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* ''Fanfic/StarWarsVsWarhammer40K'': Invoked in Episode 23: The Cost of Honor. Viewpoint character Kombirr justifies his desire to join the rebellion against the Imperial rule of Axum by pointing out that whereas the war between the Galactic Republic and the Confederacy of Independent Systems was morally murky, which was why he refused to take sides in it, the Imperials are [[VilerNewVillain a bunch of brutal colonizers who are systemically genociding Axum's non-human population]].

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* ''Fanfic/StarWarsVsWarhammer40K'': ''[[Fanfic/StarWarsVsWarhammer40K Star Wars vs Warhammer 40K]]'': Invoked in Episode "Episode 23: The Cost of Honor.Honor". Viewpoint character Kombirr justifies his desire to join the rebellion against the Imperial rule of Axum by pointing out that whereas the war between the Galactic Republic and the Confederacy of Independent Systems was morally murky, which was why he refused to take sides in it, the Imperials are [[VilerNewVillain a bunch of brutal colonizers who are systemically genociding Axum's non-human population]].
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* ''Fanfic/StarWarsVsWarhammer40K'': Invoked in Episode 23: The Cost of Honor. Viewpoint character Kombirr justifies his desire to join the rebellion against the Imperial rule of Axum by pointing out that whereas the war between the Galactic Republic and the Confederacy of Independent Systems was morally murky, which was why he refused to take sides in it, the Imperials are [[VilerNewVillain a bunch of brutal colonizers who are systemically genociding Axum's non-human population]].
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Spelling/grammar fix(es)


* ''VideoGame/{{Warframe}}'' initially leaves it vague how good or bad the three main factions (Grineer Empire, the Corpus, and the {{Player Character}}s, the Tenno) are relative to one another. The Grineer and Corpus are both acknowledged to treat neutral third parties horribly, but these third parties are only mentioned in lore, and could easily be chalked up as propoganda. The Tenno, meanwhile, follow the enigmatic Lotus, who is later revealed to be [[spoiler:a defector from the Sentients, the Tenno's ArchEnemy]], leaving it up in the air how good they really are. Any debate was fully laid to rest, however, with the release of the Relays, Cetus, and Fortuna, which finally introduced the normal peoples of the Origin System to the game, and emphasized not only how badly they are treated by the major powers (the Grineer outright destroy several relays inthe Eyes of Blight event, while the inhabitants of Fortuna are debt-slaves to the Corpus), but also [[HopeBringer what the Tenno are to these wayward souls]].

to:

* ''VideoGame/{{Warframe}}'' initially leaves it vague how good or bad the three main factions (Grineer Empire, the Corpus, and the {{Player Character}}s, the Tenno) are relative to one another. The Grineer and Corpus are both acknowledged to treat neutral third parties horribly, but these third parties are only mentioned in lore, and could easily be chalked up as propoganda. The Tenno, meanwhile, follow the enigmatic Lotus, who is later revealed to be [[spoiler:a defector from the Sentients, the Tenno's ArchEnemy]], leaving it up in the air how good they really are. Any debate was fully laid to rest, however, with the release of the Relays, Cetus, and Fortuna, which finally introduced the normal peoples of the Origin System to the game, and emphasized not only how badly they are treated by the major powers (the Grineer outright destroy several relays inthe in the Eyes of Blight event, while the inhabitants of Fortuna are debt-slaves to the Corpus), but also [[HopeBringer what the Tenno are to these wayward souls]].

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Fixing indentation, Fixing a sinkhole


* ''Franchise/{{Gundam}}''
** ''Anime/MobileSuitGundam00'' underwent a notable case of this. Much of season one had been spent building up the conflict between [[WellIntentionedExtremist Celestial Being]] who wanted to end all conflict and the various political factions of Earth, with all of them having sympathetic characters even the very morally dubious Human Reform League. Ali al-Saachez was the only real outlier as a CompleteMonster. Then the Trinity Siblings were introduced who took Celestial Being's ideals to extremes, killing civilians and causing the public to turn against Celestial Being and causing the factions to pool their resources. Alejandro Cormer, an affiliate of Celestial Being, was revealed to have orchestrated the scheme to hijack Aeolia Schenberg's plan for his own selfish ends and equips the United Nations with new mobile suits to take down the Gundams. Even after his death in the season one finale,his BastardUnderstudy Ribbons Almark takes power and proceeds to secretly puppet the new Earth Sphere Federation from the shadows, creating the ruthless [[StateSec A-LAWS]]. When Season Two begins, Celestial Being are now firmly the heroes fighting against the A-LAWS who go on to commit multiple atrocities at Ribbons' command.

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* ''Franchise/{{Gundam}}''
**
''Franchise/{{Gundam}}'': ''Anime/MobileSuitGundam00'' underwent a notable case of this. Much of season one had been spent building up the conflict between [[WellIntentionedExtremist Celestial Being]] who wanted to end all conflict and the various political factions of Earth, with all of them having sympathetic characters even the very morally dubious Human Reform League. Ali al-Saachez was the only real outlier as a CompleteMonster.outlier. Then the Trinity Siblings were introduced who took Celestial Being's ideals to extremes, killing civilians and causing the public to turn against Celestial Being and causing the factions to pool their resources. Alejandro Cormer, an affiliate of Celestial Being, was revealed to have orchestrated the scheme to hijack Aeolia Schenberg's plan for his own selfish ends and equips the United Nations with new mobile suits to take down the Gundams. Even after his death in the season one finale,his BastardUnderstudy Ribbons Almark takes power and proceeds to secretly puppet the new Earth Sphere Federation from the shadows, creating the ruthless [[StateSec A-LAWS]]. When Season Two begins, Celestial Being are now firmly the heroes fighting against the A-LAWS who go on to commit multiple atrocities at Ribbons' command.
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* Act 1 of ''Webcomic/GirlGenius'' built up to a conflict between [[Agatha]] and the InspectorJavert AntiVillain Baron Wulfenbach, who feared Agatha was really [[BigBad the Other]], a plainly malevolent force through-and-through. But by the time of Act 2, said battle was over, and the conflict shifted towards Agatha fighting the Other more head-on. Plus, even during Act 1's FinalBattle, Wulfenbach was [[spoiler:under the Other's mind-control]], adding a moral layer to it.

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* Act 1 of ''Webcomic/GirlGenius'' built up to a conflict between [[Agatha]] [[TheProtagonist Agatha]] and the InspectorJavert AntiVillain Baron Wulfenbach, who feared Agatha was really [[BigBad the Other]], a plainly malevolent force through-and-through. But by the time of Act 2, said battle was over, and the conflict shifted towards Agatha fighting the Other more head-on. Plus, even during Act 1's FinalBattle, Wulfenbach was [[spoiler:under the Other's mind-control]], adding a moral layer to it.
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[[folder:Webcomics]]
* Act 1 of ''Webcomic/GirlGenius'' built up to a conflict between [[Agatha]] and the InspectorJavert AntiVillain Baron Wulfenbach, who feared Agatha was really [[BigBad the Other]], a plainly malevolent force through-and-through. But by the time of Act 2, said battle was over, and the conflict shifted towards Agatha fighting the Other more head-on. Plus, even during Act 1's FinalBattle, Wulfenbach was [[spoiler:under the Other's mind-control]], adding a moral layer to it.
[[/folder]]

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[[folder:Films -- Animated]]
* ''WesternAnimation/{{Zootopia}}'': The film starts out with FantasticRacism between animal species being widespread among all the characters, but as the story progresses, the heroes learn to overcome their prejudices, while the villains aim to escalate racial tensions for their own purposes.


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[[folder:Films -- Animated]]
* ''WesternAnimation/{{Zootopia}}'': The film starts out with FantasticRacism between animal species being widespread among all the characters, but as the story progresses, the heroes learn to overcome their prejudices, while the villains aim to escalate racial tensions for their own purposes.
[[/folder]]
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[[folder:Fanfiction]]
* ''Fanfic/CodePrime'': The introduction of [[WesternAnimation/TransformersPrime the Autobots and Decepticons]] into the ''Anime/CodeGeass'' world ends up simplifying the morality of the Black Knights and Britannia - the Autobots steer the Black Knights in general and Zero in particular toward a more heroic path. Britannia, meanwhile, has its more dubious elements brought to the front while working with Megatron's forces. [[spoiler:The end of ''R1'' sees any remaining ambiguity removed when Megatron and the Decepticons outright conquer Britannia and kill Charles, with what remains of Britannia eventually joining the Autobots and Black Knights]].
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Adding Gundam 00

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* ''Franchise/{{Gundam}}''
** ''Anime/MobileSuitGundam00'' underwent a notable case of this. Much of season one had been spent building up the conflict between [[WellIntentionedExtremist Celestial Being]] who wanted to end all conflict and the various political factions of Earth, with all of them having sympathetic characters even the very morally dubious Human Reform League. Ali al-Saachez was the only real outlier as a CompleteMonster. Then the Trinity Siblings were introduced who took Celestial Being's ideals to extremes, killing civilians and causing the public to turn against Celestial Being and causing the factions to pool their resources. Alejandro Cormer, an affiliate of Celestial Being, was revealed to have orchestrated the scheme to hijack Aeolia Schenberg's plan for his own selfish ends and equips the United Nations with new mobile suits to take down the Gundams. Even after his death in the season one finale,his BastardUnderstudy Ribbons Almark takes power and proceeds to secretly puppet the new Earth Sphere Federation from the shadows, creating the ruthless [[StateSec A-LAWS]]. When Season Two begins, Celestial Being are now firmly the heroes fighting against the A-LAWS who go on to commit multiple atrocities at Ribbons' command.

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* ''VideoGame/Destiny2'': Throughout the run of ''VideoGame/{{Destiny}}}'' and its sequel, the Consensus Faction - New Monarchy, Dead Orbit, and the Future War Cult - have been a source of GreyAndGrayMorality due to their differing views, which they aren't able to reconcile even after the city gets invaded by Cabal. Come ''Season of the Splicer'', though, and they finally find enough common ground to unify on. [[spoiler:The problem is that this common ground is FantasticRacism toward the House of Light, who the Vanguard allowed into the Last City in exchange for their splicers' aid in breach the Vex network. All three factions actively work to kick the Eliksni out of the city, culminating in Overide: Last City, where Laksmi-3 ends up opening a Vex portal ''inside the city'', which almost leads to the City's destruction. Predictably, all three factions collapse once the mess is sorted out, [[NothingIsTheSameAnymore leading to the removal of all three factions and their gear, as well as an end to the Faction Rallys]]]].

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* ''VideoGame/Destiny2'': ''VideoGame/Destiny2'':
**
Throughout the run of ''VideoGame/{{Destiny}}}'' and its sequel, the Consensus Faction Factions - New Monarchy, Dead Orbit, and the Future War Cult - have been a source of GreyAndGrayMorality due to their differing views, which they aren't able to reconcile even after the city gets invaded by Cabal. Come ''Season of the Splicer'', though, and they finally find enough common ground to unify on. [[spoiler:The problem is that this common ground is FantasticRacism toward the House of Light, who the Vanguard allowed into the Last City in exchange for their splicers' aid in breach the Vex network. All three factions actively work to kick the Eliksni out of the city, culminating in Overide: Last City, where Laksmi-3 ends up opening a Vex portal ''inside the city'', which almost leads to the City's destruction. Predictably, all three factions collapse once the mess is sorted out, [[NothingIsTheSameAnymore leading to the removal of all three factions and their gear, as well as an end to the Faction Rallys]]]].Rallys]]]].
** As the main story of ''Destiny 2'' progresses along, the Guardians commit multiple morally ambiguous actions (working with the {{wild Card}}s Rasputin and Osiris, going on a RoaringRampageOfRevenge against Uldren Sov that risks war with the Reef, and vanquishing the Nightmares on the Moon by ''using their own essences against them''), culminating in them drawing power from the Darkness itself during the events of ''Beyond Light'' and ''Lightfall'' after receiving some encouragement from [[WildCard the Drifter, Eris Morn, and the Exo Stranger]]. Not helping matters is the Stranger revealing that she has fought the Darkness across timelines, with ''all'' previous timelines ending in the Guardians [[FallenHero falling to the temptation of the Darkness]]. Then ''Lightfall'''s campaign and the lorebook ''Inspiral'' drop a major bombshell: as had been implied over the last few years, [[spoiler:[[DarkIsNotEvil the Darkness is not an inherently evil force]], merely one that governs emotional and abstract powers as opposed to the Light governing physical phenomena. The true enemy of the Guardians, the Witness, has been pretending that the Darkness is intelligent (it's a BackgroundMagicField with no mind of its own) to convince others to go along with its plans for The Final Shape, and has destroyed other civilizations that peacefully used the Darkness to enforce this mindset]].
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* ''VideoGame/Destiny2'': As the storyline progresses, the game took the binary conflict between Light and Darkness from ''VideoGame/{{Destiny}}'' and applied GrayingMorality to it, culminating in ''Beyond Light'', where the Guardians are forced to wield the Darkness to fight the House of Salvation. Starting with ''The Witch Queen'', however, [[spoiler:this begins to reverse with the introduction of the true BigBad of the story, The Witness. The Witness is the one who caused the collapse and now seeks to finish what they started. Their presence ''alone'' obliterates the shades of grey in the conflict, as the threat it poses is enough that everyone is ''forced'' to take a side in the conflict between Light and Dark - Xivu Arath's Hive (the most directly loyal to the Witness) become the most prominent brood after Savathun's broods go rogue, the Fallen and Cabal align under groups siding with either the Last City or the Black Fleet (these are, respectively, the House of Light and the Cabal Ascendancy for the Last City and the House of Salvation and the Shadow Legion for the Black Fleet), the Sol Divisive, a Vex collective that worships the Darkness, becomes the most active collective in the system, and the Scorn and Taken finally return to serving the Witness. And to remove ''any'' ambiguity left in the conflict, not only is it implied that the Witness' victory will cause ''the end of the universe'', but ''Lightfall'' reveals that the Witness has been using its forces to wipe out other groups that ''also'' used the Darkness because it was offended by them using it in peaceful ways]].

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* ''VideoGame/Destiny2'': As Throughout the storyline progresses, run of ''VideoGame/{{Destiny}}}'' and its sequel, the game took Consensus Faction - New Monarchy, Dead Orbit, and the binary conflict between Light Future War Cult - have been a source of GreyAndGrayMorality due to their differing views, which they aren't able to reconcile even after the city gets invaded by Cabal. Come ''Season of the Splicer'', though, and Darkness from ''VideoGame/{{Destiny}}'' and applied GrayingMorality they finally find enough common ground to it, unify on. [[spoiler:The problem is that this common ground is FantasticRacism toward the House of Light, who the Vanguard allowed into the Last City in exchange for their splicers' aid in breach the Vex network. All three factions actively work to kick the Eliksni out of the city, culminating in ''Beyond Light'', Overide: Last City, where Laksmi-3 ends up opening a Vex portal ''inside the Guardians are forced city'', which almost leads to wield the Darkness to fight the House of Salvation. Starting with ''The Witch Queen'', however, [[spoiler:this begins to reverse with the introduction of the true BigBad of the story, The Witness. The Witness is the one who caused the City's destruction. Predictably, all three factions collapse and now seeks to finish what they started. Their presence ''alone'' obliterates once the shades of grey in the conflict, as the threat it poses mess is enough that everyone is ''forced'' to take a side in the conflict between Light and Dark - Xivu Arath's Hive (the most directly loyal sorted out, [[NothingIsTheSameAnymore leading to the Witness) become removal of all three factions and their gear, as well as an end to the most prominent brood after Savathun's broods go rogue, the Fallen and Cabal align under groups siding with either the Last City or the Black Fleet (these are, respectively, the House of Light and the Cabal Ascendancy for the Last City and the House of Salvation and the Shadow Legion for the Black Fleet), the Sol Divisive, a Vex collective that worships the Darkness, becomes the most active collective in the system, and the Scorn and Taken finally return to serving the Witness. And to remove ''any'' ambiguity left in the conflict, not only is it implied that the Witness' victory will cause ''the end of the universe'', but ''Lightfall'' reveals that the Witness has been using its forces to wipe out other groups that ''also'' used the Darkness because it was offended by them using it in peaceful ways]].Faction Rallys]]]].
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None

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* ''VideoGame/Destiny2'': As the storyline progresses, the game took the binary conflict between Light and Darkness from ''VideoGame/{{Destiny}}'' and applied GrayingMorality to it, culminating in ''Beyond Light'', where the Guardians are forced to wield the Darkness to fight the House of Salvation. Starting with ''The Witch Queen'', however, [[spoiler:this begins to reverse with the introduction of the true BigBad of the story, The Witness. The Witness is the one who caused the collapse and now seeks to finish what they started. Their presence ''alone'' obliterates the shades of grey in the conflict, as the threat it poses is enough that everyone is ''forced'' to take a side in the conflict between Light and Dark - Xivu Arath's Hive (the most directly loyal to the Witness) become the most prominent brood after Savathun's broods go rogue, the Fallen and Cabal align under groups siding with either the Last City or the Black Fleet (these are, respectively, the House of Light and the Cabal Ascendancy for the Last City and the House of Salvation and the Shadow Legion for the Black Fleet), the Sol Divisive, a Vex collective that worships the Darkness, becomes the most active collective in the system, and the Scorn and Taken finally return to serving the Witness. And to remove ''any'' ambiguity left in the conflict, not only is it implied that the Witness' victory will cause ''the end of the universe'', but ''Lightfall'' reveals that the Witness has been using its forces to wipe out other groups that ''also'' used the Darkness because it was offended by them using it in peaceful ways]].
Is there an issue? Send a MessageReason:
None


* ''VideoGame/DarkSouls'', with some rare (and mostly minor) exceptions, doesn't really have 'villains' or people who are downright evil. This is most exemplified in the supposed BigGood of the game, the Lord of Light Gwyn. He killed all the Everlasting Dragons and built civilization in the new world, but he's also an AbusiveParent amongst other rather morally dubious actions. [[spoiler:His sacrifice by throwing himself in the First Flame to revive it]] make him come off as at least somewhat heroic in the end... And then ''VideoGame/DarkSoulsIII'' (specifically the Ringed City DLC) reveals that he's a lot more villainous: [[spoiler:most importantly, he "gifted" the Pygmies, the ancestors of humanity who helped in the war against dragons, with a city/prison at the edges of the world, cancelled them from the annals of history, and branded all of them with a "ring of fire"; all because Gwyn was afraid of the inherent Darkness in human souls, and wanted to seal it away as much as possible. In doing so, humans lost control of their dark souls, the ring of fire turned into the Darksign, creating the Undead, and caused the Abyss to be spawned. And his sacrifice was pointless, as every linking of the fire causes the First Flame to weaken and the world to slowly collapse on itself through sheer entropy, meaning that the world is in a ''worse'' state than if he just let the fire fade in the first place. Through his fear and paranoia, Gwyn was responsible for almost all of humanity's woes in the franchise.]]

to:

* ''VideoGame/DarkSouls'', with some rare (and mostly minor) exceptions, doesn't really have 'villains' or people who are downright evil. This is most exemplified in the supposed BigGood of the game, the Lord of Light Gwyn. He killed all the Everlasting Dragons and built civilization in the new world, but he's also an AbusiveParent {{Abusive Parent|s}} amongst other rather morally dubious actions. [[spoiler:His sacrifice by throwing himself in the First Flame to revive it]] make him come off as at least somewhat heroic in the end... And then ''VideoGame/DarkSoulsIII'' (specifically the Ringed City DLC) reveals that he's a lot more villainous: [[spoiler:most importantly, he "gifted" the Pygmies, the ancestors of humanity who helped in the war against dragons, with a city/prison at the edges of the world, cancelled them from the annals of history, and branded all of them with a "ring of fire"; all because Gwyn was afraid of the inherent Darkness in human souls, and wanted to seal it away as much as possible. In doing so, humans lost control of their dark souls, the ring of fire turned into the Darksign, creating the Undead, and caused the Abyss to be spawned. And his sacrifice was pointless, as every linking of the fire causes the First Flame to weaken and the world to slowly collapse on itself through sheer entropy, meaning that the world is in a ''worse'' state than if he just let the fire fade in the first place. Through his fear and paranoia, Gwyn was responsible for almost all of humanity's woes in the franchise.]]
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* The Verdant Wind route of ''VideoGame/FireEmblemThreeHouses'' eases the GreyAndGreyMorality of the others and ends in something more closely resembling a traditional ''Franchise/FireEmblem'' story. Claude drops much of his secrets and becomes an IdealHero, Dimitri is so consumed by his revenge he gets himself killed offsceen, Edelgard is undisputibly TheHeavy who Claude sympathises with but feels must be opposed, Rhea finally explains Fodlan's history, is implied to be TheAtoner, and gets a RedemptionEqualsDeath moment, and the route's final enemies are the [[AlwaysChaoticEvil unambiguously villainous "those who slither in the dark"]] and [[spoiler: a revived King Nemesis, who is revealed to be even more evil than history portrayed him]].
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* ''VideoGame/{{Warframe}}'' initially leaves it vague how good or bad the three main factions (Grineer Empire, the Corpus, and the {{Player Character}}s, the Tenno) are relative to one another. The Grineer and Corpus are both acknowledged to treat neutral third parties horribly, but these third parties are only mentioned in lore, and could easily be chalked up as propoganda. The Tenno, meanwhile, follow the enigmatic Lotus, who is later revealed to be [[spoiler:a defector from the Sentients, the Tenno's ArchEnemy]], leaving it up in the air how good they really are. Any debate was fully laid to rest, however, with the release of the Relays, Cetus, and Fortuna, which finally introduced the normal peoples of the Origin System to the game, and emphasized not only how badly they are treated by the major powers (the Grineer outright destroy several relays inthe Eyes of Blight event, while the inhabitants of Fortuna are debt-slaves to the Corpus), but also [[HopeBringer what the Tenno are to these wayward souls]].
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None


* ''WesternAnimation/{{Zootopia}}'': The film starts out with Fantastic Racism between predator and prey being widespread among all the characters, but as the story progresses, the heroes learn to overcome their prejudices, while the villains aim to escalate racial tensions for their own purposes.

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* ''WesternAnimation/{{Zootopia}}'': The film starts out with Fantastic Racism FantasticRacism between predator and prey animal species being widespread among all the characters, but as the story progresses, the heroes learn to overcome their prejudices, while the villains aim to escalate racial tensions for their own purposes.

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!!Examples

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!!Examples!!Examples:



[[folder:Film -- Animated]]

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[[folder:Film [[folder:Films -- Animated]]



[[folder:Film -- Live-Action]]

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[[folder:Film [[folder:Films -- Live-Action]]



[[/folder]]

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[[/folder]][[/folder]]
----
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* ''Series/StarTrekDeepSpaceNine'': Over the course of the series, antagonistic characters would have PetTheDog moments or otherwise be made three-dimensional, some would even have redemption arcs. Some allies would slowly become morally gray. By the series finale, Dukat and Winn had shed any redeeming qualities and had fully embraced evil, Gowron became a full-on villain, Damar had a complete Heel Face Turn, and all the major Alpha-quadrant powers had fully alligned against the evil Dominion.

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* ''Series/StarTrekDeepSpaceNine'': Over the course of the series, antagonistic characters would have PetTheDog moments or otherwise be made three-dimensional, some would even have redemption arcs. Some allies would slowly become morally gray. By the series finale, Dukat and Winn had shed any redeeming qualities and had fully embraced evil, Gowron became a full-on villain, Damar had a complete Heel Face Turn, HeelFaceTurn, and all the major Alpha-quadrant powers had fully alligned against the evil Dominion.
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* ''VideoGame/DarkSouls'', with some rare (and mostly minor) exceptions, doesn't really have 'villains' or people who are downright evil. This is most exemplified in the supposed BigGood of the game, the Lord of Light Gwyn. He killed all the Everlasting Dragons and built civilization in the new world, but he's also an AbusiveParent amongst other rather morally dubious actions. [[spoiler:His sacrifice by throwing himself in the First Flame to revive it]] make him come off as at least somewhat heroic in the end... And then ''VideoGame/DarkSoulsIII'' (specifically the Ringed City DLC) reveals that he's a lot more villainous: [[spoiler: most importantly, he 'gifted' the Pygmies, the ancestors of humanity who helped in the war against dragons, with a city/prison at the edges of the world, cancelled them from the annals of history, and branded all of them with a 'ring of fire'; all because Gwyn was afraid of the inherent Darkness in human souls, and wanted to seal it away as much as possible. In doing so, humans lost control of their dark souls, the ring of fire turned into the Darksign, creating the Undead, and caused the Abyss to be spawned. And his sacrifice was pointless, as every linking of the fire causes the First Flame to weaken and the world to slowly collapse on itself through sheer entropy, meaning that the world is in a ''worse'' state than if he just let the fire fade in the first place. Through his fear and paranoia, Gwyn was responsible for almost all of humanity's woes in the franchise.]]

to:

* ''VideoGame/DarkSouls'', with some rare (and mostly minor) exceptions, doesn't really have 'villains' or people who are downright evil. This is most exemplified in the supposed BigGood of the game, the Lord of Light Gwyn. He killed all the Everlasting Dragons and built civilization in the new world, but he's also an AbusiveParent amongst other rather morally dubious actions. [[spoiler:His sacrifice by throwing himself in the First Flame to revive it]] make him come off as at least somewhat heroic in the end... And then ''VideoGame/DarkSoulsIII'' (specifically the Ringed City DLC) reveals that he's a lot more villainous: [[spoiler: most [[spoiler:most importantly, he 'gifted' "gifted" the Pygmies, the ancestors of humanity who helped in the war against dragons, with a city/prison at the edges of the world, cancelled them from the annals of history, and branded all of them with a 'ring "ring of fire'; fire"; all because Gwyn was afraid of the inherent Darkness in human souls, and wanted to seal it away as much as possible. In doing so, humans lost control of their dark souls, the ring of fire turned into the Darksign, creating the Undead, and caused the Abyss to be spawned. And his sacrifice was pointless, as every linking of the fire causes the First Flame to weaken and the world to slowly collapse on itself through sheer entropy, meaning that the world is in a ''worse'' state than if he just let the fire fade in the first place. Through his fear and paranoia, Gwyn was responsible for almost all of humanity's woes in the franchise.]]
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and wrong and right again.''\\
-->-- "Where is the Justice?", ''Theatre/DeathNoteTheMusical''

to:

and wrong and right again.''\\
-->--
''
--> --
"Where is the Justice?", ''Theatre/DeathNoteTheMusical''
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''The world's not black and white\\
''The choice not either/or\\

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''The The world's not black and white\\
''The The choice not either/or\\either/or''\\



'''Til we're back to seeing black and white\\
''and wrong and right again.\\

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'''Til Til we're back to seeing black and white\\
''and and wrong and right again.\\''\\
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->-- "Where is the Justice?", ''Theatre/DeathNoteTheMusical''

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->-- -->-- "Where is the Justice?", ''Theatre/DeathNoteTheMusical''
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->'''Teacher:''' ''Your simple arguments have all been made before''
''The world's not black and white''
''The choice not either/or''
'''Light:''' ''Perhaps it's time we drained the color from it, then''
'''Til we're back to seeing black and white''
''and wrong and right again.''
-->-- "Where is the Justice?", ''Theatre/DeathNoteTheMusical''

to:

->'''Teacher:''' ''Your simple arguments have all been made before''
before\\
''The world's not black and white''
white\\
''The choice not either/or''
either/or\\
'''Light:''' ''Perhaps it's time we drained the color from it, then''
then\\
'''Til we're back to seeing black and white''
white\\
''and wrong and right again.''
-->--
\\
->--
"Where is the Justice?", ''Theatre/DeathNoteTheMusical''
Is there an issue? Send a MessageReason:
Created from YKTTW

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[[noreallife]]
->'''Teacher:''' ''Your simple arguments have all been made before''
''The world's not black and white''
''The choice not either/or''
'''Light:''' ''Perhaps it's time we drained the color from it, then''
'''Til we're back to seeing black and white''
''and wrong and right again.''
-->-- "Where is the Justice?", ''Theatre/DeathNoteTheMusical''

The inverse of GrayingMorality, this is when an element of [[BlackAndWhiteMorality good and evil conflict]] is added to an otherwise [[GreyAndGreyMorality morally ambiguous]] work. If a series previously had a morally ambiguous outlook, sooner or later, there will be more polarization in terms of morality, and then there are many ShadesOfConflict.

Perhaps one of the belligerent parties is [[HiddenDepths shown to be of higher moral caliber than the other]], while the other is proven to be more depraved. Perhaps one of the belligerent parties started as morally gray but [[TookALevelInJerkass become progressively worse]], possibly to the point they cross the MoralEventHorizon, or is revealed to be a NotSoWellIntentionedExtremist. Or perhaps [[ConflictKiller a third belligerent party shows up]] who is far worse than either of the other belligerent parties, necessitating that both parties [[EnemyMine team up]] against the third belligerent.

At the logical extreme, all pretenses of moral ambiguity would be dropped for an outlook of good versus evil, but this isn't always the case. For the most part, with this trope, elements of good vs. evil are inserted in the work, but the work is still predominantly morally ambiguous in terms of how it operates.

Moral Disambiguation can happen for several reasons. Sometimes the creator wants to highlight that morally grey characters can become good or evil under certain circumstances. Alternatively, maybe they just wanted to make the fan favourites more likable while also darkening their enemies to make their fight more justified and/or to keep the overall level of evil equal. Or maybe the work has caught IssueDrift and uses the more black-and-white view to get its message across.

Compare MotiveDecay, when a character's understandable reasons for their actions give away to less justifiable reasons; it can overlap with this trope, but tends to take place over the course a less expansive timeframe. Compare and contrast BaitTheDog, when someone who is seemingly moral/charismatic is turns out to be immoral or unlikeable, although an ambiguous character can also turn out to be reprehensible.

See also CivilWarVersusArmageddon, when a gray-and-grey conflict is juxtaposed with a black-and-white one; NeutralNoLonger, when a single character picks a moral side; and DebateAndSwitch, where a moral dilemma is sidestepped. Also compare HeelFaceTurn and FaceHeelTurn. VilerNewVillain can often result from Moral Disambiguation. Compare {{Flanderization}}, as Moral Disambiguation sometimes overlaps with it (the somewhat-good grey character becomes fully good, while the somewhat-evil grey character becomes fully evil).

----

!!Examples
[[foldercontrol]]

[[folder:Anime & Manga]]
* ''Anime/{{Kill la Kill}}'' had shades of it from the beginning, with its Anti-Hero protagonist and her rebellious allies fighting an Evil Overlord, but the best example of it is when Satsuki fights Ragyo. The former is the aforementioned EvilOverlord, who trapped hundreds of innocents in Life Fiber traps to fulfill her goal of revenge, being well aware that all of them could die, and the latter is her abusive and incestuous mother, who plans to kill every single human and blow up the Earth in the name of the Life Fibers. The only reason it doesn't count as EvilVersusEvil is because Satsuki was revealed to have been GoodAllAlong. After that, the series shifts to BlackAndWhiteMorality.
* ''Manga/TalentlessNana'': Nana starts off as a Talentless sent by the government to infiltrate and kill various Talented individuals. While she's a [[VillainProtagonist ruthless murderer]], she's portrayed sympathetically due to her DarkAndTroubledPast and her genuine belief that the people she kills will become much greater threats to humanity at large if they're not "nipped at the bud". But as the story progresses, she begins to grow more and more disillusioned by her mission and eventually [[HeelFaceTurn turns]] against her employer, Tsuruoka, who is the true villain of the story. Unlike Nana, Tsuruoka has no sympathetic motives for wanting to oppress and kill the Talented, and the people he subsequently employs in Nana's place are just as power-hungry and cruel as he is, and the conflict gradually becomes less about the ethics and morality of handling dangerous superhuman powers, and becomes a more standard villain vs. hero face-off.
[[/folder]]

[[folder:Film -- Animated]]
* ''WesternAnimation/{{Zootopia}}'': The film starts out with Fantastic Racism between predator and prey being widespread among all the characters, but as the story progresses, the heroes learn to overcome their prejudices, while the villains aim to escalate racial tensions for their own purposes.
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[[folder:Film -- Live-Action]]
* ''Franchise/{{Godzilla}}'':
** Franchise/{{Tohoverse}}: [[Film/Godzilla1954 In the original 1954 movie]], Godzilla was a tragic creature seeking revenge on humanity after being a victim of their hubris, but as the franchise went on, the character generally became a campy AntiHero opposed to more generically-evil and sadistic {{kaiju}} and space aliens, such as Monster Zero, Gigan and the Xiliens.
** Franchise/MonsterVerse: In the first couple of movies, [[AdaptationalHeroism Godzilla]] and Kong are on humanity's side more due to circumstance than anything else. Godzilla causes mass destruction in his own right, and it's ambiguous how much he is out to destroy the more hostile [=MUTOs=] because they're disrupting the balance of nature at large, and how much he's just out to kill his natural enemy. In his debut in ''Film/KongSkullIsland'', Kong is an AntiHero and not above massacring U.S. military forces when they unwittingly disturb and threaten his kingdom. Meanwhile, Godzilla and Kong's kaiju foes in early installments are [[NonMaliciousMonster doing what nature built them to do rather than being deliberately malicious]]. In subsequent movies, Godzilla becomes more heroic and pathic to humans, and Kong becomes exclusively heroic, whilst the antagonistic kaiju get more petty and malicious, to the point of King Ghidorah being an OmnicidalManiac who displays ''true'' malice and wants to wipe out humanity just because he can.
* ''Franchise/JurassicPark'': The human bad guys get more ambitious and ''heinous'' in the ''Jurassic World'' movies than they were in the earlier ''Park'' movies, and the heroes get a little bit more concerned about the bigger picture besides their own survival. In particular, in ''Film/TheLostWorldJurassicPark''; Ian Malcolm only cares about the good guys getting back to civilization alive, and one of the other good guys is an unrepentant EcoTerrorist, whilst the bad guys are only a couple steps away from being [[VillainyFreeVillain Villainy-Free Villains]] who are acting well within their legal rights. By contrast, ''Film/JurassicWorldDominion'' sees Malcolm, Alan Grant and Ellie Sattler actively sticking their necks out by investigating [=BioSyn=] of their own initiatives, and trying to stop an ''existential'' threat to the planet; a threat which [=BioSyn=] unwittingly unleashed whilst the corporation was trying to ''engineer famine'' just to further their own greed.
* The ''Film/OceansEleven'' trilogy starts out as a group of charismatic and morally flexible thieves led by Danny Ocean robbing a slightly more detached and equally morally flexible casino owner, Terry Benedict, with ''Ocean's Twelve'' involving Benedict trying to retaliate with help from a rival of Ocean's. ''Ocean's Thirteen'' sees Ocean and Benedict team up against Benedict's rival, the downright smarmy casino owner Willy Bank, who betrayed Ocean's mentor Reuben Tishkoff in an unsavoury deal. Benedict finances Ocean's heist due to Bank's new casino casting a large shadow over the pool of one of Benedict's casinos. Benedict is shown throughout the trilogy to be much more benevolent of an employer than Bank, even if only out of pragmatism. Likewise, Ocean is shown to be extremely charismatic and not without his own standards.
* In the original ''Film/SpiderMan1'', Norman was more willing to go with Green Goblin's plans, making it harder to tell where Green Goblin ends and Norman begins is ambiguous. In ''Film/SpiderManNoWayHome'', it's a lot more obvious that they are separate individuals with the same body, with Norman wanting to get as far away from his other half as possible.
* ''Film/PulpFiction'': The storyline between Butch Coolidge and Marsellus Wallace is initially presented as a conflict between a hardened and unscrupulous prizefighter and a local mobster, with both parties presented as morally flexible. When they are both captured by pawn shop owners Maynard and Zed, the conflict becomes more clear cut in terms of morality, with Zed and Maynard being portrayed as sociopathic sexual predators and sadists, who the comparatively upstanding Butch and Marsellus team up to eliminate.
[[/folder]]

[[folder:Literature]]
* The ''Literature/NightHuntress'' novel ''Literature/{{Halfway to the Grave|NightHuntress1}}'' starts out with Cat Crawfield hunting vampires in general under the impression that they are evil. After finding out from her encounter with Bones Russell that vampires are not always the monsters she has been led to believe, Bones enlists Cat's help in dismantling a human trafficking network run by both vampires and humans.
* ''Literature/SwordOfTruth'': It starts out with a deep discussion of good and evil, right and wrong, and cause-and-effect, including black, white, and lots of distinct shades of grey. As the focus of the series switches to the war against the Imperial Order, it becomes a very us-against-them, black-and-white morality environment, to the point where the protagonists were doing things at the end of the series that they would have decried as evil at the beginning.
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[[folder:Live-Action TV]]
* ''Series/GameOfThrones'': Like the books it is based on, it generally started out as a GreyAndGreyMorality deconstruction of fantasy, showing that no character is really good or evil and war is a murky affair at best. With few exceptions, there's not really any fighting for the greater good or justice, only dynastic interests. Over time, it has become closer to BlackAndWhiteMorality, with many characters experiencing changes to their personalities to make them more clearly heroic or villainous, and the appearance of an AlwaysChaoticEvil faction that has been foreshadowed since the start of the show.
* ''Series/Merlin2008'': Originally, the series had a quite complicated morality. However, by Seasons Four and Five, the series' morality became a lot more black and white, as, following Uther's death, Arthur proves to truly be TheGoodKing who brings peace, stability, justice and a lot more social mobility to Camelot, not to mention recruiting the Knights of the Round Table. Meanwhile, Morgana takes multiple levels of {{Jerkass}} and goes through a massive amount of MotiveDecay. By the end of the series, she's just as deluded and paranoid as Uther, but proves to be an even worse tyrant than him. This is arguably the whole point of the series; Merlin needed to ensure Arthur would become king, as that was the only way things would get better.
* ''Series/{{Supernatural}}'''s black-and-white moral system [[GrayingMorality turned gray]] as the main characters started to fight demons, which requires them to murder innocent human hosts, the supernatural creatures stopped always being evil due to their race, and they started to make deals with demons in order to survive. Eventually, the brothers wouldn't bat an eye when forced to kill a room full human hosts, make moral decisions which trod the line between dangerously irresponsible and willfully evil, and constantly trade away the safety and wellbeing of huge numbers of people. By the end of the series, it tilted back towards black and white with the Winchesters balking at dancing so close to VillainProtagonist status, the introduction of Jack Kline on their side, and the final three [[ArcVillain Arc Villains]] after Amara being more evil and powerful than anything the Winchesters have faced before them.
* ''Series/CobraKai'': Johnny has some {{Jerkass}} traits and gives his students the same Cobra Kai training he had, but he's doing it so that they'll become more confident, assertive, and able to fight back against anyone who bullies them. Daniel is understandably wary of the rebirth of Cobra Kai, but he grabs the JerkassBall and goes out of his way to antagonize Johnny even though Johnny couldn't care less about his former rival. By the end of the first season, the series {{Reconstruct|ion}}s the BlackAndWhiteMorality from the first ''Film/TheKarateKid'' film. While Daniel's teachings turn Robby into a better person who's willing to let go of his anger towards his father, Johnny's only end up leading his students into the very path that ruined his life. However, he does realize what he has done. The following seasons become a fight between TheGoodTheBadAndTheEvil, with Johnny and Daniel eventually joining forces to stop the morally black Kreese. Although there's still shades of GrayingMorality by revealing that Kreese is motivated by a horrifying FreudianExcuse.
* ''Series/HouseOfAnubis'': The first season involved morally ambiguous teachers [[ImmortalitySeeker chasing immortality]] but not wanting to hurt the students, and a villain that stood out specifically for actually intending to cause harm, while the students ran the gamut from being normal heroes to anti-heroes, and anti-villains. By the third season, Sibuna was entirely morally good, and the villains were trying to cause an apocalypse, raising the stakes but removing the grayness.
* ''Series/StarTrekDeepSpaceNine'': Over the course of the series, antagonistic characters would have PetTheDog moments or otherwise be made three-dimensional, some would even have redemption arcs. Some allies would slowly become morally gray. By the series finale, Dukat and Winn had shed any redeeming qualities and had fully embraced evil, Gowron became a full-on villain, Damar had a complete Heel Face Turn, and all the major Alpha-quadrant powers had fully alligned against the evil Dominion.
[[/folder]]

[[folder:Video Games]]
* ''VideoGame/DarkSouls'', with some rare (and mostly minor) exceptions, doesn't really have 'villains' or people who are downright evil. This is most exemplified in the supposed BigGood of the game, the Lord of Light Gwyn. He killed all the Everlasting Dragons and built civilization in the new world, but he's also an AbusiveParent amongst other rather morally dubious actions. [[spoiler:His sacrifice by throwing himself in the First Flame to revive it]] make him come off as at least somewhat heroic in the end... And then ''VideoGame/DarkSoulsIII'' (specifically the Ringed City DLC) reveals that he's a lot more villainous: [[spoiler: most importantly, he 'gifted' the Pygmies, the ancestors of humanity who helped in the war against dragons, with a city/prison at the edges of the world, cancelled them from the annals of history, and branded all of them with a 'ring of fire'; all because Gwyn was afraid of the inherent Darkness in human souls, and wanted to seal it away as much as possible. In doing so, humans lost control of their dark souls, the ring of fire turned into the Darksign, creating the Undead, and caused the Abyss to be spawned. And his sacrifice was pointless, as every linking of the fire causes the First Flame to weaken and the world to slowly collapse on itself through sheer entropy, meaning that the world is in a ''worse'' state than if he just let the fire fade in the first place. Through his fear and paranoia, Gwyn was responsible for almost all of humanity's woes in the franchise.]]
[[/folder]]

[[folder:Web Animation]]
* ''WebAnimation/{{RWBY}}'': General Ironwood was originally portrayed as someone who ultimately meant well and just wanted to keep everyone safe, but made drastic and controversial decisions in order to do this. [[spoiler:He begins suffering from SanitySlippage after the villains play him like a fiddle to successfully topple Beacon, making him extremely paranoid and hell bent on protecting everyone at any cost. During the Atlas arc, he loses it completely and starts making unambiguously immoral choices, trying to kill Oscar and even plotting to drop a massive bomb on his own people]].
[[/folder]]

[[folder:Western Animation]]
* ''WesternAnimation/{{Amphibia}}'': In the first season, Sasha is an AntiHero who resorts to immoral actions to get her friends back. Grime leads a Machiavellian toad army with the redeeming quality that they want to maintain (an admittedly feudal) order. After King Andrias is revealed to be [[spoiler:a would-be MyopicConqueror who intends to conquer Earth and then the multiverse, and he's willing to stoop much lower than Sasha and Grime were]], Sasha and Grime unite with the main heroes and the heroes' formerly-neutral goals shift toward saving both Earth and Amphibia from an existential threat. Whereas Andrias is eventually revealed to be a more complex and multi-layered TragicVillain than his initial atrocities let on, his master -- the true BigBad [[spoiler:leader of the Myopic Conqueror campaign]] -- is a pure, unrepentant monster to the end (literally and metaphorically), and would [[spoiler:sooner destroy ''everything'' within its reach than admit defeat or try to redeem itself]].
* ''WesternAnimation/TheOwlHouse'': The Boiling Isles is for the most part a WorldOfJerkass, the {{deuteragonist}} Eda is only really concerned about keeping herself and her household alive against the Isles' authoritarian system, and BigBad Emperor Belos is AmbiguouslyEvil for a while. As Season 2 goes on, however, Belos is revealed to be [[spoiler:a [[FinalSolution genocidal]] existential threat to all the Boiling Isles' denizens (and one who killed his own beloved brother and has ''been sadistically killing {{Expendable Clone}}s of said brother for centuries afterward'')]], and all the denizens of the Isles find themselves increasingly pushed to one of two sides in the conflict: Eda and many other characters who were originally varying degrees of jerkass join the resistance to thwart Belos, and generally those who remain on Belos' side up to the Day of Unity are established to be irredeemable and are among the vilest characters in the series short of Belos himself.
[[/folder]]

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