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** ''8-Bit Is Enough'' is perhaps the best example, which finds Strong Bad hopping in and out of a variety of in-universe video games.
to:
** ''8-Bit '''VideoGame/StrongBadsCoolGameForAttractivePeople Episode 5: 8-Bit Is Enough'' is perhaps the best example, which finds Strong Bad hopping in and out of a variety of in-universe video games.
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Often, these internal breaks will also [[LeaningOnTheFourthWall Lean on the real fourth wall]]. For example, the show within the show will have a contrived plot element, and a character in this show will say "WhoWritesThisCrap", breaking the internal fourth wall. Then, the main show will have a similar contrivance. No need for the characters of the main show to complain; the characters in the show within the show have already done so for them, and the external fourth wall is preserved.
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* The ''DuckAmuck'' video game for the NintendoDS also counts, but unlike in the cartoon, the artist is [[spoiler:Daffy Duck himself]].
to:
* The ''DuckAmuck'' ''WesternAnimation/DuckAmuck'' video game for the NintendoDS also counts, but unlike in the cartoon, the artist is [[spoiler:Daffy Duck himself]].
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* ''DuckAmuck'', when it turns out the artist is [[spoiler:Bugs Bunny]].
to:
* ''DuckAmuck'', ''WesternAnimation/DuckAmuck'', when it turns out the artist is [[spoiler:Bugs Bunny]].
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* In the ''WesternAnimation/FairyOddParents'', Timmy often wishes himself into fictional worlds, most notably the world of The Crimson Chin. After the first time Timmy enters the Crimson Chin's world, the Chin is fully aware of his status as a comic book character, even saying "Did I say that out loud? That was supposed to be a thought balloon."
to:
* In the ''WesternAnimation/FairyOddParents'', ''WesternAnimation/TheFairlyOddParents'', Timmy often wishes himself into fictional worlds, most notably the world of The Crimson Chin. After the first time Timmy enters the Crimson Chin's world, the Chin is fully aware of his status as a comic book character, even saying "Did I say that out loud? That was supposed to be a thought balloon."
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* In the ''WesternAnimation/FairyOffParents'', Timmy often wishes himself into fictional worlds, most notably the world of The Crimson Chin. After the first time Timmy enters the Crimson Chin's world, the Chin is fully aware of his status as a comic book character, even saying "Did I say that out loud? That was supposed to be a thought balloon."
to:
* In the ''WesternAnimation/FairyOffParents'', ''WesternAnimation/FairyOddParents'', Timmy often wishes himself into fictional worlds, most notably the world of The Crimson Chin. After the first time Timmy enters the Crimson Chin's world, the Chin is fully aware of his status as a comic book character, even saying "Did I say that out loud? That was supposed to be a thought balloon."
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* In the ''WesternAnimation/FairyOffParents'', Timmy often wishes himself into fictional worlds, most notably the world of The Crimson Chin. After the first time Timmy enters the Crimson Chin's world, the Chin is fully aware of his status as a comic book character, even saying "Did I say that out loud? That was supposed to be a thought balloon."
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* ''HarryPotterComics'' includes the same popular fantasy fiction as our world, including ''LordOfTheRings'', which has recently been revealed to be part of the ACTUAL history of the Harry Potter universe.
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* The ''DuckAmuck'' video game for the NintendoDS also counts, but unlike in the cartoon, the artist is [[spoiler:Daffy Duck himself]].
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* TheNeverEndingStory is based around this trope. It is about a boy who reads a novel that he is a character in. There is a point where he is reading about himself reading about himself.
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** And then there's the "fifth wall," which Hussie defines as the wall separating two omniscient narrators -- which he defines right before crossing said wall to go beat up the other narrator that hijacked his story. It's that kind of a comic.
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* The entire premise of ''CaptainN'' is that a boy from the "real world" finds himself in "Videoland". However, said "boy" from the "real world" is also fictional from our point of view.
to:
* The entire premise of ''CaptainN'' ''WesternAnimation/CaptainNTheGameMaster'' is that a boy from the "real world" finds himself in "Videoland". However, said "boy" from the "real world" is also fictional from our point of view.
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* {{Homestuck}} is this, if you view the bulk of the story as the [[ShowWithinAShow show within the show]] of AndrewHussie writing homestuck.
** Let's explain, shall we: There are a number of fourth walls in the story. The one labeled as the fourth wall exists between the story and Hussie's Study, but the actual fourth wall exists between the audience and Andrew Hussie, And '''only''' Andrew Hussie, as he is the only one aware of his status as a character in the story he tells.
** Let's explain, shall we: There are a number of fourth walls in the story. The one labeled as the fourth wall exists between the story and Hussie's Study, but the actual fourth wall exists between the audience and Andrew Hussie, And '''only''' Andrew Hussie, as he is the only one aware of his status as a character in the story he tells.
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Doesn\'t meet definition
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!!Examples:
[[AC:{{Comics}}]]
* {{Lampshaded}} in ''Comicbook/AnimalMan''. At the {{denouement}} of the {{metafiction}}al madness, the protagonist meets his author, Creator/GrantMorrison. The Grant Morrison in the comic mentions he's not the actual Grant Morrison, but [[AuthorAvatar a fictional representation]] of Grant Morrison.
[[AC:{{Comics}}]]
* {{Lampshaded}} in ''Comicbook/AnimalMan''. At the {{denouement}} of the {{metafiction}}al madness, the protagonist meets his author, Creator/GrantMorrison. The Grant Morrison in the comic mentions he's not the actual Grant Morrison, but [[AuthorAvatar a fictional representation]] of Grant Morrison.
to:
[[AC:{{Comics}}]]
* {{Lampshaded}} in ''Comicbook/AnimalMan''. At the {{denouement}} of the {{metafiction}}al madness, the protagonist meets his author, Creator/GrantMorrison. The Grant Morrison in the comic mentions he's not the actual Grant Morrison, but [[AuthorAvatar a fictional representation]] of Grant Morrison.
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* Tenkaichi, Banzo and Fuji from ''MeitanteiNoOkite'' are all aware they're within a show called "The Great Detective Tenkaichi", being forced to play their respective characters: the great detective/amateur sleuth, the useless detective and rookie cop. They aren't aware of the show ''MeitanteiNoOkite''.
to:
* Tenkaichi, Banzo and Fuji from ''MeitanteiNoOkite'' ''Literature/TheConditionsOfGreatDetectives'' are all aware they're within a show fictional series called "The Great Detective Tenkaichi", being forced to play their respective characters: the great detective/amateur sleuth, the useless detective and rookie cop. They aren't aware of the show ''MeitanteiNoOkite''.
or book ''Literature/TheConditionsOfGreatDetectives''.
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[[AC:LiveActionTV]]
* Tenkaichi, Banzo and Fuji from ''MeitanteiNoOkite'' are all aware they're within a show called "The Great Detective Tenkaichi", being forced to play their respective characters: the great detective/amateur sleuth, the useless detective and rookie cop. They aren't aware of the show ''MeitanteiNoOkite''.
* Tenkaichi, Banzo and Fuji from ''MeitanteiNoOkite'' are all aware they're within a show called "The Great Detective Tenkaichi", being forced to play their respective characters: the great detective/amateur sleuth, the useless detective and rookie cop. They aren't aware of the show ''MeitanteiNoOkite''.
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***Both of whom then [[NoFourthWall address the audience.]]
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namespace stuff, yo
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* JasperFforde's ''ThursdayNext'', with its mind-bending use of metafiction, plays with this. Thursday enters fictional worlds but hasn't yet found a copy of ''The Eyre Affair'' - at least until the fifth book, when she ''does'', and this trope is demolished.
to:
* JasperFforde's ''ThursdayNext'', ''Literature/ThursdayNext'', with its mind-bending use of metafiction, plays with this. Thursday enters fictional worlds but hasn't yet found a copy of ''The Eyre Affair'' - at least until the fifth book, when she ''does'', and this trope is demolished.
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----
to:
----
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namespace!+
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When NoFourthWall and ShowWithinAShow love each other [[TheTalk very much...]] ahem. Sometimes you have a {{Show Within a Show}}. In those cases you have a fictional universe within a fictional universe. NoInnerFourthWall happens when there's no fourth wall between those, but the fourth wall remains between the viewers and the main fictional universe.
Often used in {{Rage Against the Author}} or InteractiveNarrator scenarios, where the "real world" author is also fictional.
Often used in {{Rage Against the Author}} or InteractiveNarrator scenarios, where the "real world" author is also fictional.
to:
When NoFourthWall and ShowWithinAShow love each other [[TheTalk very much...]] ahem. Sometimes you have a {{Show Within a Show}}.ShowWithinAShow. In those cases you have a fictional universe within a fictional universe. NoInnerFourthWall happens when there's no fourth wall between those, but the fourth wall remains between the viewers and the main fictional universe.
Often used in{{Rage Against the Author}} RageAgainstTheAuthor or InteractiveNarrator scenarios, where the "real world" author is also fictional.
Often used in
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** In the sixth book, the protagonist is the fictional Thursday who plays the role in the books published in the "real" Thursday's world. At one point she thinks that even when she's not being read, she can't help feeling that someone is controlling her actions and reading her mind.
to:
** In the sixth book, the protagonist is the fictional Thursday who plays the role in the books published in the "real" Thursday's world. At one point she thinks that even when she's not being read, she can't help feeling that someone is controlling her actions and reading her mind.
mind.
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* The ''WebAnimation/HomestarRunner'' universe is full of [[ShowWithinAShow shows within]] the show and sub-universes, most of them created by Strong Bad. They all interact with the main universe from time to time, which has {{no fourth wall}} in the first place.
to:
* The ''WebAnimation/HomestarRunner'' universe is full of [[ShowWithinAShow shows within]] the show and sub-universes, most of them created by Strong Bad. They all interact with the main universe from time to time, which has {{no fourth wall}} NoFourthWall in the first place.
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* The characters in ''KidRadd'' are aware they are in a video game, and at one point talk to a 'player', but only very rarely do they show awareness of being in a webcomic.
to:
* The characters in ''KidRadd'' ''Webcomic/KidRadd'' are aware they are in a video game, and at one point talk to a 'player', but only very rarely do they show awareness of being in a webcomic.
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<<|MetafictionDemandedThisIndex|>>
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* {{Lampshaded}} in ''Comicbook/AnimalMan''. At the {{denouement}} of the {{metafiction}}al madness, the protagonist meets his author, Creatr/GrantMorrison. The Grant Morrison in the comic mentions he's not the actual Grant Morrison, but [[AuthorAvatar a fictional representation]] of Grant Morrison.
to:
* {{Lampshaded}} in ''Comicbook/AnimalMan''. At the {{denouement}} of the {{metafiction}}al madness, the protagonist meets his author, Creatr/GrantMorrison.Creator/GrantMorrison. The Grant Morrison in the comic mentions he's not the actual Grant Morrison, but [[AuthorAvatar a fictional representation]] of Grant Morrison.
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None
Changed line(s) 9,10 (click to see context) from:
* {{Lampshaded}} in ''AnimalMan''. At the {{denouement}} of the {{metafiction}}al madness, the protagonist meets his author, GrantMorrison. The Grant Morrison in the comic mentions he's not the actual Grant Morrison, but [[AuthorAvatar a fictional representation]] of Grant Morrison.
to:
* {{Lampshaded}} in ''AnimalMan''. ''Comicbook/AnimalMan''. At the {{denouement}} of the {{metafiction}}al madness, the protagonist meets his author, GrantMorrison.Creatr/GrantMorrison. The Grant Morrison in the comic mentions he's not the actual Grant Morrison, but [[AuthorAvatar a fictional representation]] of Grant Morrison.
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* In ''LastActionHero'', Jack Slater finds out he's a movie character from his fan, Danny. Danny never finds out that he's a character from ''Last Action Hero''.
to:
* In ''LastActionHero'', ''Film/LastActionHero'', Jack Slater finds out he's a movie character from his fan, Danny. Danny never finds out that he's a character from ''Last Action Hero''.
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* The ''HomestarRunner'' universe is full of [[ShowWithinAShow shows within]] the show and sub-universes, most of them created by Strong Bad. They all interact with the main universe from time to time, which has {{no fourth wall}} in the first place.
to:
* The ''HomestarRunner'' ''WebAnimation/HomestarRunner'' universe is full of [[ShowWithinAShow shows within]] the show and sub-universes, most of them created by Strong Bad. They all interact with the main universe from time to time, which has {{no fourth wall}} in the first place.
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* The Protagonist of ''{{Erfworld}}'' is aware he's in some kind of [[RPGMechanicsVerse tabletop military gaming simulation-like world]], but no one has any idea they're in a Webcomic. Except possibly [[MagnificentBastard Charlie]].
to:
* The Protagonist of ''{{Erfworld}}'' ''Webcomic/{{Erfworld}}'' is aware he's in some kind of [[RPGMechanicsVerse tabletop military gaming simulation-like world]], but no one has any idea they're in a Webcomic. Except possibly [[MagnificentBastard Charlie]].
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* One of ''TheSimpsons'' "Treehouse of Horror" episodes involved a remote control which brought television to life.
* Likewise, one ''FamilyGuy'' Halloween special involved Stewie getting TrappedInTVLand.
* Likewise, one ''FamilyGuy'' Halloween special involved Stewie getting TrappedInTVLand.
to:
* One of ''TheSimpsons'' ''WesternAnimation/TheSimpsons'' "Treehouse of Horror" episodes involved a remote control which brought television to life.
* Likewise, one''FamilyGuy'' ''WesternAnimation/FamilyGuy'' Halloween special involved Stewie getting TrappedInTVLand.
* Likewise, one
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to:
** In the sixth book, the protagonist is the fictional Thursday who plays the role in the books published in the "real" Thursday's world. At one point she thinks that even when she's not being read, she can't help feeling that someone is controlling her actions and reading her mind.
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* ''[=~Star Ocean: Till The End Of Time~=]''. The characters eventually find out that [[spoiler: they're characters in a video game]]. Then they break out of it. [[spoiler: Of course, they break out into ANOTHER world, and are still in our video game... so effectively, the original part was a videogame INSIDE a video game!]]
to:
* ''[=~Star Ocean: Till The End Of Time~=]''.''StarOceanTillTheEndOfTime''. The characters eventually find out that [[spoiler: they're characters in a video game]]. Then they break out of it. [[spoiler: Of course, they break out into ANOTHER world, and are still in our video game... so effectively, the original part was a videogame INSIDE a video game!]]
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Eliminated \"If You Know What I Mean\" sinkhole as part of Special Efforts cleanup.
Changed line(s) 1,2 (click to see context) from:
When NoFourthWall and ShowWithinAShow [[IfYouKnowWhatIMean love each other]] [[TheTalk very much...]] ahem. Sometimes you have a {{Show Within a Show}}. In those cases you have a fictional universe within a fictional universe. NoInnerFourthWall happens when there's no fourth wall between those, but the fourth wall remains between the viewers and the main fictional universe.
to:
When NoFourthWall and ShowWithinAShow [[IfYouKnowWhatIMean love each other]] other [[TheTalk very much...]] ahem. Sometimes you have a {{Show Within a Show}}. In those cases you have a fictional universe within a fictional universe. NoInnerFourthWall happens when there's no fourth wall between those, but the fourth wall remains between the viewers and the main fictional universe.
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None
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to:
* The Protagonist of ''{{Erfworld}}'' is aware he's in some kind of [[RPGMechanicsVerse tabletop military gaming simulation-like world]], but no one has any idea they're in a Webcomic. Except possibly [[MagnificentBastard Charlie]].
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None
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* JasperFforde's ''ThursdayNext'' regularly enters the fictional world and interacts with those characters. One wonders what would happen if she happened upon a copy of "The Eyre Affair". The books do exist in her world, but they're different.
to:
* JasperFforde's ''ThursdayNext'' regularly ''ThursdayNext'', with its mind-bending use of metafiction, plays with this. Thursday enters the fictional world and interacts with those characters. One wonders what would happen if she happened upon worlds but hasn't yet found a copy of "The ''The Eyre Affair". The books do exist in her world, but they're different.
Affair'' - at least until the fifth book, when she ''does'', and this trope is demolished.
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* JasperFforde's ''ThursdayNext'' regularly enters the fictional world and interacts with those characters. One wonders what would happen if she happened upon a copy of "The Eyre Affair". The books do exist in her world, but they're different and [[AdaptationDecay not half as good]], [[CharacterDerailment getting Thursday's character wrong in two different ways]].
to:
* JasperFforde's ''ThursdayNext'' regularly enters the fictional world and interacts with those characters. One wonders what would happen if she happened upon a copy of "The Eyre Affair". The books do exist in her world, but they're different and [[AdaptationDecay not half as good]], [[CharacterDerailment getting Thursday's character wrong in two different ways]].
different.
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* ''EatLeadTheReturnOfMattHazard'' has this, there's no fourth wall between the 'real world' and the video game world, with the video game characters being ''interviewed for biographical documentaries'', but there is a fourth wall between the world QA and Wellesly inhabit and ours.
* ''DuckAmuck'', when it turns out the artist is [[spoiler:Bugs Bunny]].
** And the spiritual sequel, ''RabbitRampage'', drawn by [[spoiler:Elmer Fudd]].
* The characters in ''KidRadd'' are aware they are in a video game, and at one point talk to a 'player', but only very rarely do they show awareness of being in a webcomic.
* ''DuckAmuck'', when it turns out the artist is [[spoiler:Bugs Bunny]].
** And the spiritual sequel, ''RabbitRampage'', drawn by [[spoiler:Elmer Fudd]].
* The characters in ''KidRadd'' are aware they are in a video game, and at one point talk to a 'player', but only very rarely do they show awareness of being in a webcomic.
to:
* ''DuckAmuck'', when it turns out the artist is [[spoiler:Bugs Bunny]].
** And the spiritual sequel, ''RabbitRampage'', drawn by [[spoiler:Elmer Fudd]].
* The characters in ''KidRadd'' are aware they are in a video game, and at one point talk to a 'player', but only very rarely do they show awareness of being in a webcomic.
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* In ''The Empty City'', one of the characters experiences all the characters from the television coming out of it into the 'real' world. [[NoOntologicalInertia They go away when he turns it off.]]
* ''[=~Star Ocean: Till The End Of Time~=]''. The characters eventually find out that [[spoiler: they're characters in a videogame]]. Then they break out of it. [[spoiler: Of course, they break out into ANOTHER world, and are still in our videogame... so effectively, the original part was a videogame INSIDE a videogame!]]
* One of ''TheSimpsons'' "Treehouse of Horror" episodes involved a remote control which brought television to life.
* Likewise, one ''FamilyGuy'' Halloween special involved Stewie getting TrappedInTVLand.
* The entire premise of ''CaptainN'' is that a boy from the "Real world" finds himself in "Videoland". However, said "boy" from the "real world" is also fictional from our point of view.
* The ''HomestarRunner'' universe is full of [[ShowWithinAShow shows within]] the show and sub-universes, most of them created by Strong Bad. They all interact with the main universe from time to time, which has {{no fourth wall}} in the first place.
** ''8-Bit Is Enough'' is perhaps the best example, which finds Strong Bad hopping in and out of a variety of in-universe video games.
* ''LastActionHero'': Jack Slater finds out he's a movie character from his fan, Danny. Danny never finds out that he's a character from ''Last Action Hero''.
* ''ViewtifulJoe'' is fully aware of all the {{toku}} film tropes he encounters, but never notices any non-overlapping video game cliches.
* In Morrigan's ending in ''[[CapcomVsWhatever Tatsunoko vs. Capcom: Ultimate All-Stars]]'', she takes advantage of [[spoiler:Yami's]] warping of dimensions to escape the game itself and enter the real world, only to be repeatedly schooled by the kid playing the game. Who is definitely not the person who just got the ending. [[IWishItWereReal Curses.]]
* ''[=~Star Ocean: Till The End Of Time~=]''. The characters eventually find out that [[spoiler: they're characters in a videogame]]. Then they break out of it. [[spoiler: Of course, they break out into ANOTHER world, and are still in our videogame... so effectively, the original part was a videogame INSIDE a videogame!]]
* One of ''TheSimpsons'' "Treehouse of Horror" episodes involved a remote control which brought television to life.
* Likewise, one ''FamilyGuy'' Halloween special involved Stewie getting TrappedInTVLand.
* The entire premise of ''CaptainN'' is that a boy from the "Real world" finds himself in "Videoland". However, said "boy" from the "real world" is also fictional from our point of view.
* The ''HomestarRunner'' universe is full of [[ShowWithinAShow shows within]] the show and sub-universes, most of them created by Strong Bad. They all interact with the main universe from time to time, which has {{no fourth wall}} in the first place.
** ''8-Bit Is Enough'' is perhaps the best example, which finds Strong Bad hopping in and out of a variety of in-universe video games.
* ''LastActionHero'': Jack Slater finds out he's a movie character from his fan, Danny. Danny never finds out that he's a character from ''Last Action Hero''.
* ''ViewtifulJoe'' is fully aware of all the {{toku}} film tropes he encounters, but never notices any non-overlapping video game cliches.
* In Morrigan's ending in ''[[CapcomVsWhatever Tatsunoko vs. Capcom: Ultimate All-Stars]]'', she takes advantage of [[spoiler:Yami's]] warping of dimensions to escape the game itself and enter the real world, only to be repeatedly schooled by the kid playing the game. Who is definitely not the person who just got the ending. [[IWishItWereReal Curses.]]
to:
[[AC:{{Film}}]]
* In
* ''[=~Star Ocean: Till The End Of Time~=]''. The characters eventually find out that [[spoiler: they're characters in a videogame]]. Then they break out of it. [[spoiler: Of course, they break out into ANOTHER world, and are still in our videogame... so effectively, the original part was a videogame INSIDE a videogame!]]
* One of ''TheSimpsons'' "Treehouse of Horror" episodes involved a remote control which brought television to life.
* Likewise, one ''FamilyGuy'' Halloween special involved Stewie getting TrappedInTVLand.
* The entire premise of ''CaptainN'' is that a boy from the "Real world" finds himself in "Videoland". However, said "boy" from the "real world" is also fictional from our point of view.
* The ''HomestarRunner'' universe is full of [[ShowWithinAShow shows within]] the show and sub-universes, most of them created by Strong Bad. They all interact with the main universe from time to time, which has {{no fourth wall}} in the first place.
** ''8-Bit Is Enough'' is perhaps the best example, which finds Strong Bad hopping in and out of a variety of in-universe video games.
* ''LastActionHero'':
* ''ViewtifulJoe'' is fully aware of all the {{toku}} film tropes he encounters, but never notices any non-overlapping video game cliches.
* In Morrigan's ending in ''[[CapcomVsWhatever Tatsunoko vs. Capcom: Ultimate All-Stars]]'', she takes advantage of [[spoiler:Yami's]] warping of dimensions to escape the game itself and enter the real world, only to be repeatedly schooled by the kid playing the game. Who is definitely not the person who just got the ending. [[IWishItWereReal Curses.]]
[[AC:{{Literature}}]]
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* In webseries ''TheChurchOfBlow'', plot follows Cornelius Blow who, towards the end of the story, discovers he is a fictional character and has a conversation with his "actor" who is also fictional. Unlike many examples, this is played for drama as Cornelius comes to terms with his fictionality.
to:
[[AC:VideoGames]]
* ''EatLeadTheReturnOfMattHazard'' has this, there's no fourth wall between the 'real world' and the video game world, with the video game characters being ''interviewed for biographical documentaries'', but there is a fourth wall between the world QA and Wellesly inhabit and ours.
* In
* ''[=~Star Ocean: Till The End Of Time~=]''. The characters eventually find out that [[spoiler: they're characters in a video game]]. Then they break out of it. [[spoiler: Of course, they break out into ANOTHER world, and are still in our video game... so effectively, the original part was a videogame INSIDE a video game!]]
* ''ViewtifulJoe'' is fully aware of all the {{toku}} film tropes he encounters, but never notices any non-overlapping video game cliches.
* In Morrigan's ending in ''[[CapcomVsWhatever Tatsunoko vs. Capcom: Ultimate All-Stars]]'', she takes advantage of [[spoiler:Yami's]] warping of dimensions to escape the game itself and enter the real world, only to be repeatedly schooled by the kid playing the game. Who is definitely not the person who just got the ending. [[IWishItWereReal Curses]].
[[AC:WebOriginal]]
* The ''HomestarRunner'' universe is full of [[ShowWithinAShow shows within]] the show and sub-universes, most of them created by Strong Bad. They all interact with the main universe from time to time, which has {{no fourth wall}} in the first place.
** ''8-Bit Is Enough'' is perhaps the best example, which finds Strong Bad hopping in and out of a variety of in-universe video games.
* ''TheChurchOfBlow'''s plot follows Cornelius Blow who, towards the end of the story, discovers he is a fictional character and has a conversation with his "actor" who is also fictional. Unlike many examples, this is played for drama as Cornelius comes to terms with his
[[AC:{{Webcomics}}]]
* The characters in ''KidRadd'' are aware they are in a video game, and at one point talk to a 'player', but only very rarely do they show awareness of being in a webcomic.
[[AC:WesternAnimation]]
* ''DuckAmuck'', when it turns out the artist is [[spoiler:Bugs Bunny]].
** And the SpiritualSequel, ''RabbitRampage'', drawn by [[spoiler:Elmer Fudd]].
* One of ''TheSimpsons'' "Treehouse of Horror" episodes involved a remote control which brought television to life.
* Likewise, one ''FamilyGuy'' Halloween special involved Stewie getting TrappedInTVLand.
* The entire premise of ''CaptainN'' is that a boy from the "real world" finds himself in "Videoland". However, said "boy" from the "real world" is also fictional from our point of view.
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* {{Lampshaded}} in ''AnimalMan''. At the {{denouement}} of the {{metafiction}}al madness, the protagonist meets his author, GrantMorrision. The Grant Morrison in the comic mentions he's not the actual Grant Morrison, but [[AuthorAvatar a fictional representation]] of Grant Morrison.
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* {{Lampshaded}} in ''AnimalMan''. At the {{denouement}} of the {{metafiction}}al madness, the protagonist meets his author, GrantMorrision.GrantMorrison. The Grant Morrison in the comic mentions he's not the actual Grant Morrison, but [[AuthorAvatar a fictional representation]] of Grant Morrison.
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* Lampshaded In ''AnimalMan'', the Grant Morrison in the comic mentions he's not the actual Grant Morrison, but a fictional representation of Grant Morrison.
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* Lampshaded In ''AnimalMan'', {{Lampshaded}} in ''AnimalMan''. At the {{denouement}} of the {{metafiction}}al madness, the protagonist meets his author, GrantMorrision. The Grant Morrison in the comic mentions he's not the actual Grant Morrison, but [[AuthorAvatar a fictional representation representation]] of Grant Morrison.
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* One ''TheSimpsons'' Treehouse of Horror episode involved a remote control which brought television to life.
* Likewise, one ''FamilyGuy'' Halloween special involved Stewie getting TrappedInTVLand
* Likewise, one ''FamilyGuy'' Halloween special involved Stewie getting TrappedInTVLand
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* One of ''TheSimpsons'' Treehouse "Treehouse of Horror episode Horror" episodes involved a remote control which brought television to life.
* Likewise, one ''FamilyGuy'' Halloween special involved Stewie gettingTrappedInTVLandTrappedInTVLand.
* Likewise, one ''FamilyGuy'' Halloween special involved Stewie getting
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* The HomestarRunner universe is full of [[ShowWithinAShow shows within]] the show and sub-universes, most of them created by Strong Bad. They all interact with the main universe from time to time, which has no fourth wall in the first place.
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* The HomestarRunner ''HomestarRunner'' universe is full of [[ShowWithinAShow shows within]] the show and sub-universes, most of them created by Strong Bad. They all interact with the main universe from time to time, which has no {{no fourth wall wall}} in the first place.
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* ''ThursdayNext'' regularly enters the fictional world and interacts with those characters. One wonders what would happen if she happened upon a copy of "The Eyre Affair"...
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* JasperFforde's ''ThursdayNext'' regularly enters the fictional world and interacts with those characters. One wonders what would happen if she happened upon a copy of "The Eyre Affair"...Affair". The books do exist in her world, but they're different and [[AdaptationDecay not half as good]], [[CharacterDerailment getting Thursday's character wrong in two different ways]].
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When NoFourthWall and ShowWithinAShow [[IfYouKnowWhatIMean love each other very much...]] ahem. Sometimes you have a {{Show Within a Show}}. In those cases you have a fictional universe within a fictional universe. NoInnerFourthWall happens when there's no fourth wall between those, but the fourth wall remains between the viewers and the main fictional universe.
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When NoFourthWall and ShowWithinAShow [[IfYouKnowWhatIMean love each other other]] [[TheTalk very much...]] ahem. Sometimes you have a {{Show Within a Show}}. In those cases you have a fictional universe within a fictional universe. NoInnerFourthWall happens when there's no fourth wall between those, but the fourth wall remains between the viewers and the main fictional universe.
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* In webseries ''TheChurchOfBlow'', plot follows Cornelius Blow who, towards the end of the story, discovers he is a fictional character and has a conversation with his "actor" who is also fictional. Unlike many examples, this is played for drama as Cornelius comes to terms with his fictionality.