ''Literature/MalazanBookOfTheFallen'': While the author almost zealously ensures that most named characters are given a point of view section regularly - not a mean feat, considering that there are usually hundreds of characters that qualify - Tavore Paran is a notable exception. Throughout the series we are given only a single paragraph from her point of view, and a vague one at that. This is deliberate; she is one of the series' greatest mysteries.

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* ''Literature/MalazanBookOfTheFallen'': While the author almost zealously ensures that most named characters are given a point of view section regularly - -- not a mean feat, considering that there are [[LoadsAndLoadsOfCharacters usually hundreds of characters characters]] that qualify - -- Adjunct Tavore Paran is a notable exception. Throughout the series we are given only a single paragraph from her point of view, and a vague one at that. This is deliberate; she is one of the series' greatest mysteries.

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* ''Literature/TheGreatGatsby'' is a famous example, with all the action narrated by Jay Gatsby's neighbor and confidant, Nick Carraway, rather than the title character himself.
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* ''Literature/TheGreatGatsby'' is a famous example, with all the action narrated by Jay Gatsby's neighbor and confidant, Nick Carraway, rather than the title character himself.
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* The Protagonists in WesternAnimation/StevenUniverse are Steven, Garnet, Amethyst and Pearl, however the show is exclusivley told from Steven's Perspective meaning we never get to see the Crystal Gems on thier own without Steven around. If that does happen it's usually a story told to Steven by another character.

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* The Protagonists in WesternAnimation/StevenUniverse ''WesternAnimation/StevenUniverse'' are Steven, Garnet, Amethyst and Pearl, however the show is exclusivley exclusively told from Steven's Perspective perspective, meaning we never get to see the Crystal Gems on thier their own without Steven around. If that does happen it's usually a story around, except as stories told to Steven by another character.
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* Dr. Abraham Van Helsing is the BigGood who leads the manhunt for the title villain of ''Literature/{{Dracula}}'', but we never get to see his POV, except from brief glimpses of it from the narrators' accounts and his sparse letters.
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[[folder:Western Animation]]
* The Protagonists in WesternAnimation/StevenUniverse are Steven, Garnet, Amethyst and Pearl, however the show is exclusivley told from Steven's Perspective meaning we never get to see the Crystal Gems on thier own without Steven around. If that does happen it's usually a story told to Steven by another character.
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Some written works feature a consistent PointOfView: namely, through the eyes of TheProtagonist. Other works throw in [[{{Deuteragonist}} additional protagonists]] and [[SwitchingPOV pass the POV around]] to present each of their respective views on the transpiring events. Sometimes, however, a single main character (usually the one with the most ambiguous/mysterious motivation) is conspicuously ''denied'' POV and their impact upon the plot is only ever seen through the eyes of co-protagonists. This character is the NonPOVProtagonist of the book.

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Some written works feature a consistent PointOfView: namely, through the eyes of TheProtagonist. Other works throw in [[{{Deuteragonist}} additional protagonists]] and [[SwitchingPOV pass the POV around]] to present each of their respective views on the transpiring events. Sometimes, however, a single main character (usually the one with the most ambiguous/mysterious motivation) is conspicuously ''denied'' POV and their impact upon the plot is only ever seen through the eyes of co-protagonists. This character is the NonPOVProtagonist Non-POV Protagonist of the book.



* In ''Literature/ASongOfIceAndFire'', Robb is the only Stark child besides 4-year-old Rickon to never have his own narrative, despite having major events in ''A Clash of Kings'' and ''A Storm of Swords'' revolve around him. Most of the chapters involving Robb are told from the P.O.V. of his mother.

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* In ''Literature/ASongOfIceAndFire'', ''Literature/ASongOfIceAndFire'':
**
Robb is the only Stark child besides 4-year-old Rickon to never have his own narrative, despite having major events in ''A Clash of Kings'' and ''A Storm of Swords'' revolve around him. Most of the chapters involving Robb are told from the P.O.V. of his mother.



* The Sister of ''MySistersKeeper'' is, until the very last chapter, the only main character that doesn't narrate a chapter. The book only has a few characters, and asides from Kate, the only characters who don't get to narrate are the Judge, a bartender named Seven, and a dog.
** A similar thing happens in ''Literature/HandleWithCare'', when, until the last chapter, everyone but Willow (the main reason for the plot) narrates.

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* The Sister of ''MySistersKeeper'' ''Literature/MySistersKeeper'' is, until the very last chapter, the only main character that doesn't narrate a chapter. The book only has a few characters, and asides from Kate, the only characters who don't get to narrate are the Judge, a bartender named Seven, and a dog.
** * A similar thing happens in ''Literature/HandleWithCare'', when, until the last chapter, everyone but Willow (the main reason for the plot) narrates.



* We never get Literature/SherlockHolmes's point-of-view in all but two of his mysteries, only [[TheWatson Watson's]]. Consensus is that it's for the best -- apparently Holmes was a crap writer.

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* We never get Literature/SherlockHolmes's point-of-view in all but two of his mysteries, only [[TheWatson Watson's]]. Consensus is that it's for the best -- apparently best--apparently Holmes was a crap writer.



* Carrot Ironfoundersson from Creator/TerryPratchett's ''Literature/{{Discworld}}'' books. He's an important character, yet we never see what he thinks. Other main characters' POV are frequently presented. There's a theory that this might be due to the fact that he's not exactly as innocent and simple - minded as he appears to be, and Pratchett doesn't want to show it.
** Carrot gets occasional POV sequences - the first little bit of ''Discworld/GuardsGuards'' and the odd page or two in other books are through his eyes. [[EnsembleDarkhorse Vimes is just a much more interesting character.]]
* Admiral Thrawn from the ''Franchise/StarWarsExpandedUniverse''. He's an AntiVillain antagonist, to be precise, but we have narration from the POV of Imperial characters - except him. Never from his point.

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* Carrot Ironfoundersson from Creator/TerryPratchett's ''Literature/{{Discworld}}'' books. He's an important character, yet we never see what he thinks. Other main characters' POV are frequently presented. There's a theory that this might be due to the fact that he's not exactly as innocent and simple - minded simple-minded as he appears to be, and Pratchett doesn't want to show it.
**
it. Carrot gets does get occasional POV sequences - the sequences--the first little bit of ''Discworld/GuardsGuards'' and the odd page or two in other books are through his eyes. [[EnsembleDarkhorse Vimes is just a much more interesting character.]]
* Franchise/StarWarsLegends:
** Grand
Admiral Thrawn from in Creator/TimothyZahn's stories, including Literature/TheThrawnTrilogy, the ''Franchise/StarWarsExpandedUniverse''. ''Literature/HandOfThrawn'' duology, and ''Literature/OutboundFlight''. He's an AntiVillain antagonist, to be precise, but we have narration from the POV of Imperial characters - except characters--except him. Never from his point.point.
** Ben Kenobi is the central character of ''Literature/StarWarsKenobi'', and though the conflicts of the book are not his, his arrival and actions catalyze them, bringing long-running tensions to the surface. However, except for his [[CaptainsLog meditations to Qui-Gon]], the novel never shows his point of view, instead showing his actions through the eyes of others (typically Annileen, Orrin, and A'Yark), preserving his character role as the mysterious [[TheDrifter Drifter]]. While ''Star Wars'' fans know that when mysterious things happen around him,[[note]]such as when he and the Calwells spot Owen and Beru Lars in Mos Eisley, but their speeder suddenly flies away on its own before they can say hello[[/note]] he is using the Force to protect his secret, a neophyte reading the book (and skipping the meditations) would be just as confused as the other characters.



* Many important characters in ''Literature/TheLordOfTheRings'' are narrated by hobbits. (Not that the hobbits are unimportant, but since a SupportingLeader is often a NonPOVProtagonist and Aragorn son of Arathorn is ''the'' [[TropeNamer original Supporting Leader]], it bears mentioning.)

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* Many important characters in ''Literature/TheLordOfTheRings'' are narrated by hobbits. (Not that the hobbits are unimportant, but since a SupportingLeader is often a NonPOVProtagonist Non-POV Protagonist and Aragorn son of Arathorn is ''the'' [[TropeNamer original Supporting Leader]], it bears mentioning.)



* Thanks to some LeaningOnTheFourthWall in the ''BatenKaitos'' series, the ''player him/herself'' is the point of view character, being cast as the "Guardian Spirit" of Kalas ([=EWatLO=]) and Sagi (Orgins). While the two are the main characters of their game, they are not the POV characters, a distinction that has some very interesting effects in ''Eternal Wings and the Lost Ocean'' as [[spoiler: it allows Kalas to be TheMole and betray the party, you included]].

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* Thanks to some LeaningOnTheFourthWall in the ''BatenKaitos'' ''VideoGame/BatenKaitos'' series, the ''player him/herself'' is the point of view character, being cast as the "Guardian Spirit" of Kalas ([=EWatLO=]) and Sagi (Orgins).(Origins). While the two are the main characters of their game, they are not the POV characters, a distinction that has some very interesting effects in ''Eternal Wings and the Lost Ocean'' as [[spoiler: it allows Kalas to be TheMole and betray the party, you included]].
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* ''NogizakaHarukaNoHimitsu'' is, as those who read Japanese must have figured out from reading the title, about the secret of a character named Nogizaka Haruka. However, the story isn't told from her P.O.V., but the one of OrdinaryHighSchoolStudent Ayase Yuuto and is about how his life changed after learning the secret.

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* ''NogizakaHarukaNoHimitsu'' ''LightNovel/NogizakaHarukaNoHimitsu'' is, as those who read Japanese must have figured out from reading the title, about the secret of a character named Nogizaka Haruka. However, the story isn't told from her P.O.V., but the one of OrdinaryHighSchoolStudent Ayase Yuuto and is about how his life changed after learning the secret.


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* ''MalazanBookOfTheFallen'': While the author almost zealously ensures that most named characters are given a point of view section regularly - not a mean feat, considering that there are usually hundreds of characters that qualify - Tavore Paran is a notable exception. Throughout the series we are given only a single paragraph from her point of view, and a vague one at that. This is deliberate; she is one of the series' greatest mysteries.

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* ''MalazanBookOfTheFallen'': ''Literature/MalazanBookOfTheFallen'': While the author almost zealously ensures that most named characters are given a point of view section regularly - not a mean feat, considering that there are usually hundreds of characters that qualify - Tavore Paran is a notable exception. Throughout the series we are given only a single paragraph from her point of view, and a vague one at that. This is deliberate; she is one of the series' greatest mysteries.
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* In the first book of ''Literature/TheShatteredKingdoms'', the [[IHaveManyNames Mongrel/Meiran/Lahlil]] is probably the most important character (and is central to the trilogy), but there's almost nothing from her point of view, and we instead see her mainly through the eyes of other characters. This helps preserve the uncertainty as to what she actually wants (and before it's revealed, what her origins are). In the second book, though, we start to get substantial sections from her point of view.
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* Masterfully played in ''HeavyRain'': you can overhear the thoughts of every character but one of them ''never'' shows their true feelings even when thinking. So, in effect, you get a protagonist whose POV you ''think'' you know but you really don't until the end.

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* Masterfully played in ''HeavyRain'': ''VideoGame/HeavyRain'': you can overhear the thoughts of every character but one of them ''never'' shows their true feelings even when thinking. So, in effect, you get a protagonist whose POV you ''think'' you know but you really don't until the end.
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* Princess Ashe is the real hero of ''VideoGame/FinalFantasyXII'', but the game's story is told through the eyes of Vaan, a street rat who stole the right MacGuffin.

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* Princess Ashe is is, ultimately, the real hero central hero/protagonist of ''VideoGame/FinalFantasyXII'', but the game's story is told through the eyes of Vaan, a street rat who stole the right MacGuffin.MacGuffin. Vaan plays a large role in the early plot, but quickly steps out of focus.
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* In ''Videogame/{{Okami}}'', the central character is the Sun goddess Amaterasu in the form of a white wolf. You seldom get even a glimpse of her true thoughts even though you play as her the entire game; the main story is told by her [[FirstPersonPeripheralNarrator Celestial Envoy, Issun]].

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The main purpose of the trope is to create dramatic tension. When a the story is told from the perspective of a character, readers become very familiar with him or her, and can make some predictions as to their feelings and reactions. When a the story does not give the perspective of a character, readers are left peering in, wondering just what is going through that person's head. That can be quite a tense experience if said character is TheChosenOne, the BigBad, or even just a SupportingLeader who will nonetheless be making decisions that the narrator characters have to live with.

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The main purpose of the trope is to create dramatic tension. When a the story is told from the perspective of a character, readers become very familiar with him or her, and can make some predictions as to their feelings and reactions. When a the story does not give the perspective of a character, readers are left peering in, wondering just what is going through that person's head. That can be quite a tense experience if said character is TheChosenOne, the BigBad, or even just a SupportingLeader who will nonetheless be making decisions that the narrator characters have to live with.



* Rachel from ''TowerOfGod'': large impact, [[HeroOfAnotherStory "Heroine" Of Another Story]] that constantly intertwines with the one we follow... gets her word in edgeways once. Maybe twice.


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* Rachel from ''Webcomic/TowerOfGod'': large impact, [[HeroOfAnotherStory "Heroine" Of Another Story]] that constantly intertwines with the one we follow... gets her word in edgeways once. Maybe twice.
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** A similar thing happens in ''HandleWithCare'', when, until the last chapter, everyone but Willow (the main reason for the plot) narrates.

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** A similar thing happens in ''HandleWithCare'', ''Literature/HandleWithCare'', when, until the last chapter, everyone but Willow (the main reason for the plot) narrates.
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* We never get Literature/SherlockHolmes's point-of-view in all but two of his mysteries, only [[TheWatson Watson's]].

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* We never get Literature/SherlockHolmes's point-of-view in all but two of his mysteries, only [[TheWatson Watson's]]. Consensus is that it's for the best -- apparently Holmes was a crap writer.



* Admiral Thrawn from StarWarsExpandedUniverse. He's an AntiVillain antagonist, to be precise, but we have narration from the POV of Imperial characters - except him. Never from his point.

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* Admiral Thrawn from StarWarsExpandedUniverse.the ''Franchise/StarWarsExpandedUniverse''. He's an AntiVillain antagonist, to be precise, but we have narration from the POV of Imperial characters - except him. Never from his point.



* Many important characters in ''TheLordOfTheRings'' are narrated by hobbits. (Not that the hobbits are unimportant, but since a SupportingLeader is often a NonPOVProtagonist and Aragorn son of Arathorn is ''the'' [[TropeNamer original Supporting Leader]], it bears mentioning.)

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* Many important characters in ''TheLordOfTheRings'' ''Literature/TheLordOfTheRings'' are narrated by hobbits. (Not that the hobbits are unimportant, but since a SupportingLeader is often a NonPOVProtagonist and Aragorn son of Arathorn is ''the'' [[TropeNamer original Supporting Leader]], it bears mentioning.)
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* Due to the fact that she's dead, the mother in ''Literature/AsILayDying'' never narrates a chapter. Again, given the fact that she's dead, this isn't unusual until you consider the title.

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* Due to Addie Bunsen, the fact that she's dead, the mother mother, in ''Literature/AsILayDying'' never narrates a chapter. Again, given only one chapter while the fact that she's dead, this isn't unusual until you consider the title.rest are narrated by her family or other folks.

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* ''Manga/MedakaBox'': Bar perhaps one instance in an arc [[spoiler: where her mind was reverted to her original cynical self]], the reader almost never sees things through Medaka's eyes. Instead, we usually see things through SupportingProtagonist Zenkichi. This seems to emphasize Medaka's sheer inhuman nature beyond many normal and extraordinary humans despite being TheHero of the series.



* ''MedakaBox'': Bar perhaps one instance in an arc [[spoiler: where her mind was reverted to her original cynical self]], the reader almost never sees things through Medaka's eyes. Instead, we usually see things through SupportingProtagonist Zenkichi. This seems to emphasize Medaka's sheer inhuman nature beyond many normal and extraordinary humans despite being TheHero of the series.
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* {{Higurashi}} has a unique way of letting you see through the character's eyes. You get to see it through the new kid's eyes, the twin sister's, the crazy girl's, etc. But you never get to see Sonozaki Mion's point of view. Or Satoshi's. Or Hanyuu's.

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* {{Higurashi}} ''VisualNovel/HigurashiWhenTheyCry'' has a unique way of letting you see through the character's eyes. You get to see it through the new kid's eyes, the twin sister's, the crazy girl's, etc. But you never get to see Sonozaki Mion's point of view. Or Satoshi's. Or Hanyuu's.
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* Similarly, ErastFandorin has only been the POV character in five out of thirteen books about him.

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* Similarly, ErastFandorin Literature/ErastFandorin has only been the POV character in five out of thirteen books about him.
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* This is frequently done with the Doctor in the ''Franchise/DoctorWhoExpandedUniverse'' novels, with the POV character being, of course, the companion. For the ''Literature/DoctorWhoNewAdventures'', there was an official rule that you don't show what the Doctor is thinking, and the novel ''Conundrum'' [[LampshadeHanging lampshades]] this, as what starts out as Omniscient Third Person Narration is [[NarratorAllAlong actually]] the Master of the Land of Fiction, and the fact his omniscience stops at the Doctor's mind (and only the Doctor's) frustrates him.

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* This is frequently done with the Doctor in the ''Franchise/DoctorWhoExpandedUniverse'' novels, with the POV character being, of course, the companion. For the ''Literature/DoctorWhoNewAdventures'', there was an official rule that you don't show what the Doctor is thinking, thinking (well, hardly ever), and the novel ''Conundrum'' [[LampshadeHanging lampshades]] this, as what starts out as Omniscient Third Person Narration is [[NarratorAllAlong actually]] the Master of the Land of Fiction, and the fact his omniscience stops at the Doctor's mind (and only the Doctor's) frustrates him.
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* This is frequently done with the Doctor in the ''Franchise/DoctorWhoExpandedUniverse'' novels, with the POV character being, of course, the companion. For the ''Literature/DoctorWhoNewAdventures'', there was an official rule that you don't show what the Doctor is thinking, and the novel ''Conundrum'' [[LampshadeHanging lampshades]] this, as what starts out as Omniscient Third Person Narration is [[NarratorAllAlong actually]] the Master of the Land of Fiction, and the fact his omniscience stops at the Doctor's mind (and only the Doctor's) frustrates him.
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* Devin, the title charater of ''Literature/DevinAndTheTeacher'', has his story narrated by an [[NoNameGiven acquaintance]].
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* In ASongOfIceAndFire, Robb is the only Stark child besides 4-year-old Rickon to never have his own narrative, despite having major events in ''A Clash of Kings'' and ''A Storm of Swords'' revolve around him. Most of the chapters involving Robb are told from the P.O.V. of his mother.

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* In ASongOfIceAndFire, ''Literature/ASongOfIceAndFire'', Robb is the only Stark child besides 4-year-old Rickon to never have his own narrative, despite having major events in ''A Clash of Kings'' and ''A Storm of Swords'' revolve around him. Most of the chapters involving Robb are told from the P.O.V. of his mother.



* Roque Alva is arguably the central character of the ''ReflectionsOfEterna'' cycle, yet there has never been a single chapter describing what exactly is going on in his CrazyAwesome head. Likewise, Valentine Pridd has never held the POV so far--probably because he knows too much about the MythArc (e.g. one short sequence from Mellit's POV shows that he is no stranger to magic, despite his young age).

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* Roque Alva is arguably the central character of the ''ReflectionsOfEterna'' ''Literature/ReflectionsOfEterna'' cycle, yet there has never been a single chapter describing what exactly is going on in his CrazyAwesome head. Likewise, Valentine Pridd has never held the POV so far--probably because he knows too much about the MythArc (e.g. one short sequence from Mellit's POV shows that he is no stranger to magic, despite his young age).
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* Happens in ''{{Stargirl}}'' by Jerry Spinelli. Leo talks about his ManicPixieDreamGirl friend Stargirl, but she never narrates. Sort of inverted in the sequel, ''Love, Stargirl'', where Stargirl narrates and discusses her relationship with Leo but he never narrates.

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* Happens in ''{{Stargirl}}'' ''Literature/{{Stargirl}}'' by Jerry Spinelli. Leo talks about his ManicPixieDreamGirl friend Stargirl, but she never narrates. Sort of inverted in the sequel, ''Love, Stargirl'', where Stargirl narrates and discusses her relationship with Leo but he never narrates.
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* The developers of ''VideoGame/TheElderScrollsIVOblivion'' wanted to do a story about a character with a troubled past who had to grow up and accept his responsibility as the heir of the Septim line and save Tamriel from Mehrunes Dagon. However this sort of linear storytelling didn't fit in with the play style of the ElderScrolls series. So they made the hero of the story an NPC, and you're the guy who runs errands for him. [[WideOpenSandbox When you aren't too busy doing other things.]]

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* The developers of ''VideoGame/TheElderScrollsIVOblivion'' wanted to do a story about a character with a troubled past who had to grow up and accept his responsibility as the heir of the Septim line and save Tamriel from Mehrunes Dagon. However this sort of linear storytelling didn't fit in with the play style of the ElderScrolls ''Franchise/TheElderScrolls'' series. So they made the hero of the story an NPC, and you're [[HypercompetentSidekick the guy person who runs errands for him.him]]. [[WideOpenSandbox When you aren't too busy doing other things.]]
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* The developers of ''VideoGame/TheElderScrollsIVOblivion'' wanted to do a story about a character with a troubled past who had to grow up and accept his responsibility as the heir of the Septim line and save Tamriel from Mehrunes Dagon. However this sort of linear storytelling didn't fit in with the play style of the ElderScrolls series. So they made the hero of the story an NPC, and you're the guy who runs errands for him. [[WideOpenSandbox When you aren't too busy doing other things.]]
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