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It's worth noting that while examples of characters that can't fight themselves but let other beings do the fighting for them qualify (like TheBeastmaster or a MinionMaster, or autonomous variants of a PuppetFighter where the controlling character doesn't do the physical fighting themselves), characters that have direct control over another character's movements in a fight don't count, so tropes like MarionetteMaster and FightingSpirit are to be excluded.

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It's worth noting that while examples of characters that can't fight themselves but let other beings do the fighting for them qualify (like TheBeastmaster or a MinionMaster, TheMinionMaster, or autonomous variants of a PuppetFighter where the controlling character doesn't do the physical fighting themselves), characters that have direct control over another character's movements in a fight don't count, so tropes like MarionetteMaster and FightingSpirit are to be excluded.
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* ''Literature/TheSaintsMagicPowerIsOmnipotent'': As the eponymous Saint, Sei Takanashi is a supernaturally talented {{alchem|yIsMagic}}ist and {{heal|ingHands}}er, but she has no fighting abilities at all besides [[BarrierWarrior conjuring barriers]], and relies on her KnightInShiningArmor LoveInterest Albert Hawke and his subordinates to protect her on missions to purify miasma swamps.
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* In ''Webcomic/FateTypeRedline'', Kanata is an IneptMage who's way out of his depth in a Holy Grail War and can't contribute to fighting. He mainly gets by through protection from Tsukumo and Saber, who have a vested interest in his survival as Saber's Master. He tries to subvert this by getting proper lessons in magecraft from Tsukumo [[spoiler:and learns that he possesses his family's Magic Crest. He starts graduating to sn ActionSurvivor when he learns how to disarm magical traps, with the implication the he has far more potential than he ever dreamed of.]]
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* ''Series/{{Chuck}}'': The titular protagonist is the page image for a reason. Chuck Bartowski was an [[TheEveryman everyman]] and [[HollywoodNerd nerd]] who accidentally downloaded [[OmniscentDatabase the Intersect]] into his brain and got pulled into the world of espionage. Despite proving to be well in over his head, Chuck frequently resolves matters through his quick thinking and ability to plan ahead; he's not bad in a fight, but generally leaves the fighting to his far more experienced partner [[ActionGirl Sarah Walker]].

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* ''Series/{{Chuck}}'': The titular protagonist is the page image for a reason. Chuck Bartowski was an [[TheEveryman everyman]] and [[HollywoodNerd nerd]] who accidentally downloaded [[OmniscentDatabase [[OmniscientDatabase the Intersect]] into his brain and got pulled into the world of espionage. Despite proving to be well in over his head, Chuck frequently resolves matters through his quick thinking and ability to plan ahead; he's not bad in a fight, but generally leaves the fighting to his far more experienced partner [[ActionGirl Sarah Walker]].
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* Rokuro "[[InSeriesNickname Rock]]" Okajima from ''Manga/BlackLagoon''. There's a good reason why he's the trope image. [[InAWorld In a setting]] defined for being a [[WretchedHive crime-ridden]], [[CrapsackWorld crapsack]] WorldOfBadass, Rock is (or rather, ''[[FromNobodyToNightmare was]]'') an idealistic Japanese salaryman who was abducted by a gang of pirates and took to life as the group's negotiator. He has no combat skills to speak out (outside of one instance of clocking somebody with a [[ImprobableWeaponUser bowling pin]], but the circumstances were that severe), but he really doesn't need it; he's generally bodyguarded by resident DarkActionGirl Revy, he sticks out by being a non-combatant who is ''very'' good at [[TalkingTheMonsterToDeath talking down his enemies non-lethally]] while using {{guile|Hero}} to overcome any problems that come his way. By the current point of the series, he's become near-universally respected among the denizens of [[WretchedHive Roanapur]] and is fast-track to [[spoiler:becoming a DarkMessiah AntiHero]], much to [[DefrostingIceQueen Revy]]'s mild disappointment.

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* Rokuro "[[InSeriesNickname Rock]]" Okajima from ''Manga/BlackLagoon''. There's a good reason why he's the trope image. [[InAWorld In a setting]] defined for being a [[WretchedHive crime-ridden]], [[CrapsackWorld crapsack]] WorldOfBadass, Rock is (or rather, ''[[FromNobodyToNightmare was]]'') an idealistic Japanese salaryman who was abducted by a gang of pirates and took to life as the group's negotiator. He has no combat skills to speak out (outside of one instance of clocking somebody with a [[ImprobableWeaponUser bowling pin]], but the circumstances were that severe), but he really doesn't need it; he's generally bodyguarded by resident DarkActionGirl Revy, he sticks out by being a non-combatant who is ''very'' good at [[TalkingTheMonsterToDeath talking down his enemies non-lethally]] while using {{guile|Hero}} to overcome any problems that come his way. By the current point of the series, he's become near-universally respected among the denizens of [[WretchedHive Roanapur]] and is fast-track to [[spoiler:becoming a DarkMessiah AntiHero]], much to [[DefrostingIceQueen Revy]]'s mild disappointment.
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* ''Series/{{Chuck}}'': The titular protagonist is the page image for a reason. Chuck Bartowski was an [[TheEveryman everyman]] and [[HollywoodNerd nerd]] who accidentally downloaded [[OmniscentDatabase the Intersect]] into his brain and got pulled into the world of espionage. Despite proving to be well in over his head, Chuck frequently resolves matters through his quick thinking and ability to plan ahead; he's not bad in a fight, but generally leaves the fighting to his far more experienced partner [[ActionGirl Sarah Walker]].
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* ''Literature/SpiceAndWolf'': Protagonist Lawrence is an IntrepidMerchant and while he carries a dagger for self-defense, he has little fighting abilities. In dangerous situations, he mostly relies on [[GuileHero talking his way out]] or outsmarting his opponents. {{Deuteragonist}} and female lead [[PhysicalGod Holo]] does that actual fighting when it's needed and she enjoys teasing him about playing the role of a DistressedDamsel at times.

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* ''Literature/SpiceAndWolf'': Protagonist Lawrence is an IntrepidMerchant and while he carries a dagger for self-defense, he has little fighting abilities. In dangerous situations, he mostly relies on [[GuileHero talking his way out]] or outsmarting his opponents. {{Deuteragonist}} and female lead [[PhysicalGod Holo]] does that actual fighting when it's needed and she enjoys teasing him about playing the role of a DistressedDamsel DamselInDistress at times.

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[[quoteright:350:[[Manga/BlackLagoon https://static.tvtropes.org/pmwiki/pub/images/untitledsmall.png]]]]
[[caption-width-right:350:Three guesses who [[NonActionGuy the protagonist]] in this image is.[[labelnote:Note]][[EntertaininglyWrong It's the nun sitting on the sofa, isn't it?]][[/labelnote]]]]

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[[quoteright:350:[[Series/{{Chuck}}
https://static.tvtropes.org/pmwiki/pub/images/untitledsmall.png]]]]
[[caption-width-right:350:Three guesses who [[NonActionGuy the protagonist]] in this image is.[[labelnote:Note]][[EntertaininglyWrong It's the nun sitting on the sofa, isn't it?]][[/labelnote]]]]
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* ''VideoGame/{{Pyre}}'' has its AbsurdlyHighStakesGame Rites with all the clever athleticism and power you'd expect...and none of them are [[PlayerCharacter the Reader]], who is both more of a coach to the Nightwings and is implied to have a CareerRuiningInjury falling to Downside even if they aren't explicitly noted by the player as disabled.

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* ''VideoGame/{{Pyre}}'' has its AbsurdlyHighStakesGame Rites with all the clever athleticism and power you'd expect...and none of them are [[PlayerCharacter the Reader]], who is both more of a coach to the Nightwings and is implied to have a CareerRuiningInjury CareerEndingInjury falling to Downside even if they aren't explicitly noted by the player as disabled.
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** [[TheEveryman Richard]] [[NiceGuy Mayhew]] is your everyday 30-year-old office worker living in London who is thrown into the [[EldritchLocation London Below]] after he tried to save a wounded girl. [[spoiler: [[SubvertedTrope Subverted]] at the end, when Richard [[TookALevelInBadass takes a level in badass]] and kills [[TheDreaded the Beast of London.]]]]
** [[MysteriousWaif Lady Door]] also counts. She appears at first as a DamselInDistress, but later the trope is [[SubvertedTrope subverted]] as her [[OpenAndShut Opening]] ability is proven to be [[LethalHarmlessPowers unexpectedly deadly]]. [[spoiler: She uses this to [[DraggedOffToHell send the Angel Islington, Mr. Croup and Mr. Vandemar "As [...] far away as I could".]]]]
** [[LoveableRogue Marquis de Carabas]] is the resident trickster of the London Below, who has little combat ability, but is a formidable enemy - for his true strength lies in his [[TheTrickster trickery]] and his ChainOfDeals. [[spoiler: He manages to use both to bring himself BackFromTheDead [[BackForTheFinale for the grand finale.]]]]

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** [[TheEveryman Richard]] [[NiceGuy Mayhew]] is your everyday 30-year-old office worker living in London who is thrown into the [[EldritchLocation London Below]] after he tried to save a wounded girl. [[spoiler: [[SubvertedTrope [[spoiler:[[SubvertedTrope Subverted]] at the end, when Richard [[TookALevelInBadass takes a level in badass]] and kills [[TheDreaded the Beast of London.]]]]
** [[MysteriousWaif Lady Door]] also counts. She appears at first as a DamselInDistress, but later the trope is [[SubvertedTrope subverted]] as her [[OpenAndShut Opening]] ability is proven to be [[LethalHarmlessPowers unexpectedly deadly]]. [[spoiler: She [[spoiler:She uses this to [[DraggedOffToHell send the Angel Islington, Mr. Croup and Mr. Vandemar "As [...] far away as I could".]]]]
** [[LoveableRogue Marquis de Carabas]] is the resident trickster of the London Below, who has little combat ability, but is a formidable enemy - -- for his true strength lies in his [[TheTrickster trickery]] and his ChainOfDeals. [[spoiler: He [[spoiler:He manages to use both to bring himself BackFromTheDead [[BackForTheFinale for the grand finale.]]]]



* ''VideoGame/MonsterRancher'' usually doesn't even have your human character on the field - you mostly just raise your {{Mon}}s and stay the heck out of the way.

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* ''VideoGame/MonsterRancher'' usually doesn't even have your human character on the field - -- you mostly just raise your {{Mon}}s and stay the heck out of the way.
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* Juste Ueki Tylor from ''Anime/IrresponsibleCaptainTylor'' is a lackadaisical, incompetent, and above all ''[[BornLucky lucky]]'' captain (in fact, [[MeaningfulName his name is pidgin-English for "Just Lucky Tylor"]]) who spends the series lightly drifting through a war between humans and SpaceElves, sweet-talking, smooth-talking, and occasionally seducing his way out of trouble throughout the series. He only has his position because he, er, "impressed" the assessment AI so much "she" crashed.

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* Juste Ueki Tylor from ''Anime/IrresponsibleCaptainTylor'' is a lackadaisical, incompetent, and above all ''[[BornLucky lucky]]'' captain (in fact, [[MeaningfulName his name is pidgin-English for "Just Lucky Tylor"]]) who spends the series lightly drifting through a war between humans and SpaceElves, sweet-talking, smooth-talking, and occasionally seducing his way out of trouble throughout the series. He only has his position got into the space force because he, er, "impressed" the assessment AI so much "she" crashed.crashed, and he was made a captain as a [[ReassignmentBackfire "reward"]] for [[AccidentalHero accidentally rescuing an admiral from a hostage situation]].
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* ''Literature/NeroWolfe'': Even though the detective genre does not oblige the main character to be a physically strong fighter, Nero Wolfe still stands out. Wolfe absolutely hates leaving his house and [[HatesBeingTouched doesn't touch anyone unless it's absolutely necessary]]. His personal assistant [[{{Foil}} Archie]], however, is an active character, taking part in fights and shootouts when necessary.

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* ''Literature/NeroWolfe'': Even though the detective genre does not doesn't oblige the main character to be a physically strong fighter, Nero Wolfe still stands out. Wolfe absolutely hates leaving his house and [[HatesBeingTouched doesn't touch anyone unless it's absolutely necessary]]. His personal assistant [[{{Foil}} Archie]], however, is an active character, taking part in fights and shootouts when necessary.
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* Rokuro "[[InSeriesNickname Rock]]" Okajima from ''Manga/BlackLagoon''. There's a good reason why he's the trope image. [[InAWorld In a setting]] defined for being a [[WretchedHive crime-ridden]], [[CrapsackWorld crapsack]] WorldOfBadass, Rock is (or rather, ''[[FromNobodyToNightmare was]]'') an idealistic Japanese salaryman who was abducted by a gang of pirates and took to life as the group's negotiator. He has no combat skills to speak out (outside of one instance of clocking somebody with a [[ImprobableWeaponUser bowling pin]], but the circumstances were that severe), but he really doesn't need it; he's generally bodyguarded by resident DarkActionGirl Revy, he sticks out by being a non-combatant who is ''very'' good at [[TalkingTheMonsterToDeath talking down his enemies non-lethally]] while using [[GuileHero guile]] to overcome any problems that come his way. By the current point of the series, he's become near-universally respected among the denizens of [[WretchedHive Roanapur]] and is fast-track to [[spoiler:becoming a DarkMessiah AntiHero]], much to [[DefrostingIceQueen Revy]]'s mild disappointment.

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* Rokuro "[[InSeriesNickname Rock]]" Okajima from ''Manga/BlackLagoon''. There's a good reason why he's the trope image. [[InAWorld In a setting]] defined for being a [[WretchedHive crime-ridden]], [[CrapsackWorld crapsack]] WorldOfBadass, Rock is (or rather, ''[[FromNobodyToNightmare was]]'') an idealistic Japanese salaryman who was abducted by a gang of pirates and took to life as the group's negotiator. He has no combat skills to speak out (outside of one instance of clocking somebody with a [[ImprobableWeaponUser bowling pin]], but the circumstances were that severe), but he really doesn't need it; he's generally bodyguarded by resident DarkActionGirl Revy, he sticks out by being a non-combatant who is ''very'' good at [[TalkingTheMonsterToDeath talking down his enemies non-lethally]] while using [[GuileHero guile]] {{guile|Hero}} to overcome any problems that come his way. By the current point of the series, he's become near-universally respected among the denizens of [[WretchedHive Roanapur]] and is fast-track to [[spoiler:becoming a DarkMessiah AntiHero]], much to [[DefrostingIceQueen Revy]]'s mild disappointment.
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* ''VideoGame/{{Pyre}}'' has its AbsurdlyHighStakesGame Rites with all the clever athleticism and power you'd expect...and none of them are [[PlayerCharacter the Reader]], who is both more of a coach to the Nightwings and is implied to have a CareerRuiningInjury falling to Downside even if they aren't explicitly noted by the player as disabled.

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* ''Anime/PrincessTutu'': While the show is MagicalGirl anime and Fakir, Rue, and Mytho all show some level of combat ability throughout the series, Duck as Princess Tutu dances with her antagonists rather than fighting them. Justified, since her main purpose is to extract Mytho's heart shards from their hosts, which involves the hosts processing their own emotions so they'll let go of the heart shards. Discussed with Fakir, who at a few points questions Tutu's common sense when trying to fight particularly violent antagonists with ballet.

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* ''Anime/PrincessTutu'': While the show is a MagicalGirl anime and Fakir, Rue, and Mytho all show some level of combat ability throughout the series, Duck as Princess Tutu dances with her antagonists rather than fighting them.them and, at most, disarms armed opponents. Justified, since her main purpose is to extract Mytho's heart shards from their hosts, which involves the hosts processing their own emotions so they'll let go of the heart shards. Discussed with Fakir, who at a few points questions Tutu's common sense when trying to fight particularly violent antagonists with ballet.


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* Yugi from ''Manga/YuGiOh'' was conceived as the antithesis of a typical shonen hero of the time; he is a pacifist whose alter ego Yami Yugi defeats opponents in games, while his buddy Jonouchi handles any physical fights that might arise.

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A Non-Action Protagonist stands out as [[TheEveryman an everyday schmuck]] or otherwise-mundane person who in particular is found in [[ActionSurvivor a situation well in over their heads]], but there's no way they stand a chance at besting their enemies in a physical fight. Maybe it's a WorldOfBadass where everyone ''but'' them is capable of fighting in some way, maybe they're TrappedInAnotherWorld with [[SummonEverymanHero no notable qualities that'd help their survival]]. Some writers' portrayal of this kind of character ([[DoubleStandard mostly for men]]) would tend to make them a NonActionGuy for [[WhatKindOfLamePowerIsHeartAnyway their lack of clear masculinity]], but other, more creative writers may genuinely roll with this idea in spite of such. Often, it's their qualities ''outside'' of combat [[HeartIsAnAwesomePower that drive the story forward and serves as much of the conflict]].

Maybe they're a GuileHero who uses [[TheTrickster trickery and deceit]] to deceive and con to get out of sticky situations. Maybe they're a MagneticHero who uses [[TheCharmer charisma]], [[RousingSpeech oratory]] and [[FlunkyBoss minions]] to do the fighting, oftentimes TalkingTheMonsterToDeath if their flunkies can't defeat them. Maybe they're a [[TheSneakyGuy Stealth Hero]] who prefers sneaking past enemies than fighting them head on, or maybe they're a ScienceHero who uses technology and applied knowledge [[BrainsVersusBrawn to accomplish what combat cannot]]. Either way, if the protagonist of the story is in a setting defined by present danger and ''isn't'' an ActionHero, ''and'' regularly prefers using any other means to achieve their objectives outside of violence, then you have a case of a Non-Action Protagonist.

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A Non-Action Protagonist stands out as [[TheEveryman an everyday schmuck]] or the otherwise-mundane person who in particular is found in [[ActionSurvivor a situation well in over their heads]], but there's no way they stand a chance at besting their enemies in a physical fight. Maybe it's a WorldOfBadass where everyone ''but'' them is capable of fighting in some way, maybe they're TrappedInAnotherWorld with [[SummonEverymanHero no notable qualities that'd help their survival]]. Some writers' portrayal of this kind of character ([[DoubleStandard mostly for men]]) would tend to make them a NonActionGuy for [[WhatKindOfLamePowerIsHeartAnyway their lack of clear masculinity]], but other, more creative writers may genuinely roll with this idea in spite of such. Often, it's their qualities ''outside'' of combat [[HeartIsAnAwesomePower that drive the story forward and serves as much of the conflict]].

Maybe they're a GuileHero who uses [[TheTrickster trickery and deceit]] to deceive and con to get out of sticky situations. Maybe they're a MagneticHero who uses [[TheCharmer charisma]], [[RousingSpeech oratory]] oratory]], and [[FlunkyBoss minions]] to do the fighting, oftentimes TalkingTheMonsterToDeath if their flunkies can't defeat them. Maybe they're a [[TheSneakyGuy Stealth Hero]] who prefers sneaking past enemies than fighting them head on, head-on, or maybe they're a ScienceHero who uses technology and applied knowledge [[BrainsVersusBrawn to accomplish what combat cannot]]. Either way, if the protagonist of the story is in a setting defined by present danger and ''isn't'' an ActionHero, ''and'' regularly prefers using any other means to achieve their objectives outside of violence, then you have a case of a Non-Action Protagonist.



This trope is especially common in MonsSeries; barring a few genre outliers, most {{Mon}} games generally don't feature combat with the inevitably-human protagonists so much as their [[OurMonstersAreWeird monster companions]] doing all of the heavy lifting, which in turn allows more emphasis and development on the human characters' non-combat qualities.

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This trope is especially common in MonsSeries; barring a few genre outliers, most {{Mon}} games generally don't feature combat with the inevitably-human inevitably human protagonists so much as their [[OurMonstersAreWeird monster companions]] doing all of the heavy lifting, which in turn allows more emphasis and development on the human characters' non-combat qualities.



[[JustForFun/IThoughtItMeant Not to be confused]] with BadassPacifist, ActionSurvivor or SupportingProtagonist; they don't have to necessarily be a pacifist themselves to qualify for this trope, just that they don't do the fighting in a predominantly action-packed series. Action Survivors can overlap, but they are generally considered separate due to many ActionSurvivor characters being to some degree combat-capable unlike Non-Action Protagonists, wherein a Supporting Protagonist is defined by being the main [=POV=] of a story while not being the main focus in CharacterDevelopment. SuperTrope of NonEntityGeneral and StockLightNovelEveryman, the former being a a form of FeaturelessProtagonist used mainly in strategy games who doesn't take part in combat, and the latter being a common figurehead in Japanese ''isekai'' media. Compare and contrast with NonActionGuy, the trope's ([[AlwaysMale almost always male]]) comedic counterpart, and NonActionBigBad, where the BigBad of a work is defined by their inability to fight themselves.

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[[JustForFun/IThoughtItMeant Not to be confused]] with BadassPacifist, ActionSurvivor ActionSurvivor, or SupportingProtagonist; they don't have to necessarily be a pacifist themselves to qualify for this trope, just that they don't do the fighting in a predominantly action-packed series. Action Survivors can overlap, but they are generally considered separate due to many ActionSurvivor characters being to some degree combat-capable unlike Non-Action Protagonists, wherein a Supporting Protagonist is defined by being the main [=POV=] of a story while not being the main focus in CharacterDevelopment. SuperTrope of NonEntityGeneral and StockLightNovelEveryman, the former being a a form of FeaturelessProtagonist used mainly in strategy games who doesn't take part in combat, and the latter being a common figurehead in Japanese ''isekai'' media. Compare and contrast with NonActionGuy, the trope's ([[AlwaysMale almost always male]]) comedic counterpart, and NonActionBigBad, where the BigBad of a work is defined by their inability to fight themselves.



* Juste Ueki Tylor from ''Anime/IrresponsibleCaptainTylor'' is a lackadaisical, incompetent, and above all ''[[BornLucky lucky]]'' captain (in fact, [[MeaningfulName his name is pigdin-english for "Just Lucky Tylor"]]) who spends the series lightly drifting through a war between humans and SpaceElves, sweet-talking, smooth-talking, and occasionally seducing his way out of trouble throughout the series. He only has his position because he, er, "impressed" the assessment AI so much "she" crashed.
* Yukiteru Amano from ''Manga/FutureDiary'' is this at first, but [[SubvertedTrope gradually subverts this over the course of the story]]. In the beginning, he leaves most of the fighting to Yuno, though it's [[DownplayedTrope downplayed]] since even then he offs three other diary owners even before [[TookALevelInBadass taking a level in badass]]. This is subverted later on when he becomes more competent in combat and even fights alongside with Yuno.
* Ciel Phantomhive from ''Manga/BlackButler'' is a young boy from VictorianLondon who ends up contracting a demon -- Sebastian Michaelis -- [[BattleButler to serve as his butler and guardian]]. While he himself is not a fighter, and if anything is the weakest character physically, he is noted as a capable [[TheChessmaster Chessmaster]] who is far more than capable of manipulating others into his plans. He proved it during the murder mystery arc where he planned out and orchestrated the entire event; lacing the blame on someone else in order to complete the mission given to him from the queen, all while not only keeping suspicion off of himself, but also making himself seem like a victim. Then very end where he only tells a young Sir Arthur Conan Doyle of his scheme because he wanted to motivate him to continue to write mystery novels.

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* Juste Ueki Tylor from ''Anime/IrresponsibleCaptainTylor'' is a lackadaisical, incompetent, and above all ''[[BornLucky lucky]]'' captain (in fact, [[MeaningfulName his name is pigdin-english pidgin-English for "Just Lucky Tylor"]]) who spends the series lightly drifting through a war between humans and SpaceElves, sweet-talking, smooth-talking, and occasionally seducing his way out of trouble throughout the series. He only has his position because he, er, "impressed" the assessment AI so much "she" crashed.
* Yukiteru Amano from ''Manga/FutureDiary'' is this at first, but [[SubvertedTrope gradually subverts this over the course of the story]]. In the beginning, he leaves most of the fighting to Yuno, though it's [[DownplayedTrope downplayed]] since even then he offs three other diary owners even before [[TookALevelInBadass taking a level in badass]]. This is subverted later on when he becomes more competent in combat and even fights alongside with Yuno.
* Ciel Phantomhive from ''Manga/BlackButler'' is a young boy from VictorianLondon who ends up contracting a demon -- Sebastian Michaelis -- [[BattleButler to serve as his butler and guardian]]. While he himself is not a fighter, and if anything is the weakest character physically, he is noted as a capable [[TheChessmaster Chessmaster]] who is far more than capable of manipulating others into his plans. He proved it during the murder mystery arc where he planned out and orchestrated the entire event; lacing the blame on someone else in order to complete the mission given to him from by the queen, all while not only keeping suspicion off of himself, himself but also making himself seem like a victim. Then very end where he only tells a young Sir Arthur Conan Doyle of his scheme because he wanted to motivate him to continue to write mystery novels.



* ''Film/{{Maverick}}'': Played with. Bret Maverick would certainly ''like'' to stay out of the action; he's a professional gambler, not a gunfighter, and much prefers bluffing and tricks to get out of tight spots, like arranging himself to win a staged fight and scare off an opponent, or tricking a bunch of drunk renegades into thinking they're surrounded by gunmen; he's also a quick draw but admits he "can't hit shit," and being a bit of a dandy he's wary of ruining his clothes. That doesn't stop him from being forced into several scrapes, including stopping a runaway wagon (nearly getting himself tossed off a cliff in the process), and engaging in a non-lethal shootout with the aforementioned renegades. By the third act Bret seems to have gained some spine, shown when he straight-up attacks Angel's thugs by himself.
* ''Film/ChildrenOfMen'': Theo is a cynical bureacrat tasked with protecting the world's first pregnant woman in 18 years, no easy task when crossing dystopian England with trained soldiers shooting at them from one side and armed militants shooting back on the other. Theo himself never even picks up a gun, and survives mostly by guile and a good running start (although once he smashes someone's face with a car battery).

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* ''Film/{{Maverick}}'': Played with. Bret Maverick would certainly ''like'' to stay out of the action; he's a professional gambler, not a gunfighter, and much prefers bluffing and tricks to get out of tight spots, like arranging himself to win a staged fight and scare off an opponent, or tricking a bunch of drunk renegades into thinking they're surrounded by gunmen; he's also a quick draw but admits he "can't hit shit," and being a bit of a dandy he's wary of ruining his clothes. That doesn't stop him from being forced into several scrapes, including stopping a runaway wagon (nearly getting himself tossed off a cliff in the process), and engaging in a non-lethal shootout with the aforementioned renegades. By the third act act, Bret seems to have gained some spine, shown when he straight-up attacks Angel's thugs by himself.
* ''Film/ChildrenOfMen'': Theo is a cynical bureacrat bureaucrat tasked with protecting the world's first pregnant woman in 18 years, no easy task when crossing dystopian England with trained soldiers shooting at them from one side and armed militants shooting back on the other. Theo himself never even picks up a gun, gun and survives mostly by guile and a good running start (although once he smashes someone's face with a car battery).



* ''Literature/{{Dracula}}'' gives the male protagonists plenty of action scenes, but Mina Harker's primary contributions to the plot come in the form of developing a psychic link with Dracula after she's bitten by the count, and helping riddle out his route across Europe.

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* ''Literature/{{Dracula}}'' gives the male protagonists plenty of action scenes, but Mina Harker's primary contributions to the plot come in the form of developing a psychic link with Dracula after she's bitten by the count, count and helping riddle out his route across Europe.



* ''Literature/TheHobbit'': Peaceful hobbit Bilbo Baggins is hired to be thief in a company of rough-and-tumble dwarven warriors. While he starts out a stuffy ClassicalAntiHero, he later proves his mettle [[GuileHero through his wits]]. Nonetheless, he misses the entire Battle of the Five Armies because he got knocked out early in.
* ''[[Literature/AHerosWar A Hero's War]]'': Cato has no combat-relevant skills, not even leadership, and for some reason he physically can't use magic. However, his insights from Earth about engineering and science lead to a {{Magitek}} revolution that results in the territory of Minmay developing the most dangerous military force in the world. Cato himself, meanwhile, is mostly just running the new university and collaborating with specialists to come up with new ideas.

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* ''Literature/TheHobbit'': Peaceful hobbit Bilbo Baggins is hired to be a thief in a company of rough-and-tumble dwarven warriors. While he starts out a stuffy ClassicalAntiHero, he later proves his mettle [[GuileHero through his wits]]. Nonetheless, he misses the entire Battle of the Five Armies because he got knocked out early in.
* ''[[Literature/AHerosWar A Hero's War]]'': Cato has no combat-relevant skills, not even leadership, and for some reason he physically can't use magic. However, his insights from Earth about engineering and science lead led to a {{Magitek}} revolution that results resulted in the territory of Minmay developing the most dangerous military force in the world. Cato himself, meanwhile, is mostly just running the new university and collaborating with specialists to come up with new ideas.



* Subaru Natsuki from ''Literature/ReZero'' really only has his "Return by Death" ability going for him, but he's noted to be one of the weakest protagonists in the plot. WordOfGod says he would lose in a duel with almost every other protagonist; Subaru can't even resort to magic to fight effectively. As a result, really only having his ability to count on, he uses a great deal of guile, trickery and SaveScumming in order to escape his doom. Despite these odds and how over his head he is, he very much gradually develops into a hero in his own way.

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* Subaru Natsuki from ''Literature/ReZero'' really only has his "Return by Death" ability going for him, but he's noted to be one of the weakest protagonists in the plot. WordOfGod says he would lose in a duel with almost every other protagonist; Subaru can't even resort to magic to fight effectively. As a result, really only having his ability to count on, he uses a great deal of guile, trickery trickery, and SaveScumming in order to escape his doom. Despite these odds and how over his head he is, he very much gradually develops into a hero in his own way.



* ''Franchise/{{Transformers}}'': Before the Creator/MichaelBay films, this was how [[KidAppealCharacter Bumblebee]] was portrayed. In episodes of ''WesternAnimation/TheTransformers'' where he plays a big role, he uses his guile, small size and guts to get out of jams. This was carried over to the Choose Your Own Adventure-style books of the time where he's the main character: Bumblebee has little to no combat ability (his actual function is '''Spy'''), and so has to avoid combat as much as he can.

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* ''Franchise/{{Transformers}}'': Before the Creator/MichaelBay films, this was how [[KidAppealCharacter Bumblebee]] was portrayed. In episodes of ''WesternAnimation/TheTransformers'' where he plays a big role, he uses his guile, small size size, and guts to get out of jams. This was carried over to the Choose Your Own Adventure-style books of the time where he's the main character: Bumblebee has little to no combat ability (his actual function is '''Spy'''), and so has to avoid combat as much as he can.



** ''VideoGame/ArcanumOfSteamworksAndMagickObscura'' has this too. While there's more than enough ways to brute force the game, generally agreed to be the most satisfying way to beat the game is with no combat at all. The final boss can be easily defeated with words as much as combat.

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** ''VideoGame/ArcanumOfSteamworksAndMagickObscura'' has this too. While there's more than enough ways to brute force the game, generally agreed to be that the most satisfying way to beat the game is with no combat at all. The final boss can be easily defeated with words as much as combat.



** Fuuka Yamagishi, the MissionControl of ''VideoGame/Persona3'', is one of these. Physically-speaking, while the other members of S.E.E.S. are physically adept at combating [[TheHeartless Shadows]], Fuuka is a shy, grungy nerdy girl who is introduced by being a bullying victim of a girl posse. Then she ends up in Tartarus by accident, and shortly after summoning her Persona for the first time [[OffscreenMomentOfAwesome while surviving ten hours]] in the vitality-sapping dungeon, she allows you to see the strengths and weaknesses of the Boss Shadows that just [[CurbStompBattle wiped the floor with]] two of your allies. Even though her Persona is not capable of combat, she's still a critical ally to S.E.E.S.'s efforts in Tartarus, and a valuable member of the team.

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** Fuuka Yamagishi, the MissionControl of ''VideoGame/Persona3'', is one of these. Physically-speaking, Physically speaking, while the other members of S.E.E.S. are physically adept at combating [[TheHeartless Shadows]], Fuuka is a shy, grungy nerdy girl who is introduced by being a bullying victim of a girl posse. Then she ends up in Tartarus by accident, and shortly after summoning her Persona for the first time [[OffscreenMomentOfAwesome while surviving ten hours]] in the vitality-sapping dungeon, she allows you to see the strengths and weaknesses of the Boss Shadows that just [[CurbStompBattle wiped the floor with]] two of your allies. Even though her Persona is not capable of combat, she's still a critical ally to S.E.E.S.'s efforts in Tartarus, Tartarus and a valuable member of the team.



* ''VideoGame/FateGrandOrder'' has Ritsuka Fujimaru, who stands out even compared to all the other protagonists of other ''Franchise/{{Nasuverse}}'' media; [[SameCharacterButDifferent both Shikis]] ([[Literature/TheGardenOfSinners Shiki Ryougi]] and [[VisualNovel/{{Tsukihime}} Shiki Tohno]]) have [[MagicalEye Mystic Eyes]] of [[OneHitKill Death Perception]] and are trained assassins, [[VisualNovel/FateStayNight Shirou Emiya]] can conjure swords on a whim and [[spoiler:has a FutureBadass self]], [[Anime/FatePrototype Ayaka Sajyou]] is a skilled DarkMagicalGirl who knows powerful old-school Magecrafts, and [[VisualNovel/WitchOnTheHolyNight Aoko Aozaki]] outright has access to [[TimeMaster the Fifth Magic]]. Ritsuka, meanwhile, never goes beyond being passable at best at the art of Magecraft themselves, and almost entirely relies on their Servants summoned through the game's [[GachaGames gacha system]] to do their fighting for them.

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* ''VideoGame/FateGrandOrder'' has Ritsuka Fujimaru, who stands out even compared to all the other protagonists of other ''Franchise/{{Nasuverse}}'' media; [[SameCharacterButDifferent both Shikis]] ([[Literature/TheGardenOfSinners Shiki Ryougi]] and [[VisualNovel/{{Tsukihime}} Shiki Tohno]]) have [[MagicalEye Mystic Eyes]] of [[OneHitKill Death Perception]] and are trained assassins, [[VisualNovel/FateStayNight Shirou Emiya]] can conjure swords on a whim and [[spoiler:has a FutureBadass self]], [[Anime/FatePrototype Ayaka Sajyou]] is a skilled DarkMagicalGirl who knows powerful old-school Magecrafts, and [[VisualNovel/WitchOnTheHolyNight Aoko Aozaki]] outright has access to [[TimeMaster the Fifth Magic]]. Ritsuka, meanwhile, never goes beyond being passable at best at the art of Magecraft themselves, themselves and almost entirely relies on their Servants summoned through the game's [[GachaGames gacha system]] to do their fighting for them.



* The ''[[VideoGame/AmnesiaTheDarkDescent Amnesia]]'' [[VideoGame/AmnesiaAMachineForPigs series]] of [[VideoGame/AmnesiaRebirth games]] have this as a core part of the series' gameplay. Unlike many SurvivalHorror games of the time, fighting the various monsters within the depths are outright impossible, with the game's choices being to outwit, outsmart and outmaneuver them than try to fight. As a result, each protagonist fits the bill of this perfectly, with the trend only being broken with ''VideoGame/AmnesiaTheBunker'', being the first in the series to allow the protagonist to fight back.
* [[ZigZaggedTrope Played with]] in ''VideoGame/{{Subverse}}'', but otherwise mostly played straight. The game features two distinct combat modes: the TurnBasedTactics ground combat and the ShootEmUp space combat. The protagonist (known only as "The Captain") is a brilliant pilot who fights personally in space combat, but is a complete amateur in hand-to-hand and leaves ground combat completely up to his BattleHarem. In the few cutscenes where he ''is'' shown with his boots on the ground, he is either hiding in cover, or getting his ass handed to him.

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* The ''[[VideoGame/AmnesiaTheDarkDescent Amnesia]]'' [[VideoGame/AmnesiaAMachineForPigs series]] of [[VideoGame/AmnesiaRebirth games]] have this as a core part of the series' gameplay. Unlike many SurvivalHorror games of the time, fighting the various monsters within the depths are outright impossible, with the game's choices being to outwit, outsmart outsmart, and outmaneuver them rather than try to fight. As a result, each protagonist fits the bill of this perfectly, with the trend only being broken with ''VideoGame/AmnesiaTheBunker'', being the first in the series to allow the protagonist to fight back.
* [[ZigZaggedTrope Played with]] in ''VideoGame/{{Subverse}}'', but otherwise mostly played straight. The game features two distinct combat modes: the TurnBasedTactics ground combat and the ShootEmUp space combat. The protagonist (known only as "The Captain") is a brilliant pilot who fights personally in space combat, combat but is a complete amateur in hand-to-hand and leaves ground combat completely up to his BattleHarem. In the few cutscenes where he ''is'' shown with his boots on the ground, he is either hiding in cover, cover or getting his ass handed to him.



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* ''Film/HacksawRidge'': Downplayed with Desmond Doss. Due to his religious beliefs and past trauma of wielding a weapon against his family, Doss enlists in the U.S. military as a combat medic, refusing to arm himself ''even'' in training. And while he does enter the battlefield, he's mainly around to carry the wounded soldiers to safety — not once does he pull the trigger. As a matter of fact, he ends up lasting ''much longer'' on the battlefield than his fellow troops.
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[[caption-width-right:350:Three guesses who [[NonActionGuy the protagonist]] in this image is.[[labelnote:Note]][[EntertaininglyWrong It's the nun sitting on the sofa, isn't she?]][[/labelnote]]]]

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[[caption-width-right:350:Three guesses who [[NonActionGuy the protagonist]] in this image is.[[labelnote:Note]][[EntertaininglyWrong It's the nun sitting on the sofa, isn't she?]][[/labelnote]]]]
it?]][[/labelnote]]]]
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[[quoteright:350:[[Manga/BlackLagoon https://static.tvtropes.org/pmwiki/pub/images/untitledsmall.png]]]]
[[caption-width-right:350:Three guesses who [[NonActionGuy the protagonist]] in this image is.[[labelnote:Note]][[EntertaininglyWrong It's the nun sitting on the sofa, isn't she?]][[/labelnote]]]]

->''"A hero is no braver than an ordinary man, but he is brave five minutes longer."''
-->-- '''Creator/RalphWaldoEmerson'''

As is typical within the sphere of fiction, TheHero is generally the protagonist of any given work, and in works where [[ActionGenre combat and violence are at the forefront]], it was generally held that [[ActionHero they would be combat-capable as well]]. Those [[InHarmsWay who often find themselves in the line of fire]] are seen heroically as those who [[ChronicHeroSyndrome go out of their way to defeat evil]].

But the hero may ultimately ''not'' be a fighter. [[WellThisIsNotThatTrope Then you get this case]].

A Non-Action Protagonist stands out as [[TheEveryman an everyday schmuck]] or otherwise-mundane person who in particular is found in [[ActionSurvivor a situation well in over their heads]], but there's no way they stand a chance at besting their enemies in a physical fight. Maybe it's a WorldOfBadass where everyone ''but'' them is capable of fighting in some way, maybe they're TrappedInAnotherWorld with [[SummonEverymanHero no notable qualities that'd help their survival]]. Some writers' portrayal of this kind of character ([[DoubleStandard mostly for men]]) would tend to make them a NonActionGuy for [[WhatKindOfLamePowerIsHeartAnyway their lack of clear masculinity]], but other, more creative writers may genuinely roll with this idea in spite of such. Often, it's their qualities ''outside'' of combat [[HeartIsAnAwesomePower that drive the story forward and serves as much of the conflict]].

Maybe they're a GuileHero who uses [[TheTrickster trickery and deceit]] to deceive and con to get out of sticky situations. Maybe they're a MagneticHero who uses [[TheCharmer charisma]], [[RousingSpeech oratory]] and [[FlunkyBoss minions]] to do the fighting, oftentimes TalkingTheMonsterToDeath if their flunkies can't defeat them. Maybe they're a [[TheSneakyGuy Stealth Hero]] who prefers sneaking past enemies than fighting them head on, or maybe they're a ScienceHero who uses technology and applied knowledge [[BrainsVersusBrawn to accomplish what combat cannot]]. Either way, if the protagonist of the story is in a setting defined by present danger and ''isn't'' an ActionHero, ''and'' regularly prefers using any other means to achieve their objectives outside of violence, then you have a case of a Non-Action Protagonist.

Often, [[Administrivia/TropesAreTools this trope's practical applications]] comes in the form of making an AudienceSurrogate even more relatable to the audience, especially if the setting is present with preternatural powers. Obviously, [[MostWritersAreHuman most readers and writers are entirely normal human beings]], so while there's definitely a market for having a PowerFantasy self-insert main character, it's a lot easier for people to relate to somebody who doesn't have any special abilities. If anything, it would likely inspire the audience's sympathies by them overcoming their problems outside of the use of sheer force.

This trope is especially common in MonsSeries; barring a few genre outliers, most {{Mon}} games generally don't feature combat with the inevitably-human protagonists so much as their [[OurMonstersAreWeird monster companions]] doing all of the heavy lifting, which in turn allows more emphasis and development on the human characters' non-combat qualities.

It's worth noting that while examples of characters that can't fight themselves but let other beings do the fighting for them qualify (like TheBeastmaster or a MinionMaster, or autonomous variants of a PuppetFighter where the controlling character doesn't do the physical fighting themselves), characters that have direct control over another character's movements in a fight don't count, so tropes like MarionetteMaster and FightingSpirit are to be excluded.

[[JustForFun/IThoughtItMeant Not to be confused]] with BadassPacifist, ActionSurvivor or SupportingProtagonist; they don't have to necessarily be a pacifist themselves to qualify for this trope, just that they don't do the fighting in a predominantly action-packed series. Action Survivors can overlap, but they are generally considered separate due to many ActionSurvivor characters being to some degree combat-capable unlike Non-Action Protagonists, wherein a Supporting Protagonist is defined by being the main [=POV=] of a story while not being the main focus in CharacterDevelopment. SuperTrope of NonEntityGeneral and StockLightNovelEveryman, the former being a a form of FeaturelessProtagonist used mainly in strategy games who doesn't take part in combat, and the latter being a common figurehead in Japanese ''isekai'' media. Compare and contrast with NonActionGuy, the trope's ([[AlwaysMale almost always male]]) comedic counterpart, and NonActionBigBad, where the BigBad of a work is defined by their inability to fight themselves.
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!!Examples:

[[foldercontrol]]

[[folder:Anime & Manga]]
* Rokuro "[[InSeriesNickname Rock]]" Okajima from ''Manga/BlackLagoon''. There's a good reason why he's the trope image. [[InAWorld In a setting]] defined for being a [[WretchedHive crime-ridden]], [[CrapsackWorld crapsack]] WorldOfBadass, Rock is (or rather, ''[[FromNobodyToNightmare was]]'') an idealistic Japanese salaryman who was abducted by a gang of pirates and took to life as the group's negotiator. He has no combat skills to speak out (outside of one instance of clocking somebody with a [[ImprobableWeaponUser bowling pin]], but the circumstances were that severe), but he really doesn't need it; he's generally bodyguarded by resident DarkActionGirl Revy, he sticks out by being a non-combatant who is ''very'' good at [[TalkingTheMonsterToDeath talking down his enemies non-lethally]] while using [[GuileHero guile]] to overcome any problems that come his way. By the current point of the series, he's become near-universally respected among the denizens of [[WretchedHive Roanapur]] and is fast-track to [[spoiler:becoming a DarkMessiah AntiHero]], much to [[DefrostingIceQueen Revy]]'s mild disappointment.
* Juste Ueki Tylor from ''Anime/IrresponsibleCaptainTylor'' is a lackadaisical, incompetent, and above all ''[[BornLucky lucky]]'' captain (in fact, [[MeaningfulName his name is pigdin-english for "Just Lucky Tylor"]]) who spends the series lightly drifting through a war between humans and SpaceElves, sweet-talking, smooth-talking, and occasionally seducing his way out of trouble throughout the series. He only has his position because he, er, "impressed" the assessment AI so much "she" crashed.
* Yukiteru Amano from ''Manga/FutureDiary'' is this at first, but [[SubvertedTrope gradually subverts this over the course of the story]]. In the beginning, he leaves most of the fighting to Yuno, though it's [[DownplayedTrope downplayed]] since even then he offs three other diary owners even before [[TookALevelInBadass taking a level in badass]]. This is subverted later on when he becomes more competent in combat and even fights alongside with Yuno.
* Ciel Phantomhive from ''Manga/BlackButler'' is a young boy from VictorianLondon who ends up contracting a demon -- Sebastian Michaelis -- [[BattleButler to serve as his butler and guardian]]. While he himself is not a fighter, and if anything is the weakest character physically, he is noted as a capable [[TheChessmaster Chessmaster]] who is far more than capable of manipulating others into his plans. He proved it during the murder mystery arc where he planned out and orchestrated the entire event; lacing the blame on someone else in order to complete the mission given to him from the queen, all while not only keeping suspicion off of himself, but also making himself seem like a victim. Then very end where he only tells a young Sir Arthur Conan Doyle of his scheme because he wanted to motivate him to continue to write mystery novels.
* ''Manga/HeadhuntedToAnotherWorld'': Protagonist Uchimura Denosuke is a Japanese salaryman who is transported into a StandardJapaneseFantasySetting without any [[NewLifeInAnotherWorldBonus Isekai cheats]], so he remains a completely ordinary thirty-something human who is expected by the Demon Overlord to solve administrative, diplomatic, and logistics problems for the demons using AwesomenessByAnalysis. The MegaCorp he worked for on Earth didn't properly appreciate his talents in this regard, but the Demon Overlord very much does.
* ''Anime/PrincessTutu'': While the show is MagicalGirl anime and Fakir, Rue, and Mytho all show some level of combat ability throughout the series, Duck as Princess Tutu dances with her antagonists rather than fighting them. Justified, since her main purpose is to extract Mytho's heart shards from their hosts, which involves the hosts processing their own emotions so they'll let go of the heart shards. Discussed with Fakir, who at a few points questions Tutu's common sense when trying to fight particularly violent antagonists with ballet.
* ''Franchise/{{Digimon}}'' actually [[DownplayedTrope downplays]] this compared to most Mon series; most Tamers stay out of the fray altogether, but it's not at all uncommon for [[HotBlooded certain individuals]] to wade into the fray with their partners to the extent possible, and mechanics like [[Anime/DigimonTamers Biomerge]] means that some of the non-direct fighters get in on the fun.
* ''[[Anime/ReCreators Re:CREATORS]]'': Sota is the main protagonist (and narrator) of the show. He's just an ordinary boy, with no particular power or ability. Since he is not a superpowered fighter like the Creations or even a skilled Creator, all Sota can do is run away from fights and hope his friends can solve the crisis at hand. Despite that, not only does he [[spoiler:attempt to protect Meteora from Aliceteria's attack, he even tries to appeal to the latter's better nature]].
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[[folder:Fan Works]]
* ''Fanfic/ItGetsWorse'': Taylor doesn't have any weapons, training, SuperStrength, or any other direct combat power. What she does have is extreme luck; her power constantly, and without her conscious direction, shifts probabilities in her favour, setting up chains of DisasterDominoes and {{Humiliation Conga}}s for her enemies and deliverance for her friends. Taylor herself is basically a passenger, strolling through life and seeing the world rearranging itself around her.
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[[folder:Films -- Live-Action]]
* ''Film/{{Maverick}}'': Played with. Bret Maverick would certainly ''like'' to stay out of the action; he's a professional gambler, not a gunfighter, and much prefers bluffing and tricks to get out of tight spots, like arranging himself to win a staged fight and scare off an opponent, or tricking a bunch of drunk renegades into thinking they're surrounded by gunmen; he's also a quick draw but admits he "can't hit shit," and being a bit of a dandy he's wary of ruining his clothes. That doesn't stop him from being forced into several scrapes, including stopping a runaway wagon (nearly getting himself tossed off a cliff in the process), and engaging in a non-lethal shootout with the aforementioned renegades. By the third act Bret seems to have gained some spine, shown when he straight-up attacks Angel's thugs by himself.
* ''Film/ChildrenOfMen'': Theo is a cynical bureacrat tasked with protecting the world's first pregnant woman in 18 years, no easy task when crossing dystopian England with trained soldiers shooting at them from one side and armed militants shooting back on the other. Theo himself never even picks up a gun, and survives mostly by guile and a good running start (although once he smashes someone's face with a car battery).
[[/folder]]

[[folder:Literature]]
* ''Literature/TheBippoloSeedAndOtherLostTales'': In "The Rabbit, the Bear, and the Zinniga Zanniga", a rabbit is about to be [[BearsAreBadNews eaten by a bear]]. Seeing as he's very small and his teeth and claws can't do much damage compared to the bear's, he can't fight the bear off. Instead, the rabbit saves his life by observing that the bear has an uneven amount of eyelashes and [[InducedHypochondria tricking him into thinking this means he's dying]] but can be saved by holding a flower to his eye.
* ''Literature/TheGruffalo'': The mouse doesn't fight his would-be predators (probably because he physically can't) so instead, he scares them away by claiming he's friends with a monster called the Gruffalo, who eats their species. When [[AccidentalTruth it turns out]] that the Gruffalo ''does'' exist, he points out the predators running in fear from the Gruffalo and tricks the Gruffalo into thinking they're afraid of the ''mouse'' instead, scaring the Gruffalo.
* ''Literature/TheTwilightSaga'': Bella becomes the focus of Edward's existence, but when he fights other vampires to protect her, they're too fast for her to even ''watch'', let alone contribute. Not to mention that even if a vampire stayed still, a Gatling gun would do nothing but annoy them. Her vulnerability in the middle of a coven of strong protectors is what makes her such a fascinating target for James, who lives for the thrill of the hunt.
* ''Literature/{{Dracula}}'' gives the male protagonists plenty of action scenes, but Mina Harker's primary contributions to the plot come in the form of developing a psychic link with Dracula after she's bitten by the count, and helping riddle out his route across Europe.
* ''Literature/{{Neverwhere}}'':
** [[TheEveryman Richard]] [[NiceGuy Mayhew]] is your everyday 30-year-old office worker living in London who is thrown into the [[EldritchLocation London Below]] after he tried to save a wounded girl. [[spoiler: [[SubvertedTrope Subverted]] at the end, when Richard [[TookALevelInBadass takes a level in badass]] and kills [[TheDreaded the Beast of London.]]]]
** [[MysteriousWaif Lady Door]] also counts. She appears at first as a DamselInDistress, but later the trope is [[SubvertedTrope subverted]] as her [[OpenAndShut Opening]] ability is proven to be [[LethalHarmlessPowers unexpectedly deadly]]. [[spoiler: She uses this to [[DraggedOffToHell send the Angel Islington, Mr. Croup and Mr. Vandemar "As [...] far away as I could".]]]]
** [[LoveableRogue Marquis de Carabas]] is the resident trickster of the London Below, who has little combat ability, but is a formidable enemy - for his true strength lies in his [[TheTrickster trickery]] and his ChainOfDeals. [[spoiler: He manages to use both to bring himself BackFromTheDead [[BackForTheFinale for the grand finale.]]]]
* ''Literature/TheHobbit'': Peaceful hobbit Bilbo Baggins is hired to be thief in a company of rough-and-tumble dwarven warriors. While he starts out a stuffy ClassicalAntiHero, he later proves his mettle [[GuileHero through his wits]]. Nonetheless, he misses the entire Battle of the Five Armies because he got knocked out early in.
* ''[[Literature/AHerosWar A Hero's War]]'': Cato has no combat-relevant skills, not even leadership, and for some reason he physically can't use magic. However, his insights from Earth about engineering and science lead to a {{Magitek}} revolution that results in the territory of Minmay developing the most dangerous military force in the world. Cato himself, meanwhile, is mostly just running the new university and collaborating with specialists to come up with new ideas.
* ''Literature/HowARealistHeroRebuiltTheKingdom'': Souma Kazuya was a well-read college student intending to join the Japanese civil service when he was summoned to a StandardJapaneseFantasySetting, expected to become a HeroicFantasy hero. He instead chose to put his knowledge to use restoring the fortunes of the declining Kingdom of Elfrieden, to which end the incumbent King and Queen chose to make him their HeirInLaw and then AbdicateTheThrone to him. As a combatant, Souma[[note]]even though it's his surname, it becomes his regnal name due to NameOrderConfusion that wasn't corrected in time[[/note]] is merely a passable crossbowman (though he can magically puppeteer inanimate objects to some extent), but fortunately he attracts a BattleHarem of martially talented women who do their best to stay between him and any aggressors.
* Subaru Natsuki from ''Literature/ReZero'' really only has his "Return by Death" ability going for him, but he's noted to be one of the weakest protagonists in the plot. WordOfGod says he would lose in a duel with almost every other protagonist; Subaru can't even resort to magic to fight effectively. As a result, really only having his ability to count on, he uses a great deal of guile, trickery and SaveScumming in order to escape his doom. Despite these odds and how over his head he is, he very much gradually develops into a hero in his own way.
* ''Literature/NeroWolfe'': Even though the detective genre does not oblige the main character to be a physically strong fighter, Nero Wolfe still stands out. Wolfe absolutely hates leaving his house and [[HatesBeingTouched doesn't touch anyone unless it's absolutely necessary]]. His personal assistant [[{{Foil}} Archie]], however, is an active character, taking part in fights and shootouts when necessary.
* ''Literature/SpiceAndWolf'': Protagonist Lawrence is an IntrepidMerchant and while he carries a dagger for self-defense, he has little fighting abilities. In dangerous situations, he mostly relies on [[GuileHero talking his way out]] or outsmarting his opponents. {{Deuteragonist}} and female lead [[PhysicalGod Holo]] does that actual fighting when it's needed and she enjoys teasing him about playing the role of a DistressedDamsel at times.
* George Smiley was created by Creator/JohnLeCarre to be a [[SpiritualAntithesis literary foil]] to Franchise/JamesBond. While Bond was a {{Badass}} field agent who traveled the world, Smiley was bookish, spent much of his time at the office, and rarely confronted his enemies physically.
[[/folder]]

[[folder:Live-Action TV]]
* ''{{Series/Sadakatsiz}}'': Asya Yilmaz is an average mother with no combat capability or even training in some sort of sport. When faced with a thug hired by her aggressive ex-husband or kidnapped by one of her patients, she doesn't defeat them by besting them in combat but by being a GuileHero. Being an emergency medic helps her remain calm under stressful situations and come up with a plan. She relies more on manipulating or negotiating with people. For example, while she does smash a vase on the thug's head, her winning card is stealthily calling for help. When kidnapped, she stalls (giving the police time to figure out the culprit) by making them think she's going to do what they want, she just needs time to set it up. This also prevents the kidnappers from murdering another woman.
* ''Series/JakeAndTheFatman'': District Attorney Jason "Fatman" [=McCabe=] is a corpulent fellow with a knack for sniffing out chicanery. Most of the detective legwork is done by his associate, Jake Styles, who gathers evidence and makes observations based on what "Fatman" needs to cement a criminal case. In fact, "Fatman" rarely leaves the comfort of his office chair, using deductive reasoning only to piece together how any given crime was committed.
[[/folder]]

[[folder:Toys]]
* ''Franchise/{{Transformers}}'': Before the Creator/MichaelBay films, this was how [[KidAppealCharacter Bumblebee]] was portrayed. In episodes of ''WesternAnimation/TheTransformers'' where he plays a big role, he uses his guile, small size and guts to get out of jams. This was carried over to the Choose Your Own Adventure-style books of the time where he's the main character: Bumblebee has little to no combat ability (his actual function is '''Spy'''), and so has to avoid combat as much as he can.
[[/folder]]

[[folder:Video Games]]
* Creator/BlackIsleStudios and its SpiritualSuccessor company Creator/ObsidianEntertainment '''[[AuthorAppeal loves]]''' this trope, to the point of arguably being a genre-wide TropeCodifier for [[WesternRPG Western RPGs]].
** ''VideoGame/{{Fallout}}'' has historically made this a viable playstyle for all of the ''Fallout'' games developed by the original creators, a major contrast to the Bethesda-made games. It's entirely possible in ''VideoGame/Fallout1'', ''VideoGame/Fallout2'' and ''VideoGame/FalloutNewVegas'' to beat the game without killing anyone yourself, or even without killing anybody period, through a combination of Speech checks to [[TalkingTheMonsterToDeath talk down enemy encounters as they appear]]. While the earlier ''Fallout'' games put equal emphasis on the CombatDiplomacyStealth angle of the games, the "Diplomacy" one was easily the most popular one, and it's hard not to see why: the most famous moment from the first game involves [[spoiler:plainly and reasonably pointing out to [[BigBad The Master]] why his plan of making everyone a Super-Mutant to evolve humanity is doomed to fail through simple biology, [[MyGodWhatHaveIDone which out of guilt]] of [[IveComeTooFar everything he's done to reach this point]], [[DespairEventHorizon gives up]] and [[DrivenToSuicide kills himself]] by self-destructing TheVeryDefinitelyFinalDungeon you're in as soon as you escape]]. These are so baked into the founding DNA of the ''Fallout'' series that a few fans have taken issue with the fact that every ''Fallout'' game after ''VideoGame/Fallout3'' makes a PacifistRun impossible.
** ''VideoGame/PlanescapeTorment'', being a DeconstructorFleet of the entire WesternRPG genre, naturally runs into this trope. There isn't a single encounter you can't skip, with [[PlayerCharacter the Nameless One]] being able to defeat even the final boss without so much as raising a sword.
** ''VideoGame/ArcanumOfSteamworksAndMagickObscura'' has this too. While there's more than enough ways to brute force the game, generally agreed to be the most satisfying way to beat the game is with no combat at all. The final boss can be easily defeated with words as much as combat.
* The ''Franchise/{{Persona}}'' series has had this trend as a result of the [[VideoGame/Persona3 third game]] with the resident MissionControl characters, as they are [[SupportPartyMember Support Party Members]] who can't fight in combat but have [[AwesomenessByAnalysis impressive analyzing abilities]]. While they aren't ''the'' de facto main protagonists, as main characters in a series with [[SupportingProtagonist Supporting Protagonists]] and an EnsembleCast, they count regardless:
** Fuuka Yamagishi, the MissionControl of ''VideoGame/Persona3'', is one of these. Physically-speaking, while the other members of S.E.E.S. are physically adept at combating [[TheHeartless Shadows]], Fuuka is a shy, grungy nerdy girl who is introduced by being a bullying victim of a girl posse. Then she ends up in Tartarus by accident, and shortly after summoning her Persona for the first time [[OffscreenMomentOfAwesome while surviving ten hours]] in the vitality-sapping dungeon, she allows you to see the strengths and weaknesses of the Boss Shadows that just [[CurbStompBattle wiped the floor with]] two of your allies. Even though her Persona is not capable of combat, she's still a critical ally to S.E.E.S.'s efforts in Tartarus, and a valuable member of the team.
** Rise Kujikawa from ''VideoGame/Persona4'' is in the same boat as Fuuka, and pulls off a similar feat of endurance to her. Right after facing her own Shadow, she immediately takes over as MissionControl when the next boss shows up, while also not wearing the glasses everyone has that makes them immune to the TV World fog's vitality-sapping properties, ''and'' she had just gotten her Persona, whereas everyone else could barely stand after getting theirs. Just like Fuuka, she is crucial to the investigation of the Yasoinaba serial murders despite having no combat capacity herself. That said, she partially subverts this trope come ''VideoGame/Persona4ArenaUltimax'' where Rise's Persona evolves into a combat-capable form, but that's more of a NecessaryWeasel given that it's a PuppetFighter FightingGame by default.
** Futaba Sakura of ''VideoGame/Persona5'' may not do any sort of fighting either, but like Rise and Fuuka before her in being her group's resident MissionControl, she ends up being exceptionally useful through her analysis abilities, immediately taking over in the second half of [[spoiler:the climax of Futaba's Palace, against Cognitive Wakaba]]. She is also an exceptional hacker whose skills prove vital to the Phantom Thieves in many of their heists. This talent ends up proving crucial in the climax of the story, where [[spoiler:she literally hacks into the broadcasting system to [[RefugeInAudacity go especially loud]] at sending a CallingCard to [[CorruptPolitician Masayoshi Shido]]. [[CrazyEnoughToWork It works]]]].
* ''Franchise/{{Pokemon}}'' has this as the rule rather than the exception with its human characters, with pretty much all of the fighting done by the titular Pokémon instead. Which is probably for the best; [[SurprisinglyRealisticOutcome it's highly unlikely]] guns or swords [[NighInvulnerable would do anything]] to [[PersonOfMassDestruction giant monsters who can level mountains]], especially anything [[KidHero a 10-year old]] can put out.
* ''Franchise/FireEmblem'':
** Mark from ''VideoGame/FireEmblemTheBlazingBlade'', generally agreed as the first [[PlayerCharacter Avatar]] in the series, is the NonEntityGeneral and [[SupportingProtagonist point-of-view character]] of the actual protagonists, [[LadyOfWar Lyn]], [[TheWisePrince Eliwood]] and [[BoisterousBruiser Hector]]. [[FeaturelessProtagonist They have no known canonical appearance]] or combat abilities, but their skill with strategy is canonically so great that if you score high enough by the end of the main campaign, [[TheEmpire Bern]] and [[TheTheocracy Etruria]] will outright go to war over Mark's hand as their personal tactician.
** Kiran from ''VideoGame/FireEmblemHeroes'' is another example of this, being another FeaturelessProtagonist that summons legendary heroes from past ''Fire Emblem'' games to aid them in battle. However, they are playable as a combatant in Mjölnir's Strike mode, but they are not playable otherwise and generally their ability to fight in that mode is a case of GameplayAndStorySegregation.
* ''VideoGame/FateGrandOrder'' has Ritsuka Fujimaru, who stands out even compared to all the other protagonists of other ''Franchise/{{Nasuverse}}'' media; [[SameCharacterButDifferent both Shikis]] ([[Literature/TheGardenOfSinners Shiki Ryougi]] and [[VisualNovel/{{Tsukihime}} Shiki Tohno]]) have [[MagicalEye Mystic Eyes]] of [[OneHitKill Death Perception]] and are trained assassins, [[VisualNovel/FateStayNight Shirou Emiya]] can conjure swords on a whim and [[spoiler:has a FutureBadass self]], [[Anime/FatePrototype Ayaka Sajyou]] is a skilled DarkMagicalGirl who knows powerful old-school Magecrafts, and [[VisualNovel/WitchOnTheHolyNight Aoko Aozaki]] outright has access to [[TimeMaster the Fifth Magic]]. Ritsuka, meanwhile, never goes beyond being passable at best at the art of Magecraft themselves, and almost entirely relies on their Servants summoned through the game's [[GachaGames gacha system]] to do their fighting for them.
* In ''VideoGame/{{Outlast}}'', it's expansion pack ''Whistleblower'' and the sequel ''VideoGame/OutlastII''. The main protagonists Miles Upshur, Waylon Park and Blake Langermann are incapable of fighting back against enemies and have to rely on running and hiding to escape should they be spotted.
* The ''[[VideoGame/AmnesiaTheDarkDescent Amnesia]]'' [[VideoGame/AmnesiaAMachineForPigs series]] of [[VideoGame/AmnesiaRebirth games]] have this as a core part of the series' gameplay. Unlike many SurvivalHorror games of the time, fighting the various monsters within the depths are outright impossible, with the game's choices being to outwit, outsmart and outmaneuver them than try to fight. As a result, each protagonist fits the bill of this perfectly, with the trend only being broken with ''VideoGame/AmnesiaTheBunker'', being the first in the series to allow the protagonist to fight back.
* [[ZigZaggedTrope Played with]] in ''VideoGame/{{Subverse}}'', but otherwise mostly played straight. The game features two distinct combat modes: the TurnBasedTactics ground combat and the ShootEmUp space combat. The protagonist (known only as "The Captain") is a brilliant pilot who fights personally in space combat, but is a complete amateur in hand-to-hand and leaves ground combat completely up to his BattleHarem. In the few cutscenes where he ''is'' shown with his boots on the ground, he is either hiding in cover, or getting his ass handed to him.
* ''VideoGame/MonsterRancher'' usually doesn't even have your human character on the field - you mostly just raise your {{Mon}}s and stay the heck out of the way.
* ''VideoGame/{{Limbo}}'': The game casts you as a little boy wandering through a dark, dangerous world. He has no combat experience whatsoever, so to survive the horrors the world throws at him, he'll need to think on his feet and outsmart his opponents to survive.
* ''VideoGame/CitizensOfEarth'': [[PlayerCharacter The Vice President of the World]] never lifts a finger to fight any of his battles. Instead, he recruits various people he meets on his journeys to do the fighting for him. [[spoiler:[[SubvertedTrope Subverted]] in the final battle against the Misery Machine, which the [=VP=] fights all by himself.]]
* ''VideoGame/BlackTheFall'': You're an engineer in CommieLand who decided to abandon his work station and take a stroll across the blighted countryside. You have no combat experience, so your best chance of survival relies on your wits, your laser pointer, and your RobotBuddy.
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* ''Franchise/{{Danganronpa}}'' generally features this with [[spoiler:([[TomatoInTheMirror most]])]] of it's mainline series protagonists. [[VisualNovel/DanganronpaTriggerHappyHavoc Makoto Naegi]] and [[VisualNovel/DanganronpaV3KillingHarmony Kaede Akamatsu]] both have no combat capabilities to speak of, having to contend with superhumans, athletes, and [[BreadEggsBreadedEggs superhuman athletes]] who are generally impossible for them to kill, being in a DeadlyGame {{Whodunnit}} [[ThereCanBeOnlyOne Battle Royale]] and all. Of course, [[spoiler:Kaede is [[DecoyProtagonist executed for murdering another classmate at the end of the first chapter]], but [[KidDetective Shuichi Saihara]] takes over to fit the bill just as nicely for this trope as she did]]. Hajime Hinata [[spoiler:seems like he qualifies for this trope more than anyone, but his true identity as the [[TheAce superhuman-among-superhumans]] Izuru Kamakura, who is ''very much'' perfect at everything, including combat, disqualifies this, especially when Hajime gets his memories back and merges the two personalities come ''[[Anime/Danganronpa3TheEndOfHopesPeakHighSchool Danganronpa 3]]'']]. Ironically, it's Makoto's little sister, [[VideoGame/DanganronpaAnotherEpisodeUltraDespairGirls Komaru Naegi]], who completely averts this trope; given they use a hacking gun to defeat the {{Killer Robot}}s let loose on Towa City, they are more of an ActionSurvivor than this trope.
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* ''[[WesternAnimation/WanderOverYonder Wander over Yonder]]'': The titular protagonist Wander is this, being an ActualPacifist LoveFreak who generally has his pacifism extend [[SuicidalPacifist to almost suicidal degrees of naivete]]. Despite this, he generally leaves any fighting to [[ActionGirl Sylvia]]; his magnetic charm and firm belief in redemption ends up turning over a great deal of people to his cause, and his cunning often peeks out from under the lazy idiot disguise. Being a BadassPacifist, he has a tendency to rely on his wit to get him out of scrapes.
** The episode "[[Recap/WanderOverYonderS2E4TheWandersTheAxe The Wanders]]" reveals more on this; it shows that Wander is a pacifist because of a specific key aspect of his personality -- a lonely, helpless, and frightened child, representing how helpless he was in his childhood himself, which is why he wants to help everyone. Without this aspect, Wander is a daring and heroic action-packed hero who seeks to vanquish evil, even Lord Hater.
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