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--->''To lose one parent, Mr. Worthing, may be regarded as a misfortune. To lose both looks like carelessness.''
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** THis was a case of ExecutiveMeddling. Creator Craig [=McCracken=] didn't intend for this climax of the story; Cartoon Network insisted on it.

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** THis This was a case of ExecutiveMeddling. Creator Craig [=McCracken=] didn't intend for this climax of the story; Cartoon Network insisted on it.
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* In ''The Cincinnati Kid'', as long as the title character is winning, he's a hero. When he finally loses, everyone is upset with him.

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* In ''The Cincinnati Kid'', ''Film/TheCincinnatiKid'', as long as the title character is winning, he's a hero. When he finally loses, everyone is upset with him.
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* A blatantly idiotic example occurs in the otherwise excellent ''Series/StarTrekTheNextGeneration'' episode "Brothers". A boy pranks his younger brother which scares the brother enough for him to run and hide. While hiding the younger brother eats a fruit that leaves him so ill he nearly dies. The older brother is severely scolded for nearly killing his brother. However, while a little cruel for a prank there was no reason for the older brother to expect anything worse then his younger brother being frighted for a little while out of his prank. This feels particularly horrible since a child that young would likely already be horrible guilt ridden to the point of tears and any competent parent would go out of their way to tell the child that this wasn't his fault.

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* A blatantly idiotic example occurs in the otherwise excellent ''Series/StarTrekTheNextGeneration'' episode "Brothers". A boy pranks his younger brother which scares the brother enough for him to run and hide. While hiding the younger brother eats a fruit that leaves him so ill he nearly dies. The older brother is severely scolded by numerous cast members for nearly killing 'nearly killing' his brother. However, while a little cruel for a prank there was no reason for the older brother to expect anything worse then his younger brother being frighted for a little while out of his prank. This feels particularly horrible since a child that young would likely already be horrible guilt ridden to the point of tears and any competent parent would go out of their way to tell the child that this wasn't his fault.fault not further scolding or blaming him.
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* Referenced in universe in ''[[Literature/VorkosiganSaga The Warrior's Apprentice]]''. Miles successfully predicts his enemy will attempt a flank attack and insists that all weapons be placed on the flank of the base to drive off the attack. When another man excitedly states he is a genius for predicting the maneuver Miles soberly reflects on what they would say if he had been wrong about the angle of the attack. Though this isn't a perfect example of this trope, as Miles was relying on more than dumb luck when he selected where to place the weapons.

to:

* Referenced in universe in ''[[Literature/VorkosiganSaga The Warrior's Apprentice]]''. Miles successfully predicts his enemy will attempt a flank attack and insists that all weapons be placed on the flank of the base to drive off the attack. When another man a (dubious) ally excitedly states he is a genius for predicting the maneuver Miles soberly reflects on what they would say if he had been wrong about the angle of the attack. Though this isn't a perfect example of this trope, as Miles was relying on more than dumb luck when he selected where to place the weapons.
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** THis was a case of ExecutiveMeddling. Creator Craig [=McCracken=] didn't intend for this climax of the story; Cartoon Network insisted on it.

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* In most legal systems attempted murder is a much less serious crime than murder, even though the only difference is whether the attack succeeded in killing the victim (which in many cases can be entirely attributable to blind luck).

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* In most legal systems attempted murder is a much less serious crime than murder, even though the only difference is whether the attack succeeded in killing the victim (which in many cases can be entirely attributable to blind luck).luck).
** This is exemplified in the movie ''Fury'', whose protagonist tries to get his attempted lynchers executed by hiding his survival.
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* A blatantly idiotic example occures in the otherwise excellent StarTrekTheNextGeneration episode Brothers. A boy pranks his younger brother which scares the brother enough for him to run and hide. While hiding the younger brother eats a fruit that leaves him so ill he nearly dies. The older brother is severely scolded for nearly killing his brother. However, while a little cruel for a prank there was no reason for the older brother to expect anything worse then his younger brother being frighted for a little while out of his prank. This feels particularly horrible since a child that young would likely already be horrible guilt ridden to the point of tears and any competent parent would go out of their way to tell the child that this wasn't his fault.

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* A blatantly idiotic example occures occurs in the otherwise excellent StarTrekTheNextGeneration ''Series/StarTrekTheNextGeneration'' episode Brothers."Brothers". A boy pranks his younger brother which scares the brother enough for him to run and hide. While hiding the younger brother eats a fruit that leaves him so ill he nearly dies. The older brother is severely scolded for nearly killing his brother. However, while a little cruel for a prank there was no reason for the older brother to expect anything worse then his younger brother being frighted for a little while out of his prank. This feels particularly horrible since a child that young would likely already be horrible guilt ridden to the point of tears and any competent parent would go out of their way to tell the child that this wasn't his fault.
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* A blatantly idiotic example occures in the otherwise excellent StarTrekTheNextGeneration episode Brothers. A boy pranks his younger brother which scares the brother enough for him to run and hide. While hiding the younger brother eats a fruit that leaves him so ill he nearly dies. The older brother is severely scolded for nearly killing his brother. However, while a little cruel for a prank there was no reason for the older brother to expect anything worse then his younger brother being frighted for a little while out of his prank. This feels particularly horrible since a child that young would likely already be horrible guilt ridden to the point of tears and any competent parent would go out of their way to tell the child that this wasn't his fault.
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* In ''Film/TheCincinnatiKid'', as long as the title character is winning, he's a hero. When he finally loses, everyone is upset with him.

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* In ''Film/TheCincinnatiKid'', ''The Cincinnati Kid'', as long as the title character is winning, he's a hero. When he finally loses, everyone is upset with him.
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The magic only came up in the final duel, where Yami\'s will allowed him to will his draws.


* A good chunk of ''Manga/YuGiOh'' revolved around congratulating Yugi/Yami for his "brilliant draws", basically his [[TheMagicPokerEquation tendency to draw exactly the card he needs at exactly the right time]] to win a duel.
** Of course, since magic is all but explicitly involved with making "the heart of the cards" ''actually do that'' for those [[EnlightenmentSuperpowers who know how to invoke it,]] it may actually be appropriate to congratulate him.
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* In ''The Cincinnati Kid'', as long as the title character is winning, he's a hero. When he finally loses, everyone is upset with him.

to:

* In ''The Cincinnati Kid'', ''Film/TheCincinnatiKid'', as long as the title character is winning, he's a hero. When he finally loses, everyone is upset with him.
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* The Pandaren starter quests in ''VideoGame/WorldOfWarcraft'' feature reckless Ji Firepaw performing an action to save their moving island Shen-zin Shu. This act would have the creature but for the presence of Horde and Alliance healers. Counterpart Aysa Cloudsinger's reaction is a WhatTheHellHero to Ji.

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* The Pandaren starter quests in ''VideoGame/WorldOfWarcraft'' feature reckless Ji Firepaw performing an action to save their moving island island, the giant turtle Shen-zin Shu. This act would have killed the creature but for the presence of Horde and Alliance healers. Counterpart Aysa Cloudsinger's reaction is a WhatTheHellHero to Ji.
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-->"Did I break it?"
-->"No."
-->"Well?"
-->"Well what?"
-->"Well, that's a big difference"
-->"Not really. He didn't mean to hurt your bike. He's just not very well co-ordinated. He was born that way. You and I are athletic. Not him."

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-->"Did I break it?"
-->"No."
-->"Well?"
-->"Well what?"
-->"Well,
it?"\\
"No."\\
"Well?"\\
"Well what?"\\
"Well,
that's a big difference"
-->"Not
difference"\\
"Not
really. He didn't mean to hurt your bike. He's just not very well co-ordinated. He was born that way. You and I are athletic. Not him."



* ''BuffyTheVampireSlayer'': Willow's RoaringRampageOfRevenge is forgiven fairly easily, even though (in-universe) it was really just luck and timing which prevented her from bringing about the apocalypse.

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* ''BuffyTheVampireSlayer'': ''Series/BuffyTheVampireSlayer'': Willow's RoaringRampageOfRevenge is forgiven fairly easily, even though (in-universe) it was really just luck and timing which prevented her from bringing about the apocalypse.

[[AC:Theatre]][[AC:{{Theatre}}]]
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* A good chunk of ''Manga/YuGiOh!'' revolved around congratulating Yugi/Yami for his "brilliant draws", basically his [[TheMagicPokerEquation tendency to draw exactly the card he needs at exactly the right time]] to win a duel.

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* A good chunk of ''Manga/YuGiOh!'' ''Manga/YuGiOh'' revolved around congratulating Yugi/Yami for his "brilliant draws", basically his [[TheMagicPokerEquation tendency to draw exactly the card he needs at exactly the right time]] to win a duel.
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* A good chunk of ''Manga/YuGiOh!'' revolved around congratulating Yugi/Yami for his "brilliant draws", basically his tendency to draw exactly the card he needs at exactly the right time to win a duel.

to:

* A good chunk of ''Manga/YuGiOh!'' revolved around congratulating Yugi/Yami for his "brilliant draws", basically his [[TheMagicPokerEquation tendency to draw exactly the card he needs at exactly the right time time]] to win a duel.



* Referenced in universe in ''[[Literature/VorkosiganSaga The Warrior's Apprentice]]''. Miles successfully predicts his enemy will attempt a flank attack and insists that all weapons be placed on the flank of the base to drive off the attack. When another man excitedly states he is a genius for predicting the maneuver Miles soberly reflects on what they would say if he had been wrong about the angle of the attack. Though this isn't a perfect example of this trope as Miles was relaying on more then dumb luck when he selected where to place the weapons.

to:

* Referenced in universe in ''[[Literature/VorkosiganSaga The Warrior's Apprentice]]''. Miles successfully predicts his enemy will attempt a flank attack and insists that all weapons be placed on the flank of the base to drive off the attack. When another man excitedly states he is a genius for predicting the maneuver Miles soberly reflects on what they would say if he had been wrong about the angle of the attack. Though this isn't a perfect example of this trope trope, as Miles was relaying relying on more then than dumb luck when he selected where to place the weapons.



* ''FullHouse'': when the Tanners go to Disney World, Stephanie and Michelle line up for some kind of a draw. Michelle pushes ahead of Stephanie in the line, draws the winning ticket, and spends the rest of the day being treated as a princess. Stephanie resents Michelle for this, and the script is clearly on her side. Now, you could certainly see how pushing ahead of her sister wasn't a very nice thing to do. But the fact that she drew the winning ticket really was just dumb luck. It could just as easily have gone the other way - with Michelle drawing a losing ticket followed by Stephanie drawing the winning one. Presumably Stephanie wouldn't be resenting her sister ''then''.

to:

* ''FullHouse'': when the Tanners go to Disney World, Stephanie and Michelle line up for some kind of a draw. Michelle pushes ahead of Stephanie in the line, draws the winning ticket, and spends the rest of the day being treated as a princess. Stephanie resents Michelle for this, and the script is clearly on her side. Now, you could certainly see how pushing ahead of her sister wasn't a very nice thing to do. But the fact that she drew the winning ticket really was just dumb luck. It could just as easily have gone the other way - with Michelle drawing a losing ticket followed by Stephanie drawing the winning one. Presumably Stephanie wouldn't be resenting her sister ''then''.



* Lady Bracknell in ''Theatre/TheImportanceOfBeingEarnest'' embodies this. She admonishes Jack for being an orphan because it shows "contempt for the decencies of family life"; disapproves of sympathising will ill people because "illness is hardly a thing to be encouraged"; and even congratulates an offstage character for finally "making up his mind" to die.

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* Lady Bracknell in ''Theatre/TheImportanceOfBeingEarnest'' embodies this.this along with LackOfEmpathy. She admonishes Jack for being an orphan because it shows "contempt for the decencies of family life"; disapproves of sympathising will ill people because "illness is hardly a thing to be encouraged"; and even congratulates an offstage character for finally "making up his mind" to die.
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-->"Heads you're a hero, tails you're a villain."

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-->"Heads -->''Heads you're a hero, tails you're a villain."
''
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Let everything be as it was.


-->"I tossed a coin upward with a light laugh; heads you're a hero, tails you're a villain."

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-->"I tossed a coin upward with a light laugh; heads -->"Heads you're a hero, tails you're a villain."
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There\'s nothing wrong with this example. This one illustrates exactly what the trope is about.


* In the 2008 film ''Film/YesMan'', the protagonist Carl takes it upon himself to answer "yes" to every request put to him. As a loans request manager in a bank, he hence has to grant every loan request put before him (most of which are for small, silly indulgences). He later receives praise and a promotion from his superiors.
** Of course, it was entirely down to chance that the loan applicants he happened to see during this period were people who wanted fairly small loans which they were able to pay back; if they had happened to be people demanding larger loans which they could not possibly repay, Carl would have granted them nevertheless, and received blame from his superiors (and perhaps even been fired).

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* In the 2008 film ''Film/YesMan'', the protagonist Carl takes it upon himself to answer "yes" to every request put to him. As a loans request manager in a bank, he hence has to grant every loan request put before him (most of which are for small, silly indulgences). He later receives praise and a promotion from his superiors. \n** Of course, it was entirely down to chance that the loan applicants he happened to see during this period were people who wanted fairly small loans which they were able to pay back; if they had happened to be people demanding larger loans which they could not possibly repay, Carl would have granted them nevertheless, and received blame from his superiors (and perhaps even been fired).

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I just noticed this example. It\'s irrelevant whether \"some skill\" was involved in the example, that\'s true of most examples. It simply has to be primarily dependent on luck.


* Lampshaded in ''Film/HarryPotterAndThePhilosophersStone'' just after the troll incident. Prof. [=McGonagall=] awards Harry and Ron five House points each "for sheer, dumb luck".
** Sure, there was luck involved, but also some skill.

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* Lampshaded in ''Film/HarryPotterAndThePhilosophersStone'' just after the troll incident. Prof. [=McGonagall=] awards Harry and Ron five House points each "for sheer, dumb luck". \n** Sure, While there was luck some skill involved, but also some skill. both Ron and Harry were exceptionally lucky nevertheless.
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\'actually do that literally\'


** Of course, since magic is all but explicitly involved with making "the heart of the cards" ''actually do that literally'' for those [[EnlightenmentSuperpowers who know how to invoke it,]] it may actually be appropriate to congratulate him.

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** Of course, since magic is all but explicitly involved with making "the heart of the cards" ''actually do that literally'' that'' for those [[EnlightenmentSuperpowers who know how to invoke it,]] it may actually be appropriate to congratulate him.
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Mmkay, well, this is an odd one. Maybe it\'s just that it was created by one author, but it\'s hard to get to grips with this so far. Someone should take a look.


-->"I stood there with my hand full of strange coins, watching Ahern talk to a clerk. Four days. I tossed a coin upward with a light laugh; heads you're a hero, tails you're a villain." - Mirari.

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-->"I stood there with my hand full of strange coins, watching Ahern talk to a clerk. Four days. I tossed a coin upward with a light laugh; heads you're a hero, tails you're a villain." - Mirari.
"

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Gawd, they\'re all like this. I give up.


* A good chunk of ''Manga/YuGiOh!'' revolved around congratulating Yugi/Yami for his "brilliant draws", basically his tendency to draw exactly the card he needs at exactly the right time to win a duel. Of course, since magic is all but explicitly involved with making "the heart of the cards" ''actually do that literally'' for those [[EnlightenmentSuperpowers who know how to invoke it,]] it may actually be appropriate to congratulate him.

to:

* A good chunk of ''Manga/YuGiOh!'' revolved around congratulating Yugi/Yami for his "brilliant draws", basically his tendency to draw exactly the card he needs at exactly the right time to win a duel.
**
Of course, since magic is all but explicitly involved with making "the heart of the cards" ''actually do that literally'' for those [[EnlightenmentSuperpowers who know how to invoke it,]] it may actually be appropriate to congratulate him.

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Added a quotation and split your examples into two parts - one being the actual example and the other being why the example is wrong. =\\



-->''Heads, you're a hero. Tails, you're a villain.''

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\n-->''Heads, -->"I stood there with my hand full of strange coins, watching Ahern talk to a clerk. Four days. I tossed a coin upward with a light laugh; heads you're a hero. Tails, hero, tails you're a villain.''
" - Mirari.



* In the 2008 film ''Film/YesMan'', the protagonist Carl takes it upon himself to answer "yes" to every request put to him. As a loans request manager in a bank, he hence has to grant every loan request put before him (most of which are for small, silly indulgences). He later receives praise and a promotion from his superiors. Of course, it was entirely down to chance that the loan applicants he happened to see during this period were people who wanted fairly small loans which they were able to pay back; if they had happened to be people demanding larger loans which they could not possibly repay, Carl would have granted them nevertheless, and received blame from his superiors (and perhaps even been fired).
* In the Antonioni film ''The Passenger'', JackNicholson's character decides he wants to leave his old life behind, and takes on the identity of an acquaintance who has just died. As it turns out, the acquaintance was an arms dealer running guns to rebel forces in north Africa, so that's what Nicholson's character starts doing. The over-all point of the film seems to be a nihilistic one: that it doesn't really matter what one does in life, and one shouldn't be bound by social roles or expectations. However, it's clear that the audience is supposed to sympathise with the rebels whom Nicholson's character is supporting. So while he appears not to care about the social consequences of his actions, he is still doing something good - or at least something not evil. It would be harder to see this character as heroic if he were running guns to neo-Nazis or the Taliban - even though he could just as easily have found himself doing just that!
* Lampshaded in ''Film/HarryPotterAndThePhilosophersStone'' just after the troll incident. Prof. [=McGonagall=] awards Harry and Ron five House points each "for sheer, dumb luck". Sure, there was luck involved, but also some skill.

to:

* In the 2008 film ''Film/YesMan'', the protagonist Carl takes it upon himself to answer "yes" to every request put to him. As a loans request manager in a bank, he hence has to grant every loan request put before him (most of which are for small, silly indulgences). He later receives praise and a promotion from his superiors.
**
Of course, it was entirely down to chance that the loan applicants he happened to see during this period were people who wanted fairly small loans which they were able to pay back; if they had happened to be people demanding larger loans which they could not possibly repay, Carl would have granted them nevertheless, and received blame from his superiors (and perhaps even been fired).
* In the Antonioni film ''The Passenger'', JackNicholson's character decides he wants to leave his old life behind, and takes on the identity of an acquaintance who has just died. As it turns out, the acquaintance was an arms dealer running guns to rebel forces in north Africa, so that's what Nicholson's character starts doing. The over-all point of the film seems to be a nihilistic one: that it doesn't really matter what one does in life, and one shouldn't be bound by social roles or expectations.
**
However, it's clear that the audience is supposed to sympathise with the rebels whom Nicholson's character is supporting. So while he appears not to care about the social consequences of his actions, he is still doing something good - or at least something not evil. It would be harder to see this character as heroic if he were running guns to neo-Nazis or the Taliban - even though he could just as easily have found himself doing just that!
* Lampshaded in ''Film/HarryPotterAndThePhilosophersStone'' just after the troll incident. Prof. [=McGonagall=] awards Harry and Ron five House points each "for sheer, dumb luck".
**
Sure, there was luck involved, but also some skill.
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->''Heads, you're a hero. Tails, you're a villain.''

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->''Heads, -->''Heads, you're a hero. Tails, you're a villain.''
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->''Heads, you're a hero. Tails, you're a villain.''

Moral luck is a concept in philosophy in which a person is praised or blamed for an action they carried out, the consequences of which were primarily dependent on blind luck. The archetypal thought experiment is that of the painter Gauguin, who abandoned his family in order to pursue his artistic muse. Because he was successful, people praise him for his courage and determination. But supposing that, through no fault of his own, Gauguin never caught a lucky break or simply wasn't as talented as he thought he was. Would he then be any different from a {{Jerkass}} DisappearedDad?

In order to qualify for this trope, a character has to carry out an action whose consequences depend mostly on luck, and be praised (or blamed) by other characters (or by the work itself) for their morality/immorality. It doesn't count if a character carries out such an action and no one judges them for it, and the reader is left to draw their own conclusions. The action has to be specifically treated as ethical or unethical by the work itself or characters in it.

This trope can easily transform a hero into a DesignatedHero or even a villain once FridgeLogic or FridgeHorror set in (or, conversely, transform a villain into an AntiVillain). It is often closely related to ProtagonistCenteredMorality. Even among sympathetic characters in a work, a DoubleStandard may form: the resident ButtMonkey's actions will always result in failure and they will be blamed for it, while the KarmaHoudini protagonist's will always succeed and they will receive praise.

WhatTheHellHero can serve to avert this. Compare MoralDissonance, NoEndorHolocaust and the various LuckTropes. Related to MillionToOneChance and HowDidYouKnowIDidnt. LaserGuidedKarma is sometimes offered as an explanation for this. LuckBasedMission is the video game equivalent, while TheMagicPokerEquation is a rough equivalent for card playing. Compare GambitRoulette: when a character's plans hinge so much on random chance and happenstance that the viewer's credibility is strained.

----

!!Examples:

[[AC:Anime and Manga]]

* A good chunk of ''Manga/YuGiOh!'' revolved around congratulating Yugi/Yami for his "brilliant draws", basically his tendency to draw exactly the card he needs at exactly the right time to win a duel. Of course, since magic is all but explicitly involved with making "the heart of the cards" ''actually do that literally'' for those [[EnlightenmentSuperpowers who know how to invoke it,]] it may actually be appropriate to congratulate him.
* ''{{Toriko}}'' has a lot of this, although characters in ''Toriko'' seem to have "luck" as an almost quantifiable statistic. Komatsu is valued not only for his tremendous cooking skill, but also because he has good "food luck," where a lot of inexplicable food-related things go his way.

[[AC:Film]]

* In the 2008 film ''Film/YesMan'', the protagonist Carl takes it upon himself to answer "yes" to every request put to him. As a loans request manager in a bank, he hence has to grant every loan request put before him (most of which are for small, silly indulgences). He later receives praise and a promotion from his superiors. Of course, it was entirely down to chance that the loan applicants he happened to see during this period were people who wanted fairly small loans which they were able to pay back; if they had happened to be people demanding larger loans which they could not possibly repay, Carl would have granted them nevertheless, and received blame from his superiors (and perhaps even been fired).
* In the Antonioni film ''The Passenger'', JackNicholson's character decides he wants to leave his old life behind, and takes on the identity of an acquaintance who has just died. As it turns out, the acquaintance was an arms dealer running guns to rebel forces in north Africa, so that's what Nicholson's character starts doing. The over-all point of the film seems to be a nihilistic one: that it doesn't really matter what one does in life, and one shouldn't be bound by social roles or expectations. However, it's clear that the audience is supposed to sympathise with the rebels whom Nicholson's character is supporting. So while he appears not to care about the social consequences of his actions, he is still doing something good - or at least something not evil. It would be harder to see this character as heroic if he were running guns to neo-Nazis or the Taliban - even though he could just as easily have found himself doing just that!
* Lampshaded in ''Film/HarryPotterAndThePhilosophersStone'' just after the troll incident. Prof. [=McGonagall=] awards Harry and Ron five House points each "for sheer, dumb luck". Sure, there was luck involved, but also some skill.
* In ''The Cincinnati Kid'', as long as the title character is winning, he's a hero. When he finally loses, everyone is upset with him.

[[AC:Literature]]

* This is lampshaded in the book ''Thirteen Never Changes'' by Budge Wilson. Thirteen year old Laura is furious when her nine year old brother borrows her new bike without asking and breaks it. Her older brother tells her that when she was nine, she borrowed his bike without asking.
-->"Did I break it?"
-->"No."
-->"Well?"
-->"Well what?"
-->"Well, that's a big difference"
-->"Not really. He didn't mean to hurt your bike. He's just not very well co-ordinated. He was born that way. You and I are athletic. Not him."
* Referenced in universe in ''[[Literature/VorkosiganSaga The Warrior's Apprentice]]''. Miles successfully predicts his enemy will attempt a flank attack and insists that all weapons be placed on the flank of the base to drive off the attack. When another man excitedly states he is a genius for predicting the maneuver Miles soberly reflects on what they would say if he had been wrong about the angle of the attack. Though this isn't a perfect example of this trope as Miles was relaying on more then dumb luck when he selected where to place the weapons.
* At the end of ''Literature/TheChrysalids'', the main character is trapped in a cave when TheCavalry show up, killing everyone in the area. Most of these people are bad guys, so we don't care, but one of them is the protagonist's childhood friend Sophie, who throughout the book is portrayed as sympathetic. Fortunately TheCavalry ''don't'' kill her - because she is shot just moments before they arrive! Since they are not ''technically'' responsible for her fate, no one seems upset that their indiscriminate killing ''could'' easily have caused the death of an innocent girl.

[[AC:LiveActionTV]]

* ''FullHouse'': when the Tanners go to Disney World, Stephanie and Michelle line up for some kind of a draw. Michelle pushes ahead of Stephanie in the line, draws the winning ticket, and spends the rest of the day being treated as a princess. Stephanie resents Michelle for this, and the script is clearly on her side. Now, you could certainly see how pushing ahead of her sister wasn't a very nice thing to do. But the fact that she drew the winning ticket really was just dumb luck. It could just as easily have gone the other way - with Michelle drawing a losing ticket followed by Stephanie drawing the winning one. Presumably Stephanie wouldn't be resenting her sister ''then''.
* ''BuffyTheVampireSlayer'': Willow's RoaringRampageOfRevenge is forgiven fairly easily, even though (in-universe) it was really just luck and timing which prevented her from bringing about the apocalypse.

[[AC:Theatre]]

* Lady Bracknell in ''Theatre/TheImportanceOfBeingEarnest'' embodies this. She admonishes Jack for being an orphan because it shows "contempt for the decencies of family life"; disapproves of sympathising will ill people because "illness is hardly a thing to be encouraged"; and even congratulates an offstage character for finally "making up his mind" to die.

[[AC:VideoGames]]

* The Pandaren starter quests in ''VideoGame/WorldOfWarcraft'' feature reckless Ji Firepaw performing an action to save their moving island Shen-zin Shu. This act would have the creature but for the presence of Horde and Alliance healers. Counterpart Aysa Cloudsinger's reaction is a WhatTheHellHero to Ji.

[[AC:WesternAnimation]]

* ''ThePowerpuffGirls'': After Rainbow the Clown is turned into an evil mime in an accident he goes on a crime spree, draining all the color from Townsville and its citizens, but after he's turned back to normal the girls don't realise he's not really evil and had no control over his actions and beat him up anyway.

[[AC:RealLife]]

* The [[http://en.wikipedia.org/wiki/Fundamental_attribution_error fundamental attribution error]] is closely related to this concept. Essentially, it notes that when an individual perceives a person as a member of an out-group, and they misbehave in some way, the individual tends to assume the misbehaviour is due to a personality flaw (they're a naturally nasty person) rather than their surrounding circumstances (they're just having a bad day). The corollary is that when the individual perceives a person as a member of the ''in''-group, the inverse is true: the individual assumes that any good they do is because of their personality (they're just a naturally nice person) rather than their circumstances (they just got lucky).
* In most legal systems attempted murder is a much less serious crime than murder, even though the only difference is whether the attack succeeded in killing the victim (which in many cases can be entirely attributable to blind luck).
** At a lesser level, certain parenting methods can take this form, with children receiving more severe punishment from their parents when their reckless actions inadvertently result in unpleasant consequences.
* The idea that [[WrittenByTheWinners "the winners write the history books"]] would involve this trope to some extent, depending on how much luck was involved in the victory, and how much the future historians couch or embellish what happened in moral terms.

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