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Rachel from ''TowerOfGod'': large impact, [[HeroOfAnotherStory "Heroine" Of Another Story]] that constantly intertwines with the one we follow... gets her word in edgeways once. Maybe twice.

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* Rachel from ''TowerOfGod'': large impact, [[HeroOfAnotherStory "Heroine" Of Another Story]] that constantly intertwines with the one we follow... gets her word in edgeways once. Maybe twice.
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Rachel from ''TowerOfGod'': large impact, [[HeroOfAnotherStory "Heroine" Of Another Story]] that constantly intertwines with the one we follow... gets her word in edgeways once. Maybe twice.
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* We never get SherlockHolmes's point-of-view in all but two of his mysteries, only [[TheWatson Watson's]].

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* We never get SherlockHolmes's Literature/SherlockHolmes's point-of-view in all but two of his mysteries, only [[TheWatson Watson's]].



* Caddy from ''TheSoundAndTheFury'' is the only one of the Compson children without her own chapter.

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* Caddy from ''TheSoundAndTheFury'' ''Literature/TheSoundAndTheFury'' is the only one of the Compson children without her own chapter.
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* Princess Ashe is the real hero of FinalFantasyXII, but the game's story is told through the eyes of Vaan, a street rat who stole the right MacGuffin.
* ''FinalFantasyTactics'': Delita, despite being the {{deuteragonist}} and having plenty of screen time, is largely left a mystery as most of his scenes are seemingly seen from the perspective of other people present, most prominently the Princess Ovelia. There are a handful of exceptions, and he does have a few scenes which focus on his personal affairs, but even then very little is revealed about his true self.

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* Princess Ashe is the real hero of FinalFantasyXII, ''VideoGame/FinalFantasyXII'', but the game's story is told through the eyes of Vaan, a street rat who stole the right MacGuffin.
* ''FinalFantasyTactics'': ''VideoGame/FinalFantasyTactics'': Delita, despite being the {{deuteragonist}} and having plenty of screen time, is largely left a mystery as most of his scenes are seemingly seen from the perspective of other people present, most prominently the Princess Ovelia. There are a handful of exceptions, and he does have a few scenes which focus on his personal affairs, but even then very little is revealed about his true self.
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* ''MedakaBox'': Bar perhaps one instance in an arc [[spoiler: where her mind was reverted to her original cynical self]], the reader almost never sees things through Medaka's eyes. Instead, we usually see things through SupportingProtagonist Zenkichi. This seems to emphasize Medaka's sheer inhuman nature beyond many normal and extraordinary humans despite being TheHero of the series.
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* The character Kitai in CodexAlera is arguably one of the most important characters in the series (let's count the number of times she saves Tavi's life...) and faces many important and interesting decisions throughout the series. However, the reader always sees her actions through Tavi's and once, Isana's eyes. Bernard is like this as well.

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* The character Kitai in CodexAlera ''Literature/CodexAlera'' is arguably one of the most important characters in the series (let's count the number of times she saves Tavi's life...) and faces many important and interesting decisions throughout the series. However, the reader always sees her actions through Tavi's and once, Isana's eyes. Bernard is like this as well.
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Spelling mistake


** Played strait in books 2 and 3 but subverted in book 5 with Melisandre. Her lack of narration in 2 and 3 contributes to the overall mysteriousness of the character.

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** Played strait straight in books 2 and 3 but subverted in book 5 with Melisandre. Her lack of narration in 2 and 3 contributes to the overall mysteriousness of the character.
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* Roque Alva is arguably the central character of the ''ReflectionsOfEterna'' cycle, yet there has never been a single chapter describing what exactly is going on in his head.

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* Roque Alva is arguably the central character of the ''ReflectionsOfEterna'' cycle, yet there has never been a single chapter describing what exactly is going on in his head.CrazyAwesome head. Likewise, Valentine Pridd has never held the POV so far--probably because he knows too much about the MythArc (e.g. one short sequence from Mellit's POV shows that he is no stranger to magic, despite his young age).
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* Due to the fact that she's dead, the mother in ''AsILayDying'' never narrates a chapter. Again, given the fact that she's dead, this isn't unusual until you consider the title.

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* Due to the fact that she's dead, the mother in ''AsILayDying'' ''Literature/AsILayDying'' never narrates a chapter. Again, given the fact that she's dead, this isn't unusual until you consider the title.
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**

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ASOIAF editing, to show the justification. initial example is important, so that was left


** Robb? Heck! All four Baratheon kings ([[BoisterousBruiser Robert]], [[PrinciplesZealot Stannis]], [[SleazyPolitician Renly]] and [[RoyalBrat Joffrey]]), [[PragmaticVillainy Tywin Lannister]], [[TheChessmaster Petyr "Littlefinger" Baelish]], [[WildCard Varys the Spider]]... Wildly important characters, and not a damn one of them narrates.

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** Robb? Heck! All four Baratheon kings ([[BoisterousBruiser Robert]], [[PrinciplesZealot Stannis]], [[SleazyPolitician Renly]] Interestingly, no character in any real, permanent position of power or understanding is ever given a POV chapter, which are handed out easily from AFFC. Thus the reader can never get into their head and [[RoyalBrat Joffrey]]), [[PragmaticVillainy Tywin Lannister]], [[TheChessmaster Petyr "Littlefinger" Baelish]], [[WildCard Varys quickly and easily understand the Spider]]... Wildly important characters, whole situation, which would reveal plot elements early. The two exceptions are the two archetypical fantasy heroes, Jon Snow and not a damn one of them narrates.Danaerys, who grow into their power.
**
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da Namespace!


Related tropes (that often accompany this) include SupportingProtagonist, a POV-character who is a protagonist, just not the "main-main" one; and FirstPersonPeripheralNarrator, a narrator character who isn't a protagonist. In those terms, this trope describes a "main-main" protagonist who isn't a POV-character.
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!!Examples:

[[AC: {{Literature}}]]

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Related tropes (that often accompany this) include SupportingProtagonist, a POV-character who is a protagonist, just not the "main-main" one; and FirstPersonPeripheralNarrator, a narrator character who isn't a protagonist. In those terms, this trope describes a "main-main" protagonist who isn't a POV-character.
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!!Examples:

POV-character.
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!!Examples:

[[AC: {{Literature}}]] {{Literature}}]]



** A similar thing happens in ''HandleWithCare'', when, until the last chapter, everyone but Willow (the main reason for the plot) narrates.
* Due to the fact that she's dead, the mother in ''AsILayDying'' never narrates a chapter. Again, given the fact that she's dead, this isn't unusual until you consider the title.
* Andrew Jackson is treated like this in ''Literature/TrailOfGlory''. It might be argued that he is the most important character in the story, but we always see him from the outside.
* We never get SherlockHolmes's point-of-view in all but two of his mysteries, only [[TheWatson Watson]]'s.
* Similarly, ErastFandorin has only been the POV character in five out of thirteen books about him.
* Caddy from ''TheSoundAndTheFury'' is the only one of the Compson children without her own chapter.
* Carrot Ironfoundersson from TerryPratchett's ''{{Discworld}}'' books. He's an important character, yet we never see what he thinks. Other main characters' POV are frequently presented. There's a theory that this might be due to the fact that he's not exactly as innocent and simple - minded as he appears to be, and Pratchett doesn't want to show it.
** Carrot gets occasional POV sequences - the first little bit of ''Discworld/GuardsGuards'' and the odd page or two in other books are through his eyes. [[EnsembleDarkhorse Vimes is just a much more interesting character.]]

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** A similar thing happens in ''HandleWithCare'', when, until the last chapter, everyone but Willow (the main reason for the plot) narrates.
narrates.
* Due to the fact that she's dead, the mother in ''AsILayDying'' never narrates a chapter. Again, given the fact that she's dead, this isn't unusual until you consider the title.
title.
* Andrew Jackson is treated like this in ''Literature/TrailOfGlory''. It might be argued that he is the most important character in the story, but we always see him from the outside.
outside.
* We never get SherlockHolmes's point-of-view in all but two of his mysteries, only [[TheWatson Watson]]'s.
Watson's]].
* Similarly, ErastFandorin has only been the POV character in five out of thirteen books about him.
him.
* Caddy from ''TheSoundAndTheFury'' is the only one of the Compson children without her own chapter.
chapter.
* Carrot Ironfoundersson from TerryPratchett's ''{{Discworld}}'' Creator/TerryPratchett's ''Literature/{{Discworld}}'' books. He's an important character, yet we never see what he thinks. Other main characters' POV are frequently presented. There's a theory that this might be due to the fact that he's not exactly as innocent and simple - minded as he appears to be, and Pratchett doesn't want to show it.
** Carrot gets occasional POV sequences - the first little bit of ''Discworld/GuardsGuards'' and the odd page or two in other books are through his eyes. [[EnsembleDarkhorse Vimes is just a much more interesting character.]] ]]



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* Thanks to some LeaningOnTheFourthWall in the ''BatenKaitos'' series, the ''player him/herself'' is the point of view character, being cast as the "Guardian Spirit" of Kalas ([=EWatLO=]) and Sagi (Orgins). While the two are the main characters of their game, they are not the POV characters, a distinction that has some very interesting effects in ''Eternal Wings and the Lost Ocean'' as [[spoiler: it allows Kalas to be TheMole and betray the party, you included]].

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[[AC: VideoGames]]
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* Thanks to some LeaningOnTheFourthWall in the ''BatenKaitos'' series, the ''player him/herself'' is the point of view character, being cast as the "Guardian Spirit" of Kalas ([=EWatLO=]) and Sagi (Orgins). While the two are the main characters of their game, they are not the POV characters, a distinction that has some very interesting effects in ''Eternal Wings and the Lost Ocean'' as [[spoiler: it allows Kalas to be TheMole and betray the party, you included]].



[[AC: VisualNovels]]

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[[AC: VisualNovels]] VisualNovels]]
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The main purpose of the trope is to create dramatic tension. When a character narrates, readers become very familiar with him or her, and can make some predictions as to their feelings and reactions. When a character ''doesn't'' narrate, readers are left peering in, wondering just what is going through that person's head. And that can be quite a tense experience if said character is TheChosenOne, the BigBad, or even just a SupportingLeader who will nonetheless be making decisions that the narrator characters have to live with.

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The main purpose of the trope is to create dramatic tension. When a character narrates, the story is told from the perspective of a character, readers become very familiar with him or her, and can make some predictions as to their feelings and reactions. When a character ''doesn't'' narrate, the story does not give the perspective of a character, readers are left peering in, wondering just what is going through that person's head. And that That can be quite a tense experience if said character is TheChosenOne, the BigBad, or even just a SupportingLeader who will nonetheless be making decisions that the narrator characters have to live with.



Related tropes (that often accompany this) include SupportingProtagonist, a POV-character who is a protagonist, just not the "main-main" one; and TheIshmael, a POV-character who isn't a protagonist. In those terms, this trope describes a "main-main" protagonist who isn't a POV-character.

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Related tropes (that often accompany this) include SupportingProtagonist, a POV-character who is a protagonist, just not the "main-main" one; and TheIshmael, FirstPersonPeripheralNarrator, a POV-character narrator character who isn't a protagonist. In those terms, this trope describes a "main-main" protagonist who isn't a POV-character.
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whoops, namespace the right thing


* Miranda Sharifi in ''Literature/Beggars and Choosers'', second book of the ''BeggarsInSpain'' trilogy.

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* Miranda Sharifi in ''Literature/Beggars ''Beggars and Choosers'', second book of the ''BeggarsInSpain'' ''Literature/BeggarsInSpain'' trilogy.
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* Miranda Sharifi in ''Beggars and Choosers'', second book of the ''BeggarsInSpain'' trilogy.

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* Miranda Sharifi in ''Beggars ''Literature/Beggars and Choosers'', second book of the ''BeggarsInSpain'' trilogy.
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* FinalFantasyTactics: Delita, despite being the {{deuteragonist}} and having plenty of screen time, is largely left a mystery as most of his scenes are seemingly seen from the perspective of other people present, most prominently the Princess Ovelia. There are a handful of exceptions, and he does have a few scenes which focus on his personal affairs, but even then very little is revealed about his true self.

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* FinalFantasyTactics: ''FinalFantasyTactics'': Delita, despite being the {{deuteragonist}} and having plenty of screen time, is largely left a mystery as most of his scenes are seemingly seen from the perspective of other people present, most prominently the Princess Ovelia. There are a handful of exceptions, and he does have a few scenes which focus on his personal affairs, but even then very little is revealed about his true self.
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* ''MalazanBookOfTheFallen'': While the author almost zealously ensures that most named characters are given a point of view section regularly - not a mean feat, considering that there are usually hundreds of characters that qualify - Tavore Paran is a notable exception. Throughout the series we are given only a single paragraph from her point of view, and a vague one at that. This is deliberate; she is one of the series' greatest mysteries.




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* FinalFantasyTactics: Delita, despite being the {{deuteragonist}} and having plenty of screen time, is largely left a mystery as most of his scenes are seemingly seen from the perspective of other people present, most prominently the Princess Ovelia. There are a handful of exceptions, and he does have a few scenes which focus on his personal affairs, but even then very little is revealed about his true self.
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** Carrot gets occasional POV sequences - the first little bit of ''Discworld/GuardsGuards'' and the odd page or two in other books are through his eyes. [[EnsembleDarkhorse Vimes is just a much more interesting character.]]
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* ''NogizakaHarukaNoHimitsu'' is, as those who read Japanese must have figured out from reading the title, about the secret of a character named Nogizaka Haruka. However, the story isn't told from her P.O.V., but the one of OrdinaryHighSchoolStudent Ayase Yuuto and is about how his life changed after learning the secret.

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** Played strait in books 2 and 3 but subverted in book 5 with Melisandre. Her lack of narration in 2 and 3 contributes to the overall mysteriousness of the character.




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* The character Kitai in CodexAlera is arguably one of the most important characters in the series (let's count the number of times she saves Tavi's life...) and faces many important and interesting decisions throughout the series. However, the reader always sees her actions through Tavi's and once, Isana's eyes. Bernard is like this as well.
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Due to the nature of the medium, this is primarily a {{literary trope|s}}, though media closely related to literature may also use it.
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* Miranda Sharifi in ''Beggars and Choosers'', second book of the ''BeggarsInSpain'' trilogy.
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Don\'t remove examples without explanation.

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* Roque Alva is arguably the central character of the ''ReflectionsOfEterna'' cycle, yet there has never been a single chapter describing what exactly is going on in his head.

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Some written works feature a consistent PointOfView: namely, through the eyes of TheProtagonist. Other works throw in [[{{Deuteragonist}} additional protagonists]] and [[SwitchingPOV pass the POV around]] to present each of their respective views on the transpiring events. Sometimes, however, a single main character (usually the one with the most ambiguous/mysterious motivation) is conspicuously ''denied'' POV and their impact upon the plot is only ever seen through the eyes of co-protagonists. This character is the NonPOVProtagonist of the book.

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Some written works feature a consistent PointOfView: namely, through the eyes of TheProtagonist. Other works throw in [[{{Deuteragonist}} additional protagonists]] and [[SwitchingPOV pass the POV around]] to present each of their respective views on the transpiring events. Sometimes, however, a single main character (usually the one with the most ambiguous/mysterious motivation) is conspicuously ''denied'' POV and their impact upon the plot is only ever seen through the eyes of co-protagonists. This character is the NonPOVProtagonist of the book.
book.

The main purpose of the trope is to create dramatic tension. When a character narrates, readers become very familiar with him or her, and can make some predictions as to their feelings and reactions. When a character ''doesn't'' narrate, readers are left peering in, wondering just what is going through that person's head. And that can be quite a tense experience if said character is TheChosenOne, the BigBad, or even just a SupportingLeader who will nonetheless be making decisions that the narrator characters have to live with.



* Roque Alva is arguably the central character of the ''ReflectionsOfEterna'' cycle, yet there has never been a single chapter describing what exactly is going on in his head.

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* Roque Alva is arguably ** Robb? Heck! All four Baratheon kings ([[BoisterousBruiser Robert]], [[PrinciplesZealot Stannis]], [[SleazyPolitician Renly]] and [[RoyalBrat Joffrey]]), [[PragmaticVillainy Tywin Lannister]], [[TheChessmaster Petyr "Littlefinger" Baelish]], [[WildCard Varys the central character Spider]]... Wildly important characters, and not a damn one of the ''ReflectionsOfEterna'' cycle, yet there has never been a single chapter describing what exactly is going on in his head. them narrates.




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* Many important characters in ''TheLordOfTheRings'' are narrated by hobbits. (Not that the hobbits are unimportant, but since a SupportingLeader is often a NonPOVProtagonist and Aragorn son of Arathorn is ''the'' [[TropeNamer original Supporting Leader]], it bears mentioning.)
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* Princess Ashe is the real hero of FinalFantasyXII, but the game's story is told through the eyes of Vaan, a street rat who stole the right MacGuffin.
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* In ASongOfIceAndFire, Robb is the only Stark child besides 4-year-old Rickon to never have his own narrative, despite having major events in ''A Clash of Kings'' and ''A Storm of Swords'' revolve around him.

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* In ASongOfIceAndFire, Robb is the only Stark child besides 4-year-old Rickon to never have his own narrative, despite having major events in ''A Clash of Kings'' and ''A Storm of Swords'' revolve around him. Most of the chapters involving Robb are told from the P.O.V. of his mother.

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* The Sister of ''MySistersKeeper'' is, until the very last chapter, the only main character that doesn't narrate a chapter. The book only has a few characters, and asides from Kate, the only characters who don't get to narrate are the Judge, a bartender named Seven, and a dog.

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* The Sister of ''MySistersKeeper'' is, until the very last chapter, the only main character that doesn't narrate a chapter. The book only has a few characters, and asides from Kate, the only characters who don't get to narrate are the Judge, a bartender named Seven, and a dog.dog.
** A similar thing happens in ''HandleWithCare'', when, until the last chapter, everyone but Willow (the main reason for the plot) narrates.




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* Happens in ''{{Stargirl}}'' by Jerry Spinelli. Leo talks about his ManicPixieDreamGirl friend Stargirl, but she never narrates. Sort of inverted in the sequel, ''Love, Stargirl'', where Stargirl narrates and discusses her relationship with Leo but he never narrates.

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