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* There's a music number about it in ''LoadingReadyRun'' approrpiately named "[[WillingSuspensionOfDisbelief Suspend Your Disbelief]]".[[http://loadingreadyrun.com/videos/view/86/Suspend-your-Disbelief]]
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*In ''DancerInTheDark'', all the musical numbers are explicitly depicted as daydreams of the main character, who as it happens loves movie musicals.
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**** ...Which was immediately followed by, "You gotta get us out of here! Clueless is starting to go crackers!"
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* ''TotalDramaWorldTour'' is mostly Digetic (except for the part where they plan songs out in advance); but the visuals, such as a cut to Team Amazon playing in a real band or both teams dancing in jumpsuits, are Adaptions even when they're signing the song in real time.
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* ''SweeneyTodd'' is also largely Alternate Universe with some All In Their Heads (e.g. Sweeney's portion of ''Johanna (Reprise)'', part of ''Epiphany'') and a couple of seemingly diegetic (Toby's 'advertising jingles' first for Pirelli and then Mrs. Lovett's pie shop).

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* ''SweeneyTodd'' is also largely Alternate Universe with some All In Their Heads (e.g. Sweeney's portion of ''Johanna (Reprise)'', part of ''Epiphany'') and a couple of seemingly diegetic (Toby's 'advertising jingles' first for Pirelli and then Mrs. Lovett's pie shop).shop and the "Parlor Songs" sequence).

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Of course, musicals rarely consistently adopt one musical world hypothesis for their entirety: most of the time individual songs employ different hypotheses, with some songs even split into sections that seem to use different ones. It is especially common for All In Their Heads songs to be scattered among other songs that are clearly heard by other characters.

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Of course, musicals rarely consistently adopt one musical world hypothesis for their entirety: most of the time individual songs employ different hypotheses, with some songs even split into sections that seem to use different ones. It is especially common for All In Their Heads songs to be scattered among other songs that are clearly heard by other characters.
characters. This makes a degree of sense-after all, in an alternate universe hypothesis musical, an all in their heads song would be the equivalent of an internal monologue in a standard play.
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* ''AllDogsGoToHeaven'' seems to fall under AlternateUniverse Hypothesis. Musical numbers aren't questioned all that often and occur in all versions. However, there are some more wild numbers, but one is the TropeNamer for BigLippedAlligatorMoment and most of the others involve a legit RealityWarper being the one singing.
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* ''PhineasAndFerb'' is definitely a musical world.

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** And Tomorrow Belongs To Me is a patriotic song that someone happens to be singing to himself, with the crowd joining in, so it is also diegetic.
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* {{Cabaret}} is diegetic since almost the songs take place in a night club (apart from Tomorrow Belongs To Me).
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** Actually, [[BlatantLies 1776 was true to life]].

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* TheMask is an altenrate universe example. A little magic from the title character can make people break out in SpontaneousSongAndDance. In fact, people struggle to maintain control as they're forced slowly forced to sing.

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* TheMask ''TheMask'' is an altenrate universe example. A little magic from the title character can make people break out in SpontaneousSongAndDance. In fact, people struggle to maintain control as they're forced slowly forced to sing.
* The short film ''7:35 in the Morning'' is a diegetic example, and arguably a {{deconstruction}}. A woman stopping at a diner is surprised when everyone starts singing to her. As it turns out, a single person wrote the whole song in an attempt to woo her... and he's threatening to blow up the diner if anyone doesn't sing along.



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* TheMask is an altenrate universe example. A little magic from the title character can make people break out in SpontaneousSongAndDance. In fact, people struggle to maintain control as they're forced slowly forced to sing.
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** Actually, Adaption Hypothesis for the majority of it: ''1776'' uses as one of its major sources the writings of the people who were there at the time, to the point of reusing actual text with, at most, modernization of the English.

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Altered order to something less confusing, despite humor factor if you know both movies.


* ''WalkTheLine'' is Diegetic, as Johnny Cash is a professional singer on tour with his group. Each musical number depicted in the film occurs at a point that is professionally or personally important to Johnny Cash' life. (For example, his first audition, his first public performance, his comeback performance, asking June to marry him on stage, etc.)


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* ''WalkTheLine'' is Diegetic, as Johnny Cash is a professional singer on tour with his group. Each musical number depicted in the film occurs at a point that is professionally or personally important to Johnny Cash' life. (For example, his first audition, his first public performance, his comeback performance, asking June to marry him on stage, etc.)
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** Some of the film dialogue is paraphrased from lines that are sung in the stage version, so there's probably a bit of Adaptation going on as well.
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* ''ThePhantomOfTheOpera'' is approximately two-thirds Adaptation/All In Their Head and one-third Diegetic, with the [[ShowWithinAShow "operas"]] and a few other examples like "Music of the Night" (which is basically the Phantom attempting to seduce Christine via VillainLoveSong) happening as they would in real life but mostly with people singing what they would normally say or think to themselves. The film version supports supports the Adaptation Hypothesis by including scenes where characters actually ''speak'' the lyrics rather than sing them (although the result is [[{{Narm}} awkward]] to say the least).
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** ''TheSwordInTheStone'', for example, most of the singing done by characters with magical powers, and it's easy to imagine them casting spells using music.
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* ''WalkTheLine'' is Diegetic, as Johnny Cash is a professional singer on tour with his group. Each musical number depicted in the film occurs at a point that is professionally or personally important to Johnny Cash' life. (For example, his first audition, his first public performance, his comeback performance, asking June to marry him on stage, etc.)
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* ''MontyPythonAndTheHolyGrail'' is fully diagetic. The minstrel and his band are clearly singing in-universe about Brave Sir Robin. The ''Knights Of The Round Table'' song may appear to be something else, but as part of the song is about how they like to dress up, sing and dance, it's clear that the knights actually are singing and dancing. Which is why Arthur decides not to go to Camelot, as it is "a silly place."

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* ''MontyPythonAndTheHolyGrail'' is fully mostly diagetic. The minstrel and his band are clearly singing in-universe about Brave Sir Robin. The ''Knights Of The Round Table'' song may appear to be something else, but as part of the song is about how they like to dress up, sing and dance, it's clear that the knights actually are singing and dancing. Which is why Arthur decides not to go to Camelot, as it is "a silly place."
" The Swamp Castle scenes are probably Alternate Universe, since music will start out of nowhere when Prince Herbert wants to sing, but stops when the King tells it to.
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* ''MontyPythonAndTheHolyGrail'' is fully diagetic. The minstrel and his band are clearly singing in-universe about Brave Sir Robin. The ''Knights Of The Round Table'' song may appear to be something else, but as part of the song is about how they like to dress up, sing and dance, it's clear that the knights actually are singing and dancing. Which is why Arthur decides not to go to Camelot, as it is "a silly place."

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* ''ScottPilgrim'' is a strange case. The comics have it as a straight AU example, and is the ''least'' weird thing about the universe (which includes universities in the sky, glowing heads, power-ups, 1-ups, magical/vegan powers). The film, on the other hand, treats Matthew Patel bursting into song as very strange even for the universe (as evidenced by Stacey's "what the fuck?" expression)


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** Canada, on the other hand, works on the Diegetic Hypothesis. They even say in one song that they "even took three hours to rehearse this striking song."
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*** I'd mark this one as Diegetic.
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--> '''All''': It's getting earie... What's this cheery singing all about?

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--> '''All''': It's getting earie...eerie... What's this cheery singing all about?

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** This also causes a bit of FridgeBrilliance to kick in, since the patient isn't around for any of the actual dialogue sequences, and as soon as she does appear, characters break into song, even if they're halfway through a conversation.



* Scrubs' musical episode is revealed to be all in the head of a patient with an enormous brain tumour, which is causing her to hear everything in song. A bit of FridgeBrilliance kicks in, since the patient isn't around for any of the actual dialogue sequences, and as soon as she does appear, characters break into song, even if they're halfway through a conversation.
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* Scrubs' musical episode is revealed to be all in the head of a patient with an enormous brain tumour, which is causing her to hear everything in song. A bit of FridgeBrilliance kicks in, since the patient isn't around for any of the actual dialogue sequences, and as soon as she does appear, characters break into song, even if they're halfway through a conversation.
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*''Fame'' (1980) is mostly diegetic, as is appropriate for a film about a school for the performing arts, but one number, ''Hot Lunch'', seems to spill into Alternate Universe territory. An impromptu bit of music by a few students in the cafeteria gradually enlarges to encompass the entire school, spilling out into the surrounding city streets until it literally stops traffic. Somewhat justified, perhaps, in that it ''is'' a school for the performing arts, whose student body might be better prepared for sudden improv than your average high school.
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* '''The AlternateUniverse Hypothesis''': The musical is set in an alternate world, or magic has been worked on the ordinary world, in which people really do burst into spontaneous song and dance. If the world has always been this way, singing is simply a normal and commonplace form of human communication, if one that seems a bit odd to those of us living in a less musical world. If the world is not normally this way, expect it to be some sort of an [[MusicalisInterruptus uncontrollable compulsion to sing]] at emotional moments. Characters may here comment explicitly on when they or other characters are singing as opposed to talking (though where the verb "sing" is just used instead of something like "say" in a song, it does not necessarily imply this). This tends to be the most common, especially in stage musicals.

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* '''The AlternateUniverse Hypothesis''': The musical is set in an alternate world, or magic has been worked on the ordinary world, in which people [[CrowdSong people]] really do burst into [[SpontaneousChoreography spontaneous song and dance.dance]]. If the world has always been this way, singing is simply a normal and commonplace form of human communication, if one that seems a bit odd to those of us living in a less musical world. If the world is not normally this way, expect it to be some sort of an [[MusicalisInterruptus uncontrollable compulsion to sing]] at emotional moments.moments, sometimes to the extent of [[SummonBackupDancers Summoning Backup Dancers]] from seemingly nowhere. Characters may here comment explicitly on when they or other characters are singing as opposed to talking (though where the verb "sing" is just used instead of something like "say" in a song, it does not necessarily imply this). This tends to be the most common, especially in stage musicals.
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* ''TheBluesBrothers'' is mostly diagetic, with actually bands and musicians doing rehearsed performances. But then you have Aretha Franklin randomly bursting into song in a diner accompanied by background singers, and people flooding the streets to do a choreographed dance when Ray Charles belts out a number.
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* '''The All In Their Heads Hypothesis''': There is no singing; the songs are an artistic rendering of the characters' fantasies, with the format of song in a way serving to distinguish between what really happens and what is only in the characters' heads. Naturally, this means that no characters are aware of what goes on in another character's song: there may be duets, but then they are [[DistantDuet Distant]] {{Counterpoint Duet}}s where the two characters do not know of one another's participation.

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* '''The All In Their Heads Hypothesis''': There is no singing; the songs are an artistic rendering of the characters' fantasies, with the format of song in a way serving to distinguish between what really happens and what is only in the characters' heads.heads, much like a [[{{Shakespeare}} Shakespearean]] {{Soliloquy}}. Naturally, this means that no characters are aware of what goes on in another character's song: there may be duets, but then they are [[DistantDuet Distant]] {{Counterpoint Duet}}s where the two characters do not know of one another's participation.

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